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Closer
Clive Owen originated and played the role of Dan (Jude Law’s
character) in the stage play
The ending of the play was changed for the film.
The original ending shows Dan and Anna talking about how
Alice was hit by a car and killed.
Owen and Portman won Golden Globes for their roles.
Story and Writing
Difference between story and plot
Story: General subject matter
Difference between story and plot
Story: General subject matter
Plot: How the story is told (the structuring
of the scenes)
Romeo and Juliet (1968) Franco Zeffirelli
Romeo and Juliet (1996) Baz Luhrmann
The screenplay is the skeleton of the film
The screenplay is the skeleton of the film
the inner thoughts of the character are often omitted
A figurative technique: “An artistic
device that suggests abstract ideas
through comparison, either implied or
overt” (Gianetti)
Motif: so much a part of the film
(almost) an invisible symbol
Motif: so much a part of the film
(almost) an invisible symbol
A Motif: technique/object: that is
repeated and doesn’t call too much
attention itself
Examples:
Water
The Graduate
Story Lecture Powerpoint
Symbol: Objects placed in a film for purpose of
communicating an idea (symbolic meaning)
Story Lecture Powerpoint
Homage: The deliberate reference to another film
Who is telling the story?
First person: Narrator tells personal story (the entire
film is seldom told this way)
First person: Narrator tells personal story (the entire
film is seldom told this way)
Omniscient point of view: narrators are not
participants (all-knowing observers)
First person: Narrator tells personal story (the entire
film is seldom told this way)
Omniscient point of view: narrators are not
participants (all-knowing observers)
Third person: a nonparticipating narrator tells the story
from the consciousness of a single character
First person: Narrator tells personal story (the entire
film is seldom told this way)
Omniscient point of view: narrators are not
participants (all-knowing observers)
Third person: a nonparticipating narrator tells the story
from the consciousness of a single character
Objective point of view: does not enter the
consciousness of any character
Literature into Film
Three types of literature to film adaptation
Literature into Film
Three types of literature to film adaptation
1.Loose: an idea , situation or character used
from source
Literature into Film
Three types of literature to film adaptation
1.Loose: an idea , situation or character used
from source
2.Faithful: attempt to re-create/ as close to
original as possible
Literature into Film
Three types of literature to film adaptation
1.Loose: an idea, situation or character used
from source
1.Faithful: attempt to re-create/ as close to
original as possible
2.Literal: usually restricted to plays and
subtler in their modifications
Documentary
NON-FICTION FILM
NON-FICTION FILM
- Early Lumiére films basic documentary
NON-FICTION FILM
- Early Lumiére films basic documentary
- Recordings of actual events
NON-FICTION FILM
- Early Lumiére films basic documentary
- Recordings of actual events
- No actors, no screenplay
NON-FICTION FILM
- Early Lumiére films basic documentary
- Recordings of actual events
- No actors, no screenplay
-However, they lacked any type complex narrative
MODERN DOCUMENTARIES
- Deal with real people
MODERN DOCUMENTARIES
- Deal with real people
- Places and events
MODERN DOCUMENTARIES
- Deal with real people
- Places and events
- No actors, no screenplay
MODERN DOCUMENTARIES
- Deal with real people
- Places and events
- No actors, no screenplay
-Documentarians like fiction filmmakers superimpose a
narrative structure over the footage
Can a documentary tell the TRUTH?
• 500 Days of Summer
• dir Mark Webb (2009)
• Joseph-Gordon Levitt
• as Tom
• Zooey Deschanel
• as Summer
–

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Story Lecture Powerpoint

  • 1. Closer Clive Owen originated and played the role of Dan (Jude Law’s character) in the stage play The ending of the play was changed for the film. The original ending shows Dan and Anna talking about how Alice was hit by a car and killed. Owen and Portman won Golden Globes for their roles.
  • 3. Difference between story and plot Story: General subject matter
  • 4. Difference between story and plot Story: General subject matter Plot: How the story is told (the structuring of the scenes)
  • 5. Romeo and Juliet (1968) Franco Zeffirelli Romeo and Juliet (1996) Baz Luhrmann
  • 6. The screenplay is the skeleton of the film
  • 7. The screenplay is the skeleton of the film the inner thoughts of the character are often omitted
  • 8. A figurative technique: “An artistic device that suggests abstract ideas through comparison, either implied or overt” (Gianetti)
  • 9. Motif: so much a part of the film (almost) an invisible symbol
  • 10. Motif: so much a part of the film (almost) an invisible symbol A Motif: technique/object: that is repeated and doesn’t call too much attention itself
  • 13. Symbol: Objects placed in a film for purpose of communicating an idea (symbolic meaning)
  • 15. Homage: The deliberate reference to another film
  • 16. Who is telling the story?
  • 17. First person: Narrator tells personal story (the entire film is seldom told this way)
  • 18. First person: Narrator tells personal story (the entire film is seldom told this way) Omniscient point of view: narrators are not participants (all-knowing observers)
  • 19. First person: Narrator tells personal story (the entire film is seldom told this way) Omniscient point of view: narrators are not participants (all-knowing observers) Third person: a nonparticipating narrator tells the story from the consciousness of a single character
  • 20. First person: Narrator tells personal story (the entire film is seldom told this way) Omniscient point of view: narrators are not participants (all-knowing observers) Third person: a nonparticipating narrator tells the story from the consciousness of a single character Objective point of view: does not enter the consciousness of any character
  • 21. Literature into Film Three types of literature to film adaptation
  • 22. Literature into Film Three types of literature to film adaptation 1.Loose: an idea , situation or character used from source
  • 23. Literature into Film Three types of literature to film adaptation 1.Loose: an idea , situation or character used from source 2.Faithful: attempt to re-create/ as close to original as possible
  • 24. Literature into Film Three types of literature to film adaptation 1.Loose: an idea, situation or character used from source 1.Faithful: attempt to re-create/ as close to original as possible 2.Literal: usually restricted to plays and subtler in their modifications
  • 27. NON-FICTION FILM - Early Lumiére films basic documentary
  • 28. NON-FICTION FILM - Early Lumiére films basic documentary - Recordings of actual events
  • 29. NON-FICTION FILM - Early Lumiére films basic documentary - Recordings of actual events - No actors, no screenplay
  • 30. NON-FICTION FILM - Early Lumiére films basic documentary - Recordings of actual events - No actors, no screenplay -However, they lacked any type complex narrative
  • 31. MODERN DOCUMENTARIES - Deal with real people
  • 32. MODERN DOCUMENTARIES - Deal with real people - Places and events
  • 33. MODERN DOCUMENTARIES - Deal with real people - Places and events - No actors, no screenplay
  • 34. MODERN DOCUMENTARIES - Deal with real people - Places and events - No actors, no screenplay -Documentarians like fiction filmmakers superimpose a narrative structure over the footage Can a documentary tell the TRUTH?
  • 35. • 500 Days of Summer • dir Mark Webb (2009) • Joseph-Gordon Levitt • as Tom • Zooey Deschanel • as Summer –