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The damnation of charlie wormwood 004

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The damnation of charlie wormwood 004

  1. 1. CHRISTINA BLANCH 0 CHRIS CARR 0 CHEE THE llAMNA'l‘ION (IF W CHARLIE W0l{MWll0ll DYNAMITEM
  2. 2. TH E llAlVl‘A'l‘I(l’ (IF CllAl{LlE l’0llMW(l0ll D YIVAIMI T E. Nick Barrucci, CEO/ Publisher Juan Collado, President/ COO Rich Young, Director Business Development Keith Davidsen, Marketing Manager Joe Rybandi, Senior Editor Hannah Elder, Associate Editor Molly Mahan, Associate Editor Jason Ullmeyer, Design Director Katie Hidalgo, Graphic Designer Chris Caniano, Digital Associate Rachel Kilbury, Digital Assistant Writers: CHRISTINA BLANCH & CHRIS CARR Artist: CHEE Letterer: TROY PETERI Cover artist: CHEE Cover colorist: VALENTINA PINTO Original Editor: MARK WAID Online at www. DVNAMITE. com On Twitter @dynamitecomics On Facebookmynamitecomics On YouTube IDynamitocomics On Tumble dynamit9comiI: I.tumbIr. i:om Ceniiied Chain of Custody an fgggéwlfi PmmnIIrIu SuxlIIrI| i2IE Fnvaslrv K INITIATIVE wwwxhprngvam avg This label only applies to the text section. You luhé“ THE DAMNATION OF CHARLIE WORMWO0D"", VOLUME 1, #4. First printing. Published by Dynamite Entertainment, ‘I13 Gailher Dr. , STE 205, Mt. Laurel, NJ 08054. The Damnation of Charlie Wormwood is W‘ B( 0 2015 Christina Blanch, Chris Carr and Chee. All rights reserved. DYNAMITE, DYNAMITE ENTERTAINMENT and its logo are ® 81 ID 2015 Dynamite. All rights reserved. All names, char- acters, events, and locales in this publication are entirely fictional. Any resemblance to actual persons (living or dead), events or places, without satiric intent, is coincidental. No portion of this book may be reproduced by any means (digital or print) with» out the written permission ol Dynamite Entertainment except lor review purposes. Frlntsd In Canada For inlormation regarding press, media rights, foreign rights, licensing, promotions, and advertising e-mail: marketing@dynamite. corn
  3. 3. I ‘/5/III Wax
  4. 4. 9". COME ON! WE DON'T HAVE TIME FOR THIS! NOW! BEFORE HE COMES TO. I DON'T WANT TO BE AROUND FOR THAT. ’ STOP WHERE YOU ARE. ’ DON'T WHOA, I I HOLD ON! I HAVE PIZOFESSORS. ’ I/0.6‘/746E 5/TUAT/ OM’
  5. 5. WE'RE NOT HOSTAGES/ THIS MAN SAVED US FROM THE , ?/077 ' THIS IS A DISTURBANCE. NOT A RIOT. /5 / T our / F I DON'T ow! WHAT you CALL /7‘? I'M NOT HERE FOR A SEMANTIC ARGUMENT. ’ we JUST NEED TO GET TO A secures PLACE. ’ WHERE ARE WHAT ARE YOU DOING? HE SAVED US. ’ WHY ARE YOU CUFFING HIM? N YOU TAKING HIM? NOWHERE OUT THERE IS SAFE! YOU HAVE TO BRING HIM WITH . US. ’ GET BACK IN THERE. YOU'LL BE SAFE. SAVED OUR WHAT ABOUT ii HIM? WHERE ARE YOU TAKING HIM? ! HE'S GOING BACK TO LOC K-UR YOU'RE MARCHING HIM BACK THROUGH THE RIOT? WITH HIM CUFFEP?
  6. 6. YOU HAVE TO LET HIM ' GO! YOU CAN'T GO BACK THAT WAY! IT ISN'T SAFE. ’ AT LEAST TAKE HIS CUFFS OFF! LET US EXPLAIN WHAT YOU CAN'T DO THAT TO HIM. ’
  7. 7. HE'S . DEFENSELESS. ’ HE CAN'T EVEN PROTECT LET HIM GO. ’ HE DIDN'T DO ANYTHING WRONG. ’ IT'S THE OPPOSITE. WE OWE HIM. ’ I’ I sues Your? LOVERBOY WILL as FINE. I HOPE THEY GET HIM BACK SAFELY. ISTILL CAN'T BELIEVE HE DID THAT FOR (ODE 15/ OFF/ CEP5 . ATTACKED WHILE MOV/ A/9 / NMATE. ’ ONE / A/MATE DOW/ V! REPEATI “WE WMATE DOWN!
  8. 8. NOT ALL PRISONERS ARE THE SAME. LIZ. THEY AREN'T ALL BAD — PEOPLE. YOU KNOW THAT. ‘ I USED TO THINK “YOU KNOW THAT CLERK, L, ‘ BERT? ONE DAY HE SHOWED ME ALL OF THE BLIND SPOTS IN THE CLASSROOM. “YOU KNOW, THE AREAS ,1 WHERE THE CAMERAS DON'T HIT. I THOUGHT HE WAS BEING HELPFUL. II I LIZ? WHAT HAPPENED? ARE YOU HAVING SOME TROUBLE WITH A STUDENT? WET T ("7:TI “T ”T’; T.'T"T-: ’TT F. ‘ . I “THE NEXT TIME I TAUGHT. HE SHOWED UP I ~ WITH A LOVE NOTE. IT Y I‘ WAS HORRIFYING. " ‘ AGAIN. I DON'T WANT TO HAVE _. _.___- ‘ I I . /-- : AAEIJS5‘駒i’Ts -~ , I DoNTDoTHIs ‘K ‘T
  9. 9. HOW’S THE : * HAND, MIKE SELLING TESTS TO STUDENTS. YOU KNOW SCOTT HATES HIS " I JOB. HE BASICALLY LETS BERT ; RUN THE PLACE. ” -7 IT'S soRE. , .1} ‘V BUT IT WAS “BERT WOULD ALWAYS BRAG TO ME -- I GUESS TRYING TO IMPRESS ME --THAT HE WOULD SELL SPOTS IN MY CLASS. PRISONERS WOULD ‘BUY’ ME AS THEIR TEACHER. WHY DIDN'T YOU REPORT THIS? THIS IS DANGEIZROUSI “I WENT TO ED. HE SAID THAT HE WOULD THE NEXT THING I HELP AND THAT I SHOULDN'T WORRY _ _. ‘ KNOW. I GET NOTICE ABOUT ANYTHING. THAT I SHOULD ALWAYS _, . g . _ THAT I'M UNDER COME TO HIM WITH PROBLEMS LIKE THIS. " INVESTIGATION. -~~ WHEN I FINALLY GOT ED ON THE PHONE. HE SAID IT WAS “JUST PART OF THE PROCESS. " I JUST DIDN'T KNOW WHAT TO I WAS SO EMBARRASSED AND YOU DID THE RIGHT THING.
  10. 10. ABOUT HIM. ' aw-r ’ THEY HAVE N EVIDENCE. WHOSE woRD ARE THEY 3 GOING To BELIEVE? YOURS. OR A IT GOT WORSE. APPARENTLY. ALL ED DID WAS TELL SCOTT TO “HANDLE IT. ” ALL LAZY-ASS scorr DID WAS TELL BE/ er I , HAD COMPLAINED THINGS OFF WITH HER AND NOW SHE'S PISSED. SHE'S SAYING THESE THINGS TO GET BACK AT ME. THAT'S GOTTA . “CHARLIE. THEY'RE GOING THROUGH ALL MY STUDENTS’ PAPERS TO TRY TO FIND MORE ‘LOVE NOTES. ’ “BERT LIED HIS WAY OUT. HE TOLD SCOTT THAT WE’D HAD A TH/ NO GOING. " - BROKE I GREAT MORE FAFEPWOFK. “IF THEY WANT TO FIND ‘EVIDENCE’ BAD ENOUGH. THEY CAN MAKE TROUBLE OUT OF SOMETHING AS INNOCENT AS A NOTE THAT SAYS ‘IT WAS A PLEASURE TO HAVE YOU IN CLASS/ '.” SO NOW PEOPLE THINK I SLEPT WITH A PF/50/VEP. I MAY LOSE MY JOB. I THINK I KNOW SOMEONE WHO CAN HELP
  11. 11. OLD SAYING IS TRUE. ‘ ' A” WELL. AT I GUESS THE . 3 ILEADSWT ~/ Oou? I I. N Y u I THE PATH To HELL /5 ' ~ ‘ RAVED WITH GOOD I _ PMEE’ TIME I SEE YOUR FACE OR SMELL YOUR NASTY-ASS BREATH. I SORRY TO -‘ A ' . BOTHER you AGAIN, V A E EITHE ME. SIR. no you HOUI-D ' I ‘ ’ I HAVE ANY IDEA OF ONLY BE A FEW F‘ ‘ ATTACKED? MORE MINUTES. WHEN WE CAN I'LL LET you OH, YOU MEAN SMITHY? I HAVEN'T HEARD, I'M SURE THE OLD BASTARD WILL PULL THROUGH. BEEN IN HERE EORTY YEARS. HE'S TOO MEAN
  12. 12. WE WERE THAT MUST'VE SO V/ OFF/ ED BEEN TERRIBLE. WHEN WE THEY SAID THERE HEARD. ’ I WAS WERE INJURIES. SO RELIEVED BUT THEY DIDN'T CHARLIE. .. WHO'S YOUR -‘ if“ 73.. .. I - * BROUGHT AN . I ICE PACK FOR ‘ YOUR HAND, 7;
  13. 13. HANG ON. THERE'S AN UPDATE ON THE RIOT. THE l)AIVlNA'l‘l0N 0F CIIARLIIE W0l{IVlW00l) Chapter 8 I . ..AND THEN THIS PRISONER. BAP/ VUM, SAID SOMETHING LIKE “COME WITH ME IF YOU WANT TO LIVE/ " RIGHT. CHARLIE? THE WHOLE 41:» . . . MED/ A 5' . . I ' D/ STURBANCE. ’ OVEFFEAC7‘/ N6. THE C ORVEC TIO/ VAL I‘ ' *5 OFFICERS Aw 0uP SPEC/ AL 3!“; TEAMS QUICKLY PUT A/ V EA/ P TO A 9/ST L/ RB/ WC E THAT C OULD HAVE BEEN MUCH
  14. 14. WE HAVE A REPORT COMING IN. ' A TEACHER FROM A ‘ LOCAL UNIVERSITY WHO WAS BEATEN IN THE RIOT HAS BEEN PRONOUNCED DEAD AT COUNTY ANY C OMMEN77 WARDEN? THAT COULD HAVE BEEN YOU. ’ THAT COULD HAVE ' THE UNFORTUNATE DEATH IN THIS . D/ STURBANCE COULD HAVE BEEN gs, AVERT ED IF THE INSTRUCTOR HAD STAYED / N THE CLASSROOM ~ A5 ORDERED. WE MAKE IT VERY CLEAR THAT wt CANNOT TAKE RESPONSIBILITY FOR H/5 ACT/0A/5 / F HE D/50BEY5 THO§E ORDERS‘. THIS SITUATION WILL BE FULL Y INVEST / GATED AND THOSE WHO ARE RESPONSIBLE WILL BE BROUGHT TO JUST/ CE. HEY. DAD. HOW LONG BEFORE YOU HAVE TO GO TRIED. YOU HAD TO WORRY ABOUT YOU. WE 0”’ 99- NEED YOU. I HARDLY KNEW THE GUY BUT. STILL, I SAW HIM RUNNING THE WRONG WAY. I TRIED TO STOP HE'S NOT SURE. SWEETIE. IT'S STILL IN LOCKDOWN. I KNOW THIS WAS A TERRIBLE SURE HAS BEEN NICE HAVING YOU AROUND
  15. 15. “JUST LIKE RASKOLNIKOV, I “PLAN WAS TO JUST TAKE DREAMED OF COMMITTING ENOUGH MONEY. EVERYBODY ' THE PERFECT CRIME. KNOW THAT BANKS ARE ’ , _ I, ' '~_ INSURED UP TO 5250.000 DOLLAR. IT'S RIGHT THERE ON ‘ I THE STICKER ON THE DOUGH. / “THAT BANK WOULDN'T ___ EVEN MISS THAT MONEY. = so I TOOK IT. WHAT'S WRONG? YOU WON'T BELIEVE THE STORY IN THIS STUDENTS “I WAS YOUNG AND DUMB AND NEEDED MONEY. HAV| N' 9 KIDS WITH 4- BABY MOMMA’S AIN'T CHEAP. BITCHES SAY THEY NEED THE MONEY FOR MY KIDS. BUT I KNOW IT WAS FOR BLOW. BUT THEY WAS ALWAYS ON MY ASS. I SUPVOSED ~ : g TO BE AN EssAY ffl ON THE BOOK . “CRIME AND PUNISHMENT. " I'M NOT SURE T‘ WHAT TA/ /5 IS. .. THOUGH. “I DIDN'T NEED TO WEAR ' NO MASK ‘CAUSE ALL YOU WHITE PEOPLE THINK WE LOOK THE SAME. “I WAS IN A WHITE « INT sHoI2 wH THI5 '5 HI5 » NEIGHBORHOOD wHERE HIDDEN, Eu; SHIATII TAHEAWAY FROM THEY JUST SAW ME AS A WENT REAL WRONG. ‘CRIME ‘NI? NIGGA. THEY wOuLDN"r PAY THEY ARI2EsTED AND . , PUNISHMENT’? ME NO ATTENTION. THEY CONVICTED ME. ‘ ‘ JUST HOPED I'D KEEP MUST'VE BEEN A BLACK ‘ WALKIN' SO THAT THEY TELLER IN THE BANK YEAH. HE DID THE DIN’T NEED To WORRY. WHO DESCRIBED CRIME AND I'M THE ONE BEING PUNISHED HAVING TO READ V ABOuT IT. OKAY. WELL. I'M GLAD THINGS ARE BACK TO HE ROBBED A BANK. WHAT DID HE T/ -// /VK WOULD HAP" “THAT RASKOLNIKOV DUDE WAS LUCKY HE GOT 8 IN SIBERIA. I GOT 20 DO 10 AT THE WALL. THAT BE SOME BULLSHIT. I DIDN'T HURT NO ONE. ”
  16. 16. VACATION'S rg‘ A DONT om, I WISH YOU ~ « A WORRY. I'LL BE , _ . . FRISON’5 OFF DIDN'T HAVE ME, EITHER. FINE. TELL YOUR MOM SEE You » THANKs FOR STAYING ; WITH JUNIOR. IT WAS A _ NICE BREAK. LOC KDOWN. BUT THERE ARE NO OTHER JOBS RIGHT TO GO IN TONIGHT. HONEY. LOVE I AND BESIDES. ‘ wORKING THESE . ExTRA HOuRs ARE REALLY GOING TO ME. SIR. ..I'VE GOT AN OFFENDER B/ I/? .vUM OUT HERE _ SAYING HE'S YOUR - f TUTOR AND HE NEEDS « I » I THE HALL. LET ME TO SPEAK WITH A . - I I 3 KNOw IF YOU NEED A
  17. 17. I AM SO GLAD THIS LOCKDOWN WAS OVER. FAKE BOLOGNA AND CHEESE THREE TIMES A DAY! YOU MORE THAN EVER. I'M NOT TOUCHING THE DRUGS. I JUST YOUR MONKEYS THAT THEIR JOKES AREN'T THEY SEARCHED US GOOD THIS TIME. THEY GOT MY PHONE / WP YOU DID. YOU SAVED MY AND LIZ’S LIFE. I DON'T EVEN KNOW HOW I CAN BARNUM. THANK YOU FOR WHAT NO BIG DEAL’ DOC. LEAST I COULD DO. BESIDES. NOW ;2gpAy you Fog: THAT THEY HAVE YOU READY TO MAKE SOME REAL MONEY? GOT IT. NO TOUCHING DRUGS. BUT HOW’M I TELLING THEM ANYTHING? IF I COULD TELL THEM STUFF, I'M DEPENDING ON I WOULDN'T NEED YOU, RIGHT? RIGHT NOW, YOU TO RELAY MESSAGES. AND THAT'S WORTH A LOT TO ME. AND IT MAY BE THAT WAY FOR A WHILE. NO MORE PHONES SMUGGLING IN FOR NOW. THEY SNATCHED THE SOURCE.
  18. 18. S0. MORE WORK FOR YOU. JUST BY MEMORIZING AND DELIVERING MESSAGES. WELL. ..A LITTLE MORE INVOLVED. YOU TALK TO THE CLIENTS TO SEE WHAT THEY NEED. YOU WON'T DELIVER THE GOODS. DON'T WORRY. KITCHEN STINKS. BUT THE LAUNDRY IS EXCELLENT RELAX. YOU JUST GOT A PROMOTION AND A RAISE. EASIEST MONEY YOU'LL EVER MAKE. ENOUGH TO COVER YOU TAKE THE ORDER. COME TALK TO ME. .. . ..I GIVE YOU THE CODE FOR MY. ..“MONKEYS. " AS YOU CALL THEM. .. . ..THEY DO THE DELIVERIES. YOU PICK UP MY PAYMENTS FROM THEM, SKIM YOUR SHARE. THEN DROP THE BALANCE OFF AT MY D/ NER. YO” ' HERE'S THE OWN A REAL, . LEGIT BUSINESS. 2 “””‘55‘" WHY NOT GIVE UP 5' THE OTHER STUFF? RESTAURANTING ISN'T ESPECIALLY LUCA? /IT/ VE. IT SERVES ITS
  19. 19. WHAT AM I DOING? 1 - WHY AM I WRITING THIS IT'S OVER IN DOWN WHEN I HAVE MY «H 59517’-977'? » OWN pEg5oNN_ 1-Apg I‘ ADDRESS IS 2814 RECORDER, RIGHT? , . CLARK LANE. MAN. OLD HABITs i DIE HARD. .. GREAT .6771? H" CAFE. REAL ORIGINAL, I KNOW BUT THE LOCATION'S IDEAL ~¢AUsE THE TOWN'S GOT NO POLICE FORCE TO SPEAK OF. FOLKS MIND THEIR OWN HEAD wgg-r OUT 5U5INE55- OE THIS SHITHOLE AND IT'S RIGHT WHERE THE RIVER FORKS. I DRIVE HARDLY ANYONE THROUGH DOES. ANOTHER REASON THERE ALMOST IT'S PERFECT. PLUS. EVERY DAY. I UNTRACEABLE CASH. TIPS DIDN'T EVEN BILLS CHANGING HANDS. KNOW IT WAS A IT JUST WORKS. TOWN. = ‘ I KNOW. IF ONLY I USED MY POWERS FOR GOOD. .. THEY'RE RELEASING THE ANIMALS. LET ME KNOW IF ANY OF THEM GET OUT OF LINE.
  20. 20. YOU'LL BE IN TOMORROW? YEAH. COMPUTER LAB. HE ALWAYS SEEMS LIKE HE'S WISHING FOR SOMEONE TO “GET OUT OF LINE. ” WE'LL TALK SPECIFICS THEN. DR. W. LONG TIME. YOU ENJOY THE VACATION? NO. I HAD TO GRADE YOUR . AWW, DOC. WE WORKED HARD ON THOSE. WE STILL ON CRIME AND PUNISHMENT?
  21. 21. THE l)AIVINA'l‘I0N 01? CIIARLIE W0l{MW00ll Chapter SO MANY BILLS. AND MORE EVERY CAN WE NOT DO THIS NOW? THEY WILL BE THERE TOMORROW, CHARLIE. WE DON'T HAVE MANY NIGHTS TO OURSELVES. MOM CAN ONLY STAY AT THE HOSPITAL 9 I JUST CAN'T THINK OF ANYTHING ELSE. THIS WEIGHS SO HEAVY. I KNOW YOU THINK ABOUT IT, TOO, , BUT I'M SUPPOSED TO BE THE BREADWINNER. I'M SUPPOSED TO TAKE CARE OF THIS AND YOU DO TAKE CARE OF US. YOU WORK ALL THE , _ TIME. AND WHEN YOU AREN'T WORKING. YOU'RE WITH JUNIOR. PLEASE STOP BLAMING YOURSELE. you DIDN'T DO THIS. IT JUST HAPPENED. AND WE'LL GET THROUGH IT TOGETHER. _
  22. 22. C’MON. WHY DON'T YOU. ME. AND MR. PAN/ EL5 . HERE RETIRE TO THE ' ~ Y BEDROOM AND FORGET ABOUT THIS EOR JUST ONE HI. ’ CAN WE I‘ I CALL YOU BACK IN A-- . JE5L/5'. ’ CAN YOU DAMN . BILL COLLECTORS . LEAVE US ALONE ‘ ‘I FOR ONE DAMN X. CHARLIE, I , ' THERE'S BEEN AN ' AC6/DEN7.'. J
  23. 23. "fig | IIlIJ. ‘"‘« / I,’ / 3" " I ‘. ' / V ’ H ‘ , .s w“ 31.: 1i ' ; , ‘ ‘§ ‘J’ DIRT, ‘ " 1" I I —- STAR WARS #1 I Kr" - STAR WARS #1 DE EXCLUSIVE COVER SIGNED BY JOHN CASSADAY ART BY GREG LAND PRINCESS LEIA #1 STAR WARS #1 DARTH VADER #1 DARTH VADER #1 PRINCESS LEIA #1 SIGNED BY SCOTTIE YOUNG SIGNED BY SCO1'| '|E YOUNG SIGNED BY SCOTTIE YOUNG CGC GRADEED S| GNED BY IERRY DODSON STAR WARS #1 DARTH VADER STAR WARS #1 BOBA FE'IT ‘ STAR WARS #1 PRINCESS LEIA . STAR WARS #1 YODA STAR WARS #1 HAN SOLO RE-MARK EDITION RE-MARK EDITION ( RE-MARK EDITION I RE-MARK EDITION RE-MARK EDITION F‘II‘, I£> IYIIK 1:. E ii’. . 3;; {I4-. 'I‘§l _:1;: £ L= !£i, 1‘ I‘. .lL. It‘__IEi AVE: Ir‘Ir‘Tr —’—I—, ( —'~/ I» 1 I, 4 / ‘ ‘_: _‘_L" '1‘ -‘ _‘( * Final cover art may vary All characers are "' and W of their respective owners. ‘Dynamic Forces" and the Dynamic Forces logo are R‘ and A i 2015 Dynamic Forces, Inc
  24. 24. WARREN ELLIS WRITER OF TREES AND MOON KNIGHT A TERR THE PRO BLACKCROSS- PART ONE OF SIX [IV/ |/A/ |J[TE® WWW. DYNAM| 'IE. COM @DYNAMlTECOM| CS / DYNAMITECOMICS Project Superpowers and all related characters are "‘ & © 2015 Dynamite Characters. llc. All Rights Reserved. Dynamite, Dynamite Entertainment, and its logo are (8 8. © 2015 Dynamite. All Rights Reserves.
  25. 25. DY/ VfllMITE® IN THE NEWS - JANUARY 2015 H| STORY'S MOST INFAMOUS HORROR ICONS, VLAD DRACULA AND ELIZABETH BATHORY, COLLIDE IN NEW BLOOD QUEEN VS. DRACULA MINISERIES Ilr/ uunr -I Dynamite Entertainment proudly announces the first-ever confrontation between two of its premiere horror char- acters in Blood Queen Vs. Dracula, a four- part storyline scheduled for March 2015 release. Written by Troy Brownfield and illustrated by Kewber Baal, the series will debut with captivating cover images courtesy of artists Jay Anacleto, Fabiano Neves, Ardian Syaf, and Lucio Parrillo. "Having the Blood Queen face off with Dracula seems like the most natural thing in the world, " says Troy Brownfield, who introduced the villainous Elizabeth Bathory in Dynamite's 2014 series, The Blood Queen. "Considering that the his- torical personages that they're based upon come from the same area of the world, and that they've had a strong and occasionally linked profile in pop culture forever, it struck me as a pretty solid place to go. It certainly doesn't hurt that I wrote a Dracula novel, Prince Dracula, for Dynamite last year, either. " In Blood Queen Vs, Dracula, the Prince of Darkness returns from war to face a potential threat in the form of the Blood Queen. Will they become allies, or adver- saries? Whatever the outcome, one thing is certain: blood will be spilled. "You always want to challenge your charac- ters, " says Brownfield. "| s there a bigger challenge for Elizabeth than the Prince of Darkness? I'm really excited at the chance to expand the Blood Queen world, and to do new and different things with Dracula while I'm at it. " Dracula has been a staple of Dynamite Entertainment projects throughout the years: plaguing Army of Darkness hero Ash Williams, leading a supernatural assault on the Top Cow Universe in the Monster War crossover, and fighting alongside his daughter Eva in the Prophecy miniseries event by Ron Marz. The literary character's classic story was retold in The Complete Dracula in 2009, while Dynamite has also revived Dracula's long-standing feud with Vampirella, stemming back over forty years to his first appearance in Vampirella Magazine. In April 2014, Dynamite published the digital prose novel Prince Dracula, written by Troy Brownfield and told from the perspective of Mina Murray. The Blood Queen is a much more recent addition to Dynamite canon, debuting in June 2014. The Blood Queen portrayed the historical "blood countess" Elizabeth Bathory as a tragic figure whose descent into villainy is not without good reason. Blood Queen Vs. Dracula #1 will be solicited in Diamond Comic Distributors‘ January 2015 Previews catalog, the pre- miere source of merchandise for the comic book specialty market, and slated for release in March. Comic book fans are encouraged to reserve copies of Blood Queen Vs. Dracula #1 with their local comic book retailers. Blood Queen Vs. Dracula will also be available for indi- vidual customer purchase through digital platforms courtesy of Comixology, Dynamite Digital, iVerse, and Dark Horse Digital. "LIKE" DYNAMlTE'S FACEBOOK PAGE TODAY! www. facebook. com/ dynamitecomics Join the conversation on Dynamite's twitter page at twitter. com/ DynamiteComics. To find a comic shop near you, call 1-888-comicbook or visit www. comicshop| ocator. coml. For art and more information, please visit: http: //ww. dynamite. com/ To discuss this and more, log onto the Dynamite forums at WWW. DYNAMITE. COM/ BOARDS NEXT ISSUE: CHRISTINA o - CHEE y I n ‘ I III; LIIAIILI § ISSUE #5 FINAL ISSUE! There's been a death at the prison which brings Charlie's plans to make money to a standstill. And depending on who it is, he may have even more problems. But when Liz confesses her troubles to Charlie, it manages to take his mind off his issues for a while and brings them closer together. But how will Charlie's wife handle their new relationship? This issue brings the first story arc to a close. DYNAMITE. On Visit us online at DVNAMITE. com On Twitter @dynamite¢: omics On FacebookIDynamilecomics On Tumblr Dynamitecomics. TumbIr. com t On YouTube IDynamitecomics Nick Barrucci, CEO/ Publisher Juan Collado, President lCOO Rich Young, Director Business Development Keith Davidson, Marketing Manager Joe Rybandt, Senior Editor Hannah Elder, Associate Editor Molly Mahan, Associate Editor Jason Ullmeyer, Design Director Katie Hidalgu, Graphic Designer Chris Caniano, Digital Associate Rachel Kilbury, Digital Assistant
  26. 26. From the writer of Grimm Fair1 Tales! A new mivti-series written b1 Tro1 Browmfielb (Grimm F. irt1 Tales) AVID illvistratcb b1 Kewber Baal llcvmifcr Bloob) cover Aft I)1 ]. t1 Anaclcto (V. mpircll. : Fc. rt1 Tales) Fabiano News (Warloro of Mars: DCi. l1 Thoris) Arbian Sqaf (Bat5irl) Lucio Parrillo (Rcb Sonja) [IV/ |/fl]| J[)'E. , WWW. DYNAM|1E. c0M @DYNAM| TEc0M| cS Al/ DYNAMITECOMICS Blood Queen and Blood Queen vs Dracula are ‘M 8. U3? 2015 Dynamite Characters, llc. Dynamite, Dynamite Entertainment, and its logo are 03/ 8. (L3 2015 Dynamite. All Rights Flesen/ es.
  27. 27. WHY HAS A SERIAL KILL THE SMALL TOWN OF BL BLACKCROSSM PART ONE OF SIX WRITTEN BY WARREN ELLIS INTERIOR ART BY COLTON WORLEY COVERS BY ]AE LEE, ]ASON HOWARD, TULA LOTAY, GABRIEL HARDMAN, DECLAN SHALVEY, AND COLTON WORLEY fly/ |/fl]| J[TE® WWW. DYNAM| TE. COM ‘i¥f‘_T?3@DYNAMlTECOM| CS / DYNAMITECOMICS Projeci Superpowers and all related characters are "" 8. © 2015 D mne Characters, llc. AI ' his Reserved. Dynamne, Dynamite Entertainment, and its logo are ® 8. © 5 Dynamite. All Righis serves.
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  30. 30. _/ /Y/ V/J)‘/ //TEE) PREMIIIM ANII SIGNATIIRE SERIES! 7 , -. ‘ I ~ I. -. . , .., a‘, ¥-)' ‘ ‘ ALTERED STATES: VAMPIRELLA ALTERED STATES: RED SONJA RAWHIDE/ LADV zoRRo #1 LEGENDERRY: GREEN HORNET #2 RARE "VlRG| N ART" COVER BY RARE "VlRGlN ART" COVER BY RARE "VIRGIN ART" COVER BY RARE "VIRGlN ART" COVER BY BILLY TAN BILLY TAN MIKE MAYHEW 5ERG| %/IEEINAANDEZ IIMITEII EIIITIIIN GIIMIGS EEATIIRING YIIIIR EAIIIIRITE DYNAMITE GNARAGTERS 8. GREATIIRS '. ‘; . V ‘ "1/Hr»: --I . -. LEGENDERRY: RED SONJA #2 LEGENDERRY: VAMPIRELLA #2 PROJECT SUPERPOWERS: PROJECT SUPERPOWER5: RARE "VIRGIN ART" COVER BY RARE "VIRGIN ART" COVER BY BLACKCROSS #1 BLACKCROSS #1 RARE "VIRGIN ART" COVER BY RARE "VIRGIN ART" COVER BY DAVILA DAVILA JASON HOWARD TU LA LOTAY EINII TNESE GREAT TITlES ANII IIIGRE IINlINE AT A| |characersare"‘ d‘ It" ’ an N‘ o heir respective owners, Dynamite, Dynamite Entertainment, and the Dynamite Entertainment logo are 0* 81 ‘C, 2015 Dynarv1Ite. AI| Rights Reserved.
  31. 31. I I WITH ZORRO It’IUREERED, :IIi! I-I0 win. SAVE A. ‘ VILLAGE FULL . OF Ii'IIOiIllEitI_yFROM viscmus SLAIIERS? , 7.. ..-«»—. e.. .,_____5m E, / : “ I , . . written by SI-IAi’t'! I‘-!0i't! .ERlC‘ DEItITOII’ art b REY VILLEGAS covers by Lady Rawhide co-creator MIKE MAYHEW In stores March 2015 R5,; _ ”‘ . - -uT“A(f'L_r! ‘:V; _t9’_! .L. v "if H: ‘ ,1, I. ' I ‘_ , , . ; R. R I, I H V T‘ . .. IQYNAMIIE-COIVIRJA 3’ ECQMICSI f lD¥NA. M.IIEQQMIC§ITT‘ . R I I I _ Lady Rawhide is © 2 Zorro Productions, Inc. Zorro and Lady Zorro are © 2015 Zorro Productions, Inc. AI i hts Reserved. I Dyna i , Dvnamite Entertainment, and its logo are (>3 81 ® 2015 Dynamite. All Rights Fteserv .
  32. 32. F! ?O/ Vi THE C! ?EATOI? $ OF THE HIT TV 5HOI'i; /I COLLECTING ALL 5 I55UE5 OF THE BE$T5ELLINC QEPIES OVEPEEEN BY 5HOW CREATOR LOEEN BOUCHAEP. ’ IN 5TO? E5 MARCH ZOI5.’ : | (fl? /Ifl, zf? ’Z'; E® WWW. DYNAM| TE. COM I@DYNAM| TEc0M| CS 7?/ DYNAMITECOMICS Bob's Burgers "‘ & © 2015 Fox and its related entities. All rights reserved. DYNAMITE. DYNAMITE ENTERTAINMENT and its logo are ® & © 2015 Dynamite. All rights reserved.

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