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Acting
What are the differences between acting for the
stage
What are the differences between acting for the
stage and acting for the camera?
Film acting requires a different approach than theater acting
Film acting requires a different approach than theater acting
Films are shot out of sequence:
Film acting requires a different approach than theater acting
Films are shot out of sequence:
- scheduled logistically
Film acting requires a different approach than theater acting
Films are shot out of sequence:
- scheduled logistically
- can’t build toward a performance, the way they can
on the stage
Film acting requires a different approach than theater acting
Films are shot out of sequence:
- scheduled logistically
- can’t build toward a performance, the way they can
on the stage
- get “into character” very quickly
Scenes are constructed out of shots:
wide shot, medium shot, close up, etc.
Scenes are constructed out of shots:
wide shot, medium shot, close up, etc.
Most films are shot with a single camera
Performances are ASSEMBLED out of the best shots
Performances are ASSEMBLED out of the best shots
Actor’s performance is (somewhat) out of their
control - in editor’s hands
Performances are ASSEMBLED out of the best shots
Actor’s performance is (somewhat) out of their
control - in editor’s hands
Films that contain a lot of editing may distort an actor’s
performance (formalism)
Performances are ASSEMBLED out of the best shots
Actor’s performance is (somewhat) out of their
control - in editor’s hands
Films that contain a lot of editing may distort an actor’s
performance (formalism)
Film = director’s medium
Performances are ASSEMBLED out of the best shots
Actor’s performance is (somewhat) out of their
control - in editor’s hands
Films that contain a lot of editing may distort an actor’s
performance (formalism)
Film = director’s medium
Theatre = actor’s medium
Method Acting
Method Acting
- based on concepts originally developed by
Constantin Stanislavsky, Russian stage
actor and director
Method Acting
- based on concepts originally developed by
Constantin Stanislavsky, Russian stage
actor and director
- reaction to the more showy acting styles of
the time (early 1900s) –reaction against Theatrical Acting
Method Acting
- based on concepts originally developed by
Constantin Stanislavsky, Russian stage
actor and director
- reaction to the more showy acting styles of
the time (early 1900s) –reaction against Theatrical Acting
- developed more realistic style of acting
Method Acting
- based on concepts originally developed by
Constantin Stanislavsky, Russian stage
actor and director
- reaction to the more showy acting styles of
the time (early 1900s) –reaction against Theatrical Acting
- developed more realistic style of acting
- performances are more internal, less external
Method Acting
- based on concepts originally developed by
Constantin Stanislavsky, Russian stage
actor and director
- reaction to the more showy acting styles of
the time (early 1900s) –reaction against Theatrical Acting
- developed more realistic style of acting
- performances are more internal, less external
-actors “live” the part
Method Acting
- based on concepts originally developed by
Constantin Stanislavsky, Russian stage
actor and director
- reaction to the more showy acting styles of
the time (early 1900s) –reaction against Theatrical Acting
- developed more realistic style of acting
- performances are more internal, less external
-actors “live” the part
-lengthy rehearsal periods, actors encouraged to improvise
Subtext
Subtext
Stanislavsky encouraged actors to look for subtext in
the script – what the characters are thinking (beyond
what they’re saying)
Subtext
Stanislavsky encouraged actors to look for subtext in
the script – what the characters are thinking (beyond
what they’re saying)
Emotional Recall-By exploring their own subconscious
actors could trigger real emotions
Subtext
Stanislavsky encouraged actors to look for subtext in
the script – what the characters are thinking (beyond
what they’re saying)
Emotional Recall-By exploring their own subconscious
actors could trigger real emotions
Subtext is often conveyed non-verbally through body language
1947 - The Actor’s Studio founded in New York
1947 - The Actor’s Studio founded in New York
- based on concepts pioneered by Stanislavsky
1947 - The Actor’s Studio founded in New York
- based on concepts pioneered by Stanislavsky
Members of The Actor’s Studio include:
1947 - The Actor’s Studio founded in New York
- based on concepts pioneered by Stanislavsky
Members of The Actor’s Studio include:
- Robert de Niro
1947 - The Actor’s Studio founded in New York
- based on concepts pioneered by Stanislavsky
Members of The Actor’s Studio include:
- Robert de Niro
- Sidney Poitier
1947 - The Actor’s Studio founded in New York
- based on concepts pioneered by Stanislavsky
Members of The Actor’s Studio include:
- Robert de Niro
- Sidney Poitier
- Marlon Brando
and many others
Sherrybaby (2006)
Dir Laurie Collyer
Maggie Gyllenhaal as Sherry

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Drama and Acting lecture

  • 1.
  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 15. What are the differences between acting for the stage
  • 16. What are the differences between acting for the stage and acting for the camera?
  • 17. Film acting requires a different approach than theater acting
  • 18. Film acting requires a different approach than theater acting Films are shot out of sequence:
  • 19. Film acting requires a different approach than theater acting Films are shot out of sequence: - scheduled logistically
  • 20. Film acting requires a different approach than theater acting Films are shot out of sequence: - scheduled logistically - can’t build toward a performance, the way they can on the stage
  • 21. Film acting requires a different approach than theater acting Films are shot out of sequence: - scheduled logistically - can’t build toward a performance, the way they can on the stage - get “into character” very quickly
  • 22. Scenes are constructed out of shots: wide shot, medium shot, close up, etc.
  • 23. Scenes are constructed out of shots: wide shot, medium shot, close up, etc. Most films are shot with a single camera
  • 24. Performances are ASSEMBLED out of the best shots
  • 25. Performances are ASSEMBLED out of the best shots Actor’s performance is (somewhat) out of their control - in editor’s hands
  • 26. Performances are ASSEMBLED out of the best shots Actor’s performance is (somewhat) out of their control - in editor’s hands Films that contain a lot of editing may distort an actor’s performance (formalism)
  • 27. Performances are ASSEMBLED out of the best shots Actor’s performance is (somewhat) out of their control - in editor’s hands Films that contain a lot of editing may distort an actor’s performance (formalism) Film = director’s medium
  • 28. Performances are ASSEMBLED out of the best shots Actor’s performance is (somewhat) out of their control - in editor’s hands Films that contain a lot of editing may distort an actor’s performance (formalism) Film = director’s medium Theatre = actor’s medium
  • 30.
  • 31.
  • 32. Method Acting - based on concepts originally developed by Constantin Stanislavsky, Russian stage actor and director
  • 33. Method Acting - based on concepts originally developed by Constantin Stanislavsky, Russian stage actor and director - reaction to the more showy acting styles of the time (early 1900s) –reaction against Theatrical Acting
  • 34. Method Acting - based on concepts originally developed by Constantin Stanislavsky, Russian stage actor and director - reaction to the more showy acting styles of the time (early 1900s) –reaction against Theatrical Acting - developed more realistic style of acting
  • 35. Method Acting - based on concepts originally developed by Constantin Stanislavsky, Russian stage actor and director - reaction to the more showy acting styles of the time (early 1900s) –reaction against Theatrical Acting - developed more realistic style of acting - performances are more internal, less external
  • 36. Method Acting - based on concepts originally developed by Constantin Stanislavsky, Russian stage actor and director - reaction to the more showy acting styles of the time (early 1900s) –reaction against Theatrical Acting - developed more realistic style of acting - performances are more internal, less external -actors “live” the part
  • 37. Method Acting - based on concepts originally developed by Constantin Stanislavsky, Russian stage actor and director - reaction to the more showy acting styles of the time (early 1900s) –reaction against Theatrical Acting - developed more realistic style of acting - performances are more internal, less external -actors “live” the part -lengthy rehearsal periods, actors encouraged to improvise
  • 39. Subtext Stanislavsky encouraged actors to look for subtext in the script – what the characters are thinking (beyond what they’re saying)
  • 40. Subtext Stanislavsky encouraged actors to look for subtext in the script – what the characters are thinking (beyond what they’re saying) Emotional Recall-By exploring their own subconscious actors could trigger real emotions
  • 41. Subtext Stanislavsky encouraged actors to look for subtext in the script – what the characters are thinking (beyond what they’re saying) Emotional Recall-By exploring their own subconscious actors could trigger real emotions Subtext is often conveyed non-verbally through body language
  • 42. 1947 - The Actor’s Studio founded in New York
  • 43. 1947 - The Actor’s Studio founded in New York - based on concepts pioneered by Stanislavsky
  • 44. 1947 - The Actor’s Studio founded in New York - based on concepts pioneered by Stanislavsky Members of The Actor’s Studio include:
  • 45. 1947 - The Actor’s Studio founded in New York - based on concepts pioneered by Stanislavsky Members of The Actor’s Studio include: - Robert de Niro
  • 46. 1947 - The Actor’s Studio founded in New York - based on concepts pioneered by Stanislavsky Members of The Actor’s Studio include: - Robert de Niro - Sidney Poitier
  • 47. 1947 - The Actor’s Studio founded in New York - based on concepts pioneered by Stanislavsky Members of The Actor’s Studio include: - Robert de Niro - Sidney Poitier - Marlon Brando and many others
  • 48. Sherrybaby (2006) Dir Laurie Collyer Maggie Gyllenhaal as Sherry