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Ricardo Sosa               John Gero               Kyle Jennings
    Tec de Monterrey               George Mason Univ                  UC Berkeley       




                                               

                                                                                 Page 295
Ideas are important!



     Especially in the current crisis...


      creative ideas are
       really important!

                       
A tough question...




    How do new ideas get to be
     considered as 'creative'?
       (how do people ascribe this value?)



                         
Research approach




    Explore possibilities with
       computer models

                 
Computational explorations

     Individualistic
     Interactionist


     Social simulations




                  
Computational explorations

    Individualistic
Algorithms that human experts
judge as worthy
    Interactionist
Person-program interaction
                   
Computational explorations

    Social simulations
       Systems where worth grows
        from interacting generators
        and evaluators


                      
Cellular automata (CA) models




                 
Evaluation criteria of creativity

       Individualistic
           pre-programmed
       Interactionist
           externalised
       Social simulations
           emergent, socially-defined
                             
soft modelling
     (curious, playful)




    hard modelling
    (ignore indexicality)
               
”Creative autonomy”

    Ability to change without
             resorting to:
     directly parroting others


         purely random drift




                  
Multi­agent frameworks

    Swarm, NetLogo, RePast, Mason...
       Inadequate model for ideas
       Ideas are dynamic entities
       Ideas are human products but also
        produce values


                           
Theories of (creative) change

    Thomas Kuhn
       Cumulative anomalies of dominant ideas
       Communities ascribe value to new ideas
    Joseph Schumpeter
       Stages of high competition followed by
        disturbances by entrepreneurs
       Economic upswings based on increased
        differentiation and profits
                              
Theories of (creative) change

    Edgar Morin
       'noosphere': system of ideas
       value of dominant ideas embedded in a social
        world
    Mihalyi Csikszentmihalyi
       domain transmits information, person produces
        a variation, field selects some variations


                                
Theories of (creative) change

    Dean Simonton
       Critical predictor of recognition is total output
                         Hi = pTi + ui
       Hi : high impact works by person i
       p : average hit rate for that domain
       Ti : total productivity of person i
       ui : random variable with a mean = 0
                                 
IAS framework

             Idea – Agent – Society (IAS)

       Method for empirical experimentation
       Interplay of cognitive, social and symbolic
        dimensions where creativity develops



                             
IAS framework

Author             Level I      Level A         Level S     Focus
Kuhn               Exemplar     Proponent       Community   Validity
Schumpeter         Innovation   Entrepreneur    Market      Profits
Morin              Noosphere    Strong spirit   Culture     Domestication
Csikszentmihalyi   Domain       Individual      Field       Cultural evolution
Simonton           Logic        Genius          Zeitgeist   Recognition



           Level I                                    Level S




                                 Level A
                                        
IAS framework
     Level I                 Is/Si             Level S
       (Ii)                                     (Ss)


     Ia/Ai                Level A                  Sa/As
                           (Aa)

    Ia   Transmission, language, intellectual property
    Ai   Mutation, displacement, reinterpretation
    As   Dissent, promotion, acceptance seeking
    Sa   Norms, recognition, social influence, conformity
    Si   Selection, 'gatekeeping'
    Is   Allegiance, dogmas, anomalies
                                 
IAS framework

              Idea – Agent – Society (IAS)

       What is defined algorithmically?
       What is expected to be 'grown'?
       Non-deterministic rules, bootstraping, threshold
        modelling...
       Capture non-creative equilibrium trend with
        exceptional disruption points
                                
IAS framework

       Idea – Agent – Society (IAS)

          Simulation is not the aim:
        - improve our understanding
    - assess ideas to test in the lab /field



                        
What is creativity?
    Where is creativity?
Author How do people and societies 
           Level I    Level A      Level S   Focus
Kuhn       Exemplar Proponent      Community Validity
       ascribe the creative value?
Schumpeter Innovation Entrepreneur Market    Profits
Morin            Noosphere Strong spirit Culture     Domestication
Csikszentmihalyi Domain    Individual    Field       Cultural evolution
Simonton         Logic     Genius        Zeitgeist   Chance


            Level I                              Level S
             (Ii)                                 (Ss)



                              Level A
                               (Aa)
                                     
sosa.ricardo@gmail.com




                
Questions

       Claudia Eckert: can you model systems that
        distinguish between the idea itself and the way
        it is presented?
           Interesting, would be a scenario where I and A are
            constant, and S-processes are changed to assess
            how the way an idea is presented changes its
            impact
       Mary Lou: What are the scales of these
        systems?
           Suitable for modelling small groups (as in classroom
 
            studies) and for very large systems of 100ks
                                     

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Growing and Destroying the Worth of Ideas

  • 1. Ricardo Sosa               John Gero               Kyle Jennings Tec de Monterrey               George Mason Univ                  UC Berkeley            Page 295
  • 2. Ideas are important! Especially in the current crisis... creative ideas are really important!    
  • 3. A tough question... How do new ideas get to be considered as 'creative'? (how do people ascribe this value?)    
  • 4. Research approach Explore possibilities with computer models    
  • 5. Computational explorations  Individualistic  Interactionist  Social simulations    
  • 6. Computational explorations Individualistic Algorithms that human experts judge as worthy Interactionist Person-program interaction    
  • 7. Computational explorations Social simulations  Systems where worth grows from interacting generators and evaluators    
  • 9. Evaluation criteria of creativity  Individualistic  pre-programmed  Interactionist  externalised  Social simulations  emergent, socially-defined    
  • 10. soft modelling (curious, playful) hard modelling (ignore indexicality)    
  • 11. ”Creative autonomy” Ability to change without resorting to:  directly parroting others  purely random drift    
  • 12. Multi­agent frameworks Swarm, NetLogo, RePast, Mason...  Inadequate model for ideas  Ideas are dynamic entities  Ideas are human products but also produce values    
  • 13. Theories of (creative) change Thomas Kuhn  Cumulative anomalies of dominant ideas  Communities ascribe value to new ideas Joseph Schumpeter  Stages of high competition followed by disturbances by entrepreneurs  Economic upswings based on increased differentiation and profits    
  • 14. Theories of (creative) change Edgar Morin  'noosphere': system of ideas  value of dominant ideas embedded in a social world Mihalyi Csikszentmihalyi  domain transmits information, person produces a variation, field selects some variations    
  • 15. Theories of (creative) change Dean Simonton  Critical predictor of recognition is total output Hi = pTi + ui  Hi : high impact works by person i  p : average hit rate for that domain  Ti : total productivity of person i  ui : random variable with a mean = 0    
  • 16. IAS framework Idea – Agent – Society (IAS)  Method for empirical experimentation  Interplay of cognitive, social and symbolic dimensions where creativity develops    
  • 17. IAS framework Author Level I Level A Level S Focus Kuhn Exemplar Proponent Community Validity Schumpeter Innovation Entrepreneur Market Profits Morin Noosphere Strong spirit Culture Domestication Csikszentmihalyi Domain Individual Field Cultural evolution Simonton Logic Genius Zeitgeist Recognition Level I Level S Level A    
  • 18. IAS framework Level I Is/Si Level S (Ii) (Ss) Ia/Ai Level A Sa/As (Aa) Ia Transmission, language, intellectual property Ai Mutation, displacement, reinterpretation As Dissent, promotion, acceptance seeking Sa Norms, recognition, social influence, conformity Si Selection, 'gatekeeping' Is Allegiance, dogmas, anomalies    
  • 19. IAS framework Idea – Agent – Society (IAS)  What is defined algorithmically?  What is expected to be 'grown'?  Non-deterministic rules, bootstraping, threshold modelling...  Capture non-creative equilibrium trend with exceptional disruption points    
  • 20. IAS framework Idea – Agent – Society (IAS) Simulation is not the aim: - improve our understanding - assess ideas to test in the lab /field    
  • 21. What is creativity? Where is creativity? Author How do people and societies  Level I Level A Level S Focus Kuhn Exemplar Proponent Community Validity ascribe the creative value? Schumpeter Innovation Entrepreneur Market Profits Morin Noosphere Strong spirit Culture Domestication Csikszentmihalyi Domain Individual Field Cultural evolution Simonton Logic Genius Zeitgeist Chance Level I Level S (Ii) (Ss) Level A (Aa)    
  • 23. Questions  Claudia Eckert: can you model systems that distinguish between the idea itself and the way it is presented?  Interesting, would be a scenario where I and A are constant, and S-processes are changed to assess how the way an idea is presented changes its impact  Mary Lou: What are the scales of these systems?  Suitable for modelling small groups (as in classroom   studies) and for very large systems of 100ks