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Location Audio for Film
Prepared by: John Grace
Film Instructor, DATA Charter HS
Member of IATSE Local 480
Albuquerque, NM
Location Audio Systems
• There are 2 Types of Location Audio
Acquisition in Film Production :
 Single System – The audio is recorded
on the same medium as the visuals -
ie: on a camcorder – max 16 bit.
 Dual-System (aka Double System) –
The audio is recorded separately from
the visuals on a secondary device. This
type of recording requires that the two
sources be synchronized and linked in
post production – max 24 bit.
Location Audio – Single System
• Typically, these are Camcorders
with External Microphone Inputs
Location Audio – Dual System
• Dual Systems usually feature
Digital Cinema or Film Cameras
Location Audio Systems
• In Dual System, we synchronize
the audio with the picture with a
Slate:
Location Audio Systems
• In Dual System, we synchronize
the audio with the picture with a
Slate:
Location Audio Systems
• In Dual System, we synchronize
the audio with the picture with a
Slate:
Location Audio – Positions
• Mixer (AKA Recordist)
Location Audio – Positions
• 1st
Assistant (Boomer)
Location Audio – Positions
• 2nd
Assistant (Utility)
Location Audio - History
• Vitaphone and Photophone Recorders
 Single system
 Optical recorders record on film
 Large and heavy
 Very expensive
 Poor sound quality
 1930’s and 1940’s
Location Audio - History
• Fantasound Recorder
 Double system
 Optical playback in theaters
 3-4 channel sound
 Made for Fantasia
 Good sound quality
 Throughout 1940’s
Location Audio - History
• Nagra Reel to Reel Recorders
 Monaural (single track) recording
 ¼” Tape on 5” or 7” reels at 7.5-15 IPS
 Popular from the 1950’s through the 1990’s
 Fairly expensive
Location Audio - History
• Tascam DA-P1 DAT Recorder
 2 channel recorder
 External recording to DAT Tapes
 No time code
Location Audio Current Devices
• Fostex PD4 DAT Recorder
 6 channel recorder
 6 channel mixer
 External backup to DAT Tapes
 Internal 60GB HDR
 Time code I/O
Location Audio Current Devices
• Zoom R8 SDHC Recorder
 Recording to SDHC Cards
 2 channel recorder
 8 channel mixer
 No time code
Location Audio Current Devices
• Deva 16 Recorder by Zaxcom
 16 channel recorder
 16 channel mixer
 Time code generator
 External backup to Compact Flash Media
 Internal HDR
Location Audio Current Devices
• Zoom H4N Field Recorder
 4 channel recorder
 4 channel mixer
 Records to SD Cards
 Low Price ($269. List)
 Ideal for DSLR’s
Location Audio Current Devices
• Current Popular Brands
 Lectrosonics – Top of the Line Wireless Kits
Location Audio Current Devices
• Current Popular Brands
 Sennheiser – Wireless Lavs and Shotguns
Location Audio Current Devices
• Current Popular Brands
 Shure – Wireless Lavs and Field Mixers
Location Audio Current Devices
• Current Popular Brands
 Azden – Low priced Shotguns and Wireless
Location Audio Current Devices
• Current Popular Brands
 Audio Technica – Wireless & Headphones
Location Audio Current Devices
• Current Popular Brands
 Wireless Lavs – UHF or VHF?
 VHF is Very High Frequency and
wireless transceivers operating on
this band often have problems with
RF (Radio Frequency) interference
 UHF is Ulta High Frequency and is
less susceptible to RF interference
from power lines, walkie talkies,
radio stations and the like
Location Audio - Mixer Cart
Location Audio - Mixer Cart
• UHF Wireless ReceiversUHF Wireless Receivers
Location Audio - Mixer Cart
• UHF Wireless ReceiversUHF Wireless Receivers
• UHF Wireless TunersUHF Wireless Tuners
Location Audio - Mixer Cart
• UHF Wireless ReceiversUHF Wireless Receivers
• UHF Wireless TunersUHF Wireless Tuners
• HDR Backup RecorderHDR Backup Recorder
Location Audio - Mixer Cart
• UHF Wireless ReceiversUHF Wireless Receivers
• UHF Wireless TunersUHF Wireless Tuners
• HDR Backup RecorderHDR Backup Recorder
• Camera #1 MonitorCamera #1 Monitor
Location Audio - Mixer Cart
• UHF Wireless ReceiversUHF Wireless Receivers
• UHF Wireless TunersUHF Wireless Tuners
• HDR Backup RecorderHDR Backup Recorder
• Camera #1 MonitorCamera #1 Monitor
• Computer MonitorComputer Monitor
Location Audio - Mixer Cart
• UHF Wireless ReceiversUHF Wireless Receivers
• UHF Wireless TunersUHF Wireless Tuners
• HDR Backup RecorderHDR Backup Recorder
• Camera #1 MonitorCamera #1 Monitor
• Computer MonitorComputer Monitor
• Camera #2 MonitorCamera #2 Monitor
Location Audio - Mixer Cart
• UHF Wireless ReceiversUHF Wireless Receivers
• UHF Wireless TunersUHF Wireless Tuners
• HDR Backup RecorderHDR Backup Recorder
• Camera #1 MonitorCamera #1 Monitor
• Computer MonitorComputer Monitor
• Camera #2 MonitorCamera #2 Monitor
• 8 Channel Mixer8 Channel Mixer
Location Audio Acquisition
• Priorities:Priorities:
• Recording Clean DialogueRecording Clean Dialogue
Location Audio Acquisition
• Priorities:Priorities:
• Recording Clean DialogueRecording Clean Dialogue
• Inverse Square Law as it applies to Sound:Inverse Square Law as it applies to Sound:
““Halving the distance between mic and the soundHalving the distance between mic and the sound
sourcesource quadruples the usability of the soundquadruples the usability of the sound”
Location Audio Acquisition
• Priorities:Priorities:
• Capturing Room ToneCapturing Room Tone
Location Audio Acquisition
• Priorities:Priorities:
• Capturing Room ToneCapturing Room Tone
Location Audio Acquisition
• Priorities:Priorities:
• Capturing Location Sound EFXCapturing Location Sound EFX
Location Audio Acquisition
• Priorities:Priorities:
• Capturing Location Sound EFXCapturing Location Sound EFX
Location Audio Acquisition
• Priorities:Priorities:
• Minimizing Background NoiseMinimizing Background Noise
Location Audio Acquisition
• Priorities:Priorities:
• Minimizing Background NoiseMinimizing Background Noise
• Furniture (furnie) pads
Location Audio Acquisition
• Priorities:Priorities:
• Utilizing Various MicrophonesUtilizing Various Microphones
Location Audio Acquisition
• Priorities:Priorities:
• Utilizing Various MicrophonesUtilizing Various Microphones
Location Audio Acquisition
• Priorities:Priorities:
• Utilizing Various MicrophonesUtilizing Various Microphones
Location Audio Acquisition
• Priorities:Priorities:
• Utilizing Various MicrophonesUtilizing Various Microphones
Location Audio Acquisition
• Priorities:Priorities:
• Utilizing Various MicrophonesUtilizing Various Microphones
Shotgun – Directional
Location Audio Acquisition
• Priorities:Priorities:
• Utilizing Various MicrophonesUtilizing Various Microphones
Lavaliere – Omni-directional
Location Audio Acquisition
• Items in a Wireless Lavaliere Package:Items in a Wireless Lavaliere Package:
• Lavaliere MicrophoneLavaliere Microphone
Location Audio Acquisition
• Items in a Wireless Lavaliere Package:Items in a Wireless Lavaliere Package:
• Wireless TransmitterWireless Transmitter
Location Audio Acquisition
• Items in a Wireless Lavaliere Package:Items in a Wireless Lavaliere Package:
• Wireless ReceiverWireless Receiver
Location Audio Acquisition
• Items in a Wireless Lavaliere Package:Items in a Wireless Lavaliere Package:
• XLR Transmitter (“Butt Plug”)XLR Transmitter (“Butt Plug”)
Location Audio Acquisition
• Items in a Wireless Lavaliere Package:Items in a Wireless Lavaliere Package:
• Mini Plug Input CableMini Plug Input Cable
Location Audio Acquisition
• Items in a Wireless Lavaliere Package:Items in a Wireless Lavaliere Package:
• XLR Plug Input CableXLR Plug Input Cable
Location Audio Acquisition
• Items in a Wireless Lavaliere Package:Items in a Wireless Lavaliere Package:
• Camera MountCamera Mount
Location Audio Acquisition
• Items in a Shotgun Package:Items in a Shotgun Package:
• Boom Pole (fish pole)Boom Pole (fish pole)
Location Audio Acquisition
• Items in a Shotgun Package:Items in a Shotgun Package:
• Rycote Softie (dead cat)Rycote Softie (dead cat)
Location Audio Acquisition
• Items in a Shotgun Package:Items in a Shotgun Package:
• Shotgun MicrophoneShotgun Microphone
Location Audio Acquisition
• Items in a Shotgun Package:Items in a Shotgun Package:
• XLR CableXLR Cable
Location Audio Acquisition
• Items in a Shotgun Package:Items in a Shotgun Package:
• Suspension MountSuspension Mount
Location Audio Acquisition
• Items in a Shotgun Package:Items in a Shotgun Package:
• Camera MountCamera Mount
Location Audio Acquisition
• Challenges to Capturing QualityChallenges to Capturing Quality
Sound:Sound:
• KidsKids
Location Audio Acquisition
• Challenges to Capturing QualityChallenges to Capturing Quality
Sound:Sound:
• KidsKids
• DogsDogs
Location Audio Acquisition
• Challenges to Capturing QualityChallenges to Capturing Quality
Sound:Sound:
• KidsKids
• DogsDogs
• PlanesPlanes
Location Audio Acquisition
• Challenges to Capturing QualityChallenges to Capturing Quality
Sound:Sound:
• KidsKids
• DogsDogs
• PlanesPlanes
• TrainsTrains
Location Audio Acquisition
• Challenges to Capturing QualityChallenges to Capturing Quality
Sound:Sound:
• KidsKids
• DogsDogs
• PlanesPlanes
• TrainsTrains
• CarsCars
Location Audio Acquisition
• Challenges to Capturing QualityChallenges to Capturing Quality
Sound:Sound:
• KidsKids
• DogsDogs
• PlanesPlanes
• TrainsTrains
• CarsCars
• SirensSirens
Location Audio Acquisition
• Challenges to Capturing QualityChallenges to Capturing Quality
Sound:Sound:
• KidsKids
• DogsDogs
• PlanesPlanes
• TrainsTrains
• CarsCars
• SirensSirens
• ToolsTools
Location Audio Acquisition
Thanks for ViewingThanks for Viewing
Teachers are free to use thisTeachers are free to use this
presentation under a Creativepresentation under a Creative
Commons licensing agreementCommons licensing agreement

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Location Audio

  • 1. Location Audio for Film Prepared by: John Grace Film Instructor, DATA Charter HS Member of IATSE Local 480 Albuquerque, NM
  • 2. Location Audio Systems • There are 2 Types of Location Audio Acquisition in Film Production :  Single System – The audio is recorded on the same medium as the visuals - ie: on a camcorder – max 16 bit.  Dual-System (aka Double System) – The audio is recorded separately from the visuals on a secondary device. This type of recording requires that the two sources be synchronized and linked in post production – max 24 bit.
  • 3. Location Audio – Single System • Typically, these are Camcorders with External Microphone Inputs
  • 4. Location Audio – Dual System • Dual Systems usually feature Digital Cinema or Film Cameras
  • 5. Location Audio Systems • In Dual System, we synchronize the audio with the picture with a Slate:
  • 6. Location Audio Systems • In Dual System, we synchronize the audio with the picture with a Slate:
  • 7. Location Audio Systems • In Dual System, we synchronize the audio with the picture with a Slate:
  • 8. Location Audio – Positions • Mixer (AKA Recordist)
  • 9. Location Audio – Positions • 1st Assistant (Boomer)
  • 10. Location Audio – Positions • 2nd Assistant (Utility)
  • 11. Location Audio - History • Vitaphone and Photophone Recorders  Single system  Optical recorders record on film  Large and heavy  Very expensive  Poor sound quality  1930’s and 1940’s
  • 12. Location Audio - History • Fantasound Recorder  Double system  Optical playback in theaters  3-4 channel sound  Made for Fantasia  Good sound quality  Throughout 1940’s
  • 13. Location Audio - History • Nagra Reel to Reel Recorders  Monaural (single track) recording  ¼” Tape on 5” or 7” reels at 7.5-15 IPS  Popular from the 1950’s through the 1990’s  Fairly expensive
  • 14. Location Audio - History • Tascam DA-P1 DAT Recorder  2 channel recorder  External recording to DAT Tapes  No time code
  • 15. Location Audio Current Devices • Fostex PD4 DAT Recorder  6 channel recorder  6 channel mixer  External backup to DAT Tapes  Internal 60GB HDR  Time code I/O
  • 16. Location Audio Current Devices • Zoom R8 SDHC Recorder  Recording to SDHC Cards  2 channel recorder  8 channel mixer  No time code
  • 17. Location Audio Current Devices • Deva 16 Recorder by Zaxcom  16 channel recorder  16 channel mixer  Time code generator  External backup to Compact Flash Media  Internal HDR
  • 18. Location Audio Current Devices • Zoom H4N Field Recorder  4 channel recorder  4 channel mixer  Records to SD Cards  Low Price ($269. List)  Ideal for DSLR’s
  • 19. Location Audio Current Devices • Current Popular Brands  Lectrosonics – Top of the Line Wireless Kits
  • 20. Location Audio Current Devices • Current Popular Brands  Sennheiser – Wireless Lavs and Shotguns
  • 21. Location Audio Current Devices • Current Popular Brands  Shure – Wireless Lavs and Field Mixers
  • 22. Location Audio Current Devices • Current Popular Brands  Azden – Low priced Shotguns and Wireless
  • 23. Location Audio Current Devices • Current Popular Brands  Audio Technica – Wireless & Headphones
  • 24. Location Audio Current Devices • Current Popular Brands  Wireless Lavs – UHF or VHF?  VHF is Very High Frequency and wireless transceivers operating on this band often have problems with RF (Radio Frequency) interference  UHF is Ulta High Frequency and is less susceptible to RF interference from power lines, walkie talkies, radio stations and the like
  • 25. Location Audio - Mixer Cart
  • 26. Location Audio - Mixer Cart • UHF Wireless ReceiversUHF Wireless Receivers
  • 27. Location Audio - Mixer Cart • UHF Wireless ReceiversUHF Wireless Receivers • UHF Wireless TunersUHF Wireless Tuners
  • 28. Location Audio - Mixer Cart • UHF Wireless ReceiversUHF Wireless Receivers • UHF Wireless TunersUHF Wireless Tuners • HDR Backup RecorderHDR Backup Recorder
  • 29. Location Audio - Mixer Cart • UHF Wireless ReceiversUHF Wireless Receivers • UHF Wireless TunersUHF Wireless Tuners • HDR Backup RecorderHDR Backup Recorder • Camera #1 MonitorCamera #1 Monitor
  • 30. Location Audio - Mixer Cart • UHF Wireless ReceiversUHF Wireless Receivers • UHF Wireless TunersUHF Wireless Tuners • HDR Backup RecorderHDR Backup Recorder • Camera #1 MonitorCamera #1 Monitor • Computer MonitorComputer Monitor
  • 31. Location Audio - Mixer Cart • UHF Wireless ReceiversUHF Wireless Receivers • UHF Wireless TunersUHF Wireless Tuners • HDR Backup RecorderHDR Backup Recorder • Camera #1 MonitorCamera #1 Monitor • Computer MonitorComputer Monitor • Camera #2 MonitorCamera #2 Monitor
  • 32. Location Audio - Mixer Cart • UHF Wireless ReceiversUHF Wireless Receivers • UHF Wireless TunersUHF Wireless Tuners • HDR Backup RecorderHDR Backup Recorder • Camera #1 MonitorCamera #1 Monitor • Computer MonitorComputer Monitor • Camera #2 MonitorCamera #2 Monitor • 8 Channel Mixer8 Channel Mixer
  • 33. Location Audio Acquisition • Priorities:Priorities: • Recording Clean DialogueRecording Clean Dialogue
  • 34. Location Audio Acquisition • Priorities:Priorities: • Recording Clean DialogueRecording Clean Dialogue • Inverse Square Law as it applies to Sound:Inverse Square Law as it applies to Sound: ““Halving the distance between mic and the soundHalving the distance between mic and the sound sourcesource quadruples the usability of the soundquadruples the usability of the sound”
  • 35. Location Audio Acquisition • Priorities:Priorities: • Capturing Room ToneCapturing Room Tone
  • 36. Location Audio Acquisition • Priorities:Priorities: • Capturing Room ToneCapturing Room Tone
  • 37. Location Audio Acquisition • Priorities:Priorities: • Capturing Location Sound EFXCapturing Location Sound EFX
  • 38. Location Audio Acquisition • Priorities:Priorities: • Capturing Location Sound EFXCapturing Location Sound EFX
  • 39. Location Audio Acquisition • Priorities:Priorities: • Minimizing Background NoiseMinimizing Background Noise
  • 40. Location Audio Acquisition • Priorities:Priorities: • Minimizing Background NoiseMinimizing Background Noise • Furniture (furnie) pads
  • 41. Location Audio Acquisition • Priorities:Priorities: • Utilizing Various MicrophonesUtilizing Various Microphones
  • 42. Location Audio Acquisition • Priorities:Priorities: • Utilizing Various MicrophonesUtilizing Various Microphones
  • 43. Location Audio Acquisition • Priorities:Priorities: • Utilizing Various MicrophonesUtilizing Various Microphones
  • 44. Location Audio Acquisition • Priorities:Priorities: • Utilizing Various MicrophonesUtilizing Various Microphones
  • 45. Location Audio Acquisition • Priorities:Priorities: • Utilizing Various MicrophonesUtilizing Various Microphones Shotgun – Directional
  • 46. Location Audio Acquisition • Priorities:Priorities: • Utilizing Various MicrophonesUtilizing Various Microphones Lavaliere – Omni-directional
  • 47. Location Audio Acquisition • Items in a Wireless Lavaliere Package:Items in a Wireless Lavaliere Package: • Lavaliere MicrophoneLavaliere Microphone
  • 48. Location Audio Acquisition • Items in a Wireless Lavaliere Package:Items in a Wireless Lavaliere Package: • Wireless TransmitterWireless Transmitter
  • 49. Location Audio Acquisition • Items in a Wireless Lavaliere Package:Items in a Wireless Lavaliere Package: • Wireless ReceiverWireless Receiver
  • 50. Location Audio Acquisition • Items in a Wireless Lavaliere Package:Items in a Wireless Lavaliere Package: • XLR Transmitter (“Butt Plug”)XLR Transmitter (“Butt Plug”)
  • 51. Location Audio Acquisition • Items in a Wireless Lavaliere Package:Items in a Wireless Lavaliere Package: • Mini Plug Input CableMini Plug Input Cable
  • 52. Location Audio Acquisition • Items in a Wireless Lavaliere Package:Items in a Wireless Lavaliere Package: • XLR Plug Input CableXLR Plug Input Cable
  • 53. Location Audio Acquisition • Items in a Wireless Lavaliere Package:Items in a Wireless Lavaliere Package: • Camera MountCamera Mount
  • 54. Location Audio Acquisition • Items in a Shotgun Package:Items in a Shotgun Package: • Boom Pole (fish pole)Boom Pole (fish pole)
  • 55. Location Audio Acquisition • Items in a Shotgun Package:Items in a Shotgun Package: • Rycote Softie (dead cat)Rycote Softie (dead cat)
  • 56. Location Audio Acquisition • Items in a Shotgun Package:Items in a Shotgun Package: • Shotgun MicrophoneShotgun Microphone
  • 57. Location Audio Acquisition • Items in a Shotgun Package:Items in a Shotgun Package: • XLR CableXLR Cable
  • 58. Location Audio Acquisition • Items in a Shotgun Package:Items in a Shotgun Package: • Suspension MountSuspension Mount
  • 59. Location Audio Acquisition • Items in a Shotgun Package:Items in a Shotgun Package: • Camera MountCamera Mount
  • 60. Location Audio Acquisition • Challenges to Capturing QualityChallenges to Capturing Quality Sound:Sound: • KidsKids
  • 61. Location Audio Acquisition • Challenges to Capturing QualityChallenges to Capturing Quality Sound:Sound: • KidsKids • DogsDogs
  • 62. Location Audio Acquisition • Challenges to Capturing QualityChallenges to Capturing Quality Sound:Sound: • KidsKids • DogsDogs • PlanesPlanes
  • 63. Location Audio Acquisition • Challenges to Capturing QualityChallenges to Capturing Quality Sound:Sound: • KidsKids • DogsDogs • PlanesPlanes • TrainsTrains
  • 64. Location Audio Acquisition • Challenges to Capturing QualityChallenges to Capturing Quality Sound:Sound: • KidsKids • DogsDogs • PlanesPlanes • TrainsTrains • CarsCars
  • 65. Location Audio Acquisition • Challenges to Capturing QualityChallenges to Capturing Quality Sound:Sound: • KidsKids • DogsDogs • PlanesPlanes • TrainsTrains • CarsCars • SirensSirens
  • 66. Location Audio Acquisition • Challenges to Capturing QualityChallenges to Capturing Quality Sound:Sound: • KidsKids • DogsDogs • PlanesPlanes • TrainsTrains • CarsCars • SirensSirens • ToolsTools
  • 67. Location Audio Acquisition Thanks for ViewingThanks for Viewing Teachers are free to use thisTeachers are free to use this presentation under a Creativepresentation under a Creative Commons licensing agreementCommons licensing agreement