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Writing for Broadcast

 No. It’s not the same as print.
Write the way you speak
• Remember: You are communicating with
  one person at a time the way you would
  talk to a friend or family member
• Reverse engineering: Think about how
  you talk, then write with a similar
  vocabulary, syntax, grammar, and
  cadence.
How to Sound Like a Real Person
• Say your sentences before you write them
  down
• Don’t use words in a recording that you
  wouldn’t say at other times
• Don’t use syntax that does not occur naturally
• Use the present progressive tense: clock is
  striking midnight, people are sipping coffee.
  Pretend you have a person on the phone to
  whom you’re describing exactly what’s going
  on.
How to Sound Like a Real Person
• Put the attribution before the quote
• Simple sentences: Simple structure. One
  idea per sentence. Subject, verb, direct
  object.
• Avoid generalities: many people think,
  studies show
• Make scripts reflect colloquial speech
• Easy on the titles
How to Sound Like a Real Person
• Get rid of the passive voice
• Get rid of the hypothetical questions: Have
  you ever wondered?
• Remember the audience is made up of
  listeners, not readers
• Watch out for grammatical errors: The letter
 describing the four separate studies reads like a mystery
 novel.
How to Sound Like a Real Person
• Avoid needless repetition of words
• Get rid of clichés, acronyms, superfluous
  names and numbers
• Spell out foreign words or hard-to-
  pronounce so you won’t trip yourself up as
  you read.
Writing for Broadcast

 No. It’s not the same as print.

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Writing for broadcast

  • 1. Writing for Broadcast No. It’s not the same as print.
  • 2. Write the way you speak • Remember: You are communicating with one person at a time the way you would talk to a friend or family member • Reverse engineering: Think about how you talk, then write with a similar vocabulary, syntax, grammar, and cadence.
  • 3. How to Sound Like a Real Person • Say your sentences before you write them down • Don’t use words in a recording that you wouldn’t say at other times • Don’t use syntax that does not occur naturally • Use the present progressive tense: clock is striking midnight, people are sipping coffee. Pretend you have a person on the phone to whom you’re describing exactly what’s going on.
  • 4. How to Sound Like a Real Person • Put the attribution before the quote • Simple sentences: Simple structure. One idea per sentence. Subject, verb, direct object. • Avoid generalities: many people think, studies show • Make scripts reflect colloquial speech • Easy on the titles
  • 5. How to Sound Like a Real Person • Get rid of the passive voice • Get rid of the hypothetical questions: Have you ever wondered? • Remember the audience is made up of listeners, not readers • Watch out for grammatical errors: The letter describing the four separate studies reads like a mystery novel.
  • 6. How to Sound Like a Real Person • Avoid needless repetition of words • Get rid of clichés, acronyms, superfluous names and numbers • Spell out foreign words or hard-to- pronounce so you won’t trip yourself up as you read.
  • 7. Writing for Broadcast No. It’s not the same as print.