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Screening Languages
Final Report Launch
BFI Southbank 23rd November 2015
Baroness Jean Coussins
Screening Languages
BFI Southbank 23rd November 2015
Mark Reid, BFI
Screening Languages overview
Screening Languages
BFI Southbank 23rd November 2015
Working with

‱  7 schools/ 10 teachers
‱  Hounslow, Barking &
Dagenham, Barnet,
Lambeth, E-ACT
‱  Year 7/8
‱  French, Spanish, German
ï‚—â€Ż 17 schools/ 22 teachers
ï‚—â€Ż 8 LAs, 2 academy chains
ï‚—â€Ż Cross-KS3
ï‚—â€Ż French, Spanish, German,
Mandarin, Turkish, Arabic
Year 1 Year 2
892 pupils over 2 years
Developing

Pupils
ï‚—â€Ż The 4 skill areas
ï‚—â€Ż Cultural awareness
ï‚—â€Ż Engagement and
motivation
ï‚—â€Ż Confidence
Teachers
ï‚—â€Ż Subject knowledge
ï‚—â€Ż Pedagogic knowledge
ï‚—â€Ż Confidence
ï‚—â€Ż Professional
satisfaction
Producing

ï‚—â€Ż 57 Schemes of Work/ 150 lessons
ï‚—â€Ż 7 CPD days
ï‚—â€Ż 7 ITT sessions
ï‚—â€Ż 36 lesson observations
ï‚—â€Ż 15 Reflective Logs and 22 blog posts
ï‚—â€Ż www.screeninglanguages.org
Quais de Seine
from Paris je t’aime
Dir. Gurinder Chadha
Screening Languages
BFI Southbank 23rd November 2015
Dr. Shirley Lawes
Teaching Quais de Seine
Screening Languages
BFI Southbank 23rd November 2015
UN COURT-MÉTRAGE DE GURINDER CHADHA
LE VERLAN
ï‚—â€Ż meuf
ï‚—â€Ż keum
ï‚—â€Ż ouf
ï‚—â€Ż chammĂ©
ï‚—â€Ż tĂ©ma
ï‚—â€Ż relou
ï‚—â€Ż zar-bi (zarb')
ï‚—â€Ż zyva
ï‚—â€Ż teubĂ©
‱  femme
‱  mec (homme)
‱  fou
‱  mĂ©chant
‱  mater
(regarder)
‱  lourd (pĂ©nible)
‱  bizarre
‱  vas-y
‱  bĂȘte
C’est quel
plan de
caméra ?
Quel effet
cela
introduit?
La cathédrale
du SacrĂ©-CƓur
Ă  Montmartre
1
LES OBJECTIFS
‱  ANALYSER LE COURT MÉTRAGE ‘QUAIS
DE SEINE’
‱  DÉCOUVRIR LA FRANCE
MULTICULTURELLE
‱  UTILISER LES CONNAISSANCES POUR
EXPRIMER SON OPINION SUR LE FILM
2
1. You are pretty. T e j
2. You are beautiful (masculine and feminine) T e b
3. Do you want to go to the cinema? E-c q t v a a c?
4. Do you want to go out with me? E-c q t v s a m?
5. I love you! (j t’ a) / I adore you! (j t’a) / I hate you!
(J t d)
6. No I don’t want to go to the cinema sorry. N j n v
p a a c d
7. No I don’t want to go out with you. N j n v p s a t
2
1. Tu es joli (e)
2. Tu es beau / tu es belle.
3. Est-ce que tu veux aller au cinéma?
4. Est-ce que tu veux sortir avec moi?
5. Je t’aime / je t’adore / je te dĂ©tĂšste
6. Non je ne veux pas aller au cinéma désolé (e).
7. Non je ne veux pas sortir avec toi.
Ton opinion
sur la réaction
de François et
ses copains?
Je pense qu’ils
sont ignorants,
car ils ont des
clichés sur la
religion
musulmane.
Zarka dit ‘porter
mon foulard, c’est
ma foi, mon
identité’.
Selon moi, elle est
croyante et forte,
car elle défend sa
religion et son
identité.
3
LE CHALLENGE
Principal
es
religions
Pourcentage
approximatif
de
practiquants
Livre sacré
Exemples de symboles
importants
Catholique
Musulman
82% la Bible
La croix, le
poisson
6% le Coran
Les minarets, le
foulard
The concept of ‘la LaĂŻcité’
The concept of laïcité can be defined as the neutrality
of the state towards religious beliefs, and the complete
isolation of religious and public spheres.
LA RELIGION ET L’ÉTAT SONT SÉPARÉS.
4
Le futur
proche:
PRONOM	
   ALLER (correct part)	
   INFINITIF	
  
Je
Tu
Il/elle
Nous
Vous
Ils/elles	
  
vais
vas
va
allons
allez
vont	
  
manger
avoir
ĂȘtre
devenir (to become)
demander (to ask)
se marier
rencontrer	
  
PRONOM	
   INFINITIF (or irregular
stems
)	
  
TERMINAISONS)	
  
Je
Tu
Il/elle
Nous
Vous
Ils/elles	
  
REGULAR:
manger
demander (to ask)
se marier
rencontrer
IRREGULAR:
AUR
 (avoir)
FER
 (faire)
SER
 (ĂȘtre)
ai
as
a
ons
ez
ont	
  
Le futur
simple:
La morale du court-métrage
ï‚—â€Ż Le grand-pĂšre dit:
“C’est trùs important de connaütre son histoire. Ma Zarka à
moi, elle veut ĂȘtre journaliste, au journal du “Monde”. Elle
veut parler de la France, mais de sa France à elle! Inch’
Allah!”
1.  What do the expressions « son histoire » and « sa France Ă  elle » refer
to in this context?
What is the grandfather trying to say?
2. To be journalist in the newspaper ‘Le Monde’ (equivalent to the
‘Times’, you must master the French language.
What does it tell us about Zarka?
VOLTAIRE
Voltaire was a French
Enlightenment writer,
historian, and philosopher
famous for his wit, his
attacks on the established
Catholic Church, and
his advocacy of freedom of
religion, freedom of
expression, and separation
of church and state.
VOLTAIRE et la liberté
d’expression
“Je ne suis pas d’accord
avec ce que vous dites,
mais je me battrai
jusqu’à la mort pour que
vous ayez le droit de le
dire”
Caroline Thomas
Robert Clack School
Barking & Dagenham
Screening Languages
BFI Southbank 23rd November 2015
What did I set out to achieve?
ï‚—â€ŻDevelop my leadership skills
ï‚—â€ŻWork with a variety of teachers from
other schools
ï‚—â€ŻLead CPD
ï‚—â€ŻShare and develop film inspired
resources
ï‚—â€ŻEmbed the use of short film in KS3
Scheme of Work
What were the successes of the role?
ï‚—â€Ż Deliver CPD and develop user guides
ï‚—â€Ż Observe other teachers with Short Films
ï‚—â€Ż Introduced a new teacher in my department to
Short Film in MFL
ï‚—â€Ż Present own experience at the NALA conference
ï‚—â€Ż Insight into the project through attending team
meetings
ï‚—â€Ż Hosted an LBBD planning group in between CPD
days
What would I do differently?
ï‚—â€ŻSet tasks for the teachers to
complete by next CPD day
Ellen Vanderhoven
Robert Clack School
Barking & Dagenham
Screening Languages
BFI Southbank 23rd November 2015
Natalia Calero
Park High School Stanmore
Screening Languages
BFI Southbank 23rd November 2015
Linda Quinn
Elizabeth Garrett Anderson School
Screening Languages
BFI Southbank 23rd November 2015
Quel est ton personnage préféré?	
  
	
  
Que penses-tu du film en général?	
  
ï¶â€Ż Cross curricular skills
ï¶â€Ż Authenticity
ï¶â€Ż Engaging
ï¶â€Ż Creative
ï¶â€Ż Motivating
ï¶â€Ż Learning to view in different ways
‱  “I	
  like	
  it	
  more	
  than	
  normal	
  work,	
  it’s	
  funnier”.	
  (Carlo9a)	
  
‱  “It	
  makes	
  us	
  more	
  engaged	
  and	
  it	
  is	
  good	
  to	
  hear	
  some	
  
authen=c	
  French”.	
  (Ki9y)	
  
Geraldine O’Leary
George Green’s School
Tower Hamlets
Screening Languages
BFI Southbank 23rd November 2015
Questions
Screening Languages
BFI Southbank 23rd November 2015
Jenny Carpenter
Screening Languages
BFI Southbank 23rd November 2015
ï‚—â€Ż Capacity
ï‚—â€Ż Curriculum development
ï‚—â€Ż Cultural knowledge
ï‚—â€Ż Collaboration
Impact: teachers
ï‚—â€Ż Engagement
ï‚—â€Ż Challenge
ï‚—â€Ż Pupil autonomy
ï‚—â€Ż Making progress
ï‚—â€Ż Developing skills
ï‚—â€Ż Cultural awareness
Impact: pupils
What next?
Screening Languages
BFI Southbank 23rd November 2015
Share outcomes: screeninglanguages.org.uk
Work with primary sector
Academy chains, LAs, TSAs
Initial Teacher Training
More work on assessment
but for now..
Reception in the Atrium
(join us for a drink!)
Screening Languages
BFI Southbank 23rd November 2015

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Screening langs launch

  • 1. Screening Languages Final Report Launch BFI Southbank 23rd November 2015
  • 2. Baroness Jean Coussins Screening Languages BFI Southbank 23rd November 2015
  • 3. Mark Reid, BFI Screening Languages overview Screening Languages BFI Southbank 23rd November 2015
  • 5. ‱  7 schools/ 10 teachers ‱  Hounslow, Barking & Dagenham, Barnet, Lambeth, E-ACT ‱  Year 7/8 ‱  French, Spanish, German ï‚—â€Ż 17 schools/ 22 teachers ï‚—â€Ż 8 LAs, 2 academy chains ï‚—â€Ż Cross-KS3 ï‚—â€Ż French, Spanish, German, Mandarin, Turkish, Arabic Year 1 Year 2 892 pupils over 2 years
  • 7. Pupils ï‚—â€Ż The 4 skill areas ï‚—â€Ż Cultural awareness ï‚—â€Ż Engagement and motivation ï‚—â€Ż Confidence Teachers ï‚—â€Ż Subject knowledge ï‚—â€Ż Pedagogic knowledge ï‚—â€Ż Confidence ï‚—â€Ż Professional satisfaction
  • 9. ï‚—â€Ż 57 Schemes of Work/ 150 lessons ï‚—â€Ż 7 CPD days ï‚—â€Ż 7 ITT sessions ï‚—â€Ż 36 lesson observations ï‚—â€Ż 15 Reflective Logs and 22 blog posts ï‚—â€Ż www.screeninglanguages.org
  • 10. Quais de Seine from Paris je t’aime Dir. Gurinder Chadha Screening Languages BFI Southbank 23rd November 2015
  • 11. Dr. Shirley Lawes Teaching Quais de Seine Screening Languages BFI Southbank 23rd November 2015
  • 12. UN COURT-MÉTRAGE DE GURINDER CHADHA
  • 13.
  • 14. LE VERLAN ï‚—â€Ż meuf ï‚—â€Ż keum ï‚—â€Ż ouf ï‚—â€Ż chammĂ© ï‚—â€Ż tĂ©ma ï‚—â€Ż relou ï‚—â€Ż zar-bi (zarb') ï‚—â€Ż zyva ï‚—â€Ż teubĂ© ‱  femme ‱  mec (homme) ‱  fou ‱  mĂ©chant ‱  mater (regarder) ‱  lourd (pĂ©nible) ‱  bizarre ‱  vas-y ‱  bĂȘte
  • 15.
  • 16. C’est quel plan de camĂ©ra ? Quel effet cela introduit? La cathĂ©drale du SacrĂ©-CƓur Ă  Montmartre 1
  • 17. LES OBJECTIFS ‱  ANALYSER LE COURT MÉTRAGE ‘QUAIS DE SEINE’ ‱  DÉCOUVRIR LA FRANCE MULTICULTURELLE ‱  UTILISER LES CONNAISSANCES POUR EXPRIMER SON OPINION SUR LE FILM
  • 18. 2 1. You are pretty. T e j 2. You are beautiful (masculine and feminine) T e b 3. Do you want to go to the cinema? E-c q t v a a c? 4. Do you want to go out with me? E-c q t v s a m? 5. I love you! (j t’ a) / I adore you! (j t’a) / I hate you! (J t d) 6. No I don’t want to go to the cinema sorry. N j n v p a a c d 7. No I don’t want to go out with you. N j n v p s a t
  • 19. 2 1. Tu es joli (e) 2. Tu es beau / tu es belle. 3. Est-ce que tu veux aller au cinĂ©ma? 4. Est-ce que tu veux sortir avec moi? 5. Je t’aime / je t’adore / je te dĂ©tĂšste 6. Non je ne veux pas aller au cinĂ©ma dĂ©solĂ© (e). 7. Non je ne veux pas sortir avec toi.
  • 20.
  • 21. Ton opinion sur la rĂ©action de François et ses copains? Je pense qu’ils sont ignorants, car ils ont des clichĂ©s sur la religion musulmane. Zarka dit ‘porter mon foulard, c’est ma foi, mon identité’. Selon moi, elle est croyante et forte, car elle dĂ©fend sa religion et son identitĂ©. 3
  • 22. LE CHALLENGE Principal es religions Pourcentage approximatif de practiquants Livre sacrĂ© Exemples de symboles importants Catholique Musulman 82% la Bible La croix, le poisson 6% le Coran Les minarets, le foulard The concept of ‘la LaĂŻcité’ The concept of laĂŻcitĂ© can be defined as the neutrality of the state towards religious beliefs, and the complete isolation of religious and public spheres. LA RELIGION ET L’ÉTAT SONT SÉPARÉS.
  • 23. 4
  • 24. Le futur proche: PRONOM   ALLER (correct part)   INFINITIF   Je Tu Il/elle Nous Vous Ils/elles   vais vas va allons allez vont   manger avoir ĂȘtre devenir (to become) demander (to ask) se marier rencontrer   PRONOM   INFINITIF (or irregular stems
)   TERMINAISONS)   Je Tu Il/elle Nous Vous Ils/elles   REGULAR: manger demander (to ask) se marier rencontrer IRREGULAR: AUR
 (avoir) FER
 (faire) SER
 (ĂȘtre) ai as a ons ez ont   Le futur simple:
  • 25.
  • 26.
  • 27. La morale du court-mĂ©trage ï‚—â€Ż Le grand-pĂšre dit: “C’est trĂšs important de connaĂźtre son histoire. Ma Zarka Ă  moi, elle veut ĂȘtre journaliste, au journal du “Monde”. Elle veut parler de la France, mais de sa France Ă  elle! Inch’ Allah!” 1.  What do the expressions « son histoire » and « sa France Ă  elle » refer to in this context? What is the grandfather trying to say? 2. To be journalist in the newspaper ‘Le Monde’ (equivalent to the ‘Times’, you must master the French language. What does it tell us about Zarka?
  • 28. VOLTAIRE Voltaire was a French Enlightenment writer, historian, and philosopher famous for his wit, his attacks on the established Catholic Church, and his advocacy of freedom of religion, freedom of expression, and separation of church and state.
  • 29. VOLTAIRE et la libertĂ© d’expression “Je ne suis pas d’accord avec ce que vous dites, mais je me battrai jusqu’à la mort pour que vous ayez le droit de le dire”
  • 30. Caroline Thomas Robert Clack School Barking & Dagenham Screening Languages BFI Southbank 23rd November 2015
  • 31. What did I set out to achieve? ï‚—â€ŻDevelop my leadership skills ï‚—â€ŻWork with a variety of teachers from other schools ï‚—â€ŻLead CPD ï‚—â€ŻShare and develop film inspired resources ï‚—â€ŻEmbed the use of short film in KS3 Scheme of Work
  • 32. What were the successes of the role? ï‚—â€Ż Deliver CPD and develop user guides ï‚—â€Ż Observe other teachers with Short Films ï‚—â€Ż Introduced a new teacher in my department to Short Film in MFL ï‚—â€Ż Present own experience at the NALA conference ï‚—â€Ż Insight into the project through attending team meetings ï‚—â€Ż Hosted an LBBD planning group in between CPD days
  • 33. What would I do differently? ï‚—â€ŻSet tasks for the teachers to complete by next CPD day
  • 34. Ellen Vanderhoven Robert Clack School Barking & Dagenham Screening Languages BFI Southbank 23rd November 2015
  • 35. Natalia Calero Park High School Stanmore Screening Languages BFI Southbank 23rd November 2015
  • 36. Linda Quinn Elizabeth Garrett Anderson School Screening Languages BFI Southbank 23rd November 2015
  • 37. Quel est ton personnage prĂ©fĂ©rĂ©?    
  • 38.
  • 39. Que penses-tu du film en gĂ©nĂ©ral?  
  • 40. ï¶â€Ż Cross curricular skills ï¶â€Ż Authenticity ï¶â€Ż Engaging ï¶â€Ż Creative ï¶â€Ż Motivating ï¶â€Ż Learning to view in different ways ‱  “I  like  it  more  than  normal  work,  it’s  funnier”.  (Carlo9a)   ‱  “It  makes  us  more  engaged  and  it  is  good  to  hear  some   authen=c  French”.  (Ki9y)  
  • 41. Geraldine O’Leary George Green’s School Tower Hamlets Screening Languages BFI Southbank 23rd November 2015
  • 43. Jenny Carpenter Screening Languages BFI Southbank 23rd November 2015
  • 44. ï‚—â€Ż Capacity ï‚—â€Ż Curriculum development ï‚—â€Ż Cultural knowledge ï‚—â€Ż Collaboration Impact: teachers
  • 45. ï‚—â€Ż Engagement ï‚—â€Ż Challenge ï‚—â€Ż Pupil autonomy ï‚—â€Ż Making progress ï‚—â€Ż Developing skills ï‚—â€Ż Cultural awareness Impact: pupils
  • 46.
  • 47. What next? Screening Languages BFI Southbank 23rd November 2015 Share outcomes: screeninglanguages.org.uk Work with primary sector Academy chains, LAs, TSAs Initial Teacher Training More work on assessment
  • 48. but for now.. Reception in the Atrium (join us for a drink!) Screening Languages BFI Southbank 23rd November 2015