SlideShare une entreprise Scribd logo
1  sur  16
Starter Task
• Complete your ‘Narrative’ handout

• Step 1
   – Identify the Five stages of Todorov’s narrative theory

• Step 2
   – Apply the theory to La Haine and note down the scenes / action
     from the film in which the five stages are present

• Step 3
   – Feedback your answers to the class and make notes
Starter Task
                                  Riots are on-going.
  Equilibrium          A young Arab man has been shot by Police.



  Disruption of         Vinz finds a Police officers gun and hides it
   Equilibrium


                    Hubert identifies the immediate problem posed by
 Recognition of                           the gun
   disruption


                     The trio return to the Suburb’s to dispose of the
Attempt to repair                           gun


                       At least one young man from an immigrant
Reinstatement of           background has been shot by Police.
   Equilibrium
Learning Objectives
• Identify the different Narrative Devices
  employed by La Haine

• Discuss and Analyse how Power, Poverty and
  Conflict are represented throughout the film

• Analyse a series of key scenes and answer an
  short exam style question about La Haine’s
  narrative structure and its links to contextual
  issues
Narrative Device?
• What is a narrative device?

• A tool that a director / filmmaker can use to
  progress the narrative of film
• The action or item that provides the next
  ‘piece in the puzzle’

• Example include
   – Binary Oppositions
   – Enigma Codes
   – Action Codes
   – Flashbacks to provide background
     information and contextualise a film
Narrative Structure
• Upon release Mathieu Kassovitz put forward the notion that


             “(my) film was ‘unstructured’ – a series
             of disconnected scenes in a film in which
             ‘nothing happens’”

• He claimed that each scene constitutes a short film in itself,
  focusing upon unique aspects of Baneliue life.
• Kassovitz is essentially saying the film has no structure.

             Do you agree with this statement?

                 Close scrutiny of the film reveals a
                 minutely constructed and classically
                 coherent film
Narrative Structure
• La Haine is structured around a geographical and
  temporal dichotomy between daytime in the Ghetto and the
  night time Paris – a strong symbolic device.

• What could the split narrative symbolise?
• This symbolic device is one of many binary oppositions
  with the film.



                                                Dichotomy: division or
              Task – 1 Minute                   contrast between two
• Can you think of any other Binary             things that are or are
  Oppositions?                                   represented as being
                                                  opposed or entirely
• How are these opposition represent                  different.
  throughout the film?
Binary Oppositions
Working Class / Under                         Middle /
Class                                         Upper Class

Les Banlieues                                 ‘Gentrified’ Paris city centre

Ethnic Minorities                             White
Violence as                                   Art as
entertainment                                 entertainment

Citizens                                       Police

Immigrant community                            ‘Native’ or
resistant to assimilation                      assimilated French
 Gentrification: To renovate or improve a housing district or area so
 that it conforms to middle class taste
Episodic Hatred
• The film begins with a montage of shots capturing riots
  taking place in Paris
• This footage is a combination of footage from the riots
  that took place in the 1980’s and early 1990’s

• What does this montage suggest about France?

• Riots are a consistent part of modern French history
• Violence, civil disobedience and police brutality are
  reoccurring events that certain citizens are used to

• How does this sequence establish some of the
  films major themes?
Episodic Hatred
• The film is then structured by a series of ‘Episodes’
• Example:
    – Sayid & Hubert’s interrogation at the hands of the police
• Many of these episodes builds to a mini-climax and are followed
  by moments of relative calm.
• Each episode focuses on a specific theme of the film and as a
  result, we can identify clear cut sequences to be included in to
  our analysis and exam
• We see examples of Power, Poverty & Conflict in several of the
  films episodes
         • What is Kassovitz trying to say through this episodic narrative
           structure?
         • What can we learn about Power, Poverty and Conflict?
         • These three elements are commonplace in French society, from the
           Government and the Media down to the immigrant street kids of
           Les Banlieues
Episodic Task
• Each group has a series of resources containing:
   • Stills
   • Scene Synopsis
   • Todorov’s Theory template

• You have 5 minutes to read the synopsis and identify
  if/how Todorov’s theory can be applied to your sequence
• Labels the stills that you think correspond to the five
  stages

• You will then share your findings with the class

• You must note down what your class-mates say – these
  notes will be essential to your understanding of the film
Tick followed tock...
• The narrative is broken up in to several episodes each
  separated by a ticking clock – a narrative device in itself

• What purposes does the ticking clock serve?

• Signal the beginning/end of a particular ‘episode’
• Moves the narrative forward in a clear and
  straightforward way
• The clock is counting down to a single event, at
  which the narrative will end


     What event is the clock ticking down to?
     This clock is a very effective way of building
     tension and creates an enigma code
‘Smoking Gun’
• Often in films an object or even a location can act as a narrative device
• For example....

• Can you think of an object in La Haine that could be considered Narrative
  Devices?
The Police officers Gun found by Vinz

The gun is closely linked to Vinz throughout the film
and there are several comparisons we can draw
between the object and the character of Vinz



In what ways does the gun resemble
the character of Vinz?
Vinz & The Gun
Both the gun and Vinz are essential to the narrative of the
film
• The gun and Vinz can both be seen as violent weapons
  that can cause death

• Both are likely to ‘go off ’ at any point

• If we compare Vinz’s anger to a bullet in the gun we can
  say that both are ‘loaded’ the resolution of the narrative
  hinges on how both Vinz’s anger and the bullets in the
  gun are used


• A gun is just an object until it is used – only then does it
  become a weapon
There are four work stations around the
class
                                              Task
Each station contains the following:
•Stills from a Key Scene
•A synopsis
•An exam style essay question

You will have 6 minutes at each station to
study the resources then complete a short
one-paragraph answer for the essay
question set

When 6 minutes are up you must move to
the next station and repeat the exercise
with new resources

Question needs to be related – what
purpose does this scene serve to the
narrative? – does it progress the narrative
at all or does it serve another purpose?
Summary
Despite the opinions of the films create we can identify a clear linear
narrative structure within La Haine

The episodic nature of the film introduces and discusses social issues
that serve as the backdrop for La Haine

Not all episodes or elements off the film can be considered ‘narrative
devices’

    – Hubert in his bedroom does not reveal any important Narrative
      information, it serves another purpose
    – We are encouraged to empathise with the character and we are
      also reminded that he is young, troubled and surrounded by
      Power, Poverty & Crime
    – We also learn that he is in touch with his environment in a way
      that Vinz and Sayid are not

Contenu connexe

Tendances

Experimental Film & Spectatorship Revision
Experimental Film & Spectatorship RevisionExperimental Film & Spectatorship Revision
Experimental Film & Spectatorship Revisionbrettmax
 
Introduction to film genre
Introduction to film genreIntroduction to film genre
Introduction to film genreecclestona
 
Introduction to film genre study #1 film noir
Introduction to film genre study #1   film noirIntroduction to film genre study #1   film noir
Introduction to film genre study #1 film noirshanovitz
 
2013 past exam questions section a urban stories paragraph planning templates
2013 past exam questions section a urban stories paragraph planning templates2013 past exam questions section a urban stories paragraph planning templates
2013 past exam questions section a urban stories paragraph planning templatescandifilmstudies
 
Critical Creative Reflection Task 2
Critical Creative Reflection Task 2Critical Creative Reflection Task 2
Critical Creative Reflection Task 2hannahemurphy
 
Conventions of Film Noir
Conventions of Film NoirConventions of Film Noir
Conventions of Film Noirkellymorris92
 
Understanding Movies
Understanding MoviesUnderstanding Movies
Understanding MoviesTerry Wang
 
Film noir codes & conventions
Film noir codes & conventionsFilm noir codes & conventions
Film noir codes & conventionsjonsaward
 
Genre Investigation
Genre Investigation Genre Investigation
Genre Investigation ShannenLeader
 
Key aspects of film noir
Key aspects of film noirKey aspects of film noir
Key aspects of film noirbethurwin
 
Media Studies intro to Narrative [autosaved]
Media Studies intro to Narrative [autosaved]Media Studies intro to Narrative [autosaved]
Media Studies intro to Narrative [autosaved]alevelmedia
 

Tendances (20)

La haine
La haineLa haine
La haine
 
Experimental Film & Spectatorship Revision
Experimental Film & Spectatorship RevisionExperimental Film & Spectatorship Revision
Experimental Film & Spectatorship Revision
 
Film noir ppt
Film noir pptFilm noir ppt
Film noir ppt
 
Film noir-
Film noir- Film noir-
Film noir-
 
Introduction to film genre
Introduction to film genreIntroduction to film genre
Introduction to film genre
 
Introduction to film genre study #1 film noir
Introduction to film genre study #1   film noirIntroduction to film genre study #1   film noir
Introduction to film genre study #1 film noir
 
FILM NOIR
FILM NOIRFILM NOIR
FILM NOIR
 
Genre
GenreGenre
Genre
 
2013 past exam questions section a urban stories paragraph planning templates
2013 past exam questions section a urban stories paragraph planning templates2013 past exam questions section a urban stories paragraph planning templates
2013 past exam questions section a urban stories paragraph planning templates
 
Critical Creative Reflection Task 2
Critical Creative Reflection Task 2Critical Creative Reflection Task 2
Critical Creative Reflection Task 2
 
Conventions of Film Noir
Conventions of Film NoirConventions of Film Noir
Conventions of Film Noir
 
Understanding Movies
Understanding MoviesUnderstanding Movies
Understanding Movies
 
Film noir codes & conventions
Film noir codes & conventionsFilm noir codes & conventions
Film noir codes & conventions
 
Genre Research
Genre ResearchGenre Research
Genre Research
 
Film noir
Film noirFilm noir
Film noir
 
Genre Investigation
Genre Investigation Genre Investigation
Genre Investigation
 
Spy - Thriller Genre Analysis
Spy - Thriller Genre AnalysisSpy - Thriller Genre Analysis
Spy - Thriller Genre Analysis
 
Key aspects of film noir
Key aspects of film noirKey aspects of film noir
Key aspects of film noir
 
Genre overview
Genre overviewGenre overview
Genre overview
 
Media Studies intro to Narrative [autosaved]
Media Studies intro to Narrative [autosaved]Media Studies intro to Narrative [autosaved]
Media Studies intro to Narrative [autosaved]
 

Similaire à Lh8 narrative

Lesson 5 post la haine screening - context
Lesson 5   post la haine screening - contextLesson 5   post la haine screening - context
Lesson 5 post la haine screening - contextSouth Sefton College
 
L34 la haine key scene analysis
L34   la haine key scene analysisL34   la haine key scene analysis
L34 la haine key scene analysisNick Crafts
 
2. narrative
2. narrative2. narrative
2. narrativectkmedia
 
AS/Y1 Media Studies: Narrative
AS/Y1 Media Studies: NarrativeAS/Y1 Media Studies: Narrative
AS/Y1 Media Studies: NarrativeKBucket
 
L34 la haine key scene analysis
L34   la haine key scene analysisL34   la haine key scene analysis
L34 la haine key scene analysismisshanks
 
Key concept narrative
Key concept narrativeKey concept narrative
Key concept narrativelgoodhew
 
Theoretical research
Theoretical researchTheoretical research
Theoretical researchZakmichael94
 
Theoretical research
Theoretical researchTheoretical research
Theoretical researchZakmichael94
 
Genre Theory (DAPS 6 and 7)
Genre Theory (DAPS 6 and 7)Genre Theory (DAPS 6 and 7)
Genre Theory (DAPS 6 and 7)Simon Wright
 
ASY1 media narrative
ASY1 media narrativeASY1 media narrative
ASY1 media narrativeKBucket
 
Research on Documentary Modes - Bill Nichols
Research on Documentary Modes - Bill NicholsResearch on Documentary Modes - Bill Nichols
Research on Documentary Modes - Bill NicholsLois Hunt
 
Media narrative codes update 2015
Media narrative codes update 2015Media narrative codes update 2015
Media narrative codes update 2015Elaine Humpleby
 
Narrative theory
Narrative theoryNarrative theory
Narrative theoryJacob_98
 

Similaire à Lh8 narrative (20)

Lesson 5 post la haine screening - context
Lesson 5   post la haine screening - contextLesson 5   post la haine screening - context
Lesson 5 post la haine screening - context
 
L34 la haine key scene analysis
L34   la haine key scene analysisL34   la haine key scene analysis
L34 la haine key scene analysis
 
2. narrative
2. narrative2. narrative
2. narrative
 
Narrative booklet 1
Narrative booklet 1Narrative booklet 1
Narrative booklet 1
 
AS/Y1 Media Studies: Narrative
AS/Y1 Media Studies: NarrativeAS/Y1 Media Studies: Narrative
AS/Y1 Media Studies: Narrative
 
L34 la haine key scene analysis
L34   la haine key scene analysisL34   la haine key scene analysis
L34 la haine key scene analysis
 
Narrative
Narrative Narrative
Narrative
 
Narrative
NarrativeNarrative
Narrative
 
Key concept narrative
Key concept narrativeKey concept narrative
Key concept narrative
 
Theoretical research
Theoretical researchTheoretical research
Theoretical research
 
Theoretical research
Theoretical researchTheoretical research
Theoretical research
 
Genre Theory (DAPS 6 and 7)
Genre Theory (DAPS 6 and 7)Genre Theory (DAPS 6 and 7)
Genre Theory (DAPS 6 and 7)
 
La Haine Revision Notes
La Haine Revision NotesLa Haine Revision Notes
La Haine Revision Notes
 
ASY1 media narrative
ASY1 media narrativeASY1 media narrative
ASY1 media narrative
 
Documentary week 3
Documentary week 3Documentary week 3
Documentary week 3
 
Research on Documentary Modes - Bill Nichols
Research on Documentary Modes - Bill NicholsResearch on Documentary Modes - Bill Nichols
Research on Documentary Modes - Bill Nichols
 
Media narrative codes update 2015
Media narrative codes update 2015Media narrative codes update 2015
Media narrative codes update 2015
 
Cog 7 genre
Cog 7   genreCog 7   genre
Cog 7 genre
 
Narrative theory
Narrative theoryNarrative theory
Narrative theory
 
Pulp fiction
Pulp fiction Pulp fiction
Pulp fiction
 

Plus de South Sefton College

Film analysis of_blue_is_the_warmest_col
Film analysis of_blue_is_the_warmest_colFilm analysis of_blue_is_the_warmest_col
Film analysis of_blue_is_the_warmest_colSouth Sefton College
 
Ethnicity and race intro to film studies
Ethnicity and race intro to film studiesEthnicity and race intro to film studies
Ethnicity and race intro to film studiesSouth Sefton College
 
Lesbian and gay cinema intro to film studies
Lesbian and gay cinema intro to film studiesLesbian and gay cinema intro to film studies
Lesbian and gay cinema intro to film studiesSouth Sefton College
 
50 shades of grey good until it's not
50 shades of grey good until it's not50 shades of grey good until it's not
50 shades of grey good until it's notSouth Sefton College
 
Projecting h itler representations of adolf hitler in english language gilms
Projecting h itler   representations of adolf hitler in english language gilms Projecting h itler   representations of adolf hitler in english language gilms
Projecting h itler representations of adolf hitler in english language gilms South Sefton College
 
Downfall and beyond hitler films from germany
Downfall and beyond   hitler films from germanyDownfall and beyond   hitler films from germany
Downfall and beyond hitler films from germanySouth Sefton College
 
Erin Heath - Theories of Film Spectatorship
Erin Heath - Theories of Film SpectatorshipErin Heath - Theories of Film Spectatorship
Erin Heath - Theories of Film SpectatorshipSouth Sefton College
 
People painted over_whitewashing_of_minority_actors_in_recent_film-_and _tele...
People painted over_whitewashing_of_minority_actors_in_recent_film-_and _tele...People painted over_whitewashing_of_minority_actors_in_recent_film-_and _tele...
People painted over_whitewashing_of_minority_actors_in_recent_film-_and _tele...South Sefton College
 
Perception of mental illness based upon its portrayal in film
Perception of mental illness based upon its portrayal in filmPerception of mental illness based upon its portrayal in film
Perception of mental illness based upon its portrayal in filmSouth Sefton College
 
Lesson 8 past papers and first drafts
Lesson 8   past papers and first draftsLesson 8   past papers and first drafts
Lesson 8 past papers and first draftsSouth Sefton College
 

Plus de South Sefton College (20)

Fellowship handout
Fellowship handoutFellowship handout
Fellowship handout
 
Film analysis of_blue_is_the_warmest_col
Film analysis of_blue_is_the_warmest_colFilm analysis of_blue_is_the_warmest_col
Film analysis of_blue_is_the_warmest_col
 
Ethnicity and race intro to film studies
Ethnicity and race intro to film studiesEthnicity and race intro to film studies
Ethnicity and race intro to film studies
 
Lesbian and gay cinema intro to film studies
Lesbian and gay cinema intro to film studiesLesbian and gay cinema intro to film studies
Lesbian and gay cinema intro to film studies
 
50 shades of grey good until it's not
50 shades of grey good until it's not50 shades of grey good until it's not
50 shades of grey good until it's not
 
Projecting h itler representations of adolf hitler in english language gilms
Projecting h itler   representations of adolf hitler in english language gilms Projecting h itler   representations of adolf hitler in english language gilms
Projecting h itler representations of adolf hitler in english language gilms
 
Downfall and beyond hitler films from germany
Downfall and beyond   hitler films from germanyDownfall and beyond   hitler films from germany
Downfall and beyond hitler films from germany
 
Bruno gantz on playing hitler
Bruno gantz on playing hitlerBruno gantz on playing hitler
Bruno gantz on playing hitler
 
The dangers of portraying hitler
The dangers of portraying hitlerThe dangers of portraying hitler
The dangers of portraying hitler
 
Erin Heath - Theories of Film Spectatorship
Erin Heath - Theories of Film SpectatorshipErin Heath - Theories of Film Spectatorship
Erin Heath - Theories of Film Spectatorship
 
Oakley theory filmspectator
Oakley theory filmspectatorOakley theory filmspectator
Oakley theory filmspectator
 
Artefacts of disability
Artefacts of disabilityArtefacts of disability
Artefacts of disability
 
Disney's disabled characters
Disney's disabled charactersDisney's disabled characters
Disney's disabled characters
 
People painted over_whitewashing_of_minority_actors_in_recent_film-_and _tele...
People painted over_whitewashing_of_minority_actors_in_recent_film-_and _tele...People painted over_whitewashing_of_minority_actors_in_recent_film-_and _tele...
People painted over_whitewashing_of_minority_actors_in_recent_film-_and _tele...
 
Perception of mental illness based upon its portrayal in film
Perception of mental illness based upon its portrayal in filmPerception of mental illness based upon its portrayal in film
Perception of mental illness based upon its portrayal in film
 
Lesson 17 women and aco (ob)
Lesson 17 women and aco (ob)Lesson 17 women and aco (ob)
Lesson 17 women and aco (ob)
 
Assimilation 2015
Assimilation 2015Assimilation 2015
Assimilation 2015
 
Spr homework
Spr homeworkSpr homework
Spr homework
 
Film politics and ideology
Film politics and ideologyFilm politics and ideology
Film politics and ideology
 
Lesson 8 past papers and first drafts
Lesson 8   past papers and first draftsLesson 8   past papers and first drafts
Lesson 8 past papers and first drafts
 

Dernier

Call Girls CG Road 7397865700 Independent Call Girls
Call Girls CG Road 7397865700  Independent Call GirlsCall Girls CG Road 7397865700  Independent Call Girls
Call Girls CG Road 7397865700 Independent Call Girlsssuser7cb4ff
 
Udaipur Call Girls 9602870969 Call Girl in Udaipur Rajasthan
Udaipur Call Girls 9602870969 Call Girl in Udaipur RajasthanUdaipur Call Girls 9602870969 Call Girl in Udaipur Rajasthan
Udaipur Call Girls 9602870969 Call Girl in Udaipur RajasthanApsara Of India
 
Taken Pilot Episode Story pitch Document
Taken Pilot Episode Story pitch DocumentTaken Pilot Episode Story pitch Document
Taken Pilot Episode Story pitch Documentf4ssvxpz62
 
The Fine Line Between Honest and Evil Comics by Salty Vixen
The Fine Line Between Honest and Evil Comics by Salty VixenThe Fine Line Between Honest and Evil Comics by Salty Vixen
The Fine Line Between Honest and Evil Comics by Salty VixenSalty Vixen Stories & More
 
Amil Baba in Pakistan Kala jadu Expert Amil baba Black magic Specialist in Is...
Amil Baba in Pakistan Kala jadu Expert Amil baba Black magic Specialist in Is...Amil Baba in Pakistan Kala jadu Expert Amil baba Black magic Specialist in Is...
Amil Baba in Pakistan Kala jadu Expert Amil baba Black magic Specialist in Is...Amil Baba Company
 
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcE
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcEViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcE
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcEApsara Of India
 
Call Girls Near Taurus Sarovar Portico Hotel New Delhi 9873777170
Call Girls Near Taurus Sarovar Portico Hotel New Delhi 9873777170Call Girls Near Taurus Sarovar Portico Hotel New Delhi 9873777170
Call Girls Near Taurus Sarovar Portico Hotel New Delhi 9873777170Sonam Pathan
 
Call Girls Somajiguda Sarani 7001305949 all area service COD available Any Time
Call Girls Somajiguda Sarani 7001305949 all area service COD available Any TimeCall Girls Somajiguda Sarani 7001305949 all area service COD available Any Time
Call Girls Somajiguda Sarani 7001305949 all area service COD available Any Timedelhimodelshub1
 
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607dollysharma2066
 
Amil Baba in karachi Kala jadu Expert Amil baba Black magic Specialist in Isl...
Amil Baba in karachi Kala jadu Expert Amil baba Black magic Specialist in Isl...Amil Baba in karachi Kala jadu Expert Amil baba Black magic Specialist in Isl...
Amil Baba in karachi Kala jadu Expert Amil baba Black magic Specialist in Isl...Amil Baba Company
 
QUIZ BOLLYWOOD ( weekly quiz ) - SJU quizzers
QUIZ BOLLYWOOD ( weekly quiz ) - SJU quizzersQUIZ BOLLYWOOD ( weekly quiz ) - SJU quizzers
QUIZ BOLLYWOOD ( weekly quiz ) - SJU quizzersSJU Quizzers
 
MumBai CaLL GIrls 24/7 Enjoy 7397865700 Escorts Service
MumBai CaLL GIrls  24/7 Enjoy 7397865700 Escorts ServiceMumBai CaLL GIrls  24/7 Enjoy 7397865700 Escorts Service
MumBai CaLL GIrls 24/7 Enjoy 7397865700 Escorts ServiceCall Girls Mumbai
 
fmovies-Movies hold a special place in the hearts
fmovies-Movies hold a special place in the heartsfmovies-Movies hold a special place in the hearts
fmovies-Movies hold a special place in the heartsa18205752
 
Call US '' 8377087607'' !! Call Girls In Model Town Metro (Delhi NCR)
Call US '' 8377087607'' !! Call Girls In Model Town Metro (Delhi NCR)Call US '' 8377087607'' !! Call Girls In Model Town Metro (Delhi NCR)
Call US '' 8377087607'' !! Call Girls In Model Town Metro (Delhi NCR)dollysharma2066
 
Cash Payment Contact:- 7028418221 Goa Call Girls Service North Goa Escorts
Cash Payment Contact:- 7028418221 Goa Call Girls Service North Goa EscortsCash Payment Contact:- 7028418221 Goa Call Girls Service North Goa Escorts
Cash Payment Contact:- 7028418221 Goa Call Girls Service North Goa EscortsApsara Of India
 
Call Girls SG Highway 7397865700 Ridhima Hire Me Full Night
Call Girls SG Highway 7397865700 Ridhima Hire Me Full NightCall Girls SG Highway 7397865700 Ridhima Hire Me Full Night
Call Girls SG Highway 7397865700 Ridhima Hire Me Full Nightssuser7cb4ff
 
Real NO1 Amil baba in Faisalabad Kala jadu in faisalabad Aamil baba Faisalaba...
Real NO1 Amil baba in Faisalabad Kala jadu in faisalabad Aamil baba Faisalaba...Real NO1 Amil baba in Faisalabad Kala jadu in faisalabad Aamil baba Faisalaba...
Real NO1 Amil baba in Faisalabad Kala jadu in faisalabad Aamil baba Faisalaba...Amil Baba Company
 
Call Girls Near The Corus Hotel New Delhi 9873777170
Call Girls Near The Corus Hotel New Delhi 9873777170Call Girls Near The Corus Hotel New Delhi 9873777170
Call Girls Near The Corus Hotel New Delhi 9873777170Sonam Pathan
 

Dernier (20)

Call Girls CG Road 7397865700 Independent Call Girls
Call Girls CG Road 7397865700  Independent Call GirlsCall Girls CG Road 7397865700  Independent Call Girls
Call Girls CG Road 7397865700 Independent Call Girls
 
Udaipur Call Girls 9602870969 Call Girl in Udaipur Rajasthan
Udaipur Call Girls 9602870969 Call Girl in Udaipur RajasthanUdaipur Call Girls 9602870969 Call Girl in Udaipur Rajasthan
Udaipur Call Girls 9602870969 Call Girl in Udaipur Rajasthan
 
Taken Pilot Episode Story pitch Document
Taken Pilot Episode Story pitch DocumentTaken Pilot Episode Story pitch Document
Taken Pilot Episode Story pitch Document
 
The Fine Line Between Honest and Evil Comics by Salty Vixen
The Fine Line Between Honest and Evil Comics by Salty VixenThe Fine Line Between Honest and Evil Comics by Salty Vixen
The Fine Line Between Honest and Evil Comics by Salty Vixen
 
Amil Baba in Pakistan Kala jadu Expert Amil baba Black magic Specialist in Is...
Amil Baba in Pakistan Kala jadu Expert Amil baba Black magic Specialist in Is...Amil Baba in Pakistan Kala jadu Expert Amil baba Black magic Specialist in Is...
Amil Baba in Pakistan Kala jadu Expert Amil baba Black magic Specialist in Is...
 
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcE
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcEViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcE
ViP Call Girls In Udaipur 9602870969 Gulab Bagh Escorts SeRvIcE
 
Call Girls Near Taurus Sarovar Portico Hotel New Delhi 9873777170
Call Girls Near Taurus Sarovar Portico Hotel New Delhi 9873777170Call Girls Near Taurus Sarovar Portico Hotel New Delhi 9873777170
Call Girls Near Taurus Sarovar Portico Hotel New Delhi 9873777170
 
Call Girls Somajiguda Sarani 7001305949 all area service COD available Any Time
Call Girls Somajiguda Sarani 7001305949 all area service COD available Any TimeCall Girls Somajiguda Sarani 7001305949 all area service COD available Any Time
Call Girls Somajiguda Sarani 7001305949 all area service COD available Any Time
 
young call girls in Hari Nagar,🔝 9953056974 🔝 escort Service
young call girls in Hari Nagar,🔝 9953056974 🔝 escort Serviceyoung call girls in Hari Nagar,🔝 9953056974 🔝 escort Service
young call girls in Hari Nagar,🔝 9953056974 🔝 escort Service
 
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
 
Amil Baba in karachi Kala jadu Expert Amil baba Black magic Specialist in Isl...
Amil Baba in karachi Kala jadu Expert Amil baba Black magic Specialist in Isl...Amil Baba in karachi Kala jadu Expert Amil baba Black magic Specialist in Isl...
Amil Baba in karachi Kala jadu Expert Amil baba Black magic Specialist in Isl...
 
QUIZ BOLLYWOOD ( weekly quiz ) - SJU quizzers
QUIZ BOLLYWOOD ( weekly quiz ) - SJU quizzersQUIZ BOLLYWOOD ( weekly quiz ) - SJU quizzers
QUIZ BOLLYWOOD ( weekly quiz ) - SJU quizzers
 
MumBai CaLL GIrls 24/7 Enjoy 7397865700 Escorts Service
MumBai CaLL GIrls  24/7 Enjoy 7397865700 Escorts ServiceMumBai CaLL GIrls  24/7 Enjoy 7397865700 Escorts Service
MumBai CaLL GIrls 24/7 Enjoy 7397865700 Escorts Service
 
fmovies-Movies hold a special place in the hearts
fmovies-Movies hold a special place in the heartsfmovies-Movies hold a special place in the hearts
fmovies-Movies hold a special place in the hearts
 
Call US '' 8377087607'' !! Call Girls In Model Town Metro (Delhi NCR)
Call US '' 8377087607'' !! Call Girls In Model Town Metro (Delhi NCR)Call US '' 8377087607'' !! Call Girls In Model Town Metro (Delhi NCR)
Call US '' 8377087607'' !! Call Girls In Model Town Metro (Delhi NCR)
 
Cash Payment Contact:- 7028418221 Goa Call Girls Service North Goa Escorts
Cash Payment Contact:- 7028418221 Goa Call Girls Service North Goa EscortsCash Payment Contact:- 7028418221 Goa Call Girls Service North Goa Escorts
Cash Payment Contact:- 7028418221 Goa Call Girls Service North Goa Escorts
 
Call Girls SG Highway 7397865700 Ridhima Hire Me Full Night
Call Girls SG Highway 7397865700 Ridhima Hire Me Full NightCall Girls SG Highway 7397865700 Ridhima Hire Me Full Night
Call Girls SG Highway 7397865700 Ridhima Hire Me Full Night
 
Real NO1 Amil baba in Faisalabad Kala jadu in faisalabad Aamil baba Faisalaba...
Real NO1 Amil baba in Faisalabad Kala jadu in faisalabad Aamil baba Faisalaba...Real NO1 Amil baba in Faisalabad Kala jadu in faisalabad Aamil baba Faisalaba...
Real NO1 Amil baba in Faisalabad Kala jadu in faisalabad Aamil baba Faisalaba...
 
Call Girls Near The Corus Hotel New Delhi 9873777170
Call Girls Near The Corus Hotel New Delhi 9873777170Call Girls Near The Corus Hotel New Delhi 9873777170
Call Girls Near The Corus Hotel New Delhi 9873777170
 
Call Girls Koti 7001305949 all area service COD available Any Time
Call Girls Koti 7001305949 all area service COD available Any TimeCall Girls Koti 7001305949 all area service COD available Any Time
Call Girls Koti 7001305949 all area service COD available Any Time
 

Lh8 narrative

  • 1.
  • 2. Starter Task • Complete your ‘Narrative’ handout • Step 1 – Identify the Five stages of Todorov’s narrative theory • Step 2 – Apply the theory to La Haine and note down the scenes / action from the film in which the five stages are present • Step 3 – Feedback your answers to the class and make notes
  • 3. Starter Task Riots are on-going. Equilibrium A young Arab man has been shot by Police. Disruption of Vinz finds a Police officers gun and hides it Equilibrium Hubert identifies the immediate problem posed by Recognition of the gun disruption The trio return to the Suburb’s to dispose of the Attempt to repair gun At least one young man from an immigrant Reinstatement of background has been shot by Police. Equilibrium
  • 4. Learning Objectives • Identify the different Narrative Devices employed by La Haine • Discuss and Analyse how Power, Poverty and Conflict are represented throughout the film • Analyse a series of key scenes and answer an short exam style question about La Haine’s narrative structure and its links to contextual issues
  • 5. Narrative Device? • What is a narrative device? • A tool that a director / filmmaker can use to progress the narrative of film • The action or item that provides the next ‘piece in the puzzle’ • Example include – Binary Oppositions – Enigma Codes – Action Codes – Flashbacks to provide background information and contextualise a film
  • 6. Narrative Structure • Upon release Mathieu Kassovitz put forward the notion that “(my) film was ‘unstructured’ – a series of disconnected scenes in a film in which ‘nothing happens’” • He claimed that each scene constitutes a short film in itself, focusing upon unique aspects of Baneliue life. • Kassovitz is essentially saying the film has no structure. Do you agree with this statement? Close scrutiny of the film reveals a minutely constructed and classically coherent film
  • 7. Narrative Structure • La Haine is structured around a geographical and temporal dichotomy between daytime in the Ghetto and the night time Paris – a strong symbolic device. • What could the split narrative symbolise? • This symbolic device is one of many binary oppositions with the film. Dichotomy: division or Task – 1 Minute contrast between two • Can you think of any other Binary things that are or are Oppositions? represented as being opposed or entirely • How are these opposition represent different. throughout the film?
  • 8. Binary Oppositions Working Class / Under Middle / Class Upper Class Les Banlieues ‘Gentrified’ Paris city centre Ethnic Minorities White Violence as Art as entertainment entertainment Citizens Police Immigrant community ‘Native’ or resistant to assimilation assimilated French Gentrification: To renovate or improve a housing district or area so that it conforms to middle class taste
  • 9. Episodic Hatred • The film begins with a montage of shots capturing riots taking place in Paris • This footage is a combination of footage from the riots that took place in the 1980’s and early 1990’s • What does this montage suggest about France? • Riots are a consistent part of modern French history • Violence, civil disobedience and police brutality are reoccurring events that certain citizens are used to • How does this sequence establish some of the films major themes?
  • 10. Episodic Hatred • The film is then structured by a series of ‘Episodes’ • Example: – Sayid & Hubert’s interrogation at the hands of the police • Many of these episodes builds to a mini-climax and are followed by moments of relative calm. • Each episode focuses on a specific theme of the film and as a result, we can identify clear cut sequences to be included in to our analysis and exam • We see examples of Power, Poverty & Conflict in several of the films episodes • What is Kassovitz trying to say through this episodic narrative structure? • What can we learn about Power, Poverty and Conflict? • These three elements are commonplace in French society, from the Government and the Media down to the immigrant street kids of Les Banlieues
  • 11. Episodic Task • Each group has a series of resources containing: • Stills • Scene Synopsis • Todorov’s Theory template • You have 5 minutes to read the synopsis and identify if/how Todorov’s theory can be applied to your sequence • Labels the stills that you think correspond to the five stages • You will then share your findings with the class • You must note down what your class-mates say – these notes will be essential to your understanding of the film
  • 12. Tick followed tock... • The narrative is broken up in to several episodes each separated by a ticking clock – a narrative device in itself • What purposes does the ticking clock serve? • Signal the beginning/end of a particular ‘episode’ • Moves the narrative forward in a clear and straightforward way • The clock is counting down to a single event, at which the narrative will end What event is the clock ticking down to? This clock is a very effective way of building tension and creates an enigma code
  • 13. ‘Smoking Gun’ • Often in films an object or even a location can act as a narrative device • For example.... • Can you think of an object in La Haine that could be considered Narrative Devices? The Police officers Gun found by Vinz The gun is closely linked to Vinz throughout the film and there are several comparisons we can draw between the object and the character of Vinz In what ways does the gun resemble the character of Vinz?
  • 14. Vinz & The Gun Both the gun and Vinz are essential to the narrative of the film • The gun and Vinz can both be seen as violent weapons that can cause death • Both are likely to ‘go off ’ at any point • If we compare Vinz’s anger to a bullet in the gun we can say that both are ‘loaded’ the resolution of the narrative hinges on how both Vinz’s anger and the bullets in the gun are used • A gun is just an object until it is used – only then does it become a weapon
  • 15. There are four work stations around the class Task Each station contains the following: •Stills from a Key Scene •A synopsis •An exam style essay question You will have 6 minutes at each station to study the resources then complete a short one-paragraph answer for the essay question set When 6 minutes are up you must move to the next station and repeat the exercise with new resources Question needs to be related – what purpose does this scene serve to the narrative? – does it progress the narrative at all or does it serve another purpose?
  • 16. Summary Despite the opinions of the films create we can identify a clear linear narrative structure within La Haine The episodic nature of the film introduces and discusses social issues that serve as the backdrop for La Haine Not all episodes or elements off the film can be considered ‘narrative devices’ – Hubert in his bedroom does not reveal any important Narrative information, it serves another purpose – We are encouraged to empathise with the character and we are also reminded that he is young, troubled and surrounded by Power, Poverty & Crime – We also learn that he is in touch with his environment in a way that Vinz and Sayid are not