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VASHI
VISHNUDAS BHAVE
AUDITORIUM
Location :
• Sector 16, Vashi, Navi
• The site occupies an area of
51,000 sq. ft. of built-up space.
• Vashi Railway stati...
SITE LAYOUT
•There are 4 entries to the site.
•Two main entries and two service entries.
•It has 51000 sq ft of built up s...
PARKING
•The vehicles enter the site via the main entry gate (1).
•Number of 4 wheelers that can be parked at a time : 75
...
•The had a designed storm water drainage
system.
•Storm water gutters ran through the
periphery of the complex.
•The depth...
OPEN SPACE AND LANDSCAPE
LANDSCAPE:
• The centre has a small designed
garden near to the entry to the
auditorium.
• The ga...
•Vishnudas Bhave auditorium was
designed was opened in 1997.
•Major hub for various theatre and
other cultural activities....
• The auditorium had 5 entries
and 4 exits.
• The entry for the performers
was separate.
• The balcony seats had a
separat...
PLAN
22
1
1 – ROTATING STAGE
2 - GREEN ROOM
3 - VIP ROOM
4 - STAGE OPERATING
AREA
5 – LADIES TOILET
6 - SERVICE ENTRY
7 – ...
SECTION
•The total seating capacity of the
theatre is 1500.
•The theatre is fan shaped, hence
the seating arrangements are divided...
• The walls were prepared in a
simple manner.
• The materials used for the walls
are stone(marbles), p.o.p etc.
• The spec...
• The Semi-circular stage has proper curtains and fins.
• The inner portion( up to 7m diameter) is
rotatable.
• The outer ...
FUCTIONING OF THE REVOLVING STAGE
•When the machine is turned on, the wheel revolves
around the circular track.
LIGHTING
•No catwalk was provided.
•Everything was operated
using the machines.
•Halogen Lights were
placed in rows.
•It w...
LIGHTS
AIR HANDLING UNIT
Located beneath the Auditorium.
Consists of chiller, compressor, condenser, cooling tower.
OTHER SERVICES
•WATER PUMP
•LOCATED BENEATH THE AUDITORIUM
•ELECTRICAL PANELS
FIRE FIGHTING
HOSE REEL ALARM FIRE EXTINGUISHER
TATA THEATRE
SITE
LOCATION:
• NCPA marg, South Mumbai.
• The NCPA complex occupies an area of
about 3200 m.sq at Nariman point on land
...
SITE LAYOUT
A – Tata theatre
B – Jamshed Bhabha theatre
C – Main administrative office
D – Teaching and research block(lib...
SERVICES
• The whole NCPA complex had a well
designed storm water drainage system.
• Storm water gutters ran through the
p...
PARKING
• The NCPA CENTRE WAS overall
provided with a basement
parking area.
• Separate parking area near the
theatres wer...
OPEN SPACE AND
LANDSCAPE
LANDSCAPE:
• The NCPA centre has many designed
gardens.
• The gardens were designed in a simple
way using only lawn, trees...
TATA THEATRE
• Tata theatre was designed by Ar. Philip
Johnson and the legendary acoustician Cyril
Harris.
• It was opened...
ENTRY
TO TATA THEATRE
• There are two separate entrances, one for the
performers and the other for the audiences.
• The en...
TO THE AUDITORIUM
• There are foyer at two level.
• Size: 77m x 7.5m width
• Height of the lower lobby is 9.6m
• Height of...
GREEN ROOM
• There were a total of 6
green rooms.
• Each green room
consisted of one toilet.
BACKSTAGE AREA
The backstage ...
SEATING
• The total seating capacity of the theatre is 1010.
• The theatre is fan shaped, hence the seating arrangements a...
350mm
850mm
300mm
150mm
600mm
450mm
800
mm
PLAN
SECTION
WALLS AND CEILING
Walls:
• The walls and ceiling had a basic wooden
framework.
• These framework(panels) had alternate
con...
2.5m
1m
Sprinklers were
placed at a distance
of 4m on the ceiling.
Ac blowers.
Triangular projections
CEILING
CEILING PLAN
POSITION OF THE CEILING LIGHTS AND AC BLOWERS
FLOORING
• R.C.C floor is covered with woollen carpet.
• Woollen carpets are absorptive in nature.
• The carpet is 80% woo...
LIGHTING
• A good number of lighting fixtures
are oriented on the stage covering
all angles possible.
• There are halogen ...
AIR-CONDITIONING
•The ceiling had a 10ft duct over for the pipelines.
•The auditorium was centrally air-conditioned.
•The ...
-RUCHA GUPTE
-SHRADDHA INDULKAR
-KETKI MAHAJAN
-AKSHATA MARATHE
-APARNA PILLAI
-AMRITA SHENOI
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Vishnudas bhave auditorium, vashi - ACOUSTICS - AUDITORIUM - MUMBAI

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ACOUSTICS, AUDITORIUM, MUMBAI, ARCHITECTURE, CASE STUDY

Publié dans : Design
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Vishnudas bhave auditorium, vashi - ACOUSTICS - AUDITORIUM - MUMBAI

  1. 1. VASHI VISHNUDAS BHAVE AUDITORIUM
  2. 2. Location : • Sector 16, Vashi, Navi • The site occupies an area of 51,000 sq. ft. of built-up space. • Vashi Railway station : 1.5km. Context: • Vashi Bus Depot : Opposite to Vishnudas Bhave. • The site lies in a residential cum commercial area. SITE
  3. 3. SITE LAYOUT •There are 4 entries to the site. •Two main entries and two service entries. •It has 51000 sq ft of built up space. A B VIEW FROM A VIEW FROM B
  4. 4. PARKING •The vehicles enter the site via the main entry gate (1). •Number of 4 wheelers that can be parked at a time : 75 •2 wheelers were also parked on the periphery. A B VIEW FROM A VIEW FROM B 1
  5. 5. •The had a designed storm water drainage system. •Storm water gutters ran through the periphery of the complex. •The depth of the gutters are approximately 50 cm. •These gutters connected to the main gutters on the roads. SERVICES Storm water drain
  6. 6. OPEN SPACE AND LANDSCAPE LANDSCAPE: • The centre has a small designed garden near to the entry to the auditorium. • The garden had a small sculpture along with lawn n shrubs. • The site had gulmohar, palm, mango, badam trees. OPEN SPACES: • The open spaces were at the periphery. • These spaces were not used for any specific function. -Green space.
  7. 7. •Vishnudas Bhave auditorium was designed was opened in 1997. •Major hub for various theatre and other cultural activities. •It was built in honor of Vishnudas Bhave. •It is a fan shaped theater. •The theatre has a rotating stage. •It has a capacity of 1072 viewers in two tiers. •It has excellent acoustics. •The theater also has a balcony level seating's. •The theatre is centrally air- conditioned. •The height of the auditorium is 12m. VISHNUDAS BHAVE AUDITORIUM
  8. 8. • The auditorium had 5 entries and 4 exits. • The entry for the performers was separate. • The balcony seats had a separate entry/exit doors from the 2ndst floor. • There is a foyer at the first floor and second floor level. • Height of the lobby at both levels is 4m. • Two emergency exit are provided near the stage and the bay. ENTRY
  9. 9. PLAN 22 1 1 – ROTATING STAGE 2 - GREEN ROOM 3 - VIP ROOM 4 - STAGE OPERATING AREA 5 – LADIES TOILET 6 - SERVICE ENTRY 7 – BACKSTAGE ENTRY FOR LOBBY 3 4 5 6 BACKSTAGE 7
  10. 10. SECTION
  11. 11. •The total seating capacity of the theatre is 1500. •The theatre is fan shaped, hence the seating arrangements are divided into four equal segments. •The 1st row of each segment has 7 seats and the last row has 11 seats. •There are total 13 rows. •The five aisles divided the segments into four parts. SEATING 400mm 750mm
  12. 12. • The walls were prepared in a simple manner. • The materials used for the walls are stone(marbles), p.o.p etc. • The special acoustic forms are made up of high density compressed plaster(P.O.P) for the ceiling. • Wooden panels are also used in the auditorium. These panels are filled with coconut hair as it is a good reflector. WALLS AND CEILING
  13. 13. • The Semi-circular stage has proper curtains and fins. • The inner portion( up to 7m diameter) is rotatable. • The outer portion of the stage is fixed. • It rotates 180 degree in 75 sec . • It is electronically controlled. The stage has fixtures to hold focus lights. Size: • The radius of the semi-circular stage is 7mm. Floor: • Hardwood timber flooring. STAGE FLOORING • The flooring was carpet covered over the rcc.
  14. 14. FUCTIONING OF THE REVOLVING STAGE •When the machine is turned on, the wheel revolves around the circular track.
  15. 15. LIGHTING •No catwalk was provided. •Everything was operated using the machines. •Halogen Lights were placed in rows. •It was brought down using the switches. •Focus light stands were provided on the auditorium walls.
  16. 16. LIGHTS
  17. 17. AIR HANDLING UNIT Located beneath the Auditorium. Consists of chiller, compressor, condenser, cooling tower.
  18. 18. OTHER SERVICES •WATER PUMP •LOCATED BENEATH THE AUDITORIUM •ELECTRICAL PANELS
  19. 19. FIRE FIGHTING HOSE REEL ALARM FIRE EXTINGUISHER
  20. 20. TATA THEATRE
  21. 21. SITE LOCATION: • NCPA marg, South Mumbai. • The NCPA complex occupies an area of about 3200 m.sq at Nariman point on land reclaimed from the sea. • The site can be accessed through six gates, the site is divided into six major blocks. CONTEXT: • The site is located in commercial area. • It is surrounded by hotels, offices, residential buildings. • Oberoi hotel and Mantralaya are the main landmarks.
  22. 22. SITE LAYOUT A – Tata theatre B – Jamshed Bhabha theatre C – Main administrative office D – Teaching and research block(libraries) E – Experimental theatres F – Godrej dance academy theatre G – Open air plaza R – Residence (includes staff residences, guest rooms and NCPA apartments. • ACCESS : Total number of entrances : 6 Main entrance : Gate no.1 and Gate No.2 Service entry : Gate no.4 • PARKING: Common basement parking. Reserved parking spaces.
  23. 23. SERVICES • The whole NCPA complex had a well designed storm water drainage system. • Storm water gutters ran through the periphery of the complex. • The depth of the gutters are approximately 1.2m to match the sea level according to the slope. • IC’s were placed at 1.2m from the structure at a distance of around 4.5m to 7m. Storm water gutters
  24. 24. PARKING • The NCPA CENTRE WAS overall provided with a basement parking area. • Separate parking area near the theatres were also provided for VIPs'. • These parking consisted on maximum 6 car parking lots. • Parking were mainly near  Gate 4 (VIP parking)  Gate 3  Gate 1 parking
  25. 25. OPEN SPACE AND LANDSCAPE
  26. 26. LANDSCAPE: • The NCPA centre has many designed gardens. • The gardens were designed in a simple way using only lawn, trees and minimal number of shrubs. • There were gardens near all the theatres(auditoriums). OPEN SPACES: • The main open space was at the centre of the NCPA. • The open spaces near the theatres were also used as waiting areas.
  27. 27. TATA THEATRE • Tata theatre was designed by Ar. Philip Johnson and the legendary acoustician Cyril Harris. • It was opened in 1982. • It was the first theatre designed in India. • It is a fan shaped amphitheater with excellent acoustics. • Suitable for chamber music concert, dance, drama and film screening. • The theatre has a rotating stage. • It can accommodate 1010 people . • It has excellent acoustics. • The theatre is centrally air-conditioned. • The height of the auditorium is 15m.
  28. 28. ENTRY TO TATA THEATRE • There are two separate entrances, one for the performers and the other for the audiences. • The entry for the performers were also used as the service entry. • There is a truck loading unloading dock ramp. • There was a small courtyard garden next to the entrance.
  29. 29. TO THE AUDITORIUM • There are foyer at two level. • Size: 77m x 7.5m width • Height of the lower lobby is 9.6m • Height of the upper lobby is 6m. • There are six entry/exit doors from the main foyer. • Two emergency exit are provided near the stage.
  30. 30. GREEN ROOM • There were a total of 6 green rooms. • Each green room consisted of one toilet. BACKSTAGE AREA The backstage area consisted of • All technical rooms • The main entry for the performers • A store area • Green rooms • Entry to the sea view room • Waiting area for the performers
  31. 31. SEATING • The total seating capacity of the theatre is 1010. • The theatre is fan shaped, hence the seating arrangements are divided into five equal segments. • Each bay consists of 202 seats. • The seating is radial in nature. • The 1st row of each segment has 7 seats and the last row has 16 seats. • The six aisles divided the segments into five parts.
  32. 32. 350mm 850mm 300mm 150mm 600mm 450mm 800 mm
  33. 33. PLAN
  34. 34. SECTION
  35. 35. WALLS AND CEILING Walls: • The walls and ceiling had a basic wooden framework. • These framework(panels) had alternate concave and convex triangular forms which ensured even distribution of sound over the entire auditorium. • These projections come out from the sides of the walls. They are hollow and may act as resonators. • These are surfaces which help in the dispersion of sound. • The special acoustic forms are made up of high density compressed plaster(P.O.P). • Due to these special acoustic methods, the voice is naturally audible at any place in the auditorium without any mikes or sound systems.
  36. 36. 2.5m 1m Sprinklers were placed at a distance of 4m on the ceiling. Ac blowers. Triangular projections
  37. 37. CEILING
  38. 38. CEILING PLAN POSITION OF THE CEILING LIGHTS AND AC BLOWERS
  39. 39. FLOORING • R.C.C floor is covered with woollen carpet. • Woollen carpets are absorptive in nature. • The carpet is 80% wool and 20% nylon. STAGE Type: • Semi-circular stage • No curtains and fins. • The inner portion( upto 4.7m radius) is rotatable. • The outer portion of the stage is fixed. • It rotates 180 degree in 80 secs and is electronically controlled. Size: • The radius of the semicircular stage is 7m. Floor: • Hardwood timber flooring over concrete.
  40. 40. LIGHTING • A good number of lighting fixtures are oriented on the stage covering all angles possible. • There are halogen lights on the ceiling over the seating area for the audience. • These lights are of different types, qualities, intensities, colour etc. eg- halogen lights, spot lights, focus lights. • There were total 64 lights on the ceiling. • Position of the lights depends on the area to be covered and their intensities. • These lights can be dimmed or brightened as per requirements. • The lighting over the stage also had fixtures to hang the focus lights.
  41. 41. AIR-CONDITIONING •The ceiling had a 10ft duct over for the pipelines. •The auditorium was centrally air-conditioned. •The blowers were on the wooden frame of the ceiling. •The ac plant was in the basement of the auditorium. •These were connected through pipelines to the main ac plants in the AHU(air handling unit) room.
  42. 42. -RUCHA GUPTE -SHRADDHA INDULKAR -KETKI MAHAJAN -AKSHATA MARATHE -APARNA PILLAI -AMRITA SHENOI

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