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Scanning the Shipping Gallery

   John Hindmarch , Scanlab and the
           Science Museum

     johnhindmarch@gmail.com
The Shipping Gallery
• The largest gallery in the Science Museum
• Largely unchanged since the 1950s
• Decommissioned in May 2012 to make way
  for a new exhibition opening in 2014




Pictures courtesy Dave Patten, http://www.flickr.com/photos/davepatten
The Project
• The Science Museum wished to record and preserve
  the exhibition
• Normal method would involve photography and
  potentially video, however…
• Inspired by the work
  of Scanlab, the museum
  approached us about
  scanning the entire
  space

                                scanlabprojects.co.uk
Scanning
• We used a pair of Faro Photon terrestrial laser scanners
• A rotating mirror sends out a laser beam, and sensors record
  up to 1,000,000 ‘reflections’ per second
• Measures time it takes for reflected
  pulse to return to the scanner
• Builds up a ‘point cloud’ – a 3D model
  of the environment
• But – no colour, and lots of ‘shadows’
Colour?
• To capture colour, a digital
  camera is attached to top
  of scanner
• The camera takes a series of
  ‘panoramic’ photos
• The images are
  projected on to the
  point cloud, giving
  each point a
  colour value
Processing
• 275 individual scans, captured over five
  nights, each containing millions of points
• 2 billion points overall
• = 256Gb of data!
• 16 weeks processing time:
   – aligning the scans
   – cleaning noisy data
   – colour correction
• 7 minute video uses ~ 10% of the data and
  took 48 hours to render
Uses?
– Video, with commentary recorded by the
  exhibition’s curator, to be placed online
– Alongside more detailed 3D models that visitors
  can interact with
– Detailed record of gallery space could be used for
  future exhibition planning
– Dataset can be used in different ways as
  technology improves. A fully interactive (walk
  through) model?
Why?

“We hope that archiving exhibitions digitally in this
way will prolong their legacy beyond their physical
  installation. As a digital record of the space and
 exhibits this model offers the potential for online
  versions to be created and interacted with by a
            much vaster public audience.”
                                 The Science Museum

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Scanning the shipping gallery

  • 1. Scanning the Shipping Gallery John Hindmarch , Scanlab and the Science Museum johnhindmarch@gmail.com
  • 2. The Shipping Gallery • The largest gallery in the Science Museum • Largely unchanged since the 1950s • Decommissioned in May 2012 to make way for a new exhibition opening in 2014 Pictures courtesy Dave Patten, http://www.flickr.com/photos/davepatten
  • 3. The Project • The Science Museum wished to record and preserve the exhibition • Normal method would involve photography and potentially video, however… • Inspired by the work of Scanlab, the museum approached us about scanning the entire space scanlabprojects.co.uk
  • 4. Scanning • We used a pair of Faro Photon terrestrial laser scanners • A rotating mirror sends out a laser beam, and sensors record up to 1,000,000 ‘reflections’ per second • Measures time it takes for reflected pulse to return to the scanner • Builds up a ‘point cloud’ – a 3D model of the environment • But – no colour, and lots of ‘shadows’
  • 5. Colour? • To capture colour, a digital camera is attached to top of scanner • The camera takes a series of ‘panoramic’ photos • The images are projected on to the point cloud, giving each point a colour value
  • 6.
  • 7. Processing • 275 individual scans, captured over five nights, each containing millions of points • 2 billion points overall • = 256Gb of data! • 16 weeks processing time: – aligning the scans – cleaning noisy data – colour correction • 7 minute video uses ~ 10% of the data and took 48 hours to render
  • 8.
  • 9. Uses? – Video, with commentary recorded by the exhibition’s curator, to be placed online – Alongside more detailed 3D models that visitors can interact with – Detailed record of gallery space could be used for future exhibition planning – Dataset can be used in different ways as technology improves. A fully interactive (walk through) model?
  • 10. Why? “We hope that archiving exhibitions digitally in this way will prolong their legacy beyond their physical installation. As a digital record of the space and exhibits this model offers the potential for online versions to be created and interacted with by a much vaster public audience.” The Science Museum