2. BRIEF BACKGROUND
• Pottery are functional and decorative objects
made from clay and fired at high
temperatures.
• Ceramics (from Greek “kermamikos”, potter) is
also a term used, although ceramics has a
wider application and includes objects for
industrial use
• Pottery is divided into three types:
Earthware/Terracotta, Stoneware, and
Porcelainware.
39. Most notable traditions that
represent Philippine pottery
• Sa-hyunh Kalanay pottery tradition
• Novaliches tradition
• Bau-Malay pottery tradition
40. Sa-hyunh Kalanay pottery tradition
From the Kalanay cave site in northwest Masbate and other potteries in
the Philippines with the same characteristics as those from the original
site.
Subdivisions:
Kalanay pottery complex
Tabon pottery complex
Bagupanto pottery complex
Asin pottery complex
42. *Kalanay pottery complex
Generally have plain surfaces and
round bodies with plain, flared rims.
Incisions are in a horizontal series of
diagonal-line combinations
bounded by straight or wavy lines.
Cord-marked pottery is absent.
Found in Cotabato and Batangas.
43. *Tabon pottery complex
From various cave sites in western Palawan
Distinct for its cord-marked pottery in the earlier cave sites and for its
simplicity in later sites.
Dates back to 2000 B.C.
44. *Bagupanto pottery complex
Often classified with the
Kalanay complex as 17 of its
vessels were unearthed at the
Kalanay cave site
Generally have superior
quality, material, and artistry
Incisions are rare.
45. *Asin pottery complex
Distinguished by freehand-painted patterns,
which include horizontal series or curvilinear
scrolls
Found in the Asin cave sites in Davao del Sur
46. Novaliches tradition
Named after a
Novaliches cave
site north of
Manila
Its remnants are
also found in
northwest
Palawan and the
Calamianes
Islands
Dates from 250
B.C. to the fourth
century
47. Bau-Malay pottery tradition
• Geometric pottery of south China
• Named after a cave site in Salawak, Malaysia
• In the Philippines, it is found in the coastal sites in Mindanao,
Bohol, northern Palawan, and the Calamianes islands.
• Dates back to the 10th century
63. Imported Ceramics
• In the Philippines, these generally symbolize
power and markers of elite status.
• It has been known that these were prestigious
because these were made of non-local
materials and/or unsual materials like gold,
jade and other precious stones
64. Lavish grave furniture
• For nobles and powerful people- The dead
bodies were buried along with various
articles of everyday use such as eating
utensils and weapons, and also with their
servants and domestic animals.
65. Terracotta Army
• The sole purpose of this immense
undertaking was to create a subterranean
army that would protect and support his
leadership in the after-life; reflecting the First
Emperor’s power, his much documented
obsession with immortality and the wider
cultural belief that you continued on the same
path in death as in life.
69. Models of social organisation for the
production of pottery
(Rice 1981; Peacock 1982; van der Leeuw 1984;
Arnold 1991)
70. Based on patterns of increasing specialization in the
production of ceramics
1. Household production where each household produces its own pottery on an occasional, usually
seasonal basis.
2. Household industry where pottery continues to be a part-time activity depending on other factors such
as harvesting or weather limitations.
3. Individual workshop where potters are specialists although they may combine the activity with small-
scale agricultural work.
4. Nucleated workshops where potters are specialists and live or work in a particular area of the
community.
5. The manufactory where production is organised by an owner who has invested in equipment and pays
wages to specialist artisans.
6. The ceramic factory which appears in the post-industrial period and involves investment in powered
equipment to mass produce objects and market them effectively over a wide area.
7. Peacock has two further categories: estate production and military production where ceamics could be
mainly produced for a large organisation for its own consumption such as a military camp or a large
estate (Peacock 1982: 11).
71. Based on ecological factors
1. Land availability
2. Climate
3. Resources
4. Others
73. Pottery production
Some of the people who produce their own
pottery include the:
Kankanaey
Itneg
Maranao
Badjao
Etc.
74. Gender roles and significance
Among the Maranao, Badjao, Itneg, and other
groups of people, women usually do the
potting.
Among the Kankanaey, men engage in pottery.
76. ART AND FAITH
• Native vision of the afterlife
• -belief in both the existence of the soul and
life after death
Burial jars
-related to the tradition of “grave
furniture”
77.
78. Manunggul Jar (8th century BCE)
• found in a cave in the island of Palawan
• suggests the belief among early Filipinos in an
afterlife across a mythical body of water
• the designs were painted in red for emphasis and to
provide variation from the jar’s predominantly brown
color
Red – considered
as a sacred color
- Used
on special
burial jars
79. Talismans
• Celadons- considered as greater
talismans than local ware
- believed to change hue when
poisoned food was put on
them