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Body Language and You 
How to present yourself in a conscious 
manner, as well as use subtle clues from 
players to gauge a situation 
SE Regional Summer Judge Conference 2014
Overview 
This seminar aims to present some basic psychological 
approaches to how one can utilize and read body language 
cues. 
Along these lines there will be some example scenarios of 
various types of judge calls, and a discussion of the body 
and how it pertains to you as a judge.
Overview 
For all of these the focus will be on how to present yourself 
and how to interpret cues from the players. 
Following that is a brief description of specific areas of the 
body and what cues may be exhibited and what we may 
glean from them. Torso Arms Legs 
The goal is to educate judges on mannerisms and 
techniques to display confidence as well as to be able to 
more thoroughly investigate calls.
Example HJ announcement from 
Hanukkah 
play video/or enact a HJ announcement 
-discuss what could be improved 
-intentionally pace, take long pauses, 
read from notes, Holding breath, VERY 
Formal and speaking from chest. 
Alternatively I can enact this stuff with the 
introduction.
Approaching a Judge Call on the 
Floor 
We start here with an example of a judge 
taking a call. 
have two players set up a mock game, 
and 
when one of them calls for a judge, a 
volunteer who has been told some pointers 
for a “bad” call takes it
The Bad Call 
● Approach from the player who did not call 
judge 
● Stand close to and overtop of the table 
● Address the players very shortly and curtly 
(yeah?) 
● Any other notes? 
● Have the audience point out everything that 
could be improved here
The Good Call 
● Approach the table from the player who 
called judge 
● Lower to table level 
● Make a nice courteous introduction 
o How can I help?
The Argument 
Set up the same example call, but this time the 
players are talking over each other, and don’t 
want to let either speak to the judge. 
● This is a great opportunity for discussion 
o hopefully some will have more ideas here to learn 
from 
● Have a volunteer come in and take this call 
● have the audience discuss what was done well and 
what wasn’t
The Argument 
● how do you handle this, and how does body language help? 
● turn to the player you wish to speak 
o I will often “calm” the other player with a hand motion 
o if a call escalates while you are at “ground level” stand up 
this immediately tips the balance of perceived power back to 
you this is due to the psychological effect of having to look up 
at someone who is in a position of authority.
The Call Away from the Table 
-If a player asks to step away from the table, how do you 
do this? 
● make sure you face the table 
● be sure you move far enough or are quiet enough that 
no information is given away 
● also be aware of your own responses so you don’t give 
away strategic info
Let’s move to some body language 
tricks and points we can use as 
Judges on the Floor
Body Language on the Floor 
● When walking around observing matches, how do you stand? Have an 
example from the audience here. 
o shoulders back, confident stride, etc etc 
● When watching players drafting, where do you look? Again, example as if 
there was a draft here. 
o call for answers from audience 
o eyes should be the main focus 
● how does your position affect the players? 
● they will know you are right behind them 
● so you should be observing everyone without being obvious, just watch 
eyes.
Torso 
Walking and sitting with a straight back and 
your shoulders back is a sign of confidence. 
● This can be a useful way to walk a floor, as it 
will be just another thing that subconsciously 
instills confidence in you rulings 
● Example of both good and bad with why it 
helps when approaching a call
Some minor pointers 
● thumbs pointing forward in pockets 
● Hands on hips 
● avoid the “regal” pose 
● when talking with a player square your feet 
and torso to them - this is a sign you are 
paying attention and are committed 
● just cover a few stances and how that looks
Arms 
When standing, don’t cross your arms unless 
you are trying to be intimidating. 
Explain the difference in how your musculature 
appears. 
Example here 
Using crossed arms is a tool, but don’t do it if 
you are just walking the floor.
Feet and Legs - Judges 
When walking, walk with a purposeful stride and don’t sulk. 
This is another subtle confidence expression. 
Don’t run!
End of Round - combining this 
● It’s end of round, and your HJ/Team Lead says “go get me that slip!” how 
do you do 
this? (Example) 
● Let’s have the audience sort out the good and bad here... 
● this is a good time to be slightly intimidating. Just showing up and 
saying “hi” then sitting down… not so useful. 
● Make note of direction to SK and point one foot that direction 
● Arms folded, slightly looming 
o you want to make your presence definitely felt, but not 
overwhelmingly so
End of Round - combining this 
● Now don’t take this too far, as you can inadvertently make players nervous 
which can slow them down… it’s a balance you need to be aware of for 
every table. 
● Also of note, this is a personal choice scenario, you don’t have to be 
intimidating, but it is a tool you may use.
Moving into a very little bit of 
psychology of body language - 
Looking at the Players 
We will now discuss a little bit about “tells” and 
subtly cues we can both be aware of for 
ourselves as well as use during player 
interactions.
Head and Face 
This is obviously the part of a player you will be 
observing directly the most when dealing with a 
judge call, so PAY ATTENTION to what their 
expressions may be telling you.
Head and Face 
Psychologists use a term called “microexpressions” to describe tiny 
movements of face muscles that will often betray a true feeling that is otherwise 
being masked. 
For instance, when you experince fear, your face often forms a small grimace 
that may not even be broadly noticeable, but if you look, you can see small tugs 
of the muscles around the mouth and eyes, and particularly a slight raise to the 
eyebrows. 
This same expression often occurs when we lie. I’m not saying you should use 
this alone to assess guilt, as it may be simply fear during a call, but don’t 
overlook information a player is giving you, even if it is subconciously.
Eyes 
Try to avoid staring into a players eyes for too long, as this 
can make people nervous. Luckily, you have plenty of other 
things you should be looking at, so just make sure to break 
eye contact to look at the board state so you don’t 
intimidate a player accidentally. 
Also, and this should be obvious, but avoid rolling your 
eyes even subtly as this is clearly antagonistic. Even if you 
know a player if lying to you.
Arms/Hands from the player 
When observing a player, nervousness is often expressed 
by fidgeting hands. 
Now many of these tells also may occur simply because a 
judge is there, so don’t read too much into it, just be aware 
of how you can gauge mindset of players before they even 
speak.
Arms/Hands from the player 
Nervous twitches: 
This is VERY common. For instance, I often flip my 
phone, or flip a pen while nervous and/or bored. 
The nice thing about this one is that these 
shaking/twitch tells are amplified by items in someone’s 
hands. Since players will often have pens and/or cards 
in hand… just look.
Feet and Legs - Players 
This isn’t that much of a thing since players will be sitting 
down, but toe-tapping and or leg shaking is a sign of 
impatience and/or anxiety. 
Another thing that may be useful in investigations, but that 
is less relevant for normal interaction - the “secured” seat: 
holding the arms of the chair, and wrapping legs around the 
chair legs.
Conclusions and take-away 
thoughts 
Be aware of what your body is telling players at 
your events. 
Be aware, conversely, of what they may be 
telling you before they even explain anything 
about the game.
Judge calls: Scripts 
The non ideal call 
Players - simply play a turn or two: draw cards, play land, etc, then have player A call JUDGE! 
Judge - Approach from the player who did not call judge 
Stand close to and overtop of the table 
Address the players very shortly and curtly (yeah?) 
The Better Call 
Players - simply play a turn or two: draw cards, play land, etc, then have player A call JUDGE! 
Judge - Basically just take the call as at an event - opposite of above
The Argument 
Players - simply play a turn or two: draw cards, play land, etc, then have player A call JUDGE! 
At this point, when the judge walks over, 
Player A: hey, so he just tried to cast Doom Blade on my Black Knight 
Player B: No I didn’t, I cast it on his Serra Angel! 
Player A: No, you clearly pointed at the Knight! 
At this point please begin talking over one another and pointing back and forth at the cards, getting heated as 
you go. Make this a quick escalation as we don’t really need to spend a ton of time here. 
Judge - I will often “calm” the other player with a hand motion 
As the call escalates while you are at “ground level” stand up 
Anything else you might normally do in this case 
The Call away from the table 
Players - simply play a turn or two: draw cards, play land, etc, then have player A call JUDGE! 
At this point, when the judge walks over, explain you’d like to ask a question away 
from the table, 
then follow me 
Judge calls: Scripts

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Body language judge seminar

  • 1. Body Language and You How to present yourself in a conscious manner, as well as use subtle clues from players to gauge a situation SE Regional Summer Judge Conference 2014
  • 2. Overview This seminar aims to present some basic psychological approaches to how one can utilize and read body language cues. Along these lines there will be some example scenarios of various types of judge calls, and a discussion of the body and how it pertains to you as a judge.
  • 3. Overview For all of these the focus will be on how to present yourself and how to interpret cues from the players. Following that is a brief description of specific areas of the body and what cues may be exhibited and what we may glean from them. Torso Arms Legs The goal is to educate judges on mannerisms and techniques to display confidence as well as to be able to more thoroughly investigate calls.
  • 4. Example HJ announcement from Hanukkah play video/or enact a HJ announcement -discuss what could be improved -intentionally pace, take long pauses, read from notes, Holding breath, VERY Formal and speaking from chest. Alternatively I can enact this stuff with the introduction.
  • 5. Approaching a Judge Call on the Floor We start here with an example of a judge taking a call. have two players set up a mock game, and when one of them calls for a judge, a volunteer who has been told some pointers for a “bad” call takes it
  • 6. The Bad Call ● Approach from the player who did not call judge ● Stand close to and overtop of the table ● Address the players very shortly and curtly (yeah?) ● Any other notes? ● Have the audience point out everything that could be improved here
  • 7. The Good Call ● Approach the table from the player who called judge ● Lower to table level ● Make a nice courteous introduction o How can I help?
  • 8. The Argument Set up the same example call, but this time the players are talking over each other, and don’t want to let either speak to the judge. ● This is a great opportunity for discussion o hopefully some will have more ideas here to learn from ● Have a volunteer come in and take this call ● have the audience discuss what was done well and what wasn’t
  • 9. The Argument ● how do you handle this, and how does body language help? ● turn to the player you wish to speak o I will often “calm” the other player with a hand motion o if a call escalates while you are at “ground level” stand up this immediately tips the balance of perceived power back to you this is due to the psychological effect of having to look up at someone who is in a position of authority.
  • 10. The Call Away from the Table -If a player asks to step away from the table, how do you do this? ● make sure you face the table ● be sure you move far enough or are quiet enough that no information is given away ● also be aware of your own responses so you don’t give away strategic info
  • 11. Let’s move to some body language tricks and points we can use as Judges on the Floor
  • 12. Body Language on the Floor ● When walking around observing matches, how do you stand? Have an example from the audience here. o shoulders back, confident stride, etc etc ● When watching players drafting, where do you look? Again, example as if there was a draft here. o call for answers from audience o eyes should be the main focus ● how does your position affect the players? ● they will know you are right behind them ● so you should be observing everyone without being obvious, just watch eyes.
  • 13. Torso Walking and sitting with a straight back and your shoulders back is a sign of confidence. ● This can be a useful way to walk a floor, as it will be just another thing that subconsciously instills confidence in you rulings ● Example of both good and bad with why it helps when approaching a call
  • 14. Some minor pointers ● thumbs pointing forward in pockets ● Hands on hips ● avoid the “regal” pose ● when talking with a player square your feet and torso to them - this is a sign you are paying attention and are committed ● just cover a few stances and how that looks
  • 15. Arms When standing, don’t cross your arms unless you are trying to be intimidating. Explain the difference in how your musculature appears. Example here Using crossed arms is a tool, but don’t do it if you are just walking the floor.
  • 16. Feet and Legs - Judges When walking, walk with a purposeful stride and don’t sulk. This is another subtle confidence expression. Don’t run!
  • 17. End of Round - combining this ● It’s end of round, and your HJ/Team Lead says “go get me that slip!” how do you do this? (Example) ● Let’s have the audience sort out the good and bad here... ● this is a good time to be slightly intimidating. Just showing up and saying “hi” then sitting down… not so useful. ● Make note of direction to SK and point one foot that direction ● Arms folded, slightly looming o you want to make your presence definitely felt, but not overwhelmingly so
  • 18. End of Round - combining this ● Now don’t take this too far, as you can inadvertently make players nervous which can slow them down… it’s a balance you need to be aware of for every table. ● Also of note, this is a personal choice scenario, you don’t have to be intimidating, but it is a tool you may use.
  • 19. Moving into a very little bit of psychology of body language - Looking at the Players We will now discuss a little bit about “tells” and subtly cues we can both be aware of for ourselves as well as use during player interactions.
  • 20. Head and Face This is obviously the part of a player you will be observing directly the most when dealing with a judge call, so PAY ATTENTION to what their expressions may be telling you.
  • 21. Head and Face Psychologists use a term called “microexpressions” to describe tiny movements of face muscles that will often betray a true feeling that is otherwise being masked. For instance, when you experince fear, your face often forms a small grimace that may not even be broadly noticeable, but if you look, you can see small tugs of the muscles around the mouth and eyes, and particularly a slight raise to the eyebrows. This same expression often occurs when we lie. I’m not saying you should use this alone to assess guilt, as it may be simply fear during a call, but don’t overlook information a player is giving you, even if it is subconciously.
  • 22. Eyes Try to avoid staring into a players eyes for too long, as this can make people nervous. Luckily, you have plenty of other things you should be looking at, so just make sure to break eye contact to look at the board state so you don’t intimidate a player accidentally. Also, and this should be obvious, but avoid rolling your eyes even subtly as this is clearly antagonistic. Even if you know a player if lying to you.
  • 23. Arms/Hands from the player When observing a player, nervousness is often expressed by fidgeting hands. Now many of these tells also may occur simply because a judge is there, so don’t read too much into it, just be aware of how you can gauge mindset of players before they even speak.
  • 24. Arms/Hands from the player Nervous twitches: This is VERY common. For instance, I often flip my phone, or flip a pen while nervous and/or bored. The nice thing about this one is that these shaking/twitch tells are amplified by items in someone’s hands. Since players will often have pens and/or cards in hand… just look.
  • 25. Feet and Legs - Players This isn’t that much of a thing since players will be sitting down, but toe-tapping and or leg shaking is a sign of impatience and/or anxiety. Another thing that may be useful in investigations, but that is less relevant for normal interaction - the “secured” seat: holding the arms of the chair, and wrapping legs around the chair legs.
  • 26. Conclusions and take-away thoughts Be aware of what your body is telling players at your events. Be aware, conversely, of what they may be telling you before they even explain anything about the game.
  • 27. Judge calls: Scripts The non ideal call Players - simply play a turn or two: draw cards, play land, etc, then have player A call JUDGE! Judge - Approach from the player who did not call judge Stand close to and overtop of the table Address the players very shortly and curtly (yeah?) The Better Call Players - simply play a turn or two: draw cards, play land, etc, then have player A call JUDGE! Judge - Basically just take the call as at an event - opposite of above
  • 28. The Argument Players - simply play a turn or two: draw cards, play land, etc, then have player A call JUDGE! At this point, when the judge walks over, Player A: hey, so he just tried to cast Doom Blade on my Black Knight Player B: No I didn’t, I cast it on his Serra Angel! Player A: No, you clearly pointed at the Knight! At this point please begin talking over one another and pointing back and forth at the cards, getting heated as you go. Make this a quick escalation as we don’t really need to spend a ton of time here. Judge - I will often “calm” the other player with a hand motion As the call escalates while you are at “ground level” stand up Anything else you might normally do in this case The Call away from the table Players - simply play a turn or two: draw cards, play land, etc, then have player A call JUDGE! At this point, when the judge walks over, explain you’d like to ask a question away from the table, then follow me Judge calls: Scripts