2. FADE IN: FIRST SHOT OF RYAN
SCENE 6- SHOT TYPE- 180 CIRCULAR PAN (5SECS)
Camera moves around Ryan’s head using a slow & fast
edit. Sounds of voiceover heavy breathing.
THE HUSBAND (RYAN)
Sound of heavy breathing (facial expressions
show anger and anxiety.)
SCENE 7- SHOT TYPE- MID SHOT (10 SECS)
Ryan in the studio, black backdrop and high ray
spotlights on him. Talking to a private
investigator, direct address to camera.
Dialogue- I woke up and she was
gone. Just gone. You’ve got to find
my wife… I thought we were happy, uh
why would she do this to me? (Looks
down)
SCENE ( ) - SHOT TYPE- OVER THE SHOULDER
SHOT, HIGH ANGLE, (10 SECS)
Husband accessing Blake’s emails, shot shows him on
laptop lit by bright light produced from laptop.
Shines around head. Dialogue between husband and
private investigator that is never seen.
Dialogue- Wait what, hotel
reservations, meals out and working
in London? It’s like I’ve lost her.
If she seeing someone else I will
never forgive her for this. Please
find her I have to speak to her and
get the bottom of this.
SCENE ( ) - SHOT TYPE- SIDE PROFILE, MID
SHOT FOCUS ON FACE (10 SECS)
Ryan in the studio, shot taken from side showing
his intense emotions.
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3. Dialogue- You need to find out where
she’s gone, track her down do what
you ever you have to do just find
her, please.
SCENE ( ) - SHOT TYPE- HIGH ANGLE SHOT,
POINT OF VIEW SHOT FOCUSING ON ID DOCS PROPS
Shot shows him searching frantically though id
documents with voiceover.
Dialogue- These bank statements,
transaction to here, we’ve never
been here before? She has always
wanted to though. This doesn’t make
any sense, how would she have got
there. Maybe she’s in London, maybe
something’s happened to her.
THE END
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