Mise en scene ve mise en shot
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Mise en scene ve mise en shot
- 1. Understanding Mise-en-scene & Mise-en-shot
- 2. Difference between mise-en-scene and mise-en-shot • Mise-en-scene is ‘what’ we see • Mise-en-shot is ‘how’ we see it • Many critics and academics now use mise-en-scene as the standard when referring to both concepts and subsequently are dropping the term mise-en-shot. • Understanding these two concepts profoundly improves the film watching experience. (fast food vs. five star restaurant) – What we are experiencing? – Why are we experiencing it?
- 3. Mise-en-scene components • Set design, costumes and props – What does it tell us about a character? When does it need to shown? When does it not need to be shown?
- 4. Back to the Future (Zemmicks, 1985)
- 5. 1985 Hill Valley (Back to the Future Zemmicks, 1985)
- 6. 1955 Hill Valley (Back to the Future Zemmicks, 1985)
- 7. Mise-en-scene components • Set design and props • Lighting
- 8. Back to the Future (Zemmicks, 1985)
- 9. Mise-en-scene components • Set design and props • Lighting • Character movement (blocking)
- 10. Mise-en-shot components • Camera position/angle and camera movement
- 11. Pulp Fiction (Tarantino, 1994)
- 12. Mise-en-shot components • Camera position/angle and camera movement • Shot scale
- 14. Mise-en-shot components • Camera position and camera movement • Shot scale • The duration of a single shot • The pace of editing
- 15. Dance Scene from Pulp Fiction (Tarantino, 1994)
- 16. Goodfellas (Scorsese, 1990) • Rise and fall of mid 20th century American mafia figures • Widely regarded as one Scorsese’s best films and one of the best movies of the last thirty years • Scorses, a true auteur, relies heavily on mise-en-shot techniques to tell his story • Pay close attention to camera work (mise-en-shot and its effects) as well as the costumes, set design and soundtracks (mise-en-shot and its effects)
- 17. Assigments • Provide one example mise-en-shot and one example of mise-en-shot from Goodfellas. Make that each example contains an analysis on the effect of Scorsese’s use of mise-en-shot and mise-en-scene. • This is a two paragraph assignment. Remember to write concisely. (Three to five sentences per paragraph)
Editor's Notes
- ----- Meeting Notes (10/22/14 22:15) ----- These are the different types of shots (Remember, film is a relativley new artfrom. This is not set in stone. But it is importnat to understand the overall purpose) What's the benefit of a long shot? Cons? Benfits of a medium shot? Con? Benfit of an extreme close up? Con? You can go back and forth. This is where feeling really comes into play Batttlescne Long to understnad scale medium to understand a person's place within the battle Close to up to understand the characters emotions (and everything in betwee)
- ----- Meeting Notes (10/22/14 21:42) ----- What do we see? -Sage, long shot (the stage has been set, their interaction is all that matters now, mise-en-scene serves as a reminder of where we are, nothing more -more of a focus on the girl -seduction on her part -flirting on hsi part -more ephmaiss on here but still, very back and forth, with a clear socus on them -why the feet? -by the end, we are moving with them (camera follows them from left to right) ----- Meeting Notes (10/22/14 22:15) ----- -camera foces on her mostly, then him, then by the end both of them -they are both fully engaged (and to a certian extent so is the audince)