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Taking Care of Business:
Reimagining the Art College
in the 21st century
	
  
Reflec%ons	
  on	
  Open	
  Educa%on	
  for	
  the	
  Arts	
  
John Casey!
University of the Arts London
Shaun Hides and Jonathan Shaw !
Coventry School of Art & Design, Coventry University
h"p://crea*vecommons.org/licenses/by/3.0/	
  	
  
Challenges	
  
External
•  Funding cuts, staff redundancies, course closures
and a changing market
•  Demographic trends: ageing society and an
increasingly diverse student population
•  Demand outstrips supply
•  Growing expectation and need for more flexible
learning opportunities
•  ‘Knowledge economy’ discourse mystifies the
fundamentals (Facer, 2009)
#ELIA
Challenges	
  
Internal – ‘force multipliers’
•  Conservative pedagogical cultures - makes
alternatives difficult to conceptualise
•  Managerialism - financial data as the basis for
planning
•  Short-termism - concentration on current contexts
limits long-term development
•  Inflexibility - in assessment, certification,
administration, employment and budgeting
•  Narrow social base - UK visual arts are less diverse
than most disciplines (NALN, 2005)
#ELIA
Trends	
  in	
  HE	
  
Demystification, Globalisation, Disaggregation
•  Traditional model based on scarcity
•  Economic limits of existing model
•  Conflation of research with teaching quality
•  Cultural Change: Tackling TINA and Entropy
•  The Rhetoric of Crisis
The Open Education Environment
•  Understanding ‘Open’ & ‘Closed’ Education
•  The Open Education Continuum (OU, OER, MOOCs…)
•  Public Good and Public Goods – The Emerging Political
Economy of an Open Public Education System
#ELIA
Effects	
  of	
  ‘Opening	
  Out’	
  
•  Open Ed. & OER: a lightening conductor for
issues related to:
–  Power
–  Control
–  Ownership
–  Identity
–  Pedagogy
–  Tech Infrastructure
–  Cultures…
–  Policy
–  Strategy & New Business Models
#ELIA
#ELIA
Some	
  UAL	
  Outputs	
  
Ins@tu@on	
  –	
  Changing	
  Mind-­‐sets	
  
TACTICAL
COLLABORATIVE
VISIBLE
SUSTAINABLE
ENGAGED
#AdobeEdu12
Open	
  Hybrids	
  or	
  Open	
  Boundary	
  
#ELIA
1,000,000
listens
“ground-breaking”
15,000 people
in 10 weeks 
from 152 cities
Richard Stacy
...Why social media is a dangerous concept
In fact, the more engaging social media
becomes, the less scale it delivers.
Think about it. We all know that social
media is essentially conversational and
personalised. But conversations only
work with a small group of people: the
more people you add to a conversation
(the more scale you add to it), the less
effective it becomes.
“
#ELIA
Effective
...does not have to equal scale!
 #ELIA
Collabora@on	
  and	
  Partnerships	
  
#ELIA
“Shaking up photo-education”
New Adventures!
...a ‘living’ book-project at www.newlandscapesofphotography.org
Consequences–	
  Changing	
  Prac@ces	
  
Opening	
  Up	
  -­‐	
  to	
  Business	
  Proposi@ons	
  
-  Culture Change: they way things are done here
-  Challenges / Disrupts
–  Inflexible processes
–  Internal economic models
–  Learning credit and assessment practice
–  Personal Values / Ideas
– New Economic / Educational Models:
–  College as Community not ‘Place’
–  Community & Co-Curriculums
–  Delivery with Industry CoP
#ELIA
Imaginings	
  
Create ‘Living Laboratories’
•  Assessment, accreditation, evidencing, quality
assurance, evidence
Open Ed Collaborative Enterprises
•  Tactic to overcome TINA and entropy, ECTS
Feedback into redesign of art education
Technology can enable e.g. Badges. But
drivers (and obstacles) are social, cultural,
educational, economic and political.
#ELIA
John Casey!
j.casey@arts.ac.uk

Shaun Hides!
s.hides@coventry.ac.uk
@ShaunHides_COMC

Jonathan Shaw!
j.shaw@coventry.ac.uk
@time_motion

Presentation available at:
http://slidesha.re/11XmpLL

http://process.arts.ac.uk/
www.disruptivemedia.org.uk
#ELIA

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Reimagining the Art College in the 21st Century

  • 1. Taking Care of Business: Reimagining the Art College in the 21st century   Reflec%ons  on  Open  Educa%on  for  the  Arts   John Casey! University of the Arts London Shaun Hides and Jonathan Shaw ! Coventry School of Art & Design, Coventry University h"p://crea*vecommons.org/licenses/by/3.0/    
  • 2. Challenges   External •  Funding cuts, staff redundancies, course closures and a changing market •  Demographic trends: ageing society and an increasingly diverse student population •  Demand outstrips supply •  Growing expectation and need for more flexible learning opportunities •  ‘Knowledge economy’ discourse mystifies the fundamentals (Facer, 2009) #ELIA
  • 3. Challenges   Internal – ‘force multipliers’ •  Conservative pedagogical cultures - makes alternatives difficult to conceptualise •  Managerialism - financial data as the basis for planning •  Short-termism - concentration on current contexts limits long-term development •  Inflexibility - in assessment, certification, administration, employment and budgeting •  Narrow social base - UK visual arts are less diverse than most disciplines (NALN, 2005) #ELIA
  • 4. Trends  in  HE   Demystification, Globalisation, Disaggregation •  Traditional model based on scarcity •  Economic limits of existing model •  Conflation of research with teaching quality •  Cultural Change: Tackling TINA and Entropy •  The Rhetoric of Crisis The Open Education Environment •  Understanding ‘Open’ & ‘Closed’ Education •  The Open Education Continuum (OU, OER, MOOCs…) •  Public Good and Public Goods – The Emerging Political Economy of an Open Public Education System #ELIA
  • 5. Effects  of  ‘Opening  Out’   •  Open Ed. & OER: a lightening conductor for issues related to: –  Power –  Control –  Ownership –  Identity –  Pedagogy –  Tech Infrastructure –  Cultures… –  Policy –  Strategy & New Business Models #ELIA
  • 7. Ins@tu@on  –  Changing  Mind-­‐sets  
  • 9. Open  Hybrids  or  Open  Boundary   #ELIA 1,000,000 listens “ground-breaking” 15,000 people in 10 weeks from 152 cities
  • 10. Richard Stacy ...Why social media is a dangerous concept In fact, the more engaging social media becomes, the less scale it delivers. Think about it. We all know that social media is essentially conversational and personalised. But conversations only work with a small group of people: the more people you add to a conversation (the more scale you add to it), the less effective it becomes. “ #ELIA
  • 11. Effective ...does not have to equal scale! #ELIA
  • 12. Collabora@on  and  Partnerships   #ELIA “Shaking up photo-education” New Adventures! ...a ‘living’ book-project at www.newlandscapesofphotography.org
  • 14. Opening  Up  -­‐  to  Business  Proposi@ons   -  Culture Change: they way things are done here -  Challenges / Disrupts –  Inflexible processes –  Internal economic models –  Learning credit and assessment practice –  Personal Values / Ideas – New Economic / Educational Models: –  College as Community not ‘Place’ –  Community & Co-Curriculums –  Delivery with Industry CoP #ELIA
  • 15. Imaginings   Create ‘Living Laboratories’ •  Assessment, accreditation, evidencing, quality assurance, evidence Open Ed Collaborative Enterprises •  Tactic to overcome TINA and entropy, ECTS Feedback into redesign of art education Technology can enable e.g. Badges. But drivers (and obstacles) are social, cultural, educational, economic and political. #ELIA
  • 16. John Casey! j.casey@arts.ac.uk Shaun Hides! s.hides@coventry.ac.uk @ShaunHides_COMC Jonathan Shaw! j.shaw@coventry.ac.uk @time_motion Presentation available at: http://slidesha.re/11XmpLL http://process.arts.ac.uk/ www.disruptivemedia.org.uk #ELIA