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Camille Baker, MASc Interactive Arts
SMARTlab PhD Candidate
SLSA 2010
Riga, Latvia
MindTouch:
embodied ephemeral transference:
mobile participatory performance research
SMARTlab PhD research: performance media
–has been to uncover any new understandings of the
sensations of ‘liveness’ and ‘presence’ that may emerge
when using mobile technologies and wearable devices in
participatory performance media contexts–
liveness in mobile video participatory performance
 liveness (mediated)/ virtual (real)
 presence (absence)
 experience (perception)
 embodiment of technology
 locative mobile media / video
 visceral / sensation
 intimacy / immediacy /mobility
 sensor technology and the body
 audience as performer
mobile devices as non-verbal expression
first video collection workshop in Vancouver June
2007
presence
liveness
embodiment
mini-doc on the project
mobile embodied performance media
Image © 2007 C. Baker workshop still Dublin July 2007
video collection workshops : two - Dublin
video collection workshops : three - Vancouver
Images © 2007 C. Baker - stills from participants’ videos from Vancouver workshop August 2007
video collection workshops : fourth - Dublin
Images© 2007 C. Baker - stills from participants’ videos from Dublin workshop October 2007
mobile video – examples
videos © 2007-2009 C. Baker - participants’ videos from Vancouver and Dublin workshops 2007
sensors + software
Images © 2008 C. Baker – Michael Markert working on biosensing electronics for custom software
mobile video software – development
Images © 2008 C. Baker – custom software by Michael Markert
- placing the biosensors
smart garments
Images © 2008 C. Baker – sketches of garments with embedded electronics by Michael Markert and Tara Mooney
- making the 1st prototype
Images © 2008 C. Baker – sketches of garments with embedded electronics by Tara Mooney with Rachel Lesebikan
the 1st prototype
Images © 2008 C. Baker – design stages of garments with embedded electronics by Tara Mooney with Rachel Lesebikan
finished prototype 1: garment and embedded sensors
(completed November 2008)
Images © 2008 C. Baker – alpha garment with embedded electronics by Tara Mooney with Rachel Lesebikan
wearable devices + embedded sensors exploration
From Leah Buchley’s site : http://www.cs.colorado.edu/~buechley/projects/performance/performance.html
wearable devices + embedded sensors exploration
wearable devices + embedded sensors exploration
prototype 2: garment design
– design process
prototype 2: garment design
– design process
Images © 2009 C. Baker – beta garment with embedded electronics by Tara Mooney with Rachel Lesebikan
prototype 2: garment design
(completed August 2009)
Images © 2009 C. Baker – beta garment with embedded electronics by Tara Mooney with Rachel Lesebikan
figure © 2009 C. Baker
mobile video software – vision
Images © 2007 C. Baker
mobile
video
software
development
mobile video software
– development
mobile video software – available options
Image from http://r3nder.net/mt/mt-search.cgi?IncludeBlogs=7&search=mobileImage from http://mobile.processing.org/learning/example.php?name=photoslider
video software – beta (not ready for phones)
performance experiment – London July 2009
mobile video from performance for mixing
still of mixes for broadcast
streamed output videos
performance 1 – video documentation
streaming server
network
chain /
interaction
remote
mobile
streaming
interaction
remote
mobile
streaming
interaction
tech challenges – overall
• sensors: getting the right ones, moving to cheaper versions that needed
support to construct; advised to use ‘off the shelf’, which were cheaper but not
as robust and still have wiring / mobility issues – can’t change this at this point 
not the main thrust of project;
• phones and mobile software: getting the phones was not a problem; finding
a programmer to program on them was much trickier – 2 started, but Michael did
only sensor aspect  other intended mobile software shelved;
• garment construction took longer and money than intended, due to available
time of designers; still not ‘correct’ i.e. easy to work with in terms of easy access
to electronics or embedding wiring within for easy dressing;
• server and networking: got a shared server last summer, but had little
access to consistent support to set it up properly and quickly, lost easy access in
the fall, when it was most needed and then was made to wrap up the research
due to contractual end to funding.
• the whisper project a wearable devices and biofeedback
research project for Prof. Thecla Schiphorst and Dr. Susan
Kozel 2003-2006;
Siggraph 2005
related work – video + biosensing
http://whisper.iat.sfu.ca/
“…technology and
communications metaphors that
enable networked wearable
devices to communicate affective
states in a continuous manner”
SKIN, which examines the future integration of
sensitive materials in the area of emotional
sensing – the shift from ‘ intelligent’ to
‘sensitive’ products and technologies.
As part of SKIN, we have developed two ‘Soft
Technology’ outfits to identify the future for
high tech materials and Electronic Textile
Development in the area’s of skin and
emotional sensing.
The dresses show emotive technology and
how the body and the near environment can
use pattern and color change to interact and
predict the emotional state.
Philips Skin Probes
related work – biosensing + wearables
http://www.design.philips.com/probes/projects/dresses/index.page
related work – video + biosensing
Tina Gonsalves http://www.tinagonsalves.com/
Tina Gonsalves is one of those artists, whose work is most similar in intention, nature and
outcomes to mine (although I just discovered her).
FEEL:TRACE : responsive biofeedback installation (Australia 2006) :
“…is a psychophysiologically responsive video installation synthesizing art, neuroscience
and technology. The project explores new, more embodied languages of interactive and
emotional communication, investigating the inter-relationship of the internal body and the
external world. Using biosensors, the participant’s heart rate responses are monitored.
Blast Theory (2003) – Uncle Roy All Around You a participatory
performance as well as a mobile and internet game. It engaged users in
unique, theatrical activities using the participants / gamers in the city
using portable devices and phones rather than only avatars only on
computers.
related work – participatory performance
related work – mobile video
Mobile Video Art : mobile video paintings by Dean Terry
painting from a cameraphone & unedited. www.100lies.com
http://www.deanterry.com/blog/index.php/2005/10/
Speech Marks 2004 Steve Hawley
http://www.artdes.mmu.ac.uk/profile/shawley/image/10349
questions?

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Islsa Riga June 2010 - Textures panel

  • 1. Camille Baker, MASc Interactive Arts SMARTlab PhD Candidate SLSA 2010 Riga, Latvia MindTouch: embodied ephemeral transference: mobile participatory performance research
  • 2. SMARTlab PhD research: performance media –has been to uncover any new understandings of the sensations of ‘liveness’ and ‘presence’ that may emerge when using mobile technologies and wearable devices in participatory performance media contexts–
  • 3. liveness in mobile video participatory performance  liveness (mediated)/ virtual (real)  presence (absence)  experience (perception)  embodiment of technology  locative mobile media / video  visceral / sensation  intimacy / immediacy /mobility  sensor technology and the body  audience as performer
  • 4. mobile devices as non-verbal expression first video collection workshop in Vancouver June 2007
  • 8. mini-doc on the project
  • 9.
  • 11. Image © 2007 C. Baker workshop still Dublin July 2007 video collection workshops : two - Dublin
  • 12. video collection workshops : three - Vancouver Images © 2007 C. Baker - stills from participants’ videos from Vancouver workshop August 2007
  • 13. video collection workshops : fourth - Dublin Images© 2007 C. Baker - stills from participants’ videos from Dublin workshop October 2007
  • 14. mobile video – examples videos © 2007-2009 C. Baker - participants’ videos from Vancouver and Dublin workshops 2007
  • 15. sensors + software Images © 2008 C. Baker – Michael Markert working on biosensing electronics for custom software
  • 16. mobile video software – development Images © 2008 C. Baker – custom software by Michael Markert
  • 17. - placing the biosensors
  • 18. smart garments Images © 2008 C. Baker – sketches of garments with embedded electronics by Michael Markert and Tara Mooney
  • 19. - making the 1st prototype Images © 2008 C. Baker – sketches of garments with embedded electronics by Tara Mooney with Rachel Lesebikan
  • 20. the 1st prototype Images © 2008 C. Baker – design stages of garments with embedded electronics by Tara Mooney with Rachel Lesebikan
  • 21. finished prototype 1: garment and embedded sensors (completed November 2008) Images © 2008 C. Baker – alpha garment with embedded electronics by Tara Mooney with Rachel Lesebikan
  • 22. wearable devices + embedded sensors exploration From Leah Buchley’s site : http://www.cs.colorado.edu/~buechley/projects/performance/performance.html
  • 23. wearable devices + embedded sensors exploration
  • 24. wearable devices + embedded sensors exploration
  • 25. prototype 2: garment design – design process
  • 26. prototype 2: garment design – design process Images © 2009 C. Baker – beta garment with embedded electronics by Tara Mooney with Rachel Lesebikan
  • 27. prototype 2: garment design (completed August 2009) Images © 2009 C. Baker – beta garment with embedded electronics by Tara Mooney with Rachel Lesebikan
  • 28. figure © 2009 C. Baker
  • 29. mobile video software – vision Images © 2007 C. Baker
  • 32. mobile video software – available options Image from http://r3nder.net/mt/mt-search.cgi?IncludeBlogs=7&search=mobileImage from http://mobile.processing.org/learning/example.php?name=photoslider
  • 33. video software – beta (not ready for phones)
  • 34.
  • 35. performance experiment – London July 2009
  • 36. mobile video from performance for mixing
  • 37. still of mixes for broadcast
  • 39. performance 1 – video documentation
  • 41.
  • 45. tech challenges – overall • sensors: getting the right ones, moving to cheaper versions that needed support to construct; advised to use ‘off the shelf’, which were cheaper but not as robust and still have wiring / mobility issues – can’t change this at this point  not the main thrust of project; • phones and mobile software: getting the phones was not a problem; finding a programmer to program on them was much trickier – 2 started, but Michael did only sensor aspect  other intended mobile software shelved; • garment construction took longer and money than intended, due to available time of designers; still not ‘correct’ i.e. easy to work with in terms of easy access to electronics or embedding wiring within for easy dressing; • server and networking: got a shared server last summer, but had little access to consistent support to set it up properly and quickly, lost easy access in the fall, when it was most needed and then was made to wrap up the research due to contractual end to funding.
  • 46. • the whisper project a wearable devices and biofeedback research project for Prof. Thecla Schiphorst and Dr. Susan Kozel 2003-2006; Siggraph 2005 related work – video + biosensing http://whisper.iat.sfu.ca/ “…technology and communications metaphors that enable networked wearable devices to communicate affective states in a continuous manner”
  • 47. SKIN, which examines the future integration of sensitive materials in the area of emotional sensing – the shift from ‘ intelligent’ to ‘sensitive’ products and technologies. As part of SKIN, we have developed two ‘Soft Technology’ outfits to identify the future for high tech materials and Electronic Textile Development in the area’s of skin and emotional sensing. The dresses show emotive technology and how the body and the near environment can use pattern and color change to interact and predict the emotional state. Philips Skin Probes related work – biosensing + wearables http://www.design.philips.com/probes/projects/dresses/index.page
  • 48. related work – video + biosensing Tina Gonsalves http://www.tinagonsalves.com/ Tina Gonsalves is one of those artists, whose work is most similar in intention, nature and outcomes to mine (although I just discovered her). FEEL:TRACE : responsive biofeedback installation (Australia 2006) : “…is a psychophysiologically responsive video installation synthesizing art, neuroscience and technology. The project explores new, more embodied languages of interactive and emotional communication, investigating the inter-relationship of the internal body and the external world. Using biosensors, the participant’s heart rate responses are monitored.
  • 49. Blast Theory (2003) – Uncle Roy All Around You a participatory performance as well as a mobile and internet game. It engaged users in unique, theatrical activities using the participants / gamers in the city using portable devices and phones rather than only avatars only on computers. related work – participatory performance
  • 50. related work – mobile video Mobile Video Art : mobile video paintings by Dean Terry painting from a cameraphone & unedited. www.100lies.com http://www.deanterry.com/blog/index.php/2005/10/ Speech Marks 2004 Steve Hawley http://www.artdes.mmu.ac.uk/profile/shawley/image/10349