Beatlesguitar

THE
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GUITAR
I llrru LEoNARD
alrPlrBllslllNG
rE CORPORAflONion. ffc.: N.tion.l il.t ff..:
9@ East&rk Sveer 8119west 8lehound R@d
wnonaMN55987 Mrwauleew 53!13
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ONTENT
Blackbird.. .. . . . ..42
ComeTogether.....46
DayTripper...... ..14
DearPrudence.....38
GoodMorningGood
Morning..o......33
sEcTloNl-
MelodicLicksThatSignatureASong
lFeelFine..........6
Julia.. . . o. . . . . . . . .55
LadyMadonna.... .23
LucyInTheSkyWith
Diamonds
Michelle.
sEcfloNll-
RhythmicLiclGThatsignatureAsong
BabyYou'reARich ItWon'tBeLong. . . .85
Man ...106 NoReply.. ....68
GettingBetter. . . . .71 Te1Mewhy . . . .94
HeYJude . .88 WeCanWorklt Out..65
I'mHaPPYJustTo WhyDon'tWeDott
DanceWithYou. .102 tnfne Road . .98
l'mSoTired ....91
sEcTloN!ll-
RhythmicAndMelodicLicksThat
SignatureASong
Afl MyLoving . .132 Hello,Goodbve.. . .168
AnytimeAtAll.....159Help! ....109
BackInTheU.s.s.R..152 HoldMeTight. . . . .176
can'tBuyMeLove..144 |ShouldHave
carryThatweight. .135 KnownBetter. . .116
EightDaysAWeek..120twill .179
EleanorRigby .197 l'llCryInstead .202
FixingAHole. . . . . .192I'mALoser.. . .
G[rl. . . . . . . . . . - - - -184I'mLool{ng
CoodDaVSunshine.141ThroughYou
AHardDay'SNight.112lt'SOnlyLOVe..
TicketToRide. . . . . .18
YouCan'tDoThat.. .10
YouNeverCiveMe
YourMoney......50
withALittleHelpFrom
MyFriends.......76
YouWon'tSeeMe. . .60
You'reGoingToLose
ThatGirl.........80
LittleChild. . . . . . . .128
PaperbackWriter. .206
RunForYourLife.. .124
SheCameInThrough
TheBathroom
Window... ... ..149
She'sAWoman.. ..172
YourMothershould
KnOWo....oo...188
....138
....164
. . ..182

ALLttlYLOVINC. . . . . . .132
ANYTIMEATALL . . . . . .159
BAtsYYOU'REA
RlcHMAN........ ..106
BACKINTHEU.S.S.R.. . .152
BLACKBIRD.. . . . . . . . . 42
CAN'TBUYMELOVE.. . .144
CARRYTHATWEIGHT.. .135
coilfrEToGETHER. . . . . . 46
DATTRIPPER. . . . I'''' 14
D,EARPRUDENCE. . . . . . 38
EilGHTDAYSA WEEK.. . .120
E|IEANORRICBY. . . . . . .197
Flfx[NGA HOLE. . . . . . . .192
G'ETTINCBETTER. . . . . . 71
G,fiRL" . . . . . . . . . . . . . . .184
GOODDAYSUNSHINE.. .141
GOODTI,IORNING
GOODMORN|NG.....33
fr HARDDAY'SNIGHT.. .112
HllEi[Lo,cooDBYE... . ..169
HllEil.P!.. . . . . . . . . . . . . .109
HEYJUDE..... o.... o. gg
HOLDMETIGHTO'''' . .176
I FEELFINE.. . . . . . . . . . 6
ISHOULDHAVE
KNOWNBETTER.....116
I wlLL.. . . . . . . . . . . . . .179
I'LLCRYfNSTEAD. . . . . .202
l'M A LOSER. . . . . . . . . .139
I'M HAPPYJUSTTO
DANCEWITHYOU.. . .102
I'MLOOKING
THROUGHYOU......164
l'M so TIRED. . . . . . . . . 91
frs oNLYLoVE.. . . . . . .192
ITWON'TBELONG.....85
JULIA..... .. . .. .. ... 55
LADYMADONNA......23
LITTLECHILD. . . . . . . . .129
LUCYINTHESKY
WITHDIAMONDS... . 26
MICHELLE.. . . . o. . . . . . 30
NOREPLY.. . . . . . . . . . . 6g
PAPERBACKWRITER.. . .206
RUNFORYOURLIFE. . . .124
SHECAMEINTHROUGH
THEBATHROOM
w|NDow.......... .149
SHE',SAWOMAN......172
TELLMEWHY........ 94
TICKETTORIDE. . . . . . . 1g
WECANWORKITOUT. . 65
WHYDON'TWEDOIT
lNTHEROAD..,..... gg
WITHA LITTLEHELP
FROMMYFRIENDS. . 76
YOUCAN'TDOTHAT.. . . 10
YOUNEVERGIVE
MEYOURMONEY....50
YOUWON'TSEEME....60
YOU'RECOINGTO
LOSETHATGIRL.....80
YOURMOTHER
sHouLDlflow......1gg
NTRODUCTIOYqr'veallheardof LennonandMcCartney,thesongwrit-
irElQl1o,butwhataboutLennonandHarrisbn- thebuitar
frrc?Well,that'swhatyouaregoingto discoverii fUe
trATLff,guitarbook.
Thisbookisa specialworkcontaininga selectionof
Beafles'funesarrangedexclusivelyfor theguitar.lt isde-
sigredto provideanaccuratelookintothele-adandrhythm
gl$tr sWlesof GeorgeHarrisonandJohnLennon.
fithoughthe arrangementsin this bookarewrittento
ernbodythe essenceandstyleof the guitarworksof
lsrnonandHarrison,thearrangementisnotjustatran-
scriqtionof theguitarsrightoff therecord.Rather,it uses
Clofthemusicalelements:bass,drums,keyboardsind gui-
bs, tlustmtheBeatlesusedthem,butallincorporatedinto
mgu'rtarsothatyoucanplaythearrangementaloneorin
a krd.

Thebookisdividedintothreesections:
1. MelodicLicksThatSignatureaSong
2. RhVthmicLicksThatSignatureaSong
3. RhvthmicandMelodicLicksThatSignatureaSong
sEcTtoN1
Thissectionincludessongsthat aremostcharacterizedby the useof a melodicsignature
theme.songslilKeDavTripper,TicketToRide,Julia,or Lucvh Theskvwith Diamonds.
Thisdoesnotmeanthatvouhaveonlytheleadorbassguitarinthesong,butratherthattheir
importanceisthedrivingforcebehindthetune.Therhythmguitarcom-ptimentsthebassand
leadlicksinthiscase.
sEcTroN2
Thissectioncontainssongswhosesignatureisthe rhythmguitar.Inotherwords,Lennon,s
rhythmguitartakesprominenceoverHarrison'sguitaranclMccartney'sbassor keyboards.
Again,voumayhavesomeguitaror basslicks,butthevtakeabackseatto therhvthmguitar.
Thissectionisalsoimportantanduniqueinthatit affordsaguitarplaverthechanceto learn
how to plavrhythmguitarpatternswhich incorporatepercussivequalitiesthat anv good
rhythmguitaristshouldknow.Lennonwasa brilliantrhvthmguitaristandVou'iloenetitOv
learningthesetunesasarranged.
sEcTtoN3
Thissectioncontainssongswhosesignatureisbothmelodicandrhvthmic.Let'sfaceit,most
songsbVtheBeatlesareameshingtogetherof melodicandrhvthmicelements.Lennon,Harri-
son,andMccartnevdid not operatein separatelitflecompartmentsknownasrhythm,lead
andbassguitar,butrathermergedtheirfunctionstogether.tnthissectionweseehowmostof
theirsongsareafinebalancebetweenrhvthmicandmelodicessence.Sometimesit,sLennon,s
effectiverhvthmguitarbehindtheverseandchorus,followedby Harrisonbtendingina nice
soloandbridgethatgoesbackintothestrongrhythmicversesection,or Lennontradingoff
with MccartneV'sbassor Harrison'ssmallerlicksections.
lt'sallputtogetherfor youin THEBEATLES:guitarbook.
lnaddition,pleasenotethatthe guitarpartiswrittenin guitartablatureto accommodate
musicianswhoreadmusic,aswellasthosewhodonot.
Forthosewhodonotread,Voucanfollowthetablaturenumbers,strums,accents,andpick-
ingpatterns,whichyou'lllearnhowto useontheinstructionpagefor tablature(seepage5).
Forthosewhoreadmusic,Voucanfollowallof theabove,as.wellastheaddedmusicalele-
mentsthatareinctudedinthetablatureline.
Allchordchangesareshownbythe chordframesabovethe voiceline.Thevoicelinegives
youthelyrics,melodyandwhichkevthesongisin.

OWTOREADTABTATUR
1.TABLATUREismadeupof6lines,representingthe6stringsoftheguitar.Thetoplinerepresents
the first,or higheststringon theguitar,whiletne oottomline-representsine sixth,or the
loweststringontheguitar.ThiscanbeseeninEx.1.
Ex.1: ---f--T-
-..4TmrF-T--T-
2.Tnenumbersoneachlineindicatewhichfret,onthatparticularstring,isto bepressed.For
example,ifthenumber5isonthe3rdline,thismeansthatthesthfretoritne3rdstringisto bepressed.Thenumber0meansto plavtheopenstring.
rt=DownPickorDownstrum. Ex.2:
v =uFPiCkOrupstrum.
3.Aslash((l isusedto indicatestrumming.StemmingandbeamingindicaterhythmasinI ordinarymusicnotation.
B-Strumbass,orlowerstringsfthe2or3lowerstrings).
M-Strummiddtestrings(the3or4middtestrings).
-T-Strumtreble,orhighstringsfthe2or3higherstrings).
--,'(clottedline)-continueprevioussymbol.
Ex.3:S n V n
-
v
GC
EF/I
ll ll V ll----------1 n---- -----.1
T B---------r l,1--------.r T--------r
indicatesa muffledsound.to be plavedon a chord.Thisisachievedby
touchinglightly(notpressinglthestringsof thechord.
tttt at
f?
B
4.i I lrn.chordal
G
m'"
A
ffisa.tatl I I
ffitfi
nl
B- - - - - - - - - J f-- - - - - - - -:
indicatesa muffledsoundto be playedon a singlenote.The
techniqueisthesameasthechordalX .
5.( t I rnesingtenote i'
6.Commonmusicsymbols,suchasthefollowing,arealsousedwithTABLATURE.
> =?CC€t'lt
. =staccato
a =fefmata
oooooo
iTfmffi
#
Ffffft
B---------J
Ex.5: n---- r V
=Openchord

IFeelFineByJOHNLENNONand PAULMCCARTNEY
Bright rock
Lay down 1st finger, left hand, on both 5th strrng & nut of the guitar
|.1 . Flv-l / / /
f.r F.'1
-Vl-V
D7
hHfffi
C7
ffii
v.
G
Ttr+
ffi
G
ooo
FFFffi
fi-rn
?H+H
by's
by
by
good
says
says
mine,-
mine,-
said
said
said
-
know,-
know,-
know,-
you
you
you
py as can
me all the
me all the
she's
she
she
hap
tells
tells
time,-
time,-
D
#
ffi
you
you
you
know,-
know,-
know,-
so.
so.
so.
.
she
she
she
V-V
+ Iixoly'dianmode. not keYof C
Copvrreht @ 1964 NORTHERN SONGS LIMITED
AuRrghtsAdmrnrstered,,by_tnT._[H3;.0"
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MUSrc(MACLEN)
6

love-
love-
love-
.
with
with
with
her
her
her
n
and
and
and
-
:>
I-
I-
I-
|-l
G
ooo
FFFFFI
ffi
feelfine.- (repeatto 2nd lyric)
feelfine.- (continue)
feelfine.- (continue)
/- /
-
n
-
v .
G Bm
ffiffi'u
C
ffi
B
D
#rnI-t-tfhl
iilttl
!ttttl
i
that she's my
glad
tle oirl
she's
litelad
G
She's
I'm
.
! ln /- v
Bm
ffiffi'n
c
di
teU- in-s all - the world- that ba by buys her things,-

- mond rings-dia
-
her
.
he buys
VNV-
know,-you
D
Fh
ffi
G
ooo
ffiirt..l-!-IJ
FH+H
To Coda
8
and I- feelfine.-

G
E+m3rr.
ffi
n V- V-
-- I
I
l.-; ; Y -/i .-z
tr--i | |
-i
ll
-/iEI I
tt-/i t) IJ I )ltl
bl
i--= |
D.S. al Coda
VVV
D
o
LLTTII
I l 1T
n
-/-
G
ooo
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ffi
G
ooo
FIlEFfl
Ltl-LLl
H-H+I
Coda
+
D
#t.n
ffi
in love- and I- feelfine.-
-
V- V
-
Repeatand fade

Moderato
G*
o@
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ffi
/-vn
(1.) I got
(2.)
n/
ffi'o'
some - thing to
sec- ondtime I've
--/
:>
say that might
caught you talk
-V-V
you paln;-
in' to him;-
cause
c7
ffi'
catch
have to
|l
you
tell you
:>
talk - in' to that
one more time I
|.1v.vt> :>
boya-
think it's a
gain,-
sin.-
gon - na
think I'll
let you
let you
-
and leave you
-(Let You down
(Background vocals: 2nd and 3rd times)
r-V-V.
:> ;>
G
ooo
FFFFR
ffffi
flat, -
gon - na
/.-vl>
I
COOVriEhtO 1964NORTHERNSONCSLIMITED
All RiehtsAdministeredUv tsLnefwOoD MUSIClNC. under licensefrom ATVMUSIC(MACLEN)
- All RightsReserved InternationalCopyrrghtSecured
let you down and leaveyou
-V-VV-
B
* Originally recorded in Gb
10
YouCan'tDoThatByJOHNLENNONand PAULMCCARTNEY
G7
If I
doI
down
down
Be- causeI've
flar.)_
/-/-/

D7
ffi'*'
C7
ffi"
G7
m'u
told you be - fore:
|.l _____---_a
you can't
-vr
Eu -'ry-bod-y's green
v
-_--_-
do
V-
Em
ffitt''
Well, it's the 'cause
--.!'1V-V-
V
BB
87Am Em
ffita-
rrTEI'"'
LIta fl
tI ITN
Em
ffi m'u
B7
5TfTTl?fr
n-TaT1 ',"'
LIITTI
IIIT'I
7fr.
But if they'd seen
furt
oo
ffitfrif1
n-!v-v-v
G7Bm
ffi
talk - in' that way_ they'd laugh in my face.- So
D7
m'o ffi'n'
please
-1
lis - ten to
lrv-:>
you
V
me
;>
ffffi5fr.
ffi
I'm the one who won your love._
11

wan- na stay mine,-
-t-il- :>
let you
--
:>
down
help
3J and leave you
(Let vou dorvtil-
I
V-V;>
go out of my
G
ooo
FFFFF
Effi
C'I
ffi{
(gon-na let you tlct*'n and
'/-
Be- cause['ve
Jlat)-
v|r/-/
:>
c'l
ffi'
D'7
To Coda
leave
ffi'o'
told you be - fore:
ll-----
oh,-
;
you can't do
G
o@
FFFFFT
Effi
G
ooo
FFFffi
ffi
Emphasizetop note in
eaih chord to bring out (Solo)(Shottt):
n /.
Wow!-
(You)
r2

C7
o
ffi
(can't do that)-
-
(You can'tdo_ that)_
-V-V
V-V
FFFIRsfr.
H1ffi
(You can't do that) (You
D.S. al Coda
x
V
-VN
V
-V-V- -V-
V
G
ooo
ffi
Ev -'ry-bod-y's
G7
ffiou'
do- that)
13

DayTripperByJOHNLENNONand PAULMCCARTNEY
ffi'n'
l. Got
2.She's
3.Tried
-l
lllr
-
rea
teas
please-
a good
a big
to
t4
Copynght@ 1965NORTHERNSONCSLtMtTtD
All RightsAdministeredby BLACKWOODMUSIClNC. under lrcensefrom ATVMUSIC(MACLEN)
All RightsReserved InternatronalCopyrrghtSecured

J
the
one
for tak - ing the
she took me
she on - ly
-
eas
half-
played-
way out,-
way there.-
- night stands.-
A1
ffffisft.
ffi
Got a good
She's a big
Tried- to
Fl
out,-
there,-
stands,-
rea
teas
please-
son
9I'
her,
eas - y way
half- the way
played- one-night
She was
She was
She was
now.
now.
now.
Day
Day
Dav-
---
. v
---
:>
Trip - per,
Trip- per,
Trip - per,
one - way
one - way
Sun - day
took me
took me
took me
tick
tick
driv
yeah;-
yeah;-
yeaht-
It
It
It
!rv
:> l>
ffi'n'
tak - ing the
she took me
she on - ly
t5

G+7
ffi+r'.r-tH+l
$)-,1-
c*
ffi
Hffi
4fr.
SO
SO
SO
n
to find out,-
to find out,-
to find out,-
and
and
and
I found
I found
I found
muffled
note
-|r/..
NV
B
B
ffi
ffiH-rrfl
B
7fr,
oooooo
FFF|F
FfitH
H++X
Coda$Last time to
out.
out.
out.
l.rn.
(repeat)
(continue)
(to Coda)
---
XII pos.
solo
87
m7ft.
ffttfl
16
2ndGuitar

D.S. al Coda
x
-
>>>>
-
/
-
/ n /.v-v>>>>> >
Coda
+ N.C.
'#
= St-- Bass& Middle Strings
I
I

TicketToRideByJOHNLENNONand PAULMcCARTNEY
Moderaterock tempo
think it's day
down
A
oo
FFFffi
HTfflrrFF-l
A
oo
FFFIfi
Trfi]TTTTT]
/-/!/l/
v lr v rt v rr----------------1 v
A
oo
FFF
tftilrrn-n
to
her
I
is
The
For
Bm7
F'FIFI
ffi
gtrl that's driv - ing
she would nev - er
tl
----------'l
me
be
mad-
free-
ls go-mg
when I was
- way.- I
- round.-|
-
a
-/-
l>
-
:>
-
>
BB
18
Copyrrght@ 1965NORTHERNSONCSLIMITED
AII RightsAdMiNiStCTCdbY BLACKWOODMIJS"ICINC. UNdCTIiCCNSCfTOMATVMUSIC(MACLEN)& SBKUNARTCATALOGINC'
'-"
ett nigt'tsReserved InternatlonalCopyrightSecured

Film
ffirttftl
F*m
ffirttftl
D
o
FIFFI'I
ffi
got a tick - et to ri - hi - hide,_
-rrFlrrF,-
g v 'i g 'r g !-----
_-___-1
Ftm
ffit-affH
She's
- -V-V
N
got a tick - et to ride,_
-
/
-
/./
VNV >
V-:>
got a tick - et to ride
iIVl.|V-V
but she don't
19

ffi'o'
don't know why she ought - ta
she ought - ta do
ffi'n
BB
D7
fore she gets to
n l>
good - bye-
:>
she ought - ta
thinktwice, she ought- ta
. l>
by me
-
lr-
n
do right
-V -V-V

A
rf#rTl-rn
think I'm gon - na
said that liv - ing
n- -'-' 1 Y
be
with
sad,-
me--
I
is
think it's
bring - in'
- day-
down-
to
her
The girl
For she
that's driv - ing me mad-
would nev - er be free-
Bm7
F'IFFI
ffi
E7
ffi
is go-ing a - way.
'henI was a- rounwhenl was a- round.
I
veanr-
-/
:>
n- >
Film
ffittaf1-l
B
D7
o
mrrFfi-l
tick - et
21

D
F*n
ffi
Ffm
ffirttffl
tori-hi
-v-
:> :>
got a
NV
:>
tick - et
-V
;>
Flm
ffihhtftl
loo
FFFFFT
Hffiffitr|
A
oo
fFn+t
ffi Falsefto----------l
Repeatand fade
(lst timeonly)My
/fI
--
ba - by don't
&
-|l
2

LadyMadonnaBYIOHITILENNONANdPAULMCCARTNEY
Usespecialfingering
on "A" chord.
-
F
-V- -
VN V
-
i f+ffi5n'Ji:?f;sffijr.;:i:.,m
A
o
FFFFF|
HnfiFrrrn
BD
t
tt-------------1
chil - dren
ba-by
chil - dren
your feet,-
your breast,-
your feet,-
G
Brightly,r,r'itha beat
A
o
FFFFI
MTil
234
---
G
A
La-dy
I-a - dy
l-a - dy
der
der
der
- tr4'
- fr&t
- t4,
Ma-
Ma-
Ma-
don
don
don
rr?m
ffi
at
at
at
*m'fr':3#RA
oo
FFFFI
HTMrrrrn
how
how
how
hsn
rS'on
ffi:cnn
you
you
you
man - age to
man - age to
man - age to
make- ends
feed- the
make- ends meet.-( to Coda)
CopyrightO 1968NORTHERNSONCSLtMITED
All RightsAdministered..bYBL-AcKwooD MUStc tNC. underlicensefrom ATVMUSIC(M CLEN)
.{ll RigittsReserued InternationalCopyrightSecured
I

A
rf+
Hfi#Fffrn
D
r*ffi
ffi
the mon - eY
Ma- don - na
A
o
+t+
Tfi11rrfl-h
Who finds
La-dy
Did you think that
Lis - ten to the
-
----
-----1
pay
on
the rent,-
the bed,-
sent?-
head.-
A
FFFffI
FTMrrrrn
D
r*ffi
ffi
A
oo
FFFffi
HI4Hfi-rrnffi'o'
F
ffi
heav
in
Dm
#
ffi
G7
oo
ffi
Fri - day night- ar- nves-
Tues - day af - ter - noon-
-V
Sun - day morn
Wednes-day morn
ni-
creep - ing like a
pa
--
Pers did - n't
-VNV
with- out-
is nev
/n lt
suit
end
-V
Am
oo
ffi
Fffi
ffil
c
xoo
ffi
H++f,
-mg
- ing
D
FFgffi
ffi
G
mon - 9y was-
mu - sic PlaY-ing
-
----
when you
ly - ing
case,_-
ing,-
-i-
nun,-
come,-
21
-

Dm
#.Fr
ffi
Mon - day's
Thurs - day
child
night
-
has
your
See
-
iearned to
stock - ings
Lltr _
need
-
his
ed
boot
mend
|l
lace.
lng. --
n/
After repeat
D.S. al Coda
NVNV
C
ffi'
Bm7
FI'FFF
ffi
E7
"ffi
-l
-,
-
l.]
how
n
they run!
- ---
I
A
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o
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a

LucylnTheslry
WithDiamondsByJOHNLENNONand PAULl'lIcCARTNEY
tt lGXX
your - self
her down
your - self
ATIG
xx
A
xx
Pic - ture
Fol - low
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A/Ex'x
PiFf
ffi'u'
Dm/F
xo
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on
by
in
in
to
on
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bridge
train
n
with
where
with
n
ffEll2fr.
H#
ElF10fr.
H#
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xx
ffi
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ine
horse
cine
tan
rock
plas
trees
peo - ple
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Ev-'ry
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calls you, you
smiles as you
some - one is
------
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an ' - swer
drift Past
there at
quite
the
the
ffi'"'
riv - er
foun - tain,
sta - tion
F(9
fTfTR8fr.
H+ffi
and mar - ma - lade skies.
eat marsh - mal - low Pies'
with look - ing glass ties.
(Usepick on bass
note.3& 4 finger
on treblenotes
for spacedchords)
fr
Copyright@ 1967NORTHERNSONCSLIMITED
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Dm/F
xo
ffi'u'
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XX
L7lc
xx
DmajT
o
eyes.
FFffilofr. EEEDgfr.
!-fFfil LLLLr.j
rrrTn Last time to Coda lff?fl
0
slow
flow
turn
-
scope
blv
scope
Iei
cred
lei
girl with
grow so
girl with
high
(to Coda)
Cel-1o-phane
News- pa - per
ll----- ------1
Bb
ffiI-I-FFH
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o
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FFTl-r1
rr-rrn
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flow - ers of yel - low and green
tax - is ap - pear on the shore
tow
wait
head.
way-(Lay R.H.palmacrossstringsfor muffled
er
ing
Bb
ffiFI-FIH
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Look
Climb
ili
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sound on thesetwo measures)
n

G
#
fffi
(J.=J)
with the
back with your
> :> >
-,____=
Lu - cy in the sky- with
-1
|r
-
n/- .
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-
n
- -vn - - -v>:>
dia - monds,
n
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you're
and
and
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After repeat,
D.S.al Coda
XT[Elt1Ofr
Ft+H"]
dia
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28

Coda
+ No chord
eyes.
D
ffi'rrrrn
Lu -cy
Lu - cy in the sky_
Ofr.
G
#
ffi
monds,
Lu - cy in the sky_
G
rffi
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r*
fiffi
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D
ffir-ft-t-j-l
with
B
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Repeatand fade

E
ooo
ffiFffrr1
ffrrn
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o
ffi
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ffiffi
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l-++t-]{ffi
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E
ooo
ffififfil
ffit-n
ma
ma
Mi
Mi
- chelle,
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Mi - chelle.-
-
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my
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E
ooo
ffiffi
rflfH3---
Df;dim
trrn
Fi-lt+'?
G
ooo
rruft
siffit1fifi
tres bien en
tres bien en
- semble,
- semble,
vont tres bien en
vont tres bien en
mots
mots
sont des
sont des
MichelleByJOHNLENNONand PAULMCCARTNEY
FmajT
o
Dm7
o
ma belle, these are words that
I
r*aim
- semble.
- semble.
- belle,
- belle,
30
Copyrighto 1965NORTHIRNSONCSLIMITED
All RrshtsAdmrnrsteredUVbhefWOOD MUSIClNC. under licensefrom ATVMUSIC(MACLEN)
' r" 'ro"J''"" "'-'-
nti(rehts Reserved lnternationalCopyrightSecured

Am
oo
ffiffiffi
rrrrH
love you, I
need to I
nn
F
ffiFfftrI
t7
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L'JIIJ
H+1+lFffrn
love you, I
need to, I
love
need
YoU'
to
that'sall I want to say.
I need to make you see.
Un-til I find a wav-
Oh,what you meanto
B
Am
oo
ffi
Am-I
o
ETE
|-+.t++..1
Fl-Ft+i
n-rrFt
Am7
oo
Am6
o
FmajT
o
will say
un - til
the
I
wordg I know that you'll
hop - ing you will know
un-der-stand.
what I
n--
-
EA
oooo
Eil] EM
l+f++ riiitl
|'..|,.]'.m ffi
ftl_ff| FFFi_H
Dm7
o
G
ooo
ffi
IF#aim E
ooo
ffi
E++fl
Am
oo
EEII
H+?]-l
want
-you,
r-3____r
|1--
I think you know by now,
J---r
l--3 ---r
want you, I want you, I
I'll get to you some -
I
33
i---n.
Dfrdim
EIEE
H++f?
F]]fl
t> >
n I
6 I
TB
31

E+
o
H.+flFt-ffF1
ffiffil
FffI-fl
Fmaj?
o
sont des mots qui vont tres bien en
Andlwillsaytheon-lywords_Iknowthatyou'llun.der-
-------------, -i-!
3
Am6
o
t[m
H++1
H4+F
T
A
OO
rFTFN
++++{i..]'..l..#t
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ffi
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oo o
ffiffiflFHfH
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ooo
ffirt.rrrl
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EEIEE
F++NtHi-fi
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r*aim
ffiE
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ffitl
Dfrdim
ffi
semble, tres bien en - semble.
stand, my
B
pf oim
ffi
t-f++H
B
G
ooo
$ffi
Dm7
ffi
Df;dim
ffi
r-3---r
--n
E
ooo
TLIE
I-tnHt
A
oo
ffi
Repeat and fade
3
n
333
n|rn--
- -
3
-
Am
o
ffifit-]-#
FFFI-H
E
ooo
ffi
Ffifl
B
A
oo
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Am
oo
rrrTin
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H++E
B
E
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ffil-t-t-i-t-t
Ffi-TN
I
E
ooo
ffit-t-t-t-H
n-n-n
E
ooo
ffi
3
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J
-
FmajT
o

Moderately
A
oo
n-rT-n
+???l
fl-m
D
ffirrn-n
Frr-rrl
GoodMorning
CoodMorningByJOHNLENNONand PAULMCCARTNEY
say- but, "What
D
o
ffit-f+++]
FFIFfl
ing
D
o
ffiH++flrrrn-t
A
oo
TI-n-n
+?f+l
F+IF
Good-morn
-
l>
good morn - ing,- good morn
-
J II.
l.Noth - ing to do- to save his life,- calls his wife
day!-
good
;
A
oo
rT-Trn
FTFFF
A
oo
Trtrrn
t+l?t Il..]..-l-'.H
FI+FH
G
arr:ta
LL;ILI
t++Hffil
ffito'Ft-F*t
How's your
it
1#
.::
UseGuitarStrum A
I on2ndand3rdjfr51r.
verses(for four FtiT11
T.".rul,"r) X Fft-*'
Noth - ing
Copyrrght@ 1962NORTHERNSONCSLtMtTED
All RrghtsAdmrnrsteredby BLACKWooDMUSIClNC. underlrcensefromATVMUStc (MAcLt)
All RrghtsReserved InternatlonalCopyrrghtSecured
boy
33

A
oo
rrrm
I t???l
H+]-.H
n-rrn
E
ooo
ffiHfi-fi
Ffi-TN
A
a[IIl
H#ln-rrn
5fr.
G
ffi
FqqTFt-ff-r-t
3fr.
I .G,tit"t Strum-I(four measures)
Go - ing to
-vn
work,- don't want
BB
D-I
o
(usebar on D chord)
A
oo
mrr]
Hffi
A
oo
Trrrr-1
Hffi
G
ooo
rrrrn
ffiH-fi-fl
(Solo 2nd time)
3
to
|l/-

G
ooo
trm?t++tt
H++i
A
oo
ffitTIITI
feel
-/
- ing low
--
down, Head-ing home,- you start[or roam,- then you're ln
V
-V
B--_-------------r
A
oo
ffi
TNTI
town.
A
oo
rr-Trn
HEqFffi
Fj-1-FfJ
Ev -'ry-bod-y knows- there'snotl,-ing do -
A
oo
ffiffi
ffil
D-I
o
ffiFffi
D-I
J--
ffiFfFffi
r-3---r
A
oo
TTlT-N
F|{{fl
f-fft-HTTTTT1
ing, Ev - 'ry - thingis
n
-v
f-3--r
closed,- it's like a Ev -'ry - one you
-V
is half a -sleepsee-
D-I
o
ffiFfi-TN
r3-r
A
oo
ffif,
Tn-it
and you're on your own'- you're in the street'-(L
y left handacrossstrrngsfor staccato)
35

A
oo
ffiffii
Ft-fffi
G
ooo
rrrrn
JII+H
V pos. VI pos.
A
oo
Tr.rn
Hffiffi
ffi-fl
-
P.O.H.O.P.O. P.O.H.O.
|1v-
D-I
o
ffiftrrn
A
oo
TI-FTN
H++tl
Htq
P.O.H.O.P.O.P.O.H.O.
I /
-
v
I v rr
--
r-3_____r
Peo- ple run - ning 'round,- it's five
-V
Ev -'ry - oneyou see- is full of
a-
f-3-f f-o .' --r r-3-:
P.O.H.O.P.O
NV
A
oo
TTTtrN
Fi+??l
HUi
D-I
o
tr=N
HiltrF+-t-t-H
A
oo
n-TI-n
H??tl
ffi
r-ft-tl
Ev - 'ry - were in
.v
it's get - ting dark,-
D.S. al Coda
town-
A
oo
[IfT]
I t??t{
++#
ffi
n
oo
rrTT-T-l
tli#
ffi
Ffl-fl-l
D-I
_o
ffiffrrn
r-J
36
|1
-i
it's time for tea andmeet the wife.

A
oo
Trn-n
Htttl
ffi
Fffl-H
A
oo
ttfrr
H+t+]
rff.1]
Coda
+
A
oo
ffiffi
ffi
D
o
ffi
Ft+++lFFfi-H
A
oo
TrrT-n
TffT]
ffit
ffi
D
o
Tr|...m
ffiF|-Ft-f-l
morn
-
Ifl8'-
/-
good morn
>
2. After a while you start to smile,now you feel cool,
Then you decideto take a walk by the old school.
Nothing haschanged,it's still the same.
I've got nothing to say etc.
3. _somebodyneedsto know the time, gladthat I'm here.
Watching the skirts, you start to flirt, now you,re in gear
Go to a show,you hope shegoes,
I've got nothing to say etc.
Repeatand fade
37

Slowtempo
AmTlD
o
StTplOfr.
Ff,ql
ffizr''TTTTN
A/D
o
lfifFl5fr.
ffi1rT.rr.n
D
o
ffi+ffi1
DiC
#
ffi
Gm(+7)/Bb
F
-V
:> >
Am'llD
o
ffif,-
rT'ra-I-]
++l-F
D
m
nn>>
n-
:> :>
-
:>
-
:>
DIC
-P-
ffi
1.4.
2.
Pru- dence,-
Pru- dence,-
Pru- dence,-
-V --
:>
n|l
:> :>
D
-L
ffi
DIC
#
ffi
6tn1+71/Bh
play?--
eyes.-
smile.--
-
tr/
:>
|r-;> :>
rl- l>
Dear-
Dear-
Dear-
-
l>
DearPrudenceByJOHNLENNONand PAULMcCARTNEY
I0fr.
-V
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Am7/D
o
rT'rT-rr8fr.
HJ+NITTTT]
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:>
G/D
o
-v
Gm(+7)/Bb
won't you comeout to
o - pen up your
let me see You
NVE
Dear-
nv
-
:>
GmajilB
38
Copyright@ 1968NORTHERNSO.NGSLIMITED
All RrehtsAdmrnrstereduv b[n6rwooD MUSIClNC. underlicensefromATVMUSIC(MACLEN)
All RrshtsReserved InternationalCopyrrghtSecured
-/

D
tg-
ffi
Dlc
#
ffi
Gmai'/lB Gm(+7)/Bb
greet the
see the
like a
!!. ti
-
>-:>
Pru- dence,-
Pru- dence,-
Pru - dence,-
.
l>
brandnew day.-
sun - ny skies-
lit - tle chitd._
-
l>
ffi
o
FFFI
H+trI
Fqtfi
D
o
ffi
blue,- it's
sing- that
chain,- so
V- V
-
Gm(+7)/Bb
you come out _
you o -pen up
you let me see
.
- -v.
l>
sun is
wind is
cloudswill
--
UP'-
low,-
be-
V
-V-
the sky
the birds
a dai
-
are you.- Dear-
- tt - ir'i'g.- b;;;-
a - gain.- Dear-
n /|.1 v
-
B-----------J B---------l
D
ffi
Pru - dence,-
Pru - dence,-
Pru - dence,-
-
i
-/-
TO
your
you
v_-
play?-
eyes?-
smile?-
beau - ti - ful- and so
you are part_ of ev
let me see_ you smile
l'1 n /lr/n n
B-----------) B-------------r
G
ooo
FFFFH
fffi
won't
won't
won't
-VNV-V-VN
B----------J
st

-b
o
tl lata
IIII'I
fltrtl
D/C
#
ffi
Gm(+7)/Bb
-V-
:>
-
>
FtF/ v
l>
-
:>
-
:>
-
>
-V -V
(2.)Dear-
(3.)Dear-
-
:>
t- f.t /rrv
>
nS Dsus4
rgg- ggg- g- %
htr.Fr ilqH ffi ffiFl-i-ffl Fff ,,, Ffffft
D
o@
IFFFF
ffi
/-
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>>
Dsus4
ooo
FFFffi
ffi?
c
roundround- roundround
rv.vn
- -/-v-
V-l>
(Backing) round roundround- round round
Look a- round, round,
-
nv-/-
- -vnv-;> :> :>
round round round round-round-roundround
Look a-
Dsus4
ooo
Ftl|tf
ffi
D
ooo
ffi
t I I tai
tTrltt
Dsus4
ooo
FFFFF
ffi
Look a- round, round,round,
round
|l
:>
D.S. al Coda4th time
Gm(+7)/DD7
ooo
ffirrrrn
D
ooo
FFFFF
ffi
G
ooo
FIFFFI
Effi
A
ffi
F
ffi
GmajllD
iffi
round.
-l'1 - -vl-|r
:>:>>:>
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:>
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:> :>
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.
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4{)
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n |r
-/
n
-v
>

Coda
s
D
#
ffi
DIC
o
H-iJ+t
'
skySun is
--.
>
you.- Dear_
-Vrr - -v./ -
Pru- dence,-
-.V-V- -
,,--.--...
beau - ti -ful
won'tyou comeout
lr
-v-
up,_
-1Vl
the
:>
Dtln,oo
ffirfl-Fn
G
ooo
FIFFF
ffffi
so are
-.. :>
to
- -/
B
D
ooo
n-rTrl
IIIIII
D
o
[fITl?r4fr.
+fH
AmTlD
o
D
o
ffiF
trFIF
AmTlDo
I Ofr.
G/o
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tllttt
lttttl
A/D
o
AmTlD
--9-
i+i}fl
i+H+t
FFffisfr.ffi
Ffi-ffi1
(Fading out) - -
41

BlackhirdByJOHNLENNONand PAULMCCARTNEY
G
toa
to be
(must beplayedfingerstyle)
Not to be played off chord postttons
::> :>
Am7
o
r-rFT:f]
LIJIIJJ
H++ltritrn
L Black- bird sing- ing
2.Black-bird sing- ing
:>
Slowly
G
ooo
mt.]-.lt+t
n-FrFl
G
ooo
rrrrrl
+,|tttlFTTTH
Slideup from 3fr.2nd string
:>
G
ffirFffl
Fi-fffi
I Ofr.
in the dead of
in the dead of
:>
night-
night-
:>
c
ffiffi*HffI
D7
ffiF+*t
rfl-rH
B7-I
rT-n-n
tfi+N
H4+fl
Cm-I
o
T|rIl
ffi
and
and
Take these
Take these
>
Efft-n
ffi
you
you
>
All your life
All your life
bro- ken wings-
sunk-en eyes-
:> :>
learn to
learn to
:>
imajT
ooo
rrTT-n
HTI]1tfft-tl
fl-fl-fl
ArnT-I
oo
G
ooo
rT-Trn
ffiFl-l-t-t1
Cm-I
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H+F-r
ffirffitt'1
for this mo
for this mo
-ment
- menT
G
ooo
Tn-rn
ffiFII-H
RT|Rl0fr.
ffiFi-ffH
(lift fingerpressurefor staccato)
.>
o
FTffi
I+FFHrtrrFt
D7
o
ffiffil
Ftttfi
were on - ly wait - ing
were on - ly wait - ing
:>
42
coovrreht@ 1968,1969NORTHERNSONCSLIMITED
All RishtsAdmrnrsteredUv A"TnCfWOODMUSIClNC. under licensefrom ATVMUSIC(MACLEN)
" All RrghtsReserved InternationalCopyrrghtSecured

C
oo
ffi
G
ooo
TTTTN
Lt-t-.trl
?+-t-4t
FFFFH
A7
o
EmmLlrlrtl
f-fl-F+t
ffifl
F Em-l Dm C n[
M,"MHffiffi ffi
c
oo
ffi
D7
o
ffiffi
FFI-IH
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G
oo
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12.'G
ffiFI-I-FH
free.
:>
F Em-IDm C,, Bb
ffi'''mfffHffiiffi
D7
o
ffirrn-Ft
rn-rFt
G
'ffiffiFtrttl
A7
o
GAmTc
_jpp. .9. .. .ooo
ffiffiffit-frfH ++FHH++l
in - to the light of a dark, black night._
c
ffiff+f+i
I 0fr.
A7
o
TrrnL+44t]
trl_!-ta
H1+H
D7 B7-i Em-l
o
trits FH #r-r-.r-{-+J Lr-rrrJ -L1ldl-l-ffH ffil +iTrt
Cm-l
o
---ffi.''FIFI-FI
43

G
ooo
ffiFFTTfl
DJ
ffi
ffi
A7
o
nrTl-l
Lutt.l
'.+-]-+-+t
H.H+J
G
ooo
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ffi
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ooo o oo
ffiffiffi
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:>
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fly,-
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dark, black- night.-
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44
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i n/n
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G
ooo
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o
Black-birdsing-ing in the dead of niglt_
All your life
You were
:>
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Take thesebro - kenwings_andlearn to fly;_
You were on -ly wait-ing for this
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ComeTogetherByJOHNLENNONand PAULMcCARTNEY
tlL'"*if,'st#rit'r;ilt'n
double-timereeling
Dm
Dm
oo
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l#l
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6
llll
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a jok - er, He just do what he please._
Dm
oo
FFFFR
ffi
Fffrtl
rrrrn
V- F V- .--
-
>
n--
Dm
ffi
wear no shoe - shine. He
Bag Pro - duc - tion, He
roll - er coast - er. He
toe
wal
ear
goI
got
got
He got
He got
He got
Jam
ruS
ly
foot - ball,
gum - boot,
warn - ing,
He say,
He got
He Say,
ca
nal
jo
Co
spi
Mo
shoot
one
one
mon - key
O-no
Mud - dy
fin - ger, He
side - board, He
Wa - ter, He
47

be
and
"I
feet
"One
know-
youknow
his
is
11-------
free.- 1ease.- 1
see.- )
-
you got to be
can feel his dis
he so hard to
-/-
tell You is
arm - chair, You
look - ing 'cause
|rv-
One thing I can
Hold You in his
Got to be good
nv-
ffi7fr.
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fpffi5fr.
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right
To Coda
q
rttl5
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ff"
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P'o-zooo
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m
ffizr'.
(Emphasizetop note for melody
on all accented>strums)
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D.S. al Coda
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YouNeverGive
MeYourMoneyBYJOHNLENNONANOf,4.IJI]VICCARTNEY
ffi{rrrrn
G
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tffFFl
fiffi
Fmaj7lC
Am
oo
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Bm?
F'IRI
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l. You nev- er give me Your
2. I nev - er give you mY
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r / / FVV
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mon
num
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You on - ly give me your
I on - ly give You mY
V-VVV-V:>>l>
50
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All RrehtsAdmrnrsreredby BLAeKWOODMUSICINC underLcensefromATVMUSIC(MACLEN)
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Dm6
F+r+iFffTTI
you
I
- tions
- tion
4
OA
:>
of ne- go
of in- ves
-v-
the
the
;
And
And
fun - ny pa
sit - u -a
--/
mid - dle
mid - dle
>
- P€f'
- tion,
/-
G7
ffi
l'. ll'.
ffi"
-!/-/IlrI
rr--------------1 Il v rr v tt v tl
spent,-
sack,-
see no Iu - ture,
Mon - day morning,
Ir
t'
8o'7Keep chordsdown wherepossible)
-/././i/
n/-/.in/
- -
|r
-v
pay no rent,-
turn - ing back,-
But oh,-
break down.-
break down.-
tl----- -------'l n:>
n:>
E7
ffi
Am
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Out of
An- y
-
col - lege,
job - ber
-
Vn
mon - ey
got the
F
ffi
G7
ffi
gone,- no - where to
slow,- no- where to
il,
All the mon- ey's
Yel- low lor - ry
- -
n v.
51

F
ffi
Original
Bb
ffi
Hflq
ffitn
Bb
ffi
H#
feel - ingthat maggo.
-
F
ffi
ffi'u'
F
ffi
Ttlg
ffi'u'
Bb
ffi
ffi
-ln
:>
Ah
-
no - where to go.-
-V-V
.l.l
-
|.1--n

ffitu'
One sweet dream
--..v./.|r -i
:> :>
LJ I l-l l-l I
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A
ffirr''rrTrn
V VV
-V-V-
Eb
ffim
flJfilr5fr.
I
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Slide& roll off
3.c
.fr.
Hffi
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C
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at I taa
IIlatl
t-rt I I
IITIII
!
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n>
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Ff
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ooo
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H+ffi
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Soonwe'll be a - way-from here,_ step on the gas and wipe_thattear
53

G
#
fffi
CmajT
ooo
IFFFF
ffi
B7
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ffiFl-fffi
---
One sweet
n/-/- n
CmajT
ooo
FFFffi
ffi
dream-
-v -
n E FI/FI
rL lr V tt------------.1
CmeiT
ooo
FIIFF
ffi
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ffi
A
o
ffi'n'
G/B
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Repeatand fade
chil - dren
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heav- en.
NV
go to
-V
All good
V-V
five
-
twoOne
.
three, four,
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54

JuliaByJOHNLENNONand PAULMCCARTNEY
Bm7
FFFI"Fr-?-FfF1
ffi
to - wistfully
reach-
mind.
Modera
D
ffi
But I
I
n
can on
NV
mean -
heart
11V
say it
- ly-
VN
ing1S
my
-V
n
of
I
-V
D
FFFffi
Fl#
l-ffi+l
say
sing
-
what
can -
F$m
F#
FFFfH
F+ffi
Bm7
ffi
you Ju
Ju
---v
to
my
n
Bm7
FFFIEIEIffi
ffi
- ri-a._
t.
(;
V VN
- -V
VN
Ju
(1. - a.)
Just
speak
-
D
ffi
li - a,-
shell eyes,-
ing sand,-
Ju
sea
sleep
CopyrightO 1968NORTHERNSONCSLtM|TED
All Rightsdmrnrslered..b_'BLACKWooD MUStc tNC. under licensefrom ATVMUStc (MACLEI'()
{ll RightsReserved InternationalCopyrightSecured
li - e
I
l^
^ll
T t-J I L I
.1 t-J? L

ffi'u'
NV
I sing
NV
float - ing
--/
cean child,
Y smile,
lent cloud,
/lr
/-
sky is
-n
of love,-
-v
/l'l
shim- mer - Ing,
calls
calls
touch
.
-i
t,.
-
Ju
NV
/n
./- | NV
Gm
ftrt'.FFFTN
Frrr-r
Last time to Coda,
s
.".1
me.I
me.'(to Coda)
-
FV V N
Gm(add9)
#rt.
ffi
o
wind
si
-
A
o
FFtrFFI
|...l"".a
++?f1ffit-tl
n-rrn
Bm7
+FFFI
t#'+tl
ffi
D
Fffi
FIilH
FFTHT
ii:l
/-
So
-
D
ffi
cfm
rrrrr 4fr.I-T-f l rll
rTTall
t-fflll
D
ffi
56
NV

Bm7
FFFI'FI
f-t-t-in
ffi
Bm6
ffiffiffi
g
H+{+l
F*m7
mer - lng,
-VV
the
V-
Ff m6
FFFFN
EIIS
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Ff m(addD)
D
ffi
Bm7
Fnff
ffi
Am
H++ffsfr.
H+Tfi
Am7(add9)
FTI-fflsfr.
H+TH
Ju
-
li - a,-
-/
ffi'n'
Gm(add9)
+fulr'.
H++n
Gm
nfulr'.t-t-Ff.H
rTrrSl
touch
-
nv
me.
-
Ff m7
VN r'1 v
57

D
ffi
Bm7
FFFFFT
FFFt-t-l
ffi
F*m
FFFI?
FT+M
Hq+fl
So
-
I sing
-V
a song-
/--
of love,-
NVVN
NV
of love,-
-VV-
D
ffi
a.
-
D.S. al Coda
li
VN
sing a song-
V11
-V
Cod
s
D
#
ffi
Bm7
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ffi
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NV
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o
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H]f,f,
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D
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Bm7
FFFffi
ffi
58

FFffi5fr.
ffiqfi
Am(add9)
[fffqsfr.
HlTfl ffi'o'
(Hum) Mmm
Gm
Rfiry.lr..
H+H
D
ffi
nv VN
Bm7
FFFffi
FFrfi-1
ffi
Gm(add9)
Fttfnlr'.
F+ffi
A
ffir-t-r-ffa
I sing
NV
of love- for
N V V-
So
l.1F
calls
n VNNV
i''l i
VN
li
Vlr
D
FFFIII
F+f5
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YouWon',tSeeMeByJOHNLENNONand PAULMCCARTNEY
Moderately
DA
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rt
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60

A D
fFFFFsfr.
ffi
Dm
ffi'n'ffi'u'
Oo
to stay,_
Fl"--- ----'--i
rr :>
that was so
I don't have
B7
E
ffifTfffi
hard- to
much- to
find,-
SoY'-
if
and
And I will lose
But I can turn
won't- see me,-
won't- see me,-
my mind_
a - way_
AD DA
#ffiffiffiffitu{
you
you
-
cresc.
won't- see me,-
won't- see me.-
:>
-
:>
the time-
(Bkg.) You won't
2.4
t+ffi"rnTn
You
ilI'
6l

Dm6
oo
ffit-ffFft
D6
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ffi
A
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HllfiFflfN
B7
ffitfrt'n
if knew-len.-
------
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:>>
I
what
:>
no
was miss
:>
I
ing.- Though the
B
A
oo
FFFFFT
Hr4fiFI*H
Oo-
B
B7
t
Ffnil
fffifl
D
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ffi
Oo-
would - n't
BBTB B BT B
E7
ffi
would - n't,
I-
62
they're filled with tears.-

B7
ffirT-r5
A
*F.9
H#fif-rrtn
;
la Ia
.bJ
la la la
-L -b .t
I
I l_ _
- -
_
- - -
:>
lost you -
And since I - it feels-
B4
Ah?i
H+filfft'ffi
uAl
ffi'u'
D
Eh
ffiOo- le Ia
tl
1+
la
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like years.- Yes, it seems_
you've- been gone,_
so long-
And I just
Dml4T
TIIlsft. &rA"
ff+i ffi
Oo-
+/ -----:
-r
la la
-bJ
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girl, since
^l+
ll.p A
loaeeoooqo
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ffiR FTTTEHTfit-fi-ffi fffi t1+Fl
B7
:
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trt
if youcan't

A
oo
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Effi
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FFTllIffi
H++fl
D
#
ffi You won't
You won't
You
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-
won't- see me.-
:>
l"'n Ate
^
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;
Repeat and fade
la la
-bJ
lakla
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(Backing only)
---'----'r
-------;------
---
----;
54

wecanworkltoutByJOHNLENNONand PAULMCCARTNEY
Try to see it my
Think of whatyou're say
- -V- -
V
-V
do I have
you can get
keep on talk - ing
wrong and still you
Dsus4
rr+in
ffi
D
rr*F
ffi
Dsus4
FfF
ffiH
Moderately slow
D
ntr+r
EEtttl
FFH+I
W?Y,
ino
-
Dsus4
#r
ffi
CaddD
F*r
ffi
till I
think that
--
can'l
it's
V-
go
all
FV
on?
right.
--
While you see it
Think of what I'm
-n
your
say
.-
W8Y,
ing'
n
Dsus4
#
know - ing that
out and get
V-
-V-
D
l.lf.nt
ffi
--
soon
say
|.1
our
it
-v
mn a risk of
we can work it
----
love may
straight,or
-
nv
be gone.l
good- night.f
-/-
G
ffi
G
ffi
Copyright@ 1965NORTHERNSONCSLtMtTED
All RiShtsMminisrered..byBLAaKWOODMUSTCtNC. unde, lrcenserro, nrv MUStc (MACLEN)
All RighlsReserved InternationalCopyrrghtSecured
A
oo
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Hlffil-t-n-H
.tt
r
B
B
65

Bm
Sffi7fr
Fffi
Life
-
IS
rtv rl
-v-
rl/-
short-
-V
time
Ff sus4 Ff
[ff?5l6fr'
,.FFI+( | ll
d=A/
T[fTi7fr.
Fffi
Bm7
Fffi7fr.
Hffi
Bm7
for
n/- r!i
fuss
-
- lng
-/-
and
-/-
fight - ing, mY
-----
--------l
:>
friend.
nv
Bm(addG) Bm
ffiff7fr.
F1{il
Bm
ffi'n' FFFf?l7fr.
Tfl]I
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Fffi
o=))
have al - ways thought-
-vlr -/- -i-
|rv
Ff,sus4
T[T5l6fr.
T?Tlt
TlT5t6fr.
Hffi
FFffi7fr.
Fffi
that cnme-
Bm(addG)
66

D
#"r.r
ffi
Dsus4
#in
ffi
FFFffiTfr'
HlTfi
Bm(addG
ffi
gam.
on - ly time will tell if I am right or I
- - - -/-
n/-
-/ - -v-
Try to
.
see it my
.
-v-
Dsus4
rL
ffi
D
#
ffi
am wrong.
-/-'ftv--v
D
#
ffi
Dsus4
#r
ffi
D
il+rrr
ffi
G
ffi
Dsus4
i*F
ffi
CaddD
#n
ffi
there's a chance that
|l
-
|r
-v
we might fall
- -v.
be - fore too
-VN -V
D
r*r
ffiA
G6lD
oo@
ffi
D
r.r+rrr
ffi
Asus4 A
&# #f
ffiffi
G
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FIFFFI
flffi
a-
-V
part
-
We can work it out,
- - - -/- - -vlr/
While you see
-n
.
D
#rrr
ffi
long.
n nv-
-V
-
.-------'
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a:> :>
way,
it your way
. i l.1
-v-lr/
we can work it out.-
6l

Moderatelv
NoReplyByJOHNLENNONand PAULMCCARTNEY
nm
1. This hap - pened once
no
that's
v|r
re - ply.
a lie.
be - fore
2.3. phone,
.
your
your
when I
they said
v-:>
came to
you were
V-
your
not
G7
ffi
They said it was - n't
'Cause I know where You've
c
ffi'
G7
ffi
F
ffi
but I
and I
nv-:>
saw you peep through
saw you walk in
V-V
ffi
FmajT
ffi
saw the light,-
near- ly died,-
--
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:>
I saw the
I near- ly
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light,-
died,-
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68
Copvrrsht@ 1964NORTHERNSONCSLIMITED
All RrshtsAdmrnrsteredby BLAaKWOODMUSIClNC.underhcensefromATVMUSIC(MACLEN)
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Em
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I were
-V
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-----
-----_---------t
I know that you saw ffie,
'Causeyou walked hand in hand
-V-V-
Ir
3rd time to Coda
+
'cause I looked up to
with an - oth - er
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:> :>
c
ffi
see your
man in my
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place.
lz
CIG
ffi"
If
---v
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l:
you
gwe
that
that
Dm
#
love you more
heard be - fore
2. I tried to tel - e -
E7
ffi
I'd re - al - ize
the lies-
@

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me
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n/n V:>
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-----
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70

GettingBetter
Moderare.withau.u,Bv JOHNLENNONand PAULMCCARTNEY
F(add9)
ffi ffiffi
t
I
tl-
:>
It's get - ting bet - ter all
-----
>> :> l> >
-'l
(Harmony,2nd time only)
(Drop R.H. palm across strings for staccato effect.)
useo to get macl at my
used to be ,an - gry young
VV :>
school,
-
man, -
F(add9
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o@ooo
FFFIIT
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(1.) I
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me weren't
in the
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You're
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All RrghtsAdmrnrstered.,byBLAcKWooD MUSIc lNc. underhcensefromATVMUStc {MACLEN)
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71

G
g
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fiffi
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|TIII
ilTT-r-l
."m
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hold - ing me
gave me the
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down,-
word,-
up-
best-
turn - ing me
fin - al -ly
G
ooo
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ffffi
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round,-
heard,-
G
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ish
c
#f
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fill
do
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me
the
ll
with your
thal I
rules.
can.
F(add9
ry
got to ad
Fr3.Iadll-----
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3
it's get - ting
it's get - ting
- -- - --;r
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bet
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ter,-
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fi-rn
worce.
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ffi no-
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72

F(add9)
ffi
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bet -
bet -
have
Yes,
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it's get- tiflg
it's get-ting
2
it's get- ting bet
it's get- ting bet
:>
F(add9
ffi
to ad - mit
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Itoooo
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ffiffinffi*
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atttrt
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ffiffi
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since you've-
since you've-
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CF
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all
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much
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the time.
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bet
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(2.)Me
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n:>
(Group)
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all the
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its

c
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Tap right hand on front of guitar
for percussivesound)
74

G
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FIFII
ffi
>:>>
Man, I was mean,- but I'm chane-
best- that
lng my scene,_ and I'm
V-
D.S. al Coda
x
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V-
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(take 3rd lyric and 3rd ending)
B
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Get - ting so much
Fade oul
the time.-

withAllttle Help
FromMyFriendsByJOHNLENNoNandPAUh:nccARrNEY
ffi
n/-n/n>:>
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B7
mfrHtt-fi
Ffm
ffiilfft1
B/D$
What
What
(Would
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l>
ifI
when my
ina
-
sang-
love-
love-
v- >
out of tune-
is a - way-
at first sight?)-
-
v-
wouldyou stand
(Does it wor -
Yes, I'm cer -
-V
B7
o
mFFffN
up and
ry you
tain that
rl
walk -
to be-
it hap
me?-
lone?)-
the time.
/-
(Lay side of right Palm on strings
to get a muffled sound)
-------
-'---'-'l
FrfflI
FFHSzT'.
would You do-
do I do-
you be - lieve-
rr v!
VI
BTT
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76

B
ffirTfatl
Ffm
MFftarl+l
Lend
How
(What
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me your
doI
do you
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ears-
feel-
see _
V-
and I'll
by the
when you
l.1
out of
on your
it's
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end
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tum-
V-
key.-
own?)-
mine.-
you a
of the
out the
|l
song-
day-
light?)-
V-
oh,
No,
oh,
and I11
(Are you
I can't
-
I get
I get
I get
oooooo
FFFFH
FFFTtrTFTH
F
not to sing-
be - cause you're-
you, but I know
nl-
D
ffistr.
H4#FHffl
oooooo
ffi
Ft
with a
with a
with a
lit - tle
lit - tle
lit - tle
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friends,-
friends,-
friends,-
A
Hidffi'urfTfn rrrrn
FI
with a lit - tle help- from
my
my
my
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Mm,
Mm,
oh,
gon- na
gon- na
gon- na
B7
ffi$rffffFt
ffim'* oooooo o oo
ffiffi
help-
help-
help-
from my
from my
from my
Mm, I get
Mm, I get
Mm, I get
try-
sad-
tell-
by-
by-
by-
high-
high-
high-
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V
-
/-
T7

A
oo
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ffif,rfl-rn
with
with
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my
my
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lit - tle
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help- from
help- from
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friends.-
friends.-
4fr.
an - y - bod-
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iust need some-oneto love- (Could it be- an - y
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love- (repe,tto stgn$)
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ffi
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oooooo
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v2)
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bod-y to
bod-y to
(repeat to 2nd lyric)
(to 2nd ending)
(to 3rd ending)
VFtl
Cfm
ffi
(Do you
(Do you
-
V- V >
-V-
V VN >
-
v-
want
want
78
/-

A
tu{Coda
+
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MTR
ffi
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ffi
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oh, I get a lit - tle
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my friends,-
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V
help-
a lit - tle help_ from my friends._
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by-
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a lit - tle help _from my friends,_ yes, I get by with a lit - tle help-frommyfriends,_
VN V
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You'reGoingToLoseThatGirl
ByJOHNLENNONand PAULMCCARTNEY' E cilm7
o#o ..ft+rr.
ffi (Backingvoices) ffi
Yes, yes, You're qon - na lose that
B7
*
ffiffi'ntl
lose
Moderately
You're gon - na lose that
nf-
B
yes, you're
girl,-
|.'1
to - night, -
my friend,-
you're gon - na
she's gon - na
you're gon - na
V-V:>
n:>
Ff m7
ffirfrrn
I
gon - na that
B
Gfm7
don't take
don't treat
ffi+r'.FfiTN
out
right
her
her
V-V.
If
If
you
you
.
F*m7
ffi
t-}|-rfl
(Bks.)
)
B7
o
mt-fft-H
change
find
She's
You're
her
her
change
find
-
80
Coovrieht@ 1955NORTHERNSONCSLIMITED
All RrghtsAdministeredby BLACKWOOOIfrUb1CtNC. under licensefrom ATVM.USIC(MACLEN)& SBKUNARTCATALOGlNC.
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Ltt RiehtsReserved InternationalCopyrightSecured

to - night,- and I
and then- you'll be
her
her
VNV
I will
I will
-/
E
ooo
mt-ftffi
kind.-
one,-
gon - na
not the
Gfm7
ffi+r'.mTrn
B7
o
IIIII]
talata
ffi
rtff't-t
treat her
on ly
take
treat
n
And
'Cause
Ff m7
ffiFfftft
treat her
lone - ly
n-:>
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b
oooooo
FFFFiFt-l-fF{
tr+FF
Cfm7
,-}
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loseyes, you're
B7
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ffifffffl
loseyes, you're gon - na
I
lr
B
F*m7
ffifftfr1
)?
You're gon - na
81

-
yes you're gon ' na
lose.
-
girl, --
the way You treat her,
n----- ---------l
you're gon - na
V-V
G
F**
ffi
D
F*F
ffilose
G
R+*
Effi
F
ffi
c
mi To Coda
0
(Group) I'll make a
tak - ing her a - waY from You.-
-
-----
&
what else

Gfm7
fffi+r'.
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Film7
ffiraTrn
You're gon - na
n-----
>:>
yes, you're gon - na
'--f
AP
I' E
ooo
ffift-rt'n
I
ll,tt"
ffiffrrn
.87
F#FIIIH
lose that girl.-
B
C*m7
m4fr.I Iafn
I I ITTI
lose that
eirl.-You're gon- na
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lose that
-.
lose that
Gfm7
girl.-
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:>
F*m7
ffit-ftfft
t
B7
ffirTrrn
lose
D.S. al Coda
're gon - na
that
-=/
glrlYou're gon - na
-V -
V:>
FImT
ffirrTrn
Coda
+ ffifl+r'lrftttl
night- she'sgon - na changeher
83

E
ooo
ffirfl-rn
B7
mfrfftrfl
change her
gon - na
treat her kind.-
- -V -
Vl>
cf mT
And I will take her
Gfm7
ffi+i..httTTl
out to - night,- and I will
yes,you're gon - na
F*m7
ffiffilrftttl
B7
o
ffit-ffi-n
t/eat
You're gon - na lose that
-
yes,you're
ffioo'
lose that
F*m7
ffiFfi-ffI
)a
lose
B7
dFt-Fftl
lose
You're gon - na
-V
N V
girl.- You'regon- na
F*m7
E
ffi
Fbt-t-H
t
yes,you're gon ' na
D
F*F
ffi
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ooo
ffitfrt'n
girl.
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girl.-lose
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l>
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u

Moderately
Ff
ffiffift1
yeah,
-
:>
(Yeah)
Vnn:>
(Yeah)
yeah,
NV
It won't be long, yeah,
(Yeah)
(Yeah)
It won't
fun,
eyes,
know.
V n --"---'l
cf*
ffi
(Yeah)
yeah,
V---V:>>;
(Yeah) (Yeah)
long,- yeah,
-nn
>
BB
A
I
-
to you
n V
--
E
ffi
E
hffirFrrn
c
ffi'
when ev - 'ry -
the tears come
we'll be
-v--
bod - y has
down-from mv
hap - py, f
VV-
ItWon'tBeLonsByJOHNLENNONand PAULMcCARTNE
cflm
ffi'*
It won't be
be - long
-v-
l. Ev-'ry night,
2. Ev -'ry night
3. Ev- 'ry day
--VV
long,
-.
B
A$dim
ffi
85

Here am I
Ev - 'ry day
Now I know
(Yeah)
long- yeah, Yetr,
n-gI--!
be - long
n/-
sit - ting all- on my
I've done noth - ing but
that you won't leave- me no
cilm
(Yeah)
It won'tbe
(Yeah)
own.
cry.
more.
Yetr,
--v
>>
long yeah,
n-nv >:>
c*m
m' To Coda
+
till
A{dim
FTFFI
ffi
A
oo
FFFM
HmFfffn
I
n
to you.
/-'
ffioo'
(Yeah)
-
(Yeah)
(YeaD (Yeah)
yeah. It won't be long yeah,
86

D*+
@
ffifi
TITTT
Bm6/D
oo
ffif,!
f+++Jt
r-t-t-Ft-t
left me
-/-
:>
com - lng on
-/-
I'm so Now you're com - ing, you're
should-You'recom-ing
-/ -
V n n:>>
c#7
ffi
Am/C
ffii
oooooo
ffi
home.-
V NV-
I',ll like I know I
-/
>
F$m7
EEt-tfft-1
D.S. al Coda
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home.
FI
:>>
So
I
-VN
V
Coda
0
c til f, EmajT
d, ffiffi ffimStowt' " "
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A
t-o
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rit.
87

A
oo
FFFIfi
HTffl|-rrrn
c
bad,
bad,
it
it
take a
take a
A7
**to
HffirFTT|-1
C7
A7sus4
#*no
ffiC7sus4
G
ooo
Ffftfi
fiffiBb
and make
and make
sad
sad
to let her
to let her
B
D
Fen
ffiF
D
#fl't
ffiF
heart,
skin,
|.l
then you can start -
then you'll be - gin-
BBTBBTB
-L "u.V9nV ,.Vn 9 rV
ffi,:t fn n fr
F 2nd versestrum,firstsevenmeasures'
TB
A7sus4
**to
ffi
C7sus4
A7
*rft]o
HTMffi
C7
Jude.-
Jude.-
n n n
-/n
go out and
now go and
x
(cgltil,al 4 ed g+ eVnv
';?#iffiffit ) )) ))) ))nl-ffttl
Keyboard-+F Strum for secondline of lyrics.
D
;9n
ffiF
song-
song-
" A7'
*r+flo
ffi
C7
bet -
bet -
to make
Re - mem-ber
Re - mem-ber
bet
BB
A7
f#o
ffiqfi
C7
You were made to -
You have found her-
in - to your
un - derYour
HevJudeByJOHNLENNONandPAULMCCARTNEY
don't make
don't make
A
oo
FFFIfi
FFFfflritrn
c
don'tbe a - fraid,
don't let me down,
N NVlrV
88
Copvrrght@ 1968NO.-RTHERNSONCSLIMITED
All RrehtsAdmrnrsteredUVSLAEK,V'OOOrtaUSfClNC. under licensefrom ATVMUSIC(MACLEN)
All (rehts'Reserved lnternationalCopyrightSecured

D
o
FFFFll
rfi-tfl
|Jrti
T fT II I
F
G
ooo
FIFFFI
ffi
Bb
The min - ute
Re - mem-ber
D
F8#
ffiF
der your skin,
to your heart,
un
in
let
let
get
get
n
her.-
her.-
- - -vll-
you
to
her
her
then you be - gin-
then you can start-
B
A7
**ro
Fr+flrfi-f.rl
C7
FFI
tt tl
D7
Ef;mrrn-n
F7
BB T
Jude,-
Jude,-
-i-
ders.-
with.--
- -
|l/n
-
bet - ter.-
bet - ter.-
B
Em7
o oo
FFFFF
ffiGm7
re- frain,- don't
be- gin,- you're
- -i
And an -
So let
--
time- you feelthe
out- and let it
V V N V NV-
v
it
pain-
in-
G
@o
FIFFF
ffffiBb
A7
**io
ffiffi-l-t-t-l
C7
tt
FI
-
Hey
Hey
--
car
wait
For well you know that it's a
And don'tyouknow thatit's just
n
-/n
n
-/n/
ry the
ing for
world-
some
up
one
your
per
shoul-
form-
cool-
do.-
NV
B
D
#
ffifrF
D7
ffirrn-H
F7
G
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FtfFrl
ffiBb
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t'l
>>.
fool
you
n.
plays-
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n/n n
it
you'll
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who
Hey
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D
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tnm
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to make
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>>>> :> > :>:>>.
+ 3
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a :> :> :>
n
rllb
I
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89

Em7
o oo
FFFffi
ffi
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C7
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F
A7
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D
FgF
ffiF
Da
it-n
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lrV-VN NV-VN
da da
nv- n n/-/
world-
need-
NV
bet
-VNV -
lit - tle
on - your
By mak - ing his
The move- ment You
n n
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n/-
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n
D7
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F7
a
is
cold
shoul
|.'1-
er.- Da da da
der.- Da da da
n
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bet-ter,bet-ter,Oh
n
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n n/n/n/nv
BB
A7
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H#ffit-fl
C'I
da- da da da da
da- da da da da
n----- '-- "'--l n:>
Hey
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ter, bet- ter, bet - ter, bet- ter,
N N V|rV VNVNV
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f,ffiBb
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Hey- Jude.
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da da da da da da da da

I'mSoTiredBYrcNruLENNONANdPAULMCCARTNEY
so-
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Drop right palm
acIossstrings
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have - n't slept a wink._
don't know what to do.
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I'm
so
SO
tired,
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ffi
mind is on_ the blink._
mind is set- on you._
lix my - self a drink, tro, no. no._
FI
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won - der should I call_
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you,-butI
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F*m7
ffilfrrn
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whatyou would do'
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ffi'*' ffi"'m'n'
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know
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You'd say I'm put - ting you on,-butit's
---'-';',n/|1
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no joke, it's do - ing
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three weeks, I'm go - ing
-----';'nV
il V
harm.-Youknow
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sane.-YouknowI'd
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can't sleep, I can'tstop my brain,-Youknow it's
give you ev- 'ry - thingI've got- for alit-tle peaceof mind-
-
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he was
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st
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gve you ev- 'ry - thing I've got- for a lit - tle peaceof mind._
n / n n n /nn|1 v
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n n /nn

TellMewhyByJOHNLENNONand PAULMcCARTNEY
Em7 L7
ogoo#
*tr
ffiffiffi
o*o 3-
ffiffi
A7
ffi
Lay left hand lightly qcross strings
for percussivesound:d'
- -
V V NV-
N V- V
D
#
ffi
Em7 A7
you cried,-
me
vn
OOOoOO o
FFFIfIFFIF
ffiffi
why
VN
Tell me
and why you lied - to
a
you cried,-
N VN V
A7
ffiH
B
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ffi
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"ffi ffii
me.-
n|.1
and
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why you
N VN V
lied
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Em? A'7
o*o
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ffiffi
Bm7
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94
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All RrqhtsAdmrnrsteredUv binfrWOOO MUSIClNC.underltcensefromATVMUSIC(MACLEN)
All {rehts Reserved InternatlonalCopyrrghtSecured

D
il$rl''
ffi
1.Well,
2.n
gave-
some
VN
you ev
thing that
V-VN
'ry - thing I
['ve said or
V V-
Tell
Tell
VN
had,-
done,-
V
bad?-
on-
V
me (repeat)
me (cont.)
VN V
Bm7
ffi
--.....---_}=Z
A7
ffi
VN
me sit - ing on my
and I'll a-pol - o
VNVNVN
to treat me oh so
I real - ly can't go
/tl,
VNVVNVN
But
Tell
/F
you left
me what,
VN
D
o
ffi
Bm7
ffi
Did you have-
If you don't-
VN V N
All I do is hang my head and moan._
Hold - ing back - these tears in my eyes._
A7
ffi
VN VN V N V N V N VNV V11

D
#
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ffi
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ffi
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ffi
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FI'IFRI
ffi
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me.-
nn VN
Tell- me
N V V-
wh
VN
you cried,-
VN V
lr /nn/|1-vnnv-
A7
ffiTo Code
s
a--__-_/
liedand why You
n n v- n
G7
ffi
beg you on mYbend- ed
<_=,/
knees,- If- you'll on - lY
and why you
96
N N V VN
lis - ten to mY Pleas.-

D
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ffi
NV
there anIs-
V-
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D
il+rr'l
ffi
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ffi
with-stand- I'm so-
V- V
D.S.al Coda
real
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ffi
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Tell , me
Layleft handliehtlyacrossstringsfor i sound.
n n/|rn/nnvn
g7

whyDon'tweDo
ModeratowithabeatE ln The ROad
D'7
ByJOHNLENNONand PAULMCCARTNEY
ffi'oo
I
(Releaseleft handpressurefor percussivesound>4)
-
11.v|rv|l
-------------
llvlvll
!'-----J---r> ; :> :> '
-
ffitot''
Why don't we do it in the road?-
---
- -- -- -- -'r
:>>
- -
NV VFV V-V-
Why don't we do the
9B
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D
ffi'oo' ffi"'
No one will be
I-r/!/
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---l
V-
- -
watching us;- Why-
- --/
do it in the
--
n
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D7
oo
ffirrFril
road?-
-/ -/'rv-.-v -
Why don't we do it in the road?-
(Placelefthandlightlyacrossstringsfor percussivesound) )
- don't we
-v-
B
D7
o
ffirtt-rn
I{AI
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llrr
-
VV-VN V
Why don't
99

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ffiI 0fr.
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ffi'o
V- V
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N V
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No cjne will be watch-ing us;- WhY-
n /
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D7
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don't we do it
-v--
BB BB
in the road?-
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whydon't we do it - in the road?
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100

Why don't
Why don't we
V|rV
Whydon't we do it
l']/-vn-
5fr.
one will be watch - ing us;_
3fr.
N.C.
n
in the road?
V- n
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ffi
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the road?-
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ffi
B
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ffi
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Whydon't we do it in the road?
101

rmHappyJustTo
DancewithYOuByJOHNLENNONand PAULMCCARTNEY
E
ooo
ffiFl-ffll
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ffiFfm
Am
ri#n-n-n
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Gultar + Aln
(Capoup o o' 4frets)
Fffirrrrn
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love you
n
want
need
-
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ooo
ffi]ffrrn
Gf
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ffiFfm
this
Dm
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I'M
VN
me,
-
G7
ffiB7
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o
mFffffl
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to kiss or hold
to hug or hold
VN V lr V-
it's
just
n
If
I
1. Be - fore
V-
Dm
#Ff,m
so hap - py when You dance
VN VN
Am7
f,f,iItn-n
Cf,m7
your
you
VN
hand,-
tight,-
V-
dance
n
G7
ffiB7
with
VN V
through,-
-/-
G7
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think I'll
Ido
-
102
COPVrrght@ 1964NORTHERNSONCSLIMITED
All RightsAdministeredby BLACKWOOD,fi'UbidliC.-under-licensefromATVMUSIC(MACLEN)& SBKUNARTCATALOCINC
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c
HffiE
Am7
ooo
ffirffi-n
CfmT
Dm7
ffiFrflt1
Ff m7
G7
ffiB'/
fun - ny
wan - na
try and
dance with
un
you
-
ls
this
11
- der
all
stand.-
night'-
There
In
-
real - ly noth - ing
world there's noth - ing
/-
I'd rath - er
would rath - er
F
ffiA
C
oo
FFFIF
IIII I I
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tT I I I I
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Am7
ooo
ffit-fffi
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else
I
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'Cause I'm
nn
G+
ffiB+
Dm
mFfm
Ir.c
ffiE
G
#
fiffi
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llr.c
ffiE
:>
Il
I' I
-
hap - py just to dance with you.
NV
2.I don't you.
-
Just to
-v-
n
Am7'
#f,{ffnfi
CfmT
Am
oo
ffiffiFrrrn
C*m
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ffitfrrn
Gf
Dm
mFfm
(ott oh- )with you.
(Backing,2nd time)
is eY -'ry thing-
1CK}

Am
oo
ffin-rr-
Cfm
Dm
ffiF$m
think I'11
NV
Be - fore this dance is
VNVNN
oh-)
E
ooo
ffirtrtrl
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Dm
ffiFfm
T
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o
ffi
III'II
I I I I'I
fTt rl l
Ff-
hap - py when you dance
NV-VN
love you
F
me.
|.l
too,- I'm so
V-V
take my
NV
with
place,-
face-
Am7
ooo
ffiffiff
C*m7
c
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LLITI ]
I Iat I I
I'I]II
IItttl
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-/n
vlt
If some- bod - v tries to
nvn VN
let's pre - tend we just can't see his
V-nVnVnV
1U

F
ffiA
G7
ffiB7
Dm7
o
ffiml-t-fffl
Ff m7
this worldthere'snottring I
-
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oo
ffiHIJ]I
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Am7
#ffi*C#m7
FI
In
-V-
V
would rath - er do {'CauseI'm
I I've dis-
VN
G+
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f,ffi
ffi
B+
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ffiFfm
lt'c
ffiE
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ffiFrn-n
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hap - pv
cov - ered
dance
love
Just
I'm
with you.
with
'CalrseI'm hap - py
-VNV
Just to
nn
with
-V
you.
-
G+
oo
Effi
ffi
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ooo
ffirrFrn
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Dm
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oh,
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l.1
just to
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dance
-V
YoU'
n
E
ooo
ffirfl-Fr-t
Gf
G7
ffiB7
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oh,-
3;:g. & Solo)
105

BabyYouireARichManeY-rcHNLENNONandPAULMcCARTNEY
Moderately
G7
-^
mf
- -vn
n/-
CIG
fFm3fr.
F4+fi
Restrisht hand on stringsasyou play for a muffled effect for the entire song'
Lift prbssureof left hand for percussivesound ,l
C/G
Tflftrr'.
ffi
Play 4 times
fFm3fr.
Tftft
G7
ffffi3fr.f.ILLl
tTfTIl
l. How
2. How
3.How
-
feel-
feel-
feel-
-
ti - ful
ti - ful
ti - ful
to be one of the beau
to be one of the beau
to ,: one of the beau
does
does
does
peo - ple?
peo- ple?
peo- ple?
- -/n
11/-
-/n
NV
FB-
ffi
what do
of - ten
hap - py
.n
traY
see-
found-
-Vn
3fr.
want- to
- nough- to
be- that
n/-
-
be?-
know.-
way.-
-
n/:>
G7
ffi
Now that you know- who You are-
How of - ten have- You been there,-
Tunedto a nat - u-ral E,-
- -V-r -V- -V-
llv
fpffi3fr.
Hffi
- Lift muffledsoundfor thisonemeasure
you
e
to
-
:>
eled
when
an
-
And have you
What did you
Now that you've
-
n/-
G7
mEF3f'.
I.IFFH
ver
you
oth
n
far,-
there-
key-
106
Copyright@ 1967NORTHERNSONCSLIMITED
All RrehtsAdmrnrsteredUv btAEkWOOO uUStC lNC. under ltcensefrom Ary MUSIC(MACLEN)
AII (rehts Reserved InternatlonalCopyrlghtSecured

F
ffi
: #**:1fr:
-|1Vl'f -V-.V. -V - -
.
G7
{rrr-3fr.1l tatt
t. I TTI
rtrln
CIG
ffilr'.
Hffi
see?- (repeatto verse2)
show?- (continue to chorus)
play?- (continue to chorus)
Lift muffled soundfor this one measure
n/ F!
does
going-
-v-
can
n't
to
--
:>
Ba - by you're a rich
No muffledsoundfor thissection
|.ln/--
man,
too.-
Ba - by you're rich
You keep all
ll|.']
man,
-
B
G
ffi
Ba - by you're a
--v.
rich
-n
man, lna
/ l.r
-
B
G
your mon- ey
n--
ffi'o
zoo:'-
C
ffi"
big brown
|.1
-/
bag- in - side
-n-v
a-
do!-
-nv --
vn
a
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What a thingto
-n/nn-
BBB
V-
197

G
r#
Effi
-n/n-
-n/--
too.-
--/
Ba .- by you're a rich
n-/--
n-v--
man,
-Vn
man
-V
C
rocoaoffi
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ffi
rnan,
NV
G
F+*
ffi
C
"#'Cod
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man,
BB
G
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FIFFF
flffi Repeat and fade
108

Help!Moderatervin2 ByJOHNLENNONand-PAULMccARTNEy
-3-
Not just
V- V
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Bm
ffi
Bm/A
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V- :>
some - bod
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ffi
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an-Y-bod
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V- V- V
y, Help!
V-
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need
ll
some- one,_
n t/-
1.3.WhenI-
2. And now-
---
:>
(3rd versestrum)
V-
was
my
cfm
m.''
young- er, so- much young- er
life has changed-in, oh,- so
than- to
man-y
day,
ways,
AuRishcAdminisreredb'yBr.{K,rooE:^lUrt"RJ:i:r:f,[::,'ii.t:]f;irl',TEo*^.".) &sBKur.iARrcArALocrNc.i|l Ri8hts Reserved Intemational Copyrighi-sedred
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help in an - y
van - ish in the
---.
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A
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ffi 3o.7,to regular
strum
I nev - er need - ed
- -
V- V
these
'ry
V- V
Now I find I've
know that I just
n n /n:>
Help me
an- y - bod-Y's
pen- dence seems-to
days are gone,-I'm
now and then- I
changedmy mind,
need you like
My
way.-
haze.-
c$m
A,^,_
ttaatt
tltill
the doors.-
be - fore.-
-v-l>
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V- V
n>
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V- V
And I
self- as-sured
in - se -cure,
A
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ffi
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I've nev - er done
---
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--n
:>
not so
feel so
Bm
ffi
if you can,- I'm feel - ing down,
V- V- V
do-
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:>
--
l>
110

G
ffi
G/Fil
ooo
FIIIF
flffi
ft
ap - pre - ci-ate-
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round.
back on the ground.
-
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>
Won't youHelp me get- my
-
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111

AHardDay'sNightByJOHNLENNONandPAULMcCARTNEY
G7sus4 G
With a beat xoo.t X *9,.
ffi ltxffi
CaddD
F.n+n
ffi
1.3.It's been a
2. (Youknow I)
G
@
F
Hffi
and I've been
to set vou
-
v
-
/---/
CaddD
*
ffi
day's
all
night-
dav-
/-
-
hard
work
-n
G
@
FrFt+l
flffi
Dm7
ffi
work - ing like a
mon - ey to buy You
--/nv-]/
dog.-
things.-
-n
It's been a hard
And it's worthit just
/|r/--
G
r?in
Effi
day's night-
to hear you say-
/--/
G
'r?iTl
flTffi
Dm7
o
ffitit-fn
I should be
You're gon- na
-V-V
sleep- ing
give me
n-
like
NV
I
I
a
l./-
-
log.-
thing.-
/-n
But when
So why
-v-
I find the thing that You
'Cause when I get You a
.-v-n-:> :>
to
come
lr:>
get
lov.e
-
home
to
-
you-
home-
v-
do-
- lone-
/-
me
I',1l
will
you
-
make
know
-
:>
1't2
COPYTIght@ 1964 NORTHERN SONCS LIMITED
ArrRishtsAdminisreredbvBLACKWooi,*y:S5#d';l::*:J;:[tiY,[nY1;t ffittt*)
&sBKUNARrcArALocrNC'

G
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FFFR
ffi
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ffi
To Coda
+
GI
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ffi++
al
o.-
-V-V
be,
-
l_
l't
l'
.G
oo
FFFFFI
ffi
F!
When I'm home_
-V-VNVN
2. You know I
V-V
ev -'ry -thing seems_to be al -
V-VN-VV-V
Bm
ffi
Bm
EEFFRt.IIN
III IIJ
t rita rl
-v
WhenI'm home_
-VV-V- -v
V-V
G
#
ffi
right,-
-V
V-V-
feel - ing you hold - ing me tight, yeah, 3. It's been a
D.S. al Coda
nv /-v-/-/-/n
1fft

G
F$+F
ffi
Coda
+
F
ffi
VN v- VN V
E----l
- -V-VN
V>
FI
(scream)
-/-v-
v
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D
'r*-r
ffi
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Hffi
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FIFffi
Effi
Bm
ffi
G
@
rr|Fli
Hffi
C9
ffi
So why I
-V -
V N V
love to come home-'cause when I get you a - lone- you know I'll
n|r-/-.|rv-|rf/.-.v:>>>:>
be- O.- K.- WhenI'm home-
|.1.v-//rln/-/-/--vv-v
Bm
ffi
ev - 'ry - thing seems- to be al - right, -
-lrv/-/--//-"
114

G
r*
ffi
When I'm home-
nnvvnvnnvv-v
A
p
feel - ing you hold - ing me tight, tight, yeah. 3. It's been a
-
v /
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feel -
G
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You know I feel
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Repeatand fade

lshouldHaveKnownBetterByJOHNLENNONand PAULMCCARTNEY
Moderately
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got
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eight days a weeklove,
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RunForYourLifeByJOHNLENNONand PAULMCCARTNEY
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with an - oth - er
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than
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mean
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a
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ter
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keep
spend
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your head-
my whole-
de -ter-
124
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All RrehtsReserved InternatlonalCopyrightSecured

Bm
ffi
lit - tle
life
mined
.
try - in'
and I'd
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or
just
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You'd bet- ter run
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V- V |r
head-
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to make
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(main voice: heaviernotes)
for your life if you
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you toe the
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Lit - tle child,-

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129

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131

AllMylovingByJOHNLENNONand PAULMCCARTNEY
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F
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n n n
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you'regon- na car- ry that
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rmALoserByJOHNLENNONand PAULMCCARTNEY
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such a fate-
should
am
have
V-V
138
copyrighto 1964NORTHERNSONGSLIMITED
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F
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was
tears
so
nev
wear
left
n
ina
ing like
pride come
N |r V' V
in
that
won't
she
or
so
I
Is
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have crossed.-
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ffi
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ffi
laugh
lie
l:1
day-
n
Good
-
day- sun -
|r t/-:>
Good
-
I I need to
( And then we'd
,f
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>
-
vn:> :>
and when the sun is out
be-neath a shad-v tree.
!
-
/! vn /!
I
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^1.^ , . .CopyrightO 1966NORTHERNSONGSL|M|TED
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got
love
some-thing I can
her and she's
141
-V-V

Ffz
ffi
laugh a-bout. I feel
lov - ing me. She feels
-
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good
good
- -/nv
in a spe- cial weY,
sheknows she'slook - ing fine,
- -
/n V- V-:>
FI
ffiffi'o'
I'm in
I'm so
-
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love and it's a
proud to knowthat
V- V-
sun- ny day. I
she is mine.I
day- sun
n v-
Good
-
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>
Ff
ffi Last time to Coda
ffi'"
shine,-
v- n
-
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---
day-
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sun
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B
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--
day-
l-
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a walk
n
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the sun is
ll
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We take
-V-V

B7
ffiflrrffn
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ffi
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if;ffi'rFrrn
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shin - ing down,
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shine,_
n
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v-
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burns
V- :>
shine,
-
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Good day- sun
n
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n v-
feet as they touch the ground.
lst finger bar on "A" chord.
N VN V V- V
A7
&.=
t-fffiFl
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shine.-
n v.:>
Good
nn- :>
D.S. al Coda
V- V
day- sun-
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ffiffitt''
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Good day- sun -
-
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Repeat and fade
Good day- sun
lr
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vn
t Rock fingers back and forth frm left to right for tremolo-
shine,-

Em
?g
Hffirffir1
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can't buy me
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love.
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l. buy
2. etve
-
you a
you
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dia - mond
all I've
NV
friend,-
give-
makes
say
nng'-
got-
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you feel al
you love me
it
you
my
to
F'7
ffi
ffi
/!
CoovrrehtO 1964NORTHERNSONCSLIMITED
All RightsAdministeredby BLACKWOOOlhi:SjC lNC. under licensefrom ATVMUSIC(MACLEN)& SBKUNARTCATALOGlNC.
All RightsReserved InternattonalCopyrrghtSecured
I',ll
I
my
to
get you
may not
an- y
have a
thing-
lot -
friend,- if
give- but what
it
I've
144

F7
ffi
ffifl
lz.c
'm"
x
much
much
Can't buy me
- -
v->:>
'ry-bod-y tells me
right.-
you.-
for mon - ey can't
for mon - ey can't
--
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G
ffi
care too
care too
you feel al
I'll gve to
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vn:>>
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'Cause I
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buy me
buy me
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fun
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for mon - ey,
for mon - ey,
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N VN VI V N V- V-
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buy me love,
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145

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just can't
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146

c
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148

shecame|nThrough
T_heBathroomuuindbwHalf tempo
BYIOHIVLENNONANdPAULMCCARTNEY
I
r ll
:>
B--------------r
r
l. Shecame in through the
2. And so I qdit the
vn
bath- room win - dow,_
p'lice de - part - meni,_
V-VNV N
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by the
she could
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ffi 5fr.
ffitou'
sil - ver spoon.-
stead - y job.
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n
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V-
ffi'o'
pro - tect - ed by
and got my - self
-v - -v-
But now she
And though she
-V - -V
I l-l t l-J I l-,,J
--
sucks her thumb and won - ders_
tried her best to help me,_
- -v-
nv |.1
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.
I L-J I l-J
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. .CopynghtO j969 NORTHERNSONCSLTMITED
Ail KrghtsAdmrnrstered,,by.BLACKwooD MUSIClNc. under licensefrom AW Muslc (MACLEN)
All RightsReserved InternationalCopyrightSecured

ffitou'
banks
steal
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her?-
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Tues- day'son the Phone to
n
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n n n/-/n
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-
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She said she'd al - waYsbeen a
ffi'"'
B
A
ffi
To Coda
+
me.-
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150
V
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ffi'*'
danc - er,-
- - -/-/n/
day.-
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sheworked in fif - teen clubs a
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And though she thought I knew the
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ffiton'
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ffi 3fr.
Tues- day's
--
the phone
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to
yn
on
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ffi'"'
v-
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I knew
vn
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but could not
-
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ffi'n'
oh yeah!-
/i
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15f

BacklnTheu.s.s.R.ByJOHNLENNONand PAULMCCARTNEY
ModerateBoogie- Rocktempo
E7
oo o
5fr.
D
fEER
H#
A
ffi
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o.
knew
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place,-
Beach, B.
hard - ly
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long I
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from
way
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in
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fpffi3fr
Hffi
get to bed last
good to get back
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ffift5fr.
ffi
night.-
home.-
BB
COPYrrght@ 1968NORTHERNSONCSLIMITED
All RrghtsAdmrnrsteredbv BLnefWOOD MUSIClNC. underhcensefrom ATVMUSIC(M,ACLEN)
-
All RightsReserved InternationalCopyrightSecured
152

A
ffi"'
knee,-
case,-
bag was on my
to un - pack my
n/:>
the way
it till
--
:>
BB
C
fEEtIl3fr.
ffi
msfr.
Hffi
flisht.-l .
phone.-f I m
-
>
3
back in the U. S. S.
D
ffitoo'
BB
A
ffi''''ffitu'
-VNVrlVN
the pa - per
to -mor- row
V--
I had a dread - ful
€y, dis - con - nect the
--V--
l>
C
You don't-know how luck - y you are,_
v
-
V n /
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A
oo
FFffft
EIUN
FFFFH
l.D
ffitou'
in the U. S. S. R.-
ffi"'ffirr''ffi+r''
Releaseleft hand pressure on A chord for lst
d sound.
Lay left hand lightly acrossstringsfor 2nd
>dsound.
------
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------
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-
Back
rs'

lz c/E
o@o
G
ffi
knock me out.- They leave-
-/-/nVn/!
in the U. S., in the U. S. S.
Well, the U - kraine girls real - lY
-VNV-V
the- West be - hind.-
-
V
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V N V
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Back
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in the U. S., BackBack
D
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ffifr
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ffi'u'
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ffi
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&
ffi
B7
ffifii
Mos - cow girls
--/-
make me sing and
n/n :>
shout*
nv- :>
that Geor- gia's al - ways on my - mi - mt -
|rv-
1t1

B7
n#r|ft-fl
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ffi
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mi - mi - mi -mi - mi - mi - mind.-
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3
I'm backin the U. S. S. R.,-
TF/FI / l/F/
rt v rr v rr v tr v
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ffi
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156

A D
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ffiffi'n'
knock
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.
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girls
V-V
real - ly
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me
.
They leave-
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make me sing and
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the- West
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shout-
v- :>
And
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B7
ffif;irftrfi
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ffi"
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that Geor-gia's al- ways on my-mi - mi -
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------
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mi - mi - mi -mi - mi- mi - mind
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be - hind.-
-/n
156

'l
rTil-R5fr.
Ttffl
way downShow me 'round your snow - peaked moun - tains
-v-/I.1/-vnVnvnv-v
me to your dad - dy's
-
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-
v
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/
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and keep your com - rade
me hear your bal - a - lai - kas
NV-V-V-VNV-V-V
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A
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ffi I0fr.
ffi'u'
-
V N V
-
V N V
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in the U. S.
You don't-knowhowluck - Y You are,-
V I: V
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V N V
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158

AnwimeAtAllByJOHNLENNONand PAULMCCARTNEY
An - y time
D
rL
ffi
Bm
ffi
A
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H14Hrrrt-r1
.
An-y
.
and I'11-
v--:>
-
at all,
l.1/-
Bm
ffit-f$fl
time
V-n
D
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ffi
at
be there (Emphasizetop notes)
VNVVV
you got - ta do
V-
is
G
ffi
.
.. copyrrghto 1964NoRTHERNsoNGSLrMrrED
M----- -----------J
AllRrghtsAdmrnrstered.,byBLACKWooDMUStctNc.underhcensefromAW MUSIC(MACLEN)
All RrghtsReserved InternatronalCopyrrghtSecured
159

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bod -y
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to love-
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some
has
v-
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you need
the sun
vn
If
If
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B
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ffi
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shine;-
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to make
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just look in - to mY
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try to make it
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160

Bm
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Don't you be sad,-
Call me to - night-
--VF
l>
I'd real - ly sym - pa
I hope it will be
--V-v
>
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mine.-
-/ -
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just
and
V- V
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ffi
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ffi
night.
you.
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me
come
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to-u- -
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n.:>>
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---
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An - y time
161

G6(add9)
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162

Bm
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at all
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all- you got - ta do
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all- you got - ta do
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16it

Guitar -* G
(CapouP g
tfret)
ffi
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rmLookingThroughYou
Moderato,withabeat By JOHN LENNONand PAULMCCARTNEY
G
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YOU,
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CopvrlehtO 1965NORTHERNSONCSLIMITED
All RrehtsAdmrnrsreredOvBLReKWOOD MUSICINC underlrcensefromATVMUSIC(MACLEN)
" All RrghtsReserved InternatlonalCopyrrghtSecured
-V-V

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have
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has a nas - ty hab - it
n/nvn/ !v-v-v
| 3. You're tliink
| 4. I'm look-ing
n--/:>
Youwere a - bove
I thought I knew
-
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The on - ly
You don't- look
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--
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but not
what did
B
D
o
nrrtl
II'II
fTnal
rIII I I
Eb
B
Em
?#
ffiFm
BB
D
mEb
dif
dif
-
know?
n- :>
t66
-vn
/

D
F+F,r
ffi
Eb
G
#
Effi
Ab
-=--__,=l
there;
changed
-
and you're-
you're not -
---
:>
.
>
-
:>
look - ing
look - ing
-V-
through-
through-
c
fr.
ffi"Db
c
ffi3fr.
ffiDb
t.G
A
no - where.-
the same.-
V- V
-
ffi'"ffi ffi'''ffi
V-V-
m'.
Voice ad lib: Yeaht -
V-V
-
V
Well, ba - byyou've changed.-
ffneat
andfade
ffi
F
:>
V-V
-
rffi

Hello,GoodbyeByJOHNLENNONand PAULMCCARTNEY
C
sEfr8fr.
H+Tfl
stop-
-V-
yes-
-V
and
/-
(Let chord rins)
I say go-- go go-
tt
-
-----'l
>
Moderato
Dm
FFmlofr.
FlTfl
You say
V-V
B
Am
oo
mffirfi1-n
G7
say no-
--v
:>
nn- :>
G7
ooo
ffiffi7fr.
Effi
You say
V-V
-
:>
You saygood- bye- and
-
:>
- -/n
l
I
F
ffiffisfr.
+t Hl
I
-
say hel - lo,
(Let chord ring)
hel - lo,- hel - lo,
168
Coovrrsht@ 1967NORTHERNSONCSLIMITED
All RrehrsAdmrnrsrerednv alne KWOOO MUSICINC underhcensefromATVMUSIC(MACLEN)
- All RrghtsReserved InternattonalCopyrrghtSecured
I don't- know

why you say good - bye,_
--v-
I say
-lr
hel - lo,
-/
/---
:>
hel - lo,- hel - lo.-
B
F
ffi
Bb
m
ffi
F
ffi
G7
ffi
You say low-
I say no-
I say
You say
-
You say
You say
oh
v-
Am
oo
ffft
ffi
ffi
G7
ffi
know-
|go-t
-
nE
cresc.-
1m

and I say
n
:>
>:>>
You
.
> :> :>
F
:>>>
F
ffi
Bb
mHffi
F
ffi
hel - lo- hel - lo
hel - lo- hel - lo I don't-know
F
ffi
m'u
saygood - bye-
|l
>
I don'Lknow whyyou say good-bye-I say hel - lo-
- -
/n
-
F
-
V
why you saygood-bye- I say hel - lo-
- -
vn
Why why why
V-V
170

G7
ffi
Am
oo
ffi|-1ft-r1
G
ao9
tI TIII
III I I I
ll I I Ia
t I I I TI
why why
-v-
why- do you say-
VNV-VN
D.S. al Coda
x
good - bye-
-/n
CIAc/B
oo
ffiFFIFH
Hel - lo- hel - lo
why you say good - bye-
Ab
11111
T?TTF
Ab/G
-F+tl+l
ffi
-
I say
--
C
ffi"
Ab/F
ffi''l
ffi
A b/F*
ffi
-r1/-
Hel - lo
|l
- -/|| -
|rv I
Hel - lo- he- ba- hel - lo - a
lr-lt nv-
- - -/
>>
nv-
hel - lo-
-/-
m"
don't- know
Repeat and fade
171

She'sAwomanByJOHNLENNONand PAULMCCARTNEY
Fairly bright, with a strong back beat
E7
?il#
ffi
D7
E+HFfffl-1
oooo@
ffi
A7
ffi
D7
o
ffiFi-t-tH
L7
ffi
1.3.4.My love
2. She don't
I know
She hates
--
that she's
to see
-V- -
me pres - ents,
the eye.-
- -VF
>:>
peas- ant.
cry.-
-vn
:>
-v-
:>
-v|l
>
eleaseleft hand pressureof sound.
don't grve
grve boys
D7
E+H|-tfffl
.L
-
>
A7
ffi
A7
#
ffi
n:>
no
me
-
:>
172
Copvrrsht@ 1964NORTHERNSONCSLIMITED
All RrehtsAdmrnrsteredbv bLnefWOOD MUSIClNC. under ltcensefrom ATVMUSIC(MACLEN)
" All RightsReserved lnternationalCopynghtSecured

D7
H+H
-ly
is
n>
On
She
.
ev - er has- to
hap - py just- to
rlv-
don't grve
glve boys
-v- -
>
glve me
hear me
me pres - ents.
the eye..-
n n/-
lone - ly
jeal ous,
is - n't.
why.-
nv- >
love for - ev - er
say that I will
-v-
:>
and for - ev - er;
nev - er leave her;
A7
ffi
My
She
-
D7
tuFt-t-ffl
A7
ffi
love
don't
-
:>
-
:>
D7
ffi
Turn me
She will
--
:>
-vn
l>
when I- get
er make- me
D7
o
mFIFIH
L7
4th time to Coda , 3,
+Hffi
Peo- ple tell me that she's on - ly
Give me all her time as well as
-
n
-v-
lr.tE7
ffi
A7
ffi
she
me
-
:>
I know
Don't ask
--
>
-V
- in',
- in',
-
:>
fool
lov
- -V-
:>
-V
>> :>
173

Cfm
ffion'
a wom - an who un - der - stands;-
rt
-
V- V
-
g
:> :>
D
#rr.r
ffi
E
ooo
ffirftftl
3E,7
ffi
a wom - an who lovesher
.
-
v- v n
-v.
:>
She's
r|
-/-
>>
-v-
>>
VN V
l>
n v|r>.
vn:>
-V-
V>>:>
-V
She's
|l
man.-
VN
(Solo)
-
n
-/n
:>>>
-
)>
-
:>
-
:>:>
-/-
>>
B
D
B
C
ffiar''rrrrnffitor''n-rrn
D
mnn
ffiffi
ffi"-' ffi't-- ffiFFH-n rrrrn
A
oo
IFFFFT
EITH
Fttift
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:>
n g
-9
n
:J
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>>
-
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174
>>

-
:>
FFFFFITfr.
H1ffi
ffizo.
H-fr-H
11V N
-
V V->>:>>>
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ffi
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n V-V
-- -
>>:>
NV-
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B
c#m
G
+#fl
T
Ft7 cfm
ffi
4f.r.
m'o
She's
l.1
a wom - an who
VI V:>
BB
E
ooo
FHt|r
SHfi ,.s. atCoda
rrrFtl
She's a wom - an,-
-v--n
a wom - an who
Repeat and fade
h
t
She's a wom -
-
v!
-
:>
B
D
#
LI I ] TI
I ITTTI
-
>
-v-
:>
-
>
BBT BBT
175

HoldMeTightByJOHNLENNONand PAULMCCARTNEY
It feels so right now, hold
hold
me tight,-
me tight,-
>> >>
lv
(me tight)- to - night,-
Moderato
F
ffi
F
ffi
Bb
qm
Hffi
G7
G
ffi
F
ffi3fr.
LJ-J.I L-I-J-J
c'l
t-J-l-J
one,- And
you,- To
Bb
ffin
Ht+fl
ffi
c7
ffi{3fr.
might-
night,-
-
>>
I
to
me I'm the on - lY
me go on lov - ing
.
>>
F7
ffi
then
night,
-
>>
lec'
So- hold
-.
:>
L-JJ-J
F
ffi
I-J-J-J
G7
nev-
mak -
-
>>
LJ-I-J
Bb
Iy
ly
er be the
ing love to
Bhm
ffi
lone-
on-
-
>>
(hold)-
:>
a
tight,-me
|l
F
ffi
Bbm
ffi
->
-v-i-/
-l
a
-
:>
(to - night)-
-V
V:>
._/l
to - night, -
(to - night)-lt's you
ll
:>
you, you,
-v-
COPVTIEht@ 1963,1964NORTHERNSONCSLIMITED
All RrshtsAdmrnrsteredbv S"LnCKWOODMUSIClNC. underltcensefromATVMUSIC(MACLEN)
" All RrehtsReserved InternatlonalCopyrrghtSecured
176

F/c
ffi
NFc
ffi"
Ah F
ffiffion'
-:.--l
-v-
Gm
flm
H+H
F
ffiffiou'
+ v_
-L_
_, i q= +_=
what it means to hold you tight.-
LJJ-] gJ LJ.L-J
you.
-
:>
-
:>
Don't know
-----
-------'r
>>
Ab
-/-v-/
tell me I'm the
let me go on
e-
on - ly one,- and then
G
Fffi
Hffi
It
n--v--|l v
c7
ffi"
ffi'n'
hold
hold
F
ffi
Bb
ffi
EftFH
B
c7
-o[l rtl
I I'I I I
f-T- rt
tttttl
G7
ffi'o'
F
ffi
lov - ing you,- to - night,
Fr ll
-----_----f
>> ' >>
me tight,-
l-l-l-J
I might-
to - night,-
Bb
fflm
Hffi
IJ-J-J LJ-J-I
L.J-J_J L]-J.J
177

G7
ffi
c1
M
F
ffi
So- hold (hold)-
n ./:> ;>
F7
ffi
me tight,- (me tight)-
V- V
nev - er be
mak - ing love
Bb
fnTl
Hffi
F
ffi
-
YoU'
-
>
-|
r1:>
I
(to - nighil- it's(to - night)-
-V
>
Bbm
ffi
F
ffi
the lone- ly one.-)
to on - ly you.-l
-
Bbm
ffi
to - night,-
-V
l, o,
ffi ffiffi
Ab
ffi
GbF
ffiffiA
you, hoo hoo.
Fr l''l
--;-
---------'l zi
4f;.
ll
II
II
II
I
II
I
4fr.
hoo
q5qe.
hoo,
l.!
>:>
178

ByJOHNLENNONand PAULMCCARTNEY
Gm7
*V
knows-
FI
you still.-
your name,-
VN V
to,-
feel-
V-
twiil
C7
o
ffim3fr.
HHfi
Dm7
o
ffi
*t*H
Hold pick looselyFffftl
to get a very
smoothsound
F
ffi
I've loved-
er ' saw-
-V-
Bb
ffi
H+H
B
F7
ffi
S*o
FffitTrrn
Dm
#
F
ffi
Gently
me
ways
VN
I love-
n't catch*
VTVN
will I
But it
nnn
a lone
er real
life - time?
mat - tered,
2
If you want.
I will al-
know-
did-
long-
ev
V|rV
you?-
You,-
VTVN
You
I
n-
F
ffi
B
Dm
#rrrTTTTTT
IIITTI
tttttl
wait-
nev
BB
Bb C7
ffi ''#,
I
the
V-
same.-
VN !.---- VN
F7
ffi
ll"
ffiFFm3fr.
H1+fl
i
Ii
II
I
Gm
Copyright@ 1968NORTHERNSONGSL|M|TED
Al Ridlrs 'rdrrwraered by BLAaKwooD MUStc tNC. under licensefrom ATV Mustc (MACLENI
All RightsReserved lnternationalCopyright Secured
179

C7
ffi
GmDm
#
C6
ffiFfi+H
F?
ffiLLTIJ-]
l-tH*i
Bb
ffitr
Hffi
heart.-
n/'
find-
for - ev - eft
nn;>>
Love you for - ev
F
F / rl
tt v>
/F! F
V rl ll
Love you when-ev - er
V-V rr -nv!
er and
-V
Dm
ffi
C6
FtrT5
HfrI
Bb
ffi
Hffi
F
--.TTTrl
ITTTTI
fT.TIl
TTTIT I
-V
F
G
n?fft
ffi
Dm7
ffiFrrrn
F
ffi
C
Fm'8fr.
at
-
And when-
VNV
-
N
Love you when we're- a - Part.-
nn/
-- -V
you, - Your song- will fill -
l
I
Bb
ffi
Hffi
B
F7
TTffi
t-l-t+l-.I
I-IFFH
Am
ooG
tfiTlFTFTN
B
Dm7
o
ffil-l-fi-H
F
ffi
D
C7
o
I-TTI'I
rTa-rl I
r-Il l-l
n-tl | |
2
ffIFfl3fr.
H++H
Love you with all- mY
-
to-geth - er,
-
v+
last- I
V-V-
so I- can hear-
180
-/-/n-nv
Sing
-v- -

#mm
Bb
ffi
ffi ffimm
C7
M
Bb
ffi
H#
C7
o
ffi
YoU,- Make it eas
NV
be near-
2
-
+^ vn{^.. tl-l A. VII V VN
YOU, For the things- you do- en - dear-
-
nvn
-
V
-
>,^, V-
ll -^
y to-
M
Dm
o
ITITI
'IIITT I
t fafrl
f rl I I I
you to- ffie,
Bb
ffi
ffi
F
ffi
Bb
ffi
C7
o
ffi
Db
nffi
H+H
Ah_
-
will.
you know-
-/-
F
ffi
F7
H
tHtdt
Fffi-&l
-.----*-----=.
Bb
ffi
C6
ffi
H+#
Dm
m FHF3fr.
F
ffi
--t;
la la la Ia
C7
ffi"
La la la la- La
n
-
ul
la-
FI
Fl / rl
rrv>
la la
-
>
F
rln

Moderato
C
ffi
It'sonlyLoveByJOHNLENNONandPAULMcCARTNEY
nrlntl-v I
E
nl-
Am
oo
ffi|-r'rrn
c
ffi
Am
#H
TY
tr :>
l. I get hiCh when
2.ls it right that
N NVNVNV
Whenyou sigh, ffiY,
Just the sight of
N NVNVNV
n>> NVNVN V
T---__----------r
Em/B
@o
IFFFF
ffiFn-rn
Bb
trITTl
Hl+fl
-----------J I
F Gsus
oo
FFFfrl FFI'lit
HI# trtrTF
H?ffi rrrrn
G+
o
ffi
I see
you and
you
I
my in - side just
you makesnight- time
go bY,
should fight
-
flies,
bright,
n
-v
my.
night?
My oh
ev -'ry
n
Em/B
o@
FFFFFT
ffirrrrn
Bb
ITTTT1
H++fl
F
ffi
Gsus
oo
ffi
Gsus
o
RFIllffil
n-nTr
but-ter - flies.
ver- y bright.
n NV
B
F
ffi
G
ffi
shy
right
whv
Hav
n
amlso
- en't I the
VNNV-V
be- side- you?|
it up- girl? t
It's on - lY
NVNV
when I'm
to make
FI
;n
182
Copyright@ 1965NORTHERNSONGSLIMITED
All RiehrsAdminrstereduv BlAerwooD MUSIClNC. under licensefrom ATVMLrSlC(MACLEN)
" All RightsReserued InternationalCopyrightSecured
-VN
V tr V

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