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[object Object],[object Object],[object Object],[object Object],Italy before the Romans:  Etruscan Art
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Early Etruscan Art
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Fibula  with Orientalizing lions from the Regolini-Galassi Tomb, Cerveteri, Italy ca. 650-64:0 BCE. Gold,  approx. 1' 1/2" high.  http://etruskowie.blogspot.com/2010/09/etruska-bizuteria.html
Fibula  with Orientalizing lions from the Regolini-Galassi Tomb, Cerveteri, Italy ca. 650-64:0 BCE. Gold,  approx. 1' 1/2" high.  http://etruskowie.blogspot.com/2010/09/etruska-bizuteria.html
Fibula
Etruscan jewelry set
[object Object],[object Object],[object Object],[object Object],[object Object]
 
Models of Etruscan temples as described by Vitruvius ca. 6th century B.C.E. http://www.fransite.net/Klassiek/Romeins/kunst/slides/Model%20of%20a%20typical%20Etruscan%20temple%20of%20the%20sixth%20century%20BCE,%20as%20described%20by%20Vitruvius.html
Models of Etruscan temples as described by Vitruvius ca. 6th century B.C.E.
Apulu (Apollo) from the Portonaccio Temple, Veii, Italy ca. 510-500 B.C.E. painted terracotta 71 in. high http://t1.gstatic.com/images?q=tbn:ANd9GcQZdZycFDa_Zaf_l6eGsS5X-JSeNOREwQ5Jvr08V8yviQYCLCMi One example of a rooftop statue is the life-size image of Apulu from a temple in the Portonaccio sanctuary at Veii.
Apulu (Apollo) from the Portonaccio Temple,  Veii, Italy ca. 510-500 B.C.E. painted terracotta 71 in. high http://t1.gstatic.com/images?q=tbn:ANd9GcQZdZycFDa_Zaf_l6eGsS5X-JSeNOREwQ5Jvr08V8yviQYCLCMi
[object Object],[object Object],[object Object],[object Object],[object Object]
 
Banditaccia necropolis from Cerveteri, Italy 7th to 2nd centuries B.C.E.
Banditaccia necropolis from Cerveteri, Italy 7th to 2nd centuries B.C.E. The Necropolis of Banditaccia was designed as if it were to be inhabited by living beings. From the principal thoroughfare of "Via degli Inferi", there are a number of secondary roads lined with dozens of circular burial mounds, dug in to the tuff. The interiors of the tombs are similar to those of an Etruscan house.  The Tomba dei Rilievi (Tomb of the Reliefs, 3rd century BC) is by far the most decorative, its walls painted with images of domestic animals and various utensils for every day use. http://a1.l3-images.myspacecdn.com/images01/101/a9d9e7611a2e4e601ed5221ea812ef9b/l.jpg
Tumulus from Cerveteri, Italy 7th to 2nd centuries B.C.E.
Tumulus from Cerveteri, Italy 7th to 2nd centuries B.C.E. http://eternallycool.net/wp-content/uploads/2007/12/tomb-entrance-w-figures.jpg
Interior  Tomb of the Reliefs (Tomba dei Rilievi) Cerveteri, Italy  |  3rd century B.C.E.
Interior  Tomb of the Reliefs (Tomba dei Rilievi) Cerveteri, Italy  |  3rd century B.C.E.
Sarcophagus with reclining couple from Cerveteri, Italy ca. 520 B.C.E.  |  painted terracotta  |  45 1/2 in. high
Sarcophagus with reclining couple from Cerveteri, Italy ca. 520 B.C.E.  |  painted terracotta  |  45 1/2 in. high
 
[object Object],[object Object],[object Object],[object Object]
Detail of mural paintings  in the Tomb of  Triclinium|  Tarquinia, Italy  |  ca. 530-52:0 BCE.
Detail of mural paintings  in the Tomb of Hunting and Fishing  |  Tarquinia, Italy  |  ca. 530-52:0 BCE.
Late Etruscan Art Later Etruscan art is notable for bronze sculptures, carved stone sarcophagi, and the use of the arch in gateway architecture.
 
Chimera of Arezzo from the Arezzo, Italy 1st half of 4th century B.C.E. bronze 31 1/2 in. high Chimera (Greek mythology)  is a fire-breathing female monster with a lion's head and a goat's body and a serpent's tail.
Chimera of Arezzo  from the Arezzo, Italy 1st half of 4th century B.C.E.  |  bronze  |  31 1/2 in. high
 
contested Capitoline Wolf (Remus & Romulus added) from Rome, Italy ca. 500-480 B.C.E. bronze 31 1/2 in. high
 
NOVIOS PLAUTIOS Ficoroni Cista from Palestrina, Italy late fourth century BCE.  Bronze approx. 2' 6" high.  The  Ficoroni Cista  was found in an Etruscan woman's tomb in Palestrina, the center of Etruscan bronze industry. The fact that his piece was made by Novios Plautios, a Roman artist, signifies the growing importance of Rome as an Italian cultural and political center. http://www.emforster.info/pages/malcolnia2a.htm
http://www.emforster.info/pages/malcolnia2a.htm
 
Porta Marzia (Gate of Mars) Perugia, Italy 2nd century B.C.E.
http://www.museumsyndicate.com/images/4/36649.jpg http://www.museumsyndicate.com/images/4/36649.jpg
 
Sarcophagus of Lars Pulena from Tarquinia, Italy Early second century BCE.  Tufa | approx. 6' 6" long. http://www.museumsyndicate.com/images/4/36661.jpg In Hellenistic Etruria, the descendants of the magnificent Archaic terracotta sarcophagus from Cerveteri were made of local stone.
http://www.museumsyndicate.com/images/4/36661.jpg
http://www.museumsyndicate.com/images/4/36661.jpg
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ARTID111 Etruscan Art

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  • 8.  
  • 9. Fibula with Orientalizing lions from the Regolini-Galassi Tomb, Cerveteri, Italy ca. 650-64:0 BCE. Gold, approx. 1' 1/2" high. http://etruskowie.blogspot.com/2010/09/etruska-bizuteria.html
  • 10. Fibula with Orientalizing lions from the Regolini-Galassi Tomb, Cerveteri, Italy ca. 650-64:0 BCE. Gold, approx. 1' 1/2" high. http://etruskowie.blogspot.com/2010/09/etruska-bizuteria.html
  • 13.
  • 14.  
  • 15. Models of Etruscan temples as described by Vitruvius ca. 6th century B.C.E. http://www.fransite.net/Klassiek/Romeins/kunst/slides/Model%20of%20a%20typical%20Etruscan%20temple%20of%20the%20sixth%20century%20BCE,%20as%20described%20by%20Vitruvius.html
  • 16. Models of Etruscan temples as described by Vitruvius ca. 6th century B.C.E.
  • 17. Apulu (Apollo) from the Portonaccio Temple, Veii, Italy ca. 510-500 B.C.E. painted terracotta 71 in. high http://t1.gstatic.com/images?q=tbn:ANd9GcQZdZycFDa_Zaf_l6eGsS5X-JSeNOREwQ5Jvr08V8yviQYCLCMi One example of a rooftop statue is the life-size image of Apulu from a temple in the Portonaccio sanctuary at Veii.
  • 18. Apulu (Apollo) from the Portonaccio Temple, Veii, Italy ca. 510-500 B.C.E. painted terracotta 71 in. high http://t1.gstatic.com/images?q=tbn:ANd9GcQZdZycFDa_Zaf_l6eGsS5X-JSeNOREwQ5Jvr08V8yviQYCLCMi
  • 19.
  • 20.  
  • 21. Banditaccia necropolis from Cerveteri, Italy 7th to 2nd centuries B.C.E.
  • 22. Banditaccia necropolis from Cerveteri, Italy 7th to 2nd centuries B.C.E. The Necropolis of Banditaccia was designed as if it were to be inhabited by living beings. From the principal thoroughfare of "Via degli Inferi", there are a number of secondary roads lined with dozens of circular burial mounds, dug in to the tuff. The interiors of the tombs are similar to those of an Etruscan house. The Tomba dei Rilievi (Tomb of the Reliefs, 3rd century BC) is by far the most decorative, its walls painted with images of domestic animals and various utensils for every day use. http://a1.l3-images.myspacecdn.com/images01/101/a9d9e7611a2e4e601ed5221ea812ef9b/l.jpg
  • 23. Tumulus from Cerveteri, Italy 7th to 2nd centuries B.C.E.
  • 24. Tumulus from Cerveteri, Italy 7th to 2nd centuries B.C.E. http://eternallycool.net/wp-content/uploads/2007/12/tomb-entrance-w-figures.jpg
  • 25. Interior Tomb of the Reliefs (Tomba dei Rilievi) Cerveteri, Italy | 3rd century B.C.E.
  • 26. Interior Tomb of the Reliefs (Tomba dei Rilievi) Cerveteri, Italy | 3rd century B.C.E.
  • 27. Sarcophagus with reclining couple from Cerveteri, Italy ca. 520 B.C.E. | painted terracotta | 45 1/2 in. high
  • 28. Sarcophagus with reclining couple from Cerveteri, Italy ca. 520 B.C.E. | painted terracotta | 45 1/2 in. high
  • 29.  
  • 30.
  • 31. Detail of mural paintings in the Tomb of Triclinium| Tarquinia, Italy | ca. 530-52:0 BCE.
  • 32. Detail of mural paintings in the Tomb of Hunting and Fishing | Tarquinia, Italy | ca. 530-52:0 BCE.
  • 33. Late Etruscan Art Later Etruscan art is notable for bronze sculptures, carved stone sarcophagi, and the use of the arch in gateway architecture.
  • 34.  
  • 35. Chimera of Arezzo from the Arezzo, Italy 1st half of 4th century B.C.E. bronze 31 1/2 in. high Chimera (Greek mythology) is a fire-breathing female monster with a lion's head and a goat's body and a serpent's tail.
  • 36. Chimera of Arezzo from the Arezzo, Italy 1st half of 4th century B.C.E. | bronze | 31 1/2 in. high
  • 37.  
  • 38. contested Capitoline Wolf (Remus & Romulus added) from Rome, Italy ca. 500-480 B.C.E. bronze 31 1/2 in. high
  • 39.  
  • 40. NOVIOS PLAUTIOS Ficoroni Cista from Palestrina, Italy late fourth century BCE. Bronze approx. 2' 6" high. The Ficoroni Cista was found in an Etruscan woman's tomb in Palestrina, the center of Etruscan bronze industry. The fact that his piece was made by Novios Plautios, a Roman artist, signifies the growing importance of Rome as an Italian cultural and political center. http://www.emforster.info/pages/malcolnia2a.htm
  • 42.  
  • 43. Porta Marzia (Gate of Mars) Perugia, Italy 2nd century B.C.E.
  • 45.  
  • 46. Sarcophagus of Lars Pulena from Tarquinia, Italy Early second century BCE. Tufa | approx. 6' 6" long. http://www.museumsyndicate.com/images/4/36661.jpg In Hellenistic Etruria, the descendants of the magnificent Archaic terracotta sarcophagus from Cerveteri were made of local stone.
  • 49.
  • 50.
  • 51.
  • 52.

Editor's Notes

  1. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  2. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  3. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  4. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  5. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  6. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  7. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  8. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  9. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  10. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  11. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  12. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  13. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  14. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  15. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  16. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  17. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  18. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  19. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  20. Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  21. Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  22. Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  23. Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  24. Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  25. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  26. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  27. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  28. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  29. Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  30. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  31. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  32. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  33. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  34. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  35. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  36. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  37. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  38. Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  39. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  40. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  41. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  42. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  43. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  44. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  45. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  46. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  47. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  48. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  49. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  50. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  51. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
  52. Slide concept by William V. Ganis, PhD with modifications by Edeliza V. Macalandag, UAP FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.