Presenting and referencing high resolution images on the web

•Download as PPT, PDF•

2 likes•821 views

Museums Computer Group

Joseph Padfield The National Gallery, London UKMW11

Technology Art & Photos

Presenting and Referencing High Resolution Images on the Web Joseph Padfield UK Museums on the Web 2011, 25 th November 2011

Introduction ,[object Object],[object Object],[object Object],[object Object]

Summary ,[object Object],[object Object],[object Object],[object Object]

[object Object],[object Object],[object Object],Relative Resolution

[object Object],[object Object],[object Object],[object Object],[object Object],Relative Resolution

NG268: Paolo Veronese, The Adoration of the Kings, 1573, (355.6 x 320 cm) How Big is a Big Image ?

NG268: Paolo Veronese, The Adoration of the Kings, 1573, (355.6 x 320 cm)

176 X-ray plates Scanned at 300DPI (12 ppmm) 43197 x 39461 px 1-band, 16-bit, 3.18 GB 600 DPI - 12.5 GB NG268: Paolo Veronese, The Adoration of the Kings, 1573, (355.6 x 320 cm)

The National Gallery digital image collection ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

[object Object],[object Object],[object Object],[object Object],[object Object],The National Gallery digital image collection

Presenting and Working with High Resolution Images on the Web

iipimage.sourceforge.net ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Publishing and Referencing High Resolution Images

Publishing and Referencing High Resolution Images ,[object Object],[object Object],[object Object],[object Object],[object Object]

Publishing and Referencing High Resolution Images ,[object Object],[object Object],[object Object],[object Object]

Example: Linking to web based Catalogue entries

Example: Supporting traditional print publications

Sharing image links ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Ongoing development of IIPImage based solutions

Ongoing development of IIPImage based solutions ,[object Object],[object Object],[object Object],[object Object]

Similar to Presenting and referencing high resolution images on the web

This poster presentation looks at the transition of the Rijksmuseum Image Department archives over the last 15 years. It will give a brief look at how the archive developed from almost exclusively analogue at the start of this millennium to digital today. What were the challenges and successes along the way, how did the analogue legacy shape our digital archive and what are our goals, wishes and challenges for the future.

2+3d Photography 2017 – P 4 The Rijksmuseum DAM, how we got there and where w...

rijksmuseum

Your digital images may be in danger if… You only have one copy You don’t have them organized You aren’t sure where they are all stored Come and get an introduction to the basics of preserving your digital images during lunch time learning. This presentation will go over different digital storage options for making sure your digital files are here for many years to come. Learn the difference between different image file formats, files sizes and different online services for storing images. Have any old prints or camera film lying around that you would like to preserve? The New Jersey State Library has free color scanning and black and white film scanners available for use by the public.

Introduction to preserving digital images & scanning

bsaracco1

Sven Schlarb from the Austrian National Libraries gave an overview of the different application scenarios at the Austrian National Libraries related to Web Archiving and the Austrian Books Online project. The presentation was given at the LIBER Satellite Event on Long term accessibility of digital resources in theory and practice, https://liber2014.univie.ac.at/satellite-event/, in Vienna on 21 May 2014.

LIBER Satellite Event, SCAPE by Sven Schlarb

SCAPE Project

Application scenarios of the SCAPE project at the Austrian National Library

Sven Schlarb

Edinburgh OldMapsOnline Workshop

Petr Pridal

OSCC21 SceneGate, DreamGate, IMABox, and EchoVoice R&D

Lisa Laxton

Ltfs new-archive-workflow-whitepaper

Marc Bourhis

Digital Preservation Best Practices: Lessons Learned From Across the Pond

Benoit Pauwels

Digital Presentation Best Practices: Lessons Learned From Across the Pond

ULB - Bibliothèques

The Elephant in the Library - Integrating Hadoop

cneudecker

OldMapsOnline.org: Open Source & Online Tools for Old Maps

Petr Pridal

Acquisition of audiovisual Scientific Technical Information from OSGeo: A wor...

Peter Löwe

High-End Visualisation System (HEVS)

Tomasz Bednarz

From archive to insight debunking myths of analytics on object stores

Dean Hildebrand

Presented at the University of San Diego 2014 Digital Initiatives Symposium. Presentations by: Alan Renga, Archivist, San Diego Air and Space Museum Rosa Longacre, Registrar/Archivist, San Diego Museum of Man Kristi Ehrig-Burgess, Library Archives and Digitization Manager, Mingei International Museum Anna Chiaretta Lavatelli, Asst. Director of Digital Media, Balboa Park Online Collaborative www.balboaparkcommons.org is an IMLS Funded project that was made possible by the hard work of Perian Sully, Christina DePaolo, Rich Cherry and Chris Borkowski and the participating partners of Balboa Park Online Collaborative.

Balboa Park Commons: Collaborative Digitization for a Public Resource

Anna Chiaretta Lavatelli

Next Steps for Highlander Center Archives by ITRL student Susan Williams

cmitch41

Newman, DAM + Image Intellectual Property Management

Alan Newman

Similarity-based retrieval of multimedia content

Symeon Papadopoulos

Nationalmuseum Sweden customer story: How Nationalmuseum Sweden organizes hun...

Bynder

IMAGE PROCESSING - MATHANKUMAR.S - VMKVEC

Mathankumar S

Similar to Presenting and referencing high resolution images on the web (20)

2+3d Photography 2017 – P 4 The Rijksmuseum DAM, how we got there and where w...

Introduction to preserving digital images & scanning

LIBER Satellite Event, SCAPE by Sven Schlarb

Application scenarios of the SCAPE project at the Austrian National Library

Edinburgh OldMapsOnline Workshop

OSCC21 SceneGate, DreamGate, IMABox, and EchoVoice R&D

Ltfs new-archive-workflow-whitepaper

Digital Preservation Best Practices: Lessons Learned From Across the Pond

Digital Presentation Best Practices: Lessons Learned From Across the Pond

The Elephant in the Library - Integrating Hadoop

OldMapsOnline.org: Open Source & Online Tools for Old Maps

Acquisition of audiovisual Scientific Technical Information from OSGeo: A wor...

High-End Visualisation System (HEVS)

From archive to insight debunking myths of analytics on object stores

Balboa Park Commons: Collaborative Digitization for a Public Resource

Next Steps for Highlander Center Archives by ITRL student Susan Williams

Newman, DAM + Image Intellectual Property Management

Similarity-based retrieval of multimedia content

Nationalmuseum Sweden customer story: How Nationalmuseum Sweden organizes hun...

IMAGE PROCESSING - MATHANKUMAR.S - VMKVEC

More from Museums Computer Group

12,000 sheets of paper per week

Museums Computer Group

how online collections could potentially impact the actual art system

Museums Computer Group

Artificial intelligence and machine learning for the analysis and enrichment ...

Museums Computer Group

Balancing enhancement, innovation and invention

Museums Computer Group

The new phygital normal: case studies from India Shalini Bansal (Museums22)

Museums Computer Group

Towards inclusive digital museum innovation: theoretical and practical issues...

Museums Computer Group

Digital is our everyday reality, digital preservation should be too

Museums Computer Group

Cyberattacks: the reality, the trauma, and how to survive. A case study from ...

Museums Computer Group

A shot in the arm for QR Codes in museums

Museums Computer Group

Museums+Tech 2022 Closing panel

Museums Computer Group

Museums+Tech 2022 Keynote

Museums Computer Group

Museums+Tech 2020: Museums in a crisis Entertaining audiences in a time of crisis Alix Geddes, One Further This is an ongoing study looking at types of content posted by museums online during the various crises of 2020, specifically humour, and how audiences interacted with it. The study consists of surveying digital communications staff at large and small museums across the UK and takes data directly from their website analytics and social media platforms. With the sudden pandemic and subsequent lockdown, museums were forced to close their doors to the public and focused on using their digital channels to share the objects, themes, and stories within their collections, albeit with different perspectives. Digital content was transformed, with accessing collections from home and children’s activities at the forefront. We also saw attempts to reach online audiences with content that would amuse, entertain, and engage. Early on during the crisis, people participated in the Getty Museum Challenge (recreating artwork with objects from home), and hashtags such as #MuseumFromHome and #CuratorBattles gained traction. What was the impact of this? What types of content did audiences flock to, and in what numbers? What trends and insights can be pulled from the data available?

Entertaining audiences in a time of crisis Alix Geddes, One Further

Museums Computer Group

Museums+Tech 2020: Museums in a crisis COVID, content strategy & organisational change Georgina Brooke, National Museums Scotland In January 2020 I moved out of my home in Oxford, north of the border to Scotland, to start a new role as Digital Media Content Manager at National Museums Scotland. I’d done Hogmanay and Burns Night, I’d written a new content strategy, which was about to be rolled out across the organisation. I was beginning to feel like I’d got my foot under the door. By 19 March my mood had changed. The museum was closed, all exhibitions indefinitely postponed, my team was going to reduce by 50%, and all my lovely online audiences were very online, very stressed and very vocal. This paper will look at how the Digital Team at National Museums Scotland developed and adapted an effective content strategy through the lockdown period, including: The content formats and storytelling themes that most successfully connected online audiences with our collections and staff Black Lives Matter – convincing Senior Management to react quickly and commit to a step change in our policies on race and representation within the museums What we learnt and how these lessons are now changing our approach to audience engagement as the museum reopen

COVID, content strategy & organisational change Georgina Brooke, National Mus...

Museums Computer Group

Virtual tours and monetisation Paul Fabel, Guided & Nathan Wilson, YourTour

Museums Computer Group

Museums+Tech 2020: Museums in a crisis Videogames and museums: fields in convergence Amy Hondsmerk, Nottingham Trent University As museums and heritage sites consider the ways in which they can engage visitors in the digital age, a trend expedited by the COVID-19 pandemic, the sector has progressively looked to the videogame industry. Tapping into the ‘experience economy’ (Park and Gilmore 1999), this intersection has allowed museums to explore the role of play in understanding the past. This has taken various forms including collaborations with game companies, utilising existing games to reach gaming communities and broaden audiences, and developing new museum-based games. Yet, while many of these game-related initiatives have been successful, thus far the museum sector has mainly employed video games in a manner that has been limited, with museum games remaining primarily focused on educational or entertainment goals. In the context of changing understanding about interpretation in museums and, specifically, of the recognition of the role of visitors as participants in the interpretative process (Hooper-Greenhill 2000, Staiff 2014), the convergence of museums and videogames is rich area to explore and consider how the sector could realise the full potential of museum video games.

Videogames and museums: fields in convergence Amy Hondsmerk, Nottingham Trent...

Museums Computer Group

Museums+Tech 2020: Museums in a crisis Inclusive digital practice in post-lockdown society Becki Morris & Sarah Simcoe, Disability Collaborative Network and EMBED As we navigate out of crisis during unprecedented times, the pandemic has highlighted that the time is right to reflect on the key role that digital is playing in reaching diverse communities as we create the ‘new normal’. While the heritage sector has traditionally taken a piecemeal approach to delivering digital services, these challenging times have necessitated the sector need for embracing digital inclusive practice. This ensures the continued delivery of services, attracts new audiences, including those who may have previously faced barriers to the physical environment and includes those who are vulnerable to COVID-19 complications. The pandemic has provided the sector with a unique opportunity to build positive intersectional inclusion through digital practices. At the same time, the Black Lives Matter movement has highlighted the issue of colonisation and the importance of greater access to related collections. During this presentation, DCN and EMBED, a cross-sector partnership, will share experiences and key learnings from the lockdown period, what we have done to support the sector and how digital inclusion is core to the sector in creating better, more resilient service, support and participation for audiences and the workforce.

Inclusive digital practice in post-lockdown society Becki Morris & Sarah Simc...

Museums Computer Group

Museums+Tech 2020: Museums in a crisis With a houseboat and an iPhone (how IWM supported home learning during lock down) John Glancy, Imperial War Museum When the UK’s schools closed in March 2020 the needs of the nation’s learners changed. Education was moved to a different type of classroom one that often involved a kitchen table for a desk and a digital device instead of an exercise book. Learning outputs in the heritage sector had to change too. School audiences couldn’t visit our galleries and objects, so the galleries and objects had to visit them… With a Houseboat and an iPhone will explore how Imperial War Museums conceived and developed its 16-part web series Adventures in History and brought a national collection into people’s homes. It will also explore how the work done on this project is inspiring Imperial War Museums to evolve its ongoing digital learning offer by tackling some of the most difficult stories in its collections such as Empire history. We will also explore the ways we are proposing to use eyewitness testimony to support a recovery curriculum by aiding health and well being outcomes.

With a houseboat and an iPhone (how IWM supported home learning during lock d...

Museums Computer Group

Brave new world – thinking about the future of museums Sharon Heal, Director ...

Museums Computer Group

Museums+Tech 2020: Museums in a crisis Museums in an Earth crisis – and how digital can help Bridget McKenzie, Climate Museum The multiple crises facing museums and society are all part of the Earth crisis, caused by an extractive and exploitative system. COVID-19 is an outcome of the ecological emergency, and climate breakdown threatens further blows to the relative stability of past decades in which museums have flourished. The Activist Museum Award has allowed us in Climate Museum UK to enquire into the possibilities of non-extractive digital collecting. As part of this, we are exploring extractivism, taking an environmental approach to the challenge of decolonising museums. A new mobile museum, we are reimagining museums for an age of crisis. This lightning talk will summarise our findings of how digital collections might power activism to tackle the big challenges of social and environmental justice. What are the possibilities for museums to collaborate to create an accessible UK-wide digital collection that gives a climate and ecology lens to cultural artefacts? What is the appetite for a commons-based resource that opens up to democratic interpretation, and that enables its users to learn about the Earth crisis, to express views, to design solutions and to take action?

Museums in an Earth crisis – and how digital can help Bridget McKenzie, Clima...

Museums Computer Group

Museums+Tech 2020: Museums in a crisis SDDC virtual visits pre and post COVID-19: what’s changed? Emilie Carruthers, British Museum The Samsung Digital Discovery Centre offers free live workshops to schools delivered through video conferencing technology, and has done for many years. This puts us in a unique position to compare how the programme and its audience has evolved since COVID-19: how have student and teacher’s expectations changed, are teachers now more comfortable booking virtual experiences for their classes and how has the programme evolved to align with audience expectations? We’ll use the most recent data from the schools Autumn term 2020 to explore these questions and think about how the demand for online live experiences in classrooms might evolve in future.

SDDC virtual visits pre and post COVID-19: what’s changed? Emilie Carruthers,...

Museums Computer Group

More from Museums Computer Group (20)