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Post New Korean Cinema
Post New Korean Cinema Definition :films emerging about the of the mid 199os. :emphasized on self-consciousness, based on imaginative power of  the genre, than focused on realism.
Post New Korean Cinema Types of PNKC(Post New Korean Cinema) (1) PARK  Chan-wook’sprovocative  violence and negative imagination  : Sympathy for Mr. vengeance(2002), Old boy(2003), Sympathy for Lady vengeance(2005)
Post New Korean Cinema Types of PNKC(Post New Korean Cinema) (2) HONG  Sang-su’sExperimental form  a. remove ordinary film’s stylistic attraction – to be seen is meaning itself  b. exposes hypocrisy, fatigue, mental emptiness of daily lives as it is – to embarrass audiences, living with hypocrisy in disguise, etc. :  Day A Pig Fell Into The Well(1996), The Power of Gangwon Province(1998),                On the Occasion Of Remembering The Turning Gate(2002)
Post New Korean Cinema
Post New Korean Cinema Types of PNKC(Post New Korean Cinema) (3) JANG Joon-hwan’sunique expression : Save the Green Planet(2003) : confusing visuality beyond normality.   box-office failure, but critical success
Thank you.

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Post new korean cinema

  • 2. Post New Korean Cinema Definition :films emerging about the of the mid 199os. :emphasized on self-consciousness, based on imaginative power of the genre, than focused on realism.
  • 3. Post New Korean Cinema Types of PNKC(Post New Korean Cinema) (1) PARK Chan-wook’sprovocative violence and negative imagination : Sympathy for Mr. vengeance(2002), Old boy(2003), Sympathy for Lady vengeance(2005)
  • 4. Post New Korean Cinema Types of PNKC(Post New Korean Cinema) (2) HONG Sang-su’sExperimental form a. remove ordinary film’s stylistic attraction – to be seen is meaning itself b. exposes hypocrisy, fatigue, mental emptiness of daily lives as it is – to embarrass audiences, living with hypocrisy in disguise, etc. : Day A Pig Fell Into The Well(1996), The Power of Gangwon Province(1998), On the Occasion Of Remembering The Turning Gate(2002)
  • 6. Post New Korean Cinema Types of PNKC(Post New Korean Cinema) (3) JANG Joon-hwan’sunique expression : Save the Green Planet(2003) : confusing visuality beyond normality. box-office failure, but critical success