The document summarizes important artworks from the Early Renaissance period in Italy and Flanders. It describes several seminal paintings such as Masaccio's Trinity and Brancacci Chapel frescoes which used innovative linear perspective and shading techniques. It also discusses influential sculptures like Donatello's David and Verrocchio's David which showed a new interest in the human form. The document notes how works by Piero della Francesca and Jan van Eyck combined classical influences with religious iconography and advanced oil painting methods.