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Shots, framing and meaning
Camera basics 16:9

aspect ratio

9

16
neutral
camera
height

subjective

Extreme long shot (XLS/WA)
subject very small in frame. Male or female?
used to open a sequence - where are we?
neutral
camera
height

subjective

Very long shot (VLS)
subject is about 3rd screen space
used to introduce a person but not identify them
neutral
camera
height

subjective

long shot (LS)
subject fills the frame
used to introduce a someone often in motion
neutral
camera
height

subjective

medium long shot (MLS)
subject is cut by the frame above/below knees
we recognise but lack detail esp. eyes
neutral
camera
height

subjective

medium shot (MS)
frame cuts subject below waist & elbow
Direction of gaze draws attention
neutral
camera
height

subjective

medium close up (MCU)
frame cuts subject below arm joint
facial expressions emphasised - not intrusive
neutral
camera
height

subjective

close up (CU)
frame cuts subject above arm joint - not neck!
emphasises intimacy, secrecy etc
neutral
camera
height

subjective

big close up (BCU)
frame cuts subject above brow, above chin
extreme emotion
neutral
camera
height

subjective

extreme close up (ECU)
frame features just eyes or eyes and nose
intrusive and powerful
neutral
camera
height
camera
left

camera
right

objective

interviews MCU - headroom
subject rotated slightly and not looking to camera
3/4 profile
neutral
camera
height
camera
left

camera
right

objective

interviews - looking room
definite ‘eyeline’, framed camera left or right
3/4 profile
neutral
camera
height

objective

eyeline

eyeline

interviews - matching MCUs
these shots need to balance each other
More reading
‘The Grammar of the shot’. Roy
Thompson

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Framing and naming the shots