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Maria Ekström (Suokannas)
Older consumer




    75 years
Older media
 consumer
 Articles from trade magazines
 Interviews with media and marketing professionals
 Advertisements from magazines
Ways of talking about ageing
 consumers and how they are depicted
 in images
 To put forward a culturally constructed view on age
  where age identity is seen as constructed and
  negotiated constantly in the realm of encounters
  between media and the media consumer
 To talk about how age is constructed culturally and
  how it can be found in language use and in different
  targeted communicative multimodal acts
  (advertisements, videos, photos, art etc.).
 Chronological age
 Cognitive age
   feel-age, look-age, do-age och interest-age
 Subjective age
 Cultural age
   How different ideologies shape ”borders” for
    interpreting your age and how your age identity is
    constructed
• Obviously, the lifespan must be seen as
 something more than a biological fact;
 it is a discursive or imagined
 production, symbolic of a culture’s
 beliefs about living and aging […]
 (Katz, 1996:39)
 Advertising performs much the same function in
 industrial society as myth performed in ancient and
 primitive societies: It is both the creator and
 perpetuator of the dominant attitudes, values, and
 ideology of culture, as well as the social norms and
 myths by which most people live” (Kilbourne 2004:
 252)
• In other words there is no point looking for the language
  ‘of’ advertising; rather we need to explore the operation of
  language ‘in’ advertising, as one aspect of the operation of
  language across and ‘in’ all of society (Kress 1987:123-124)
 Living persons are required to `take up' subject
 positions in discourse in order to make sense of the
 world and appear coherent to others. A subject
 position is that perspective or set of regulated
 discursive meanings from which discourse makes
 sense. To speak is to take up a subject position and to
 be subjected to the regulatory power of that discourse.
 (Barker 2001:13)
 I read through the texts with the aim to find themes
  which are the building blocks (using concepts as
  chains of equivalence, antagonism and lived ideology)
 I read other texts (novels e.g) which accentuated the
  discourse
 Senior
 Radical
 Forever young
 Hedonist
 Soulful
 THEMES:
 Antisenior, Mass market, Irreversible ageing, Invisbility,
    Stereotypes, Born before the second world war, Boredom
   ANTAGONISTIC TOWARDS:
   Discourses that do not accept biological, natural ageing
   SYMBOLS:
   Rocking chair, Slippers, Rollator, Knitting
   SUBJECT POSITION:
   The elderly as greyhaired (negative), wrinkled, quiet,
    passive and ailing
 THEMES:
 Activity, Antisenior, Diversification, Change
    agency, Cognitive age/Feel-age, Commodification of
    age, Radicality, Rock-n-roll, social creativity
   ANTAGONISTIC TOWARDS:
   Discourses that talk about inactiveness, silence and
    calmness
   SYMBOLS:
   Rock music, Parties, Barricades
   SUBJECT POSITION:
   The elderly as the radical who changes the image of old
    age, those who were young in the sixties
 THEMES:
 Eternal youth, Up-to-date, Cognitive-age/Feel-age,
    Commodification of age, Market potential, Social creativity
   ANTAGONISTIC TOWARDS:
   Discourses that only accept the irreversible ageing process
    (chronological age). The same as the Radical discourse
   SYMBOLS:
   Botox, Products promising eternal youth
   SUBJECT POSITION:
   The elderly as eternally young and identifying themselves
    with the youth
 THEMES:
 Hedonism, Not-born-before the second world war,
    Qualityminded, Market potential
   ANTAGONISTIC TOWARDS:
   Discourses that describe the elderly as misers who only
    want to buy special offers
   SYMBOLS:
   Kroisos, Champagne, Golden
   SUBJECT POSITION:
   The elderly as rich and hedonistic with an expensive
    taste
 THEMES:
 Body-mind (spiritual age), Wisdom
 ANTAGONISTIC TOWARDS:
 Discourses that emphasize the body and looks instead
    of the soul
   SYMBOLS:
   Grey colour as something beautiful
   SUBJECT POSITION:
   The elderly as wise and experienced and as a mentor
    for younger generations
Go for the discourse
or against it?
 Why is it that so often attempts to speak about ageing
 in a positive light result in a denial of ageing [… ] Old
 people are in fact young people? Really? What
 happens to all the years they have lived, the things
 they have learned, the selves they have evolved from
 and the selves they are becoming? (Andrews 1999:309)
© j koivusalo
© j koivusalo
© j koivusalo
© j koivusalo
© j koivusalo
Cultural Constructions of Age in Media

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Cultural Constructions of Age in Media

  • 2. Older consumer 75 years
  • 4.  Articles from trade magazines  Interviews with media and marketing professionals  Advertisements from magazines
  • 5. Ways of talking about ageing consumers and how they are depicted in images
  • 6.  To put forward a culturally constructed view on age where age identity is seen as constructed and negotiated constantly in the realm of encounters between media and the media consumer  To talk about how age is constructed culturally and how it can be found in language use and in different targeted communicative multimodal acts (advertisements, videos, photos, art etc.).
  • 7.
  • 8.  Chronological age  Cognitive age  feel-age, look-age, do-age och interest-age  Subjective age  Cultural age  How different ideologies shape ”borders” for interpreting your age and how your age identity is constructed
  • 9. • Obviously, the lifespan must be seen as something more than a biological fact; it is a discursive or imagined production, symbolic of a culture’s beliefs about living and aging […] (Katz, 1996:39)
  • 10.  Advertising performs much the same function in industrial society as myth performed in ancient and primitive societies: It is both the creator and perpetuator of the dominant attitudes, values, and ideology of culture, as well as the social norms and myths by which most people live” (Kilbourne 2004: 252)
  • 11. • In other words there is no point looking for the language ‘of’ advertising; rather we need to explore the operation of language ‘in’ advertising, as one aspect of the operation of language across and ‘in’ all of society (Kress 1987:123-124)
  • 12.  Living persons are required to `take up' subject positions in discourse in order to make sense of the world and appear coherent to others. A subject position is that perspective or set of regulated discursive meanings from which discourse makes sense. To speak is to take up a subject position and to be subjected to the regulatory power of that discourse. (Barker 2001:13)
  • 13.  I read through the texts with the aim to find themes which are the building blocks (using concepts as chains of equivalence, antagonism and lived ideology)  I read other texts (novels e.g) which accentuated the discourse
  • 14.  Senior  Radical  Forever young  Hedonist  Soulful
  • 15.
  • 16.  THEMES:  Antisenior, Mass market, Irreversible ageing, Invisbility, Stereotypes, Born before the second world war, Boredom  ANTAGONISTIC TOWARDS:  Discourses that do not accept biological, natural ageing  SYMBOLS:  Rocking chair, Slippers, Rollator, Knitting  SUBJECT POSITION:  The elderly as greyhaired (negative), wrinkled, quiet, passive and ailing
  • 17.
  • 18.  THEMES:  Activity, Antisenior, Diversification, Change agency, Cognitive age/Feel-age, Commodification of age, Radicality, Rock-n-roll, social creativity  ANTAGONISTIC TOWARDS:  Discourses that talk about inactiveness, silence and calmness  SYMBOLS:  Rock music, Parties, Barricades  SUBJECT POSITION:  The elderly as the radical who changes the image of old age, those who were young in the sixties
  • 19.
  • 20.  THEMES:  Eternal youth, Up-to-date, Cognitive-age/Feel-age, Commodification of age, Market potential, Social creativity  ANTAGONISTIC TOWARDS:  Discourses that only accept the irreversible ageing process (chronological age). The same as the Radical discourse  SYMBOLS:  Botox, Products promising eternal youth  SUBJECT POSITION:  The elderly as eternally young and identifying themselves with the youth
  • 21.
  • 22.  THEMES:  Hedonism, Not-born-before the second world war, Qualityminded, Market potential  ANTAGONISTIC TOWARDS:  Discourses that describe the elderly as misers who only want to buy special offers  SYMBOLS:  Kroisos, Champagne, Golden  SUBJECT POSITION:  The elderly as rich and hedonistic with an expensive taste
  • 23.
  • 24.  THEMES:  Body-mind (spiritual age), Wisdom  ANTAGONISTIC TOWARDS:  Discourses that emphasize the body and looks instead of the soul  SYMBOLS:  Grey colour as something beautiful  SUBJECT POSITION:  The elderly as wise and experienced and as a mentor for younger generations
  • 25. Go for the discourse or against it?
  • 26.  Why is it that so often attempts to speak about ageing in a positive light result in a denial of ageing [… ] Old people are in fact young people? Really? What happens to all the years they have lived, the things they have learned, the selves they have evolved from and the selves they are becoming? (Andrews 1999:309)