Presented in London at Tate Modern's symposium, "Museums & Mobiles in the Age of Social Media," on Sept. 7, 2010. Talks about the explosion of the old single provider audio tour model in the face of apps, museums assuming a greater role in their own mobile content creation, and some visitors (though by no means all) wanting to use their own personal devices. How will museums bring their mobile multimedia interpretation to a broader public than the ones who own iPhones? Suggests opportunity spaces born of the disruption in this field.
2. Four Tests in Three Summers: Assessing visitor preferences in handhelds at SFMOMA Peter Samis Associate Curator, Interpretation San Francisco Museum of Modern Art Tate Handheld Symposium • 5 Sept. 2008
9. When it comes to the World of Apps, the old lease contract model appears dead. And a new model hasn’t been invented yet.
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12. But we haven’t figured out the hardware/distribution model.* Especially for blockbusters. * and this used to be the profit center for Antenna & Acoustiguide!
15. Has exploded into its component parts: [Fill in the matrix with the museum of your choice!] Your App Here? Completely outsourced Completely outsourced Completely outsourced Completely outsourced Completely outsourced Museum with Vendor Museum with Vendor Museum with Vendor Museum with Vendor Museum with Vendor Museum alone Museum alone Museum alone Museum alone Museum alone Mktg, Sales & Distribution Hardware Provisioning Publishing to devices Content: Media Production Content: Script Development
16. SFMOMA’s current permutation: SFMOMA with NOUS-guide SFMOMA SFMOMA SFMOMA Completely outsourced Completely outsourced Completely outsourced Completely outsourced Completely outsourced Museum with Vendor Museum with Vendor Museum with Vendor Museum with Vendor Museum with Vendor Museum alone Museum alone Museum alone Museum alone Museum alone Mktg, Sales & Distribution Hardware Provisioning Publishing to devices Content: Media Production Content: Script Development SFMOMA with Earprint
18. 2010: A rare opportunity to focus on the permanent collection
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20. The question, always, is one of content design. Object : Viewer : Gallery Context Ranjani Shettar being interviewed in front of her installation Sing Along
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23. NOUS-Conductor offered us flexibility & ease in adding new content Stephanie Pau reviewing a screen with Alex Wolf during training
24. As we collaborated with Vienna on user-friendly screen designs. Tim Svenonius wth a screenful of template design mock-ups
25. Meanwhile, we were bringing together the curators in the galleries and recording them…
30. 2010 Mobile Tour evaluation…. (Top box %) Made visit much more enjoyable… Strongly recommend… Very satisfied… Very easy did to use… Q. Guide Ratings Note: Percentages represent the highest rating Made artwks much more meaningful… Mobile Tours Impact A Visitors Experience F US I ON R ESEARCH + ANALYTICS
31. Q. . How did the Mobile Tour impact the amount of time you spent in the museum today? Mobile Tour Impact on Time Spent in Museum Mobile Tours Also Impact Time Spent F US I ON R ESEARCH + ANALYTICS
32. Q. Would you prefer to take a mobile tour using a device provided by a museum or your own personal device? 2008 Vs 2010: Mobile Guide Device Preference Mobile Device Preferences Are Shifting Among Guide Users and Non-users Mobile Tour Users Non Mobile Tour Users F US I ON R ESEARCH + ANALYTICS
33. Q. How likely would you be to pay $1.99 to download a SFMOMA Mobile Tour app on your own personal device? Likelihood to download a Mobile tour for $1.99 Non-Traditional Guide Users Offer the Largest Potential for Mobile Guide Downloads/Apps F US I ON R ESEARCH + ANALYTICS
45. In our effort to provide multimedia interpretation to our visitors free of charge, we have only begun to tackle the logistical infrastructure at which our vendors are past masters !
46. There’s an opportunity here for the right vendor. Who’s going to take it on? Probably someone who understands the hardware/ distribution business model.