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Competitor Name #1
Competitor Name #2
               
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Customer Persona Profile #1
Amber
Age: 36
Status: Single
Occupation: Professional: Banking
Income: Household $60,000+
Location: United States
Education: Bachelors or greater
Overview
Goals
Values
A professional who wants to reduce
time cooking and preparing food.
Desires high quality fresh food.
Has a desire for sushi and visits a
sushi place at least once a week.
Work and life balance
Health and nutrition
Food as an experience and not
just for sustenance.
The Professional Foodie
Favorite Restaurants
This can change based on your project type. A website design project for a cafe may
include favorite types of snacks or beverages.
Problem-Solving Opportunities
She wishes she did not have to spend so
much time preparing and cooking meals as
she already only has few hours in the evenings
to hang with friends and have some downtime.
She loves sushi and visits two fantastic places
in town she thinks has the best sushi. She
feels like she is missing the quality component
in the sushi she eats.
She would love to have great quality fresh
sushi delivered but is wary of trusting a local
place to deliver it. There is the idea that
delivery sushi is not going to taste as fresh as
visiting the restaurant.
H E A D L I N E
S U B H E A D I N G



LOGO
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Authentically Prepared
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A U T H E N T I C A L L Y P R E P A R E D
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E A R LY C O N C E P T D E V E L O P M E N T Lindsay Marsh Design
The Logo Mark
During the concept development process I decided to do a deeper study of the
letter form M. The letter M has some unique qualities as it can bend and move in
many ways and still retain it’s readability as an M. This prompted me to push the
envelope of this letter form and try a ways to combine both the M (3 M’s in the
museum name) and the letter A into one logo mark or symbol.
Exploring the M Letter Form
After much exploration I discovered several logo marks that successfully
combined the letter M and A into one unique mark. I wanted to simplify the mark
as much. I also explored rounded or more sharp corners. The sharper corners I
felt matched with the more contemporary modern look.
The M + The A
C H A L L E N G E
The biggest challenge was to maintain the clarity and readability of both the M and
the A. Careful thought was put into how those letters came together in the center.
M A
+
Marsh
Museum
Modern
Art
3
    
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D I F F E R E N T V A R I AT I O N S - A LT E R N AT I V E L A Y O U T
Standard Presentation (Horizontal) Alternative Presentation (Vertical)
Logomark Only Logotype Only
Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of



















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Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of
This will be the preferred logo format when possible.
It maintains a nice lockup that works well with social
media, website banners and traditional print methods.
Standard Presentation (Horizontal)
In other situations a vertical presentation may be
needed. The text will remain left aligned to keep the
recognition of the three M’s.
Alternative Presentation (Vertical)
In situations where the logo needs to exist over a
detailed background, I developed a tag presentation
that will exist as a box on top of the background.
This keeps the logo in a neat, clean area.
Tag Presentation (Background)
Logomark Only Logotype Only
On top of light backgrounds On top of dark backgrounds
      
Helvetica
Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of
Left Alignment
The left alignment makes the
viewer more aware of the three
M’s present in the logo.
„
Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of
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typography
typography
typography
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roma

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UR
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the
Psychology of
Typography
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W I D E S P A C I N G
TIGHT SPACING
lowercase
This would be the body copy size and format that most larger blocks
of copy will be shown in. Make sure it is readable and matches well
with the heading and subheading font choices.
Small print goes right here in this area.

„  Š
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HEADLINE
GOES HERE.
SUBHEADING GOES HERE
Š 
 
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h I j k l m n o p q r s t u v w x y z
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h I j k l m n o p q r s t u v w x y z
1 2 3 4 5 6 7 8 9 10 @ # *   ( ) $ %  !
1 2 3 4 5 6 7 8 9 10 @ # *   ( ) $ %  !

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h I j k l m n o p q r s t u v w x y z
1 2 3 4 5 6 7 8 9 10 @ # *   ( ) $ %  !

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h I j k l m n o p q r s t u v w x y z
1 2 3 4 5 6 7 8 9 10 @ # *   ( ) $ %  !
               
Š ƒ
Ž      ­  •  
       Œ 
   
   ¤  
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ž  Ÿ
¦  ——ƒ “”
Does not include areas south of Smith mountain rd.

FISH
SO FRESH
YOU CAN
EAT IT
RAW.
NOW OFFERING
DELIVERY TO
SOUTH CHARLOTTE
Does not include areas south of Smith mountain rd.

fish
so fresh
you can
eat it
raw.
now offering
delivery to
south charlotte
Does not include areas south of Smith mountain rd.

FISH
SO FRESH
YOU CAN
EAT IT
RAW.
now offering
delivery to
south charlotte
Does not include areas south of Smith mountain rd.

FISH
SO FRESH
YOU CAN
EAT IT
RAW
now offering
delivery to
south charlotte
Does not include areas south of Smith mountain rd.

FISH
SO FRESH
YOU CAN
EAT IT
RAW
NOW OFFERING
DELIVERY TO
SOUTH CHARLOTTE
Does not include areas south of Smith mountain rd.

FISH
SO FRESH
YOU CAN
EAT IT
RAW
now offering
delivery to
south charlotte
ƒ ­   Ž
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    €€+ who are successful
professionals? Would our color choice be different? Perhaps use more
muted colors. A black with blue undertones (blue means trust and
stability, something the older generation with more money in the bank
is looking for) and a neutral tan/gold to complement well the darker
main color choice?
  
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Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of
Hex #662D91
R: 102
G: 45
B: 145
C: 75
M: 98
Y: 0
K: 0
Vivid Green
Hex #662D91
R: 102
G: 45
B: 145
C: 75
M: 98
Y: 0
K: 0
Vivid Light Green
Hex #662D91
R: 102
G: 45
B: 145
C: 75
M: 98
Y: 0
K: 0
Vivid Purple
Hex #662D91
R: 102
G: 45
B: 145
C: 75
M: 98
Y: 0
K: 0
Vivid Dark Purple
Hex #662D91
R: 102
G: 45
B: 145
C: 75
M: 98
Y: 0
K: 0
Vivid Yellow
Hex #662D91
R: 102
G: 45
B: 145
C: 75
M: 98
Y: 0
K: 0
Vivid Orange
Hex #662D91
R: 102
G: 45
B: 145
C: 75
M: 98
Y: 0
K: 0
Vivid Red
Hex #662D91
R: 102
G: 45
B: 145
C: 75
M: 98
Y: 0
K: 0
Vivid Pink
Hex #662D91
R: 102
G: 45
B: 145
C: 75
M: 98
Y: 0
K: 0
Gray
Hex #662D91
R: 102
G: 45
B: 145
C: 75
M: 98
Y: 0
K: 0
Light Gray
Hex #662D91
R: 102
G: 45
B: 145
C: 75
M: 98
Y: 0
K: 0
Black
N E U T R A L S
G R A D I E N T S
W A R M
C O O L
Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of
Marsh
Museum
Modern Art
of
   
         
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Single Color
Dark Background
BW
Light Background
Hex #662D91
R: 102
G: 45
B: 145
C: 75
M: 98
Y: 0
K: 0
Hex #F15A29
R: 102
G: 45
B: 145
C: 75
M: 98
Y: 0
K: 0
Hex #F7941D
R: 102
G: 45
B: 145
C: 75
M: 98
Y: 0
K: 0
Vivid Purple
Orange Rust
Orange Zest
Hex #F7941D
R: 102
G: 45
B: 145
C: 75
M: 98
Y: 0
K: 0
Gray Ghost
Colors were chosen based on a few factors:
1.) Legibility - The most important factor in the color palette
selection. Enough contrast had to be generated for maximum
readability at any size.
2.) Opposites attract - Most color combinations are opposites on
the color wheel (better known as complementary colors). This
provides a natural harmonious color combo.
Bright + Vivid + Strong
G R A D I E N T S
FUNNY
CLEVER
SERIOUS
GENTLE
OR ROMANTIC
CONFIDENT
CAUTIOUS
Œ  ƒ ­Ÿ 
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fish
so fresh
you can
eat it
raw.
my
chopsticks
need
a break.
Authentic
and
fresh
everyday.
The best
catch
in
Charlotte.
Only trust
the freshest
source
in town.
CARING
WHIMSICAL
we
support
__________
charities.
where
taste
becomes
an
experience.
date nights
just got
easier.
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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One of our favorite things about going out for some good
sushi is the taste of raw fish. We love it, crave it, it is a part of
our DNA.
Unfortunately, going out to eat sushi in America has become
a show of how much junk can we stuff in a sushi roll. How
many toppings we try to fit on top of once unadorned
beautifully tasting fish. It was no longer about the freshness
of the fish but about ingredients we deeply feel do not
belong anywhere near it.
Traditionally, nagiri, maki and sushimi are eaten with
emphasis on the taste of the fish. We want to make sure
American sushi lovers get to taste real authentic sushi the
way it was originally intended to be eaten. Raw, fresh, simple
and flavorful.
This is where we decided to step up and take on this mission
and sushi club was born.
Sushi club is a quick, straightforward and easy to remember
name. The word “club” was used to denote a since of
exclusivity, as in only those who truly enjoy the authentic
sushi eating experience can join the club.
Our tagline Authentically Prepared has our favorite brand
word “Authentic” to explain our single focus on our unique
original presentation rooted in tradition and freshness.
Why the name Sushi Club?
A focus back on taste
      
  
    
     
    
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no
volcano
rolls
served
here.
fish
so fresh
you can
eat it
raw.
your
favorite
part of
the day
is here.
A
U
T
H
E
N
T I C A L LY
P
R
E
P
A
R
E
D
G
O
O
D
N
E
S
S
F
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S
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S
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F R E S H
Y
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A
T
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A
W
M
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C
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O
P S T I C KS
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D
A
B
R
E
A
K
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D
A
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V
O
L
C
A N O R O
L
L
S
S
E
R
V
E
D
H
E
R
E
key characteristics
of our brand voice
authentic
clever
bold
memorable
playful
Our brand language used
throughout our advertising, logo
packaging and external
communications are bold
statements that are balanced with
a pinch of playfulness. They are
memorable and not easy to forget.
my
chopsticks
need
a break.
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    
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Brand Assets
don’t
be afraid
of circles.
they are
easy to
use for
headlines.
lots of
different
ways to
use
them.
lots of
different
ways to
color
them.
end
phrases
with
a period.
it just
feels
more
final.
Circles are simple and you can
use them in so many ways.
Outside of the logo and the accompanying
varations we have the use of the simple circle.
Inspired by the shape of a sushi (maki) roll we
decided to make this our unifiying theme.
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TheBrandDesign-Guide.pdf

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TheBrandDesign-Guide.pdf

  • 1.     ­€‚‚­ ƒ„ †‡€ˆ†‚­ ‰Š‹†ˆˆˆ†€‚  ­€‚‚­ ƒ„ †‡€ˆ†‚­ ‰Š‹†ˆˆˆ†€‚  ­€‚‚­ ƒ„ †‡€ˆ†‚­ ‰Š‹†ˆˆˆ†€‚
  • 2. Œ        ­ €   ‚ƒ€ „  Ž ‘ ‘ ’ “ „ ” ‚  ‘ • –      •  €  ­ † ‡ † ‡   †  ­ †‡† † ‡ † ‡  ­­ † €ˆ€ ­   ‰ ‡ ‡ Š  ­ —  €     ‚ƒ „  †  ƒ • ˜ ‡
  • 3.    ­  ˆ  ‰ š ›š ›˜ ›   ‡   ­ † ‡ †  † ‡ ƒ  † ‡ † ‡ †   †  ‰  †    ‹‰ Š ƒ • ” ” — ‡  † ‡  ­­† ‡   Š† Competitor Name #1 Competitor Name #2 ˜ „’œ Ž ž Ž ›Ÿ  — ¡ ˜ ƒ† ‹  Œ‘ Ž ™ › Ž › ¡ › ™ „ – Ž
  • 4. Š ƒ †  ‰„ Ž ž Ÿ œ¢œ˜ Œ ‘ ‹ ‘ Ž ˆ ˆ  ‘ Œ ˜ ˜  ­ ‹ Ž ƒ  ’  ‰„ „ „ ™ Ž  ˆ­ “    ™ • Œ „ Customer Persona Profile #1 Amber Age: 36 Status: Single Occupation: Professional: Banking Income: Household $60,000+ Location: United States Education: Bachelors or greater Overview Goals Values A professional who wants to reduce time cooking and preparing food. Desires high quality fresh food. Has a desire for sushi and visits a sushi place at least once a week. Work and life balance Health and nutrition Food as an experience and not just for sustenance. The Professional Foodie Favorite Restaurants This can change based on your project type. A website design project for a cafe may include favorite types of snacks or beverages. Problem-Solving Opportunities She wishes she did not have to spend so much time preparing and cooking meals as she already only has few hours in the evenings to hang with friends and have some downtime. She loves sushi and visits two fantastic places in town she thinks has the best sushi. She feels like she is missing the quality component in the sushi she eats. She would love to have great quality fresh sushi delivered but is wary of trusting a local place to deliver it. There is the idea that delivery sushi is not going to taste as fresh as visiting the restaurant.
  • 5. H E A D L I N E S U B H E A D I N G LOGO „ ™ Ž ‘ ˆ‹ ­ Ž  Œƒ  † ˜ Ž ’Ž ™ ’Ž  Ž   ­ Ž ­  ‘ ” ™ Ž „ Š ƒ Ž ‘  Š‰ „£ „ ”‹ ‹ ‹ Ž Ž  Œ  Ž ‘ ‘ €
  • 6.   ˆ ˆ ˆ  Œ ‘  „­  Š   ‘ ‘ – ” ‘ ­ Œ¤ „ „ „ Ž  ˆ­  ŠŒ • Œ Š­Œ ­  Œ —˜ ™ Ž ’   ‰         ‘  Š ƒ Š• ­ ­   Œ–  ­   ­ Œ
  • 7.  ”  ˜ ™ › € ­    ­‘ ‡ †  ­      ‘ ˜ ›‘ ›      ­      ‘  ‚  „ „   ­  ­„­ ­ Š   Š ƒ
  • 8. „  ‰  ‘ ’ €“        Š ‰ ‘ ’ €“     Š ‹  ˆ Œš ƒ
  • 9.   ­€‚ƒ„ ­ † ‡ˆ‚‰Š ­ Š ƒ Š ˆ ˆ Œ˜ Ž ˜ Ž ¤ ˜ „ Ž ”   •  ’ „   „ —  ¤   ™ ‘ ›‘ Ž   ‘‘‘ † ”˜ ˜ › ” ¤ ˜  ¡  ˜ ˜
  • 10. Š ƒ Ž  ­ Œ” š „ Ž ƒ ­    Š ‘ Š ˜    ‰ ‰ †    †  Š       †    ‰    †   †     †    ­   †‚   † ­  ‘­    ­   † Š Ž †‰”” ‰ † ‰     ‰  † €  ‚ ‚ €‰­‰ ‰
  • 11.   ­ ‰­ Š Š  •–‘ ‘ ˜ Žš – Š ƒ – ˆ  ­   — £„ ” ™ Authentically Prepared
  • 12. Œ  ‘ ‹ – • ‹ Š ƒ ˜ ˆ ­  ŒŒŒ —˜ ™ ‹¥‘ ­   ­ † ˜ ‚¡€  ™  Ž †‰‰ ‰ † ­   †    †   † ‰ ‰  ‰  ­Š Š † ‡ ­  ­ †• Š   –‘ ‡   —  † ‰ ‰ †  †  ˜ ­† ‘   † Ž ­ †‰  ‰ ™       † ‰    ‘„ ŠŽ     ‘ C L UB CLUB C L UB SUSHI CLUB SUSHICLUB SUSHI C L U B SUSHI C L U B SUSHI C L U B Authentically Prepared Authentically Prepared Authentically Prepared Sushi Club Authentically Prepared Authentically Prepared S C S C S U S H I C L U B SUSHI CLUB A U T H E N T I C A L L Y P R E P A R E D S U S H I C L U B A U T H ENTICALLY PREPA R E D S U S H I C L U B A U T H E N T IC A L LY PREP A R E D S U S H I C L U B A U T H E N T IC A L LY PREP A R E D S U S H I C L U B A U T H E N T IC A L LY PREP A R E D A U T H E N T I C A L LY PREP A R E D A U T H E NT I C A L LY PR EP A R E D
  • 13.    ‰    ‘ š”›  ‘‡     ­‘             ™ˆˆ   ———šŒ  ‰  ‰  ‰ ‘ Œ Ž ‘
  • 14. E A R LY C O N C E P T D E V E L O P M E N T Lindsay Marsh Design The Logo Mark During the concept development process I decided to do a deeper study of the letter form M. The letter M has some unique qualities as it can bend and move in many ways and still retain it’s readability as an M. This prompted me to push the envelope of this letter form and try a ways to combine both the M (3 M’s in the museum name) and the letter A into one logo mark or symbol. Exploring the M Letter Form After much exploration I discovered several logo marks that successfully combined the letter M and A into one unique mark. I wanted to simplify the mark as much. I also explored rounded or more sharp corners. The sharper corners I felt matched with the more contemporary modern look. The M + The A C H A L L E N G E The biggest challenge was to maintain the clarity and readability of both the M and the A. Careful thought was put into how those letters came together in the center. M A + Marsh Museum Modern Art 3    ‘ Ž „ –  ˆ ˆ Œ ‘  – ˜ Ž „•˜ ƒ ¤ ˆ¡‚ ” ™ Ž ›œ‰ Ž ‰ ¤ ¡  ‰ “ D I F F E R E N T V A R I AT I O N S - A LT E R N AT I V E L A Y O U T Standard Presentation (Horizontal) Alternative Presentation (Vertical) Logomark Only Logotype Only Marsh Museum Modern Art of Marsh Museum Modern Art of Marsh Museum Modern Art of ˜   ­  ˆ ˆ • •  Œ 
  • 15.  € ‚ € € „ „Š Authentically Prepared A U T H E N T I C A L LY P R E P A R E D G O O D N E S S Y O U R F A VORITE PA R T O F T H E D A Y I S H E R E Authentically Prepared „   Ž ‘ ˜   œ Ž ¡ ƒ ¡ œ Œ ƒ
  • 16.   ­   ‰   ‚   Š     ‘
  • 17. Marsh Museum Modern Art of Marsh Museum Modern Art of Marsh Museum Modern Art of Marsh Museum Modern Art of Marsh Museum Modern Art of This will be the preferred logo format when possible. It maintains a nice lockup that works well with social media, website banners and traditional print methods. Standard Presentation (Horizontal) In other situations a vertical presentation may be needed. The text will remain left aligned to keep the recognition of the three M’s. Alternative Presentation (Vertical) In situations where the logo needs to exist over a detailed background, I developed a tag presentation that will exist as a box on top of the background. This keeps the logo in a neat, clean area. Tag Presentation (Background) Logomark Only Logotype Only On top of light backgrounds On top of dark backgrounds Helvetica Marsh Museum Modern Art of Marsh Museum Modern Art of Left Alignment The left alignment makes the viewer more aware of the three M’s present in the logo.
  • 18. „ Marsh Museum Modern Art of Marsh Museum Modern Art of œŠ        ‘ ¤ €¦ ™ ™ žŸž Ÿ ­    † ƒ ™ Š ƒ   •­  ­ Œ˜ ‡  ­ Š†‡œŠ‰šŠ† ”– Ž ” ‹ †  € ˆ ‚ œŠ œŠ šŠ
  • 19. A A A A A A A A A A A A A „  — ‘ Ž Ž ” ¤ ”  ¡ ¡ ’ typography typography typography typography     ­ Ž — ” ­‘   g g gg a a aa t t t t g g g g       
  • 20. Traditional. roma t e i r d Ris ky UR GENCY BO LD the Psychology of Typography   ‰ ­   ‘ „ Š  “ Š ƒ    ­ ˆ ™    —š     Œ¤ ”‰’•Š ” ‹—Œ W I D E S P A C I N G TIGHT SPACING lowercase
  • 21. This would be the body copy size and format that most larger blocks of copy will be shown in. Make sure it is readable and matches well with the heading and subheading font choices. Small print goes right here in this area. „ Š  ˜ žŸ HEADLINE GOES HERE. SUBHEADING GOES HERE Š  A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h I j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h I j k l m n o p q r s t u v w x y z 1 2 3 4 5 6 7 8 9 10 @ # * ( ) $ % ! 1 2 3 4 5 6 7 8 9 10 @ # * ( ) $ % ! A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h I j k l m n o p q r s t u v w x y z 1 2 3 4 5 6 7 8 9 10 @ # * ( ) $ % ! A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h I j k l m n o p q r s t u v w x y z 1 2 3 4 5 6 7 8 9 10 @ # * ( ) $ % ! Š ƒ Ž ­ • Œ ¤ ‚§ –‚‚¨ ž Ÿ ¦ ——ƒ “”
  • 22. Does not include areas south of Smith mountain rd. FISH SO FRESH YOU CAN EAT IT RAW. NOW OFFERING DELIVERY TO SOUTH CHARLOTTE Does not include areas south of Smith mountain rd. fish so fresh you can eat it raw. now offering delivery to south charlotte Does not include areas south of Smith mountain rd. FISH SO FRESH YOU CAN EAT IT RAW. now offering delivery to south charlotte Does not include areas south of Smith mountain rd. FISH SO FRESH YOU CAN EAT IT RAW now offering delivery to south charlotte Does not include areas south of Smith mountain rd. FISH SO FRESH YOU CAN EAT IT RAW NOW OFFERING DELIVERY TO SOUTH CHARLOTTE Does not include areas south of Smith mountain rd. FISH SO FRESH YOU CAN EAT IT RAW now offering delivery to south charlotte ƒ ­ Ž   ‰  ‘ ˜ Žš ž Ÿ – ™ – “ ­ ˆ Š   “  ˆ  Œ Ž ™ œ —
  • 23.  Œ ­Œ  ˆ­   ­   ŒŽ ‘  ˆ ˆŒ „   ‘ ’ ƒ’—’‰ © Ž ‘ ˜ † ­
  • 24.   ­    —Ž  ‘ ‘ Š „ žˆ€¡‚¨ŸŠ ›Š ˜ › ‘ Ž €€+ who are successful professionals? Would our color choice be different? Perhaps use more muted colors. A black with blue undertones (blue means trust and stability, something the older generation with more money in the bank is looking for) and a neutral tan/gold to complement well the darker main color choice?
  • 25.   ­  ‰    ‰ ­ ‘ ‘ ¡ ™ – Ž žŸ ž Ÿ   ‘ ‹ ›˜ žƒ Ž¡ Ÿ „ ‚ˆ“ ”ˆ• –”ˆ ˆ—‚” ƒ„˜” „ˆ­‚  „™ ƒ”ƒ€ „ ‚ˆ“ ”ˆ• –”ˆ
  • 26. ­       ‘ ˜ ˜ ™ Ž ˜ ™ ˜ Ž ’ Š ƒ     ™ ‹ ˆ šŒ” ƒ
  • 27.  ‘ „ ˜ ›‘ ›‘ › › ›  ­ ­ž ­ † ¤ Œ ­  ‘ „ ­ ­ ‘ „ Marsh Museum Modern Art of Marsh Museum Modern Art of Marsh Museum Modern Art of Marsh Museum Modern Art of Marsh Museum Modern Art of Marsh Museum Modern Art of Marsh Museum Modern Art of Marsh Museum Modern Art of
  • 28. Hex #662D91 R: 102 G: 45 B: 145 C: 75 M: 98 Y: 0 K: 0 Vivid Green Hex #662D91 R: 102 G: 45 B: 145 C: 75 M: 98 Y: 0 K: 0 Vivid Light Green Hex #662D91 R: 102 G: 45 B: 145 C: 75 M: 98 Y: 0 K: 0 Vivid Purple Hex #662D91 R: 102 G: 45 B: 145 C: 75 M: 98 Y: 0 K: 0 Vivid Dark Purple Hex #662D91 R: 102 G: 45 B: 145 C: 75 M: 98 Y: 0 K: 0 Vivid Yellow Hex #662D91 R: 102 G: 45 B: 145 C: 75 M: 98 Y: 0 K: 0 Vivid Orange Hex #662D91 R: 102 G: 45 B: 145 C: 75 M: 98 Y: 0 K: 0 Vivid Red Hex #662D91 R: 102 G: 45 B: 145 C: 75 M: 98 Y: 0 K: 0 Vivid Pink Hex #662D91 R: 102 G: 45 B: 145 C: 75 M: 98 Y: 0 K: 0 Gray Hex #662D91 R: 102 G: 45 B: 145 C: 75 M: 98 Y: 0 K: 0 Light Gray Hex #662D91 R: 102 G: 45 B: 145 C: 75 M: 98 Y: 0 K: 0 Black N E U T R A L S G R A D I E N T S W A R M C O O L Marsh Museum Modern Art of Marsh Museum Modern Art of Marsh Museum Modern Art of ‚  ‘   œ ž Ÿ œ ž Ÿ œ ž ¡ Ÿ • “ “™ „ ’ † •  › Š ƒ ­ ˆ Š    Œ
  • 30. Hex #662D91 R: 102 G: 45 B: 145 C: 75 M: 98 Y: 0 K: 0 Hex #F15A29 R: 102 G: 45 B: 145 C: 75 M: 98 Y: 0 K: 0 Hex #F7941D R: 102 G: 45 B: 145 C: 75 M: 98 Y: 0 K: 0 Vivid Purple Orange Rust Orange Zest Hex #F7941D R: 102 G: 45 B: 145 C: 75 M: 98 Y: 0 K: 0 Gray Ghost Colors were chosen based on a few factors: 1.) Legibility - The most important factor in the color palette selection. Enough contrast had to be generated for maximum readability at any size. 2.) Opposites attract - Most color combinations are opposites on the color wheel (better known as complementary colors). This provides a natural harmonious color combo. Bright + Vivid + Strong G R A D I E N T S
  • 31. FUNNY CLEVER SERIOUS GENTLE OR ROMANTIC CONFIDENT CAUTIOUS Œ ƒ ­Ÿ   € ‰  ‘ ­ † ” ” fish so fresh you can eat it raw. my chopsticks need a break. Authentic and fresh everyday. The best catch in Charlotte. Only trust the freshest source in town. CARING WHIMSICAL we support __________ charities. where taste becomes an experience. date nights just got easier. Š ƒ ž   •  Š    ­ ˆŒ   œ ­  ‰        ‰ ‘
  • 32. Ÿˆ ‹   ‘ Authentically Prepared DESCRIPTION DO DON’T TO LEARN MORE ABOUT THIS TECHNIQUE AND OTHERS VISIT: LEARN.G2.COM/BRAND-LANGUAGE Š     ‘ ƒ  ‘  ¡     ‘ „­ Š ­ ƒ­ ‘ „   Š  ‘‡ Š‰ Ž  ­    ‘ —  ­  Š   ‘     ‘ ‡  ‘   ­    Š    ‘‡  ‰­Š ‘‡­   ­ ‘ Š  ƒ  ­  ‘   ‘ ‘   ‘  ¡ ‘ ‡        ­ ‘ Š ƒ ”  ­ˆ  ­ ­ Œ ­ Œ    CHARACTERISTICS VALUES
  • 33. €   — ‰ ‘ ­ Š       ‘ ’ ƒ š  € ­  €  ­  Š —  ­    ­  • – „ Š ‘ „    • –    • ­–‘ €     Š‘ ­  ‘„    ”  ‘ Š ƒ œ    Œ† ­   ˆ ˆ ­   ˆ ­  ­ ­Œ
  • 34.    „         ‘ „   ‘ Authentically Prepared
  • 35. ‚  ‰ ­      ‘ „ ¤ ¡ ˜ ˜ ¡ ‘   ‘ ¡   ” ­  „Š €    
  • 36. „   ‰ ‰   ¡ ‘
  • 37. š  ˆ€ˆ­‚‚ ƒ­   ˆ€ˆ­‚‚ ƒ­ › Œ ‘ žŸ ˜  ž Ÿ ­•€ ‰ – €‚— ‡ €  Œ “ Ž ¡ “ ™  ž Ÿ ‡ €   ‘  „ ‡ œƒ“ žˆˆ­‚œ™€‚ƒ˜ˆ€ˆ­‚™ƒ—œƒ‡
  • 38. œ œ B R A N D D E S I G N P R E S E N T A T I O N S U S H I C L U B € ” Ž š ª  « Œ  This would be the body copy size and format that most larger blocks of copy will be shown in. Make sure it is readable and matches well with the heading and subheading font choices. Small print goes right here in this area. HEADLINE GOES HERE. SUBHEADING GOES HERE Š  A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h I j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h I j k l m n o p q r s t u v w x y z 1 2 3 4 5 6 7 8 9 10 @ # * ( ) $ % ! 1 2 3 4 5 6 7 8 9 10 @ # * ( ) $ % ! A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h I j k l m n o p q r s t u v w x y z 1 2 3 4 5 6 7 8 9 10 @ # * ( ) $ % ! A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h I j k l m n o p q r s t u v w x y z 1 2 3 4 5 6 7 8 9 10 @ # * ( ) $ % !    „         ‘ „   ‘ Authentically Prepared     ‘  Š „  € ­  €   ‚€ ¡ Š Ÿ¡ ƒœ‚Šˆ„ Ÿ¡Šƒœ‚Šˆ„ˆ€ˆ‰Š € „˜ƒ‚­‚ ‹Ÿ¡­“œ ‚Š–­“€‚™”ˆ˜ƒ¢ˆ‰‚˜˜” ‰‚ ƒ­ Ÿ¡‚™”ˆ‰Šƒ ‰ˆ­“‰Š‰‚ˆ €‚ ‰€£‚Šˆ“ˆ‚ ”€¡
  • 39. ¡ ˜  „ ¡ ¢ ¢ Ž œ ­   €   ­       €    ‚      ‚ƒ ‚  „ †    ‡    ˆ  ‰      ­ Š        –  Œ   ˆ ˆ ‹  ˆ “ ­ ‘  ˆ  Œ¡   ‹ ˆ ­ ˆ ’ Œ
  • 40. ‘’‘ “ ¡  ˜ sell yourself. „‡‡€ €     ‰  ­ ‘ ƒ—‰­–— ”“ ˆ‚˜ƒ‚¤ƒ” ƒ ˜ˆ€ˆ­‚‚ ƒ­€–™—€ ­ ‚Šˆ ­­ˆ€ ­¤ƒ—­“ ­‚Šˆ “ƒœ­”ƒ“–”ˆˆ€ƒ—‰ˆ€Ÿ
  • 41.     ‰  ­      ‘ ™ ž Ÿ „ ‰ ­    ­  ‘ ‘ ‘  ¡ ¥
  • 42.  ˆ€ˆ­‚‚ ƒ­   ˆ€ˆ­‚‚ ƒ­ — “ˆ” ­ˆ€ „   ˆ  ‘ ž Ž Ÿ˜ ž Ÿ ‡    † „ ž Ÿ „ „ Š‚ €‚Šˆ “ –ˆ‚œˆˆ­ ” ˆ­‚ˆ€ˆ­‚‚ ƒ­ ­“­“— “ˆ” ­ˆ€­—” „  ‡  ‘ Ž “‰ ¢„¬  ž Ÿ ­ ­     ‡   ­    ‘ €
  • 43. „ ‘  ‘ „ ­      ‘ „     ‘ „ ¡ ¡˜‘  ‘ „­      • „ Ž  ˆ   ‘ ‡ ‰      Œ 
  • 44. Ÿ¡­“‚ƒ™­“ƒ ‰ˆ Ÿ¡ˆ¤ ­ ­ ƒ ƒ€ ‰ƒ­€­“™„–ƒ”€ ‹Ÿ¡ƒ¦ “ ­ €€ˆ‚€­“ ƒ­‚‰‚ˆ‚ ”€ Ÿ¡•˜” ­ ­ ™€‚ˆ„€£¤ƒ­‚ ‰ƒ”ƒ­“˜Šƒ‚ƒ€¡ ƒ—‰­€ˆˆ‚Š €–­“€‚­““€ ˆ•„˜”ˆ˜“¤ ­‚Šˆ“ƒœ­”ƒ“–”ˆ ˆ€ƒ—‰ˆ€‰””ˆ“  ¤™ƒ—œ­‚‚ƒ€ˆˆ‚Šˆ”™ƒ—‚ ­ „ƒˆ“ˆ‚ ”Ÿ
  • 45. One of our favorite things about going out for some good sushi is the taste of raw fish. We love it, crave it, it is a part of our DNA. Unfortunately, going out to eat sushi in America has become a show of how much junk can we stuff in a sushi roll. How many toppings we try to fit on top of once unadorned beautifully tasting fish. It was no longer about the freshness of the fish but about ingredients we deeply feel do not belong anywhere near it. Traditionally, nagiri, maki and sushimi are eaten with emphasis on the taste of the fish. We want to make sure American sushi lovers get to taste real authentic sushi the way it was originally intended to be eaten. Raw, fresh, simple and flavorful. This is where we decided to step up and take on this mission and sushi club was born. Sushi club is a quick, straightforward and easy to remember name. The word “club” was used to denote a since of exclusivity, as in only those who truly enjoy the authentic sushi eating experience can join the club. Our tagline Authentically Prepared has our favorite brand word “Authentic” to explain our single focus on our unique original presentation rooted in tradition and freshness. Why the name Sushi Club? A focus back on taste ‚  ‘     ‘ ‘ ‘ „ ™ ™   ‘ Ž Œ  ˆ ­Œ®  –
  • 46. €     ‘    ‰  Š ‘ Ž ˆ ˆ ˆ  “ ­ Œ
  • 47. Œ    ƒ ‘‘‘ ‡ †   †    ‰ ‰ †    †‡† ‡  † ‡  † ‡   † ‡    †‰ Œ¢‰€ Š£†  Œ‘ „ ‘ ›
  • 48. Š   ‰ ‘ „  ‰  Š ‘      ‘ Š ‰ƒ ­   ‘  ‘ Š      ‘     • –‘ „  Š     ‰  ‘ no volcano rolls served here. fish so fresh you can eat it raw. your favorite part of the day is here. A U T H E N T I C A L LY P R E P A R E D G O O D N E S S F I S H S O F R E S H Y O U C A N E A T I T R A W M Y C H O P S T I C KS N E E D A B R E A K T O D A Y N O V O L C A N O R O L L S S E R V E D H E R E key characteristics of our brand voice authentic clever bold memorable playful Our brand language used throughout our advertising, logo packaging and external communications are bold statements that are balanced with a pinch of playfulness. They are memorable and not easy to forget. my chopsticks need a break.
  • 49. ¤­ ‰   ‰ ­ ‰Š ‘ „  ‰­Š  ‰   ­ ­  ‰ ‘ Brand Assets don’t be afraid of circles. they are easy to use for headlines. lots of different ways to use them. lots of different ways to color them. end phrases with a period. it just feels more final. Circles are simple and you can use them in so many ways. Outside of the logo and the accompanying varations we have the use of the simple circle. Inspired by the shape of a sushi (maki) roll we decided to make this our unifiying theme. †  ˆ  ˆ   ­   Œ   ˆ • Œ˜˜ Ž ž Ÿ ˜
  • 50.     ‘ ƒ Ž ˜  Š €ˆ­‚ ˆ˜ƒ‰ˆ€€‰­–ˆ ­‚ˆ­€ˆ ¤ƒ„ˆ€ˆ‰Š €‡ˆ‚‰Š ­ ‰¤‚ ­ ‚ŠˆœŠƒ”ˆ –­““ˆ€ ­ ‰” ˆ­‚˜ˆ€ˆ­‚‚ ƒ­ ˜ƒ‚¤ƒ” ƒ˜ˆ€ˆ­‚‚ ƒ­­“ˆ¦ˆ­¤—””–­“ €‚­““„­—”Ÿ € ‚ ƒ „ † ‚ ‚„