SlideShare une entreprise Scribd logo
1  sur  33
A2 Media Studies

AUDIENCE THEORY
 Learning Objectives:
 To understand the key
 types of audience theory
 To apply audience theory to
 an example music video
AFL Progress
Where would you place yourself on a
thermometer of understanding about
          AUDIENCE?
Audience Theory

 Three questions:
1) Why do audiences choose to
 consume certain texts?
2) How do they consume texts?
3) What happens when they
 consume texts?
WHY?
Condense these theories onto paper/post-it

 Summarise the key points of each theory


 You will be using these notes to apply the theories to
 a music video in your practical groups
Audience Theory

 There are three theories of audience that we
  can apply to help us come to a better
  understanding about the relationship
  between texts and audience.
1. The Effects Model or the Hypodermic
   Model
2. The Uses and Gratifications Model
3. Reception Theory
The Effects Model


The Effects Model
 The consumption of media texts has an
  effect or influence upon the audience
 It is normally considered that this effect is
  negative
 Audiences are passive and powerless to
  prevent the influence
 The power lies with the message of the text
The Effects Model

 This model is also called:

The Hypodermic Model
 Here, the messages in media texts are injected
  into the audience by the powerful, syringe-
  like, media
 The audience is powerless to resist
 Therefore, the media works like a drug and the
  audience is drugged, addicted, doped or duped.
The Effects Model

 Key evidence for the Effects Model
1.   The Frankfurt School theorised in the 1920s and
     30s that the mass media acted to restrict and
     control audiences to the benefit of corporate
     capitalism and governments
2. The Bobo Doll experiment
   This is a very controversial piece of research that
   apparently proved that children copy violent
   behaviour
The Effects Model


The Bobo Doll Experiment
 This was conducted in 1961 by Albert Bandura
The Effects Model

 In the experiment:
 Children watched a video where an adult violently
  attacked a clown toy called a Bobo Doll
 The children were then taken to a room with
  attractive toys that they were not permitted to touch
 The children were then led to another room with
  Bobo Dolls
 88% of the children imitated the violent behaviour
  that they had earlier viewed. 8 months later 40% of
  the children reproduced the same violent behaviour
The Effects Model         What are
                                          the flaws of
                                          this theory?

 Key examples sited as causing or being contributory
    factors are:
   The film Child’s Play 3 in the murder of James
    Bulger in 1993
   The game Manhunt in the murder of Stefan
    Pakeerah in 2004 by his friend Warren LeBlanc
   The film A Clockwork Orange (1971) in a number
    of rapes and violent attacks
   The film Severance (2006) in the murder of Simon
    Everitt
The Effects Model

 The Effects Model contributes to Moral
  Panics whereby:
 The media produce inactivity, make us into
  students who won’t pass their exams or
  ‘couch potatoes’ who make no effort to get a
  job
 The media produces violent ‘copycat’
  behaviour or mindless shopping in response
  to advertisements
The Uses and Gratifications Model

 The Uses and Gratifications Model is
  the opposite of the Effects Model
 The audience is active
 The audience uses the text & is NOT used
  by it
 The audience uses the text for its own
  gratification or pleasure
The Uses and Gratifications Model

 Here, power lies with the audience NOT the
 producers
 This theory emphasises what audiences do with
 media texts – how and why they use them
 Far from being duped by the media , the audience
 is free to reject, use or play with media
 meanings as they see fit
The Uses and Gratifications Model

 Audiences therefore use media texts to gratify needs
    for:
   Diversion
                           Think about your initial
   Escapism               responses in the starter
   Information        activity: where any the same as
                                 these ‘needs’?
   Pleasure
   Comparing relationships and lifestyles with one’s
    own
   Sexual stimulation
Maslow’s
Hierarchy of
Needs (1943)
The Uses and Gratifications Model

 The audience is in control and consumption of the
    media helps people with issues such as:
   Learning
   Emotional satisfaction
   Relaxation
   Help with issues of personal identity
   Help with issues of social identity
   Help with issues of aggression and violence
The Uses and Gratifications Model

 Controversially the theory suggests the
  consumption of violent images can be helpful
  rather than harmful
 The theory suggests that audiences act out their
  violent impulses through the consumption of
  media violence
 The audience’s inclination towards violence is
  therefore sublimated, and they are less likely to
  commit violent acts
Reception Theory

 Given that the Effects model and the Uses and
 Gratifications have their problems and limitations a
 different approach to audiences was developed by
 the academic Stuart Hall at Birmingham
 University in the 1970s
 This considered how texts were encoded with
 meaning by producers and then decoded
 (understood) by audiences
Reception Theory

 The theory suggests that:
 When a producer constructs a text it is encoded
  with a meaning or message that the producer
  wishes to convey to the audience
 In some instances audiences will correctly decode
  the message or meaning and understand what the
  producer was trying to say
 In some instances the audience will either reject or
  fail to correctly understand the message
Reception Theory

 Stuart Hall identified three types of audience
 readings (or decoding) of the text:

1. Dominant or preferred
2. Negotiated
3. Oppositional
Reception Theory


1. Dominant
 Where the audience decodes the
  message as the producer wants them
  to do and broadly agrees with it
 E.g. Watching a political speech and
  agreeing with it
Reception Theory


2. Negotiated
 Where the audience accepts, rejects or
  refines elements of the text in light of
  previously held views
 E.g. Neither agreeing or disagreeing
  with the political speech or being
  disinterested
Reception Theory


3. Oppositional
 Where the dominant meaning is
  recognised but rejected for
  cultural, political or ideological
  reasons
 E.g. Total rejection of the political
  speech and active opposition
Reception Theory

                Audience Decodes Meaning/Message



                Dominant or preferred

Producer
Encodes         Negotiated
Meaning


                Oppositional
Watch the video

 Individually- make notes on
   What reasons are there for an audience watching the video?



     Who is the intended audience? How do you know?

     How are the following things used to engage /attract an
      audience?
       Mise-en-scene
       Camera
       Sound
       Editing
As your practical group:

Feedback and share your findings with
another group

Then be prepared to share your findings
with the whole class
AFL Progress AT THE END OF THE LESSON
 Where would you place yourself now on a
  thermometer of understanding about
              AUDIENCE?

Contenu connexe

Tendances

Uses and gratification theory
Uses and gratification theoryUses and gratification theory
Uses and gratification theorynoraimaarif1
 
Cultivation Theory
Cultivation TheoryCultivation Theory
Cultivation TheoryArun Jacob
 
Cultivation theory
Cultivation theoryCultivation theory
Cultivation theorykaysar.khan
 
Introduction to Media Studies
Introduction to Media StudiesIntroduction to Media Studies
Introduction to Media StudiesRafaelPerezOlivan
 
Media effects theory
Media effects theoryMedia effects theory
Media effects theoryDavid Bakes
 
Knowledge gap theory
Knowledge gap theoryKnowledge gap theory
Knowledge gap theorysabiha anam
 
Political Economy of Mass Communication
Political Economy of Mass CommunicationPolitical Economy of Mass Communication
Political Economy of Mass CommunicationMuhammad Rawaha Saleem
 
Media Audiences an Introduction
Media Audiences an IntroductionMedia Audiences an Introduction
Media Audiences an Introductionalevelmedia
 
Hall encoding and decoding
Hall encoding and decodingHall encoding and decoding
Hall encoding and decodingjonreigatemedia
 
Media Theory - Curran and Seaton
Media Theory - Curran and SeatonMedia Theory - Curran and Seaton
Media Theory - Curran and SeatonMsJMcLeod
 
Introduction to Media Ethics
Introduction to Media EthicsIntroduction to Media Ethics
Introduction to Media EthicsSabina Izzatli
 
Roland Barthes - Semiotics
Roland Barthes - SemioticsRoland Barthes - Semiotics
Roland Barthes - SemioticsZahra Khan
 
Defining Media Convergence
Defining Media ConvergenceDefining Media Convergence
Defining Media ConvergenceJason Tham
 
Cultivation Theory & Gatekeeping Discussion
Cultivation Theory & Gatekeeping DiscussionCultivation Theory & Gatekeeping Discussion
Cultivation Theory & Gatekeeping DiscussionJuli Whetstone
 

Tendances (20)

Ideology and Media
Ideology and MediaIdeology and Media
Ideology and Media
 
Uses and gratification theory
Uses and gratification theoryUses and gratification theory
Uses and gratification theory
 
Cultivation theory
Cultivation theoryCultivation theory
Cultivation theory
 
Cultivation Theory
Cultivation TheoryCultivation Theory
Cultivation Theory
 
Cultivation theory
Cultivation theoryCultivation theory
Cultivation theory
 
Media economics
Media economicsMedia economics
Media economics
 
Introduction to Media Studies
Introduction to Media StudiesIntroduction to Media Studies
Introduction to Media Studies
 
Media effects theory
Media effects theoryMedia effects theory
Media effects theory
 
Knowledge gap theory
Knowledge gap theoryKnowledge gap theory
Knowledge gap theory
 
Media language
Media languageMedia language
Media language
 
Political Economy of Mass Communication
Political Economy of Mass CommunicationPolitical Economy of Mass Communication
Political Economy of Mass Communication
 
Uses and gratification model
Uses and gratification modelUses and gratification model
Uses and gratification model
 
Genre theory Steve Neale
Genre theory Steve NealeGenre theory Steve Neale
Genre theory Steve Neale
 
Media Audiences an Introduction
Media Audiences an IntroductionMedia Audiences an Introduction
Media Audiences an Introduction
 
Hall encoding and decoding
Hall encoding and decodingHall encoding and decoding
Hall encoding and decoding
 
Media Theory - Curran and Seaton
Media Theory - Curran and SeatonMedia Theory - Curran and Seaton
Media Theory - Curran and Seaton
 
Introduction to Media Ethics
Introduction to Media EthicsIntroduction to Media Ethics
Introduction to Media Ethics
 
Roland Barthes - Semiotics
Roland Barthes - SemioticsRoland Barthes - Semiotics
Roland Barthes - Semiotics
 
Defining Media Convergence
Defining Media ConvergenceDefining Media Convergence
Defining Media Convergence
 
Cultivation Theory & Gatekeeping Discussion
Cultivation Theory & Gatekeeping DiscussionCultivation Theory & Gatekeeping Discussion
Cultivation Theory & Gatekeeping Discussion
 

Similaire à A2 Media Studies Audience theory

Audience powerpoint
Audience powerpointAudience powerpoint
Audience powerpointsparkly
 
Audience theory powerpoint
Audience theory powerpoint Audience theory powerpoint
Audience theory powerpoint N Jones
 
Audience Theory for Q 1b)
Audience Theory for Q 1b)Audience Theory for Q 1b)
Audience Theory for Q 1b)hughes82
 
Audience Theory for Q1b)
Audience Theory for Q1b)Audience Theory for Q1b)
Audience Theory for Q1b)hughes82
 
Audiencetheorypowerpoint
Audiencetheorypowerpoint Audiencetheorypowerpoint
Audiencetheorypowerpoint h4mz4h4568
 
Audience theory
Audience theoryAudience theory
Audience theoryHGAED
 
Audience theories - A2 Media
Audience theories - A2 MediaAudience theories - A2 Media
Audience theories - A2 MediaVictoria Boulton
 
Audience theories
Audience theoriesAudience theories
Audience theoriesnsherry123
 
Audience Theory
Audience TheoryAudience Theory
Audience TheoryJHk
 
Audience theory
Audience theoryAudience theory
Audience theoryhollyjac
 
Audience theory
Audience theoryAudience theory
Audience theoryTeggers
 
4. audience
4. audience4. audience
4. audiencectkmedia
 
Audince theory
Audince theoryAudince theory
Audince theorydankyjosh
 
Audience theory
Audience theoryAudience theory
Audience theoryNINANC
 
Audience theory
Audience theoryAudience theory
Audience theorykreeve98
 
Audience Theory
Audience TheoryAudience Theory
Audience TheoryEllaMills
 

Similaire à A2 Media Studies Audience theory (20)

Audience powerpoint
Audience powerpointAudience powerpoint
Audience powerpoint
 
Audience theory powerpoint
Audience theory powerpoint Audience theory powerpoint
Audience theory powerpoint
 
Audience Theory for Q 1b)
Audience Theory for Q 1b)Audience Theory for Q 1b)
Audience Theory for Q 1b)
 
Audience Theory for Q1b)
Audience Theory for Q1b)Audience Theory for Q1b)
Audience Theory for Q1b)
 
Audience Theory
Audience TheoryAudience Theory
Audience Theory
 
Audiencetheorypowerpoint
Audiencetheorypowerpoint Audiencetheorypowerpoint
Audiencetheorypowerpoint
 
Audience theory
Audience theoryAudience theory
Audience theory
 
Audience theories - A2 Media
Audience theories - A2 MediaAudience theories - A2 Media
Audience theories - A2 Media
 
Audience
AudienceAudience
Audience
 
Audience theories
Audience theoriesAudience theories
Audience theories
 
Audience
AudienceAudience
Audience
 
Audience Theory
Audience TheoryAudience Theory
Audience Theory
 
Audience theory
Audience theoryAudience theory
Audience theory
 
Audience theory
Audience theoryAudience theory
Audience theory
 
4. audience
4. audience4. audience
4. audience
 
Audince theory
Audince theoryAudince theory
Audince theory
 
Audience theory
Audience theoryAudience theory
Audience theory
 
Audience theory
Audience theoryAudience theory
Audience theory
 
Audience Theory
Audience TheoryAudience Theory
Audience Theory
 
Audience Theory
Audience TheoryAudience Theory
Audience Theory
 

A2 Media Studies Audience theory

  • 1. A2 Media Studies AUDIENCE THEORY Learning Objectives: To understand the key types of audience theory To apply audience theory to an example music video
  • 2. AFL Progress Where would you place yourself on a thermometer of understanding about AUDIENCE?
  • 3. Audience Theory  Three questions: 1) Why do audiences choose to consume certain texts? 2) How do they consume texts? 3) What happens when they consume texts?
  • 4.
  • 6.
  • 7. Condense these theories onto paper/post-it  Summarise the key points of each theory  You will be using these notes to apply the theories to a music video in your practical groups
  • 8. Audience Theory  There are three theories of audience that we can apply to help us come to a better understanding about the relationship between texts and audience. 1. The Effects Model or the Hypodermic Model 2. The Uses and Gratifications Model 3. Reception Theory
  • 9. The Effects Model The Effects Model  The consumption of media texts has an effect or influence upon the audience  It is normally considered that this effect is negative  Audiences are passive and powerless to prevent the influence  The power lies with the message of the text
  • 10. The Effects Model  This model is also called: The Hypodermic Model  Here, the messages in media texts are injected into the audience by the powerful, syringe- like, media  The audience is powerless to resist  Therefore, the media works like a drug and the audience is drugged, addicted, doped or duped.
  • 11. The Effects Model  Key evidence for the Effects Model 1. The Frankfurt School theorised in the 1920s and 30s that the mass media acted to restrict and control audiences to the benefit of corporate capitalism and governments 2. The Bobo Doll experiment This is a very controversial piece of research that apparently proved that children copy violent behaviour
  • 12. The Effects Model The Bobo Doll Experiment  This was conducted in 1961 by Albert Bandura
  • 13. The Effects Model  In the experiment:  Children watched a video where an adult violently attacked a clown toy called a Bobo Doll  The children were then taken to a room with attractive toys that they were not permitted to touch  The children were then led to another room with Bobo Dolls  88% of the children imitated the violent behaviour that they had earlier viewed. 8 months later 40% of the children reproduced the same violent behaviour
  • 14. The Effects Model What are the flaws of this theory?  Key examples sited as causing or being contributory factors are:  The film Child’s Play 3 in the murder of James Bulger in 1993  The game Manhunt in the murder of Stefan Pakeerah in 2004 by his friend Warren LeBlanc  The film A Clockwork Orange (1971) in a number of rapes and violent attacks  The film Severance (2006) in the murder of Simon Everitt
  • 15. The Effects Model  The Effects Model contributes to Moral Panics whereby:  The media produce inactivity, make us into students who won’t pass their exams or ‘couch potatoes’ who make no effort to get a job  The media produces violent ‘copycat’ behaviour or mindless shopping in response to advertisements
  • 16.
  • 17.
  • 18. The Uses and Gratifications Model  The Uses and Gratifications Model is the opposite of the Effects Model  The audience is active  The audience uses the text & is NOT used by it  The audience uses the text for its own gratification or pleasure
  • 19. The Uses and Gratifications Model  Here, power lies with the audience NOT the producers  This theory emphasises what audiences do with media texts – how and why they use them  Far from being duped by the media , the audience is free to reject, use or play with media meanings as they see fit
  • 20. The Uses and Gratifications Model  Audiences therefore use media texts to gratify needs for:  Diversion Think about your initial  Escapism responses in the starter  Information activity: where any the same as these ‘needs’?  Pleasure  Comparing relationships and lifestyles with one’s own  Sexual stimulation
  • 22. The Uses and Gratifications Model  The audience is in control and consumption of the media helps people with issues such as:  Learning  Emotional satisfaction  Relaxation  Help with issues of personal identity  Help with issues of social identity  Help with issues of aggression and violence
  • 23. The Uses and Gratifications Model  Controversially the theory suggests the consumption of violent images can be helpful rather than harmful  The theory suggests that audiences act out their violent impulses through the consumption of media violence  The audience’s inclination towards violence is therefore sublimated, and they are less likely to commit violent acts
  • 24. Reception Theory  Given that the Effects model and the Uses and Gratifications have their problems and limitations a different approach to audiences was developed by the academic Stuart Hall at Birmingham University in the 1970s  This considered how texts were encoded with meaning by producers and then decoded (understood) by audiences
  • 25. Reception Theory  The theory suggests that:  When a producer constructs a text it is encoded with a meaning or message that the producer wishes to convey to the audience  In some instances audiences will correctly decode the message or meaning and understand what the producer was trying to say  In some instances the audience will either reject or fail to correctly understand the message
  • 26. Reception Theory  Stuart Hall identified three types of audience readings (or decoding) of the text: 1. Dominant or preferred 2. Negotiated 3. Oppositional
  • 27. Reception Theory 1. Dominant  Where the audience decodes the message as the producer wants them to do and broadly agrees with it  E.g. Watching a political speech and agreeing with it
  • 28. Reception Theory 2. Negotiated  Where the audience accepts, rejects or refines elements of the text in light of previously held views  E.g. Neither agreeing or disagreeing with the political speech or being disinterested
  • 29. Reception Theory 3. Oppositional  Where the dominant meaning is recognised but rejected for cultural, political or ideological reasons  E.g. Total rejection of the political speech and active opposition
  • 30. Reception Theory Audience Decodes Meaning/Message Dominant or preferred Producer Encodes Negotiated Meaning Oppositional
  • 31. Watch the video  Individually- make notes on  What reasons are there for an audience watching the video?  Who is the intended audience? How do you know?  How are the following things used to engage /attract an audience?  Mise-en-scene  Camera  Sound  Editing
  • 32. As your practical group: Feedback and share your findings with another group Then be prepared to share your findings with the whole class
  • 33. AFL Progress AT THE END OF THE LESSON Where would you place yourself now on a thermometer of understanding about AUDIENCE?