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Localisation and the design and production of
sustainable products
Çağla Doğan, Stuart Walker
ID 501 Advanced Project Development In Industrial
Design
Merve Çopur
Outline
1. Introduction
2. Framework of the current understandings of sustainable product design
3. Generating „tacit knowledge‟ through the making process
4. Integrated scales of design, production, use and post-use for sustainability
5. Conclusions: embodying knowledge: social and environmantal integrity in product
design
A fundamental rethinking and restructing of product design, production and post-
use must be taken into account to contribute to the three main principles of
sustainability which are:
• Ecology
• Economics
• Ethics
Restoring „the local‟ has important implications for product design
– product diversity for different user needs
– effective user feedback
– developing more creative, ethically responsible and appropriate ways for product end-
of-life solutions.
There are limited studies and efforts that address local aspects of design and
production. Therefore investigating the implications of “Integrated Scales of Design
and Production for Sustainability” (ISDPS) (Dogan and Walker, 2004) is substantial.
In this concept, the term „localisation‟ refers to:
• design knowledge and solutions tailored to diverse user needs at the batch
production scale
• post-use services of product parts at the local and regional levels (e.g., repair, reuse,
recovery and reproduction etc.).
According to Cooper current global advancement in digital technologies does not
overcome the reality of our contemporary, highly consumptive society. It points out
the importance of „the local‟.
Sustainability has been limited to the reduction of the environmental effects of the
products which is named „eco-efficient framework‟ which is relied on Life Cycle
Analysis (LCA)
• Economic feasibility is considered important rather than focus on design.
Product-to-service approaches and solutions generally stay at the level of concepts.
The focus here is on such things as dematerialisation, strategic and service
design, and product sharing.
There are number of tools and and system approaches for sustainability
which are :
• Environmental and business management tool ISO 14001
• Life Cycle Assesment (LCA)
• Ecological footprinting
• Factor 10
• Natural step framework
For instance in Factor 10 industrialized countries have to reduce their material intensity
by at least a factor of 10 and ecological footprinting proposes an estimate calculation of
the outcomes of various activities of societies, and aggregates them into units of ecological
area.
Ecological impoverishment occurs because:
• intensity of human activity is increasing
• regulations are not put into action effectively
• environmental concerns are usually subsumed to commercial needs
• decision making is based on political and social factors rather than longer term ecological
timeframes
• it is generally difficult and long term to challenge and change human values.
Within in the scenario of sustainability, future
companies could operate simultaneously locally and globally.
According to Manzini, this proposes combining semi-finished product parts with
locally-made parts.
With the help of the improvements in modular engineering design it is feasible to
replace or upgrade individual product components rather than replace the entire
product.
On the other hand current design and production system that is based on mass-
production, standardisation and automation at the global scale allow minimum
and limited adjustments (such as changes in product colours, materials, graphic
codes and design), mostly for marketing purposes
As it is mentioned before there are some systemic problems associated with global
scale production which are :
• The activity of design is largely separate from the making and the means of production
and post-use processing.
• Areas of expertise are narrowed among various professions, those involved do not have
an holistic view of the process and its implications.
• New technologies are adopted rapidly without considering the cultural, environmental
and social context.
Tacit knowledge is practical know-how, and it exists in people. It can only be
learned through practice, it can be said learning by doing.
Arts and Crafts movement, for which the vernacular was the model. The three
elements of craft: vernacular, politics of work and decorative arts have a strong
relationship to practical know-how knowledge and design.
In contrast to studio crafts mass production dominate the main market but it is far
from satisfying the requirements of sustainability. The three paths of sustainability are
:
1.Adapt the existing system to integrate sustainability.
2. Return to a craft.
3.Re-conceive material goods and their design and production.
Increased localisation has the potential to better address sustainability:
• social: creating skilled employment at the batch production level
• environmental: effective use of resources, internalising the environmental impacts
enabling repair, reuse, product maintenance and upgrading
• economic: prices better reflect true costs, which include social and environmental
Integrated Scales of Design and Production for Sustainability
The ISDPS concept attempts to integrate the various scales of production in order to
introduce „localisation‟ in the design, manufacture and post-use of products.
The ISDPS concept:
reduces negative environmental effects
addresses locally focused socio-economic needs through product production
encourages product caring, maintenance and recovery at the local and regional levels
enable re-use and recycling
With the help of a more integrated approach, design can create culturally rich
products. To this end the ISDPS concept can:
• help recover and bring new insights and propositions to product aesthetics and meaning
• incorporate technology in a more transparent and appropriate way for both the user and
the employee or maker
• lead to new engagement possibilities between the user and the object in product
maintenance, repair, recycling
• make environmental and technological relationships more visible and a more significant
part of our understandings
(ISDPS) concept suggested here has the potential to create new opportunities for
designers to serve a variety of small-scale enterprises. This short run projects would
reflect the richness of diverse and cultural taste.
Thank you

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Localisation and the design and production of sustainable products

  • 1. Localisation and the design and production of sustainable products Çağla Doğan, Stuart Walker ID 501 Advanced Project Development In Industrial Design Merve Çopur
  • 2. Outline 1. Introduction 2. Framework of the current understandings of sustainable product design 3. Generating „tacit knowledge‟ through the making process 4. Integrated scales of design, production, use and post-use for sustainability 5. Conclusions: embodying knowledge: social and environmantal integrity in product design
  • 3. A fundamental rethinking and restructing of product design, production and post- use must be taken into account to contribute to the three main principles of sustainability which are: • Ecology • Economics • Ethics
  • 4. Restoring „the local‟ has important implications for product design – product diversity for different user needs – effective user feedback – developing more creative, ethically responsible and appropriate ways for product end- of-life solutions.
  • 5. There are limited studies and efforts that address local aspects of design and production. Therefore investigating the implications of “Integrated Scales of Design and Production for Sustainability” (ISDPS) (Dogan and Walker, 2004) is substantial. In this concept, the term „localisation‟ refers to: • design knowledge and solutions tailored to diverse user needs at the batch production scale • post-use services of product parts at the local and regional levels (e.g., repair, reuse, recovery and reproduction etc.).
  • 6. According to Cooper current global advancement in digital technologies does not overcome the reality of our contemporary, highly consumptive society. It points out the importance of „the local‟.
  • 7. Sustainability has been limited to the reduction of the environmental effects of the products which is named „eco-efficient framework‟ which is relied on Life Cycle Analysis (LCA) • Economic feasibility is considered important rather than focus on design. Product-to-service approaches and solutions generally stay at the level of concepts. The focus here is on such things as dematerialisation, strategic and service design, and product sharing.
  • 8. There are number of tools and and system approaches for sustainability which are : • Environmental and business management tool ISO 14001 • Life Cycle Assesment (LCA) • Ecological footprinting • Factor 10 • Natural step framework
  • 9. For instance in Factor 10 industrialized countries have to reduce their material intensity by at least a factor of 10 and ecological footprinting proposes an estimate calculation of the outcomes of various activities of societies, and aggregates them into units of ecological area. Ecological impoverishment occurs because: • intensity of human activity is increasing • regulations are not put into action effectively • environmental concerns are usually subsumed to commercial needs • decision making is based on political and social factors rather than longer term ecological timeframes • it is generally difficult and long term to challenge and change human values.
  • 10. Within in the scenario of sustainability, future companies could operate simultaneously locally and globally. According to Manzini, this proposes combining semi-finished product parts with locally-made parts.
  • 11. With the help of the improvements in modular engineering design it is feasible to replace or upgrade individual product components rather than replace the entire product. On the other hand current design and production system that is based on mass- production, standardisation and automation at the global scale allow minimum and limited adjustments (such as changes in product colours, materials, graphic codes and design), mostly for marketing purposes
  • 12. As it is mentioned before there are some systemic problems associated with global scale production which are : • The activity of design is largely separate from the making and the means of production and post-use processing. • Areas of expertise are narrowed among various professions, those involved do not have an holistic view of the process and its implications. • New technologies are adopted rapidly without considering the cultural, environmental and social context.
  • 13. Tacit knowledge is practical know-how, and it exists in people. It can only be learned through practice, it can be said learning by doing. Arts and Crafts movement, for which the vernacular was the model. The three elements of craft: vernacular, politics of work and decorative arts have a strong relationship to practical know-how knowledge and design.
  • 14. In contrast to studio crafts mass production dominate the main market but it is far from satisfying the requirements of sustainability. The three paths of sustainability are : 1.Adapt the existing system to integrate sustainability. 2. Return to a craft. 3.Re-conceive material goods and their design and production.
  • 15. Increased localisation has the potential to better address sustainability: • social: creating skilled employment at the batch production level • environmental: effective use of resources, internalising the environmental impacts enabling repair, reuse, product maintenance and upgrading • economic: prices better reflect true costs, which include social and environmental
  • 16. Integrated Scales of Design and Production for Sustainability The ISDPS concept attempts to integrate the various scales of production in order to introduce „localisation‟ in the design, manufacture and post-use of products. The ISDPS concept: reduces negative environmental effects addresses locally focused socio-economic needs through product production encourages product caring, maintenance and recovery at the local and regional levels enable re-use and recycling
  • 17. With the help of a more integrated approach, design can create culturally rich products. To this end the ISDPS concept can: • help recover and bring new insights and propositions to product aesthetics and meaning • incorporate technology in a more transparent and appropriate way for both the user and the employee or maker • lead to new engagement possibilities between the user and the object in product maintenance, repair, recycling • make environmental and technological relationships more visible and a more significant part of our understandings
  • 18. (ISDPS) concept suggested here has the potential to create new opportunities for designers to serve a variety of small-scale enterprises. This short run projects would reflect the richness of diverse and cultural taste. Thank you