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SENSATION & PERCEPTION
Sensation & Perception Defined
• Sensation – stimulus detection process by
which our sense organs respond to and
translate environmental stimuli into nerve
impulses that are sent to the brain
• Perception – the active process of organizing
this stimulus input and giving it meaning
Stages of Sensory Processing
1. Sensation is received by sensory receptors.
2. Receptors translate stimulus properties into
nerve impulses (transduction).
3. Feature detectors analyse stimulus features.
4. Stimulus features are reconstructed into neural
representation.
5. Neural representation is compared with
previously stored information in brain.
6. Matching process results in recognition and
interpretation of stimulus.
SENSORY PROCESSES
Psychophysics – scientific study of physical characteristics of stimuli and
sensory capabilities
Stimulus Detection: The Absolute
Threshold
• The lowest intensity at which a stimulus can
be detected 50% of the time
• < Absolute threshold  > sensitivity
Approximate Absolute Threshold for
YOU
Sensory Modality Absolute Threshold
Vision Candle flame seen at 30 mi (48.2 km) on a clear, dark night
Hearing Tick of a watch under quiet conditions at 20 ft (6 m)
Taste 1 teaspoon of sugar in 2 gal (3.7 L) of water
Smell 1 drop of perfume diffused into the entire volume of a large
apartment
Touch Wing of a fly or bee falling on a person’s cheek from a distance of
1 cm
Signal Detection Theory
Signal Detection Theory
• Before: “each person has a more or less fixed
level of sensitivity for each sense”
• Now: fixed AT is inaccurate
• Why?
• Range of uncertainty (decision criterion) – a
standard of how certain people must be that a
stimulus is present before they will say they
detect it
Signal Detection Matrix
Conclusions in SDT
1. At low stimulus intensities, both the P’s and
situation’s characteristics influence the decision
criteria
2. Bold Ps (people who frequently say “yes”): hits =
false alarms than conservative Ps
3. Rs can influence Ps to become bolder or more
conservative by manipulating the rewards &
costs for giving correct or incorrect responses
4. Perception is, in part, a decision.
Subliminal Stimuli: Can They Affect
Behavior?
• Subliminal stimulus – stimulus that is so weak
or brief that although it is received by the
senses, it cannot be perceived consciously
• YES, to a limited extent.
The Coca-Cola-popcorn-subliminal-
message controversy
• James Vicary (late
50s) – arranged to
have subliminal
messages flashed
on a theater screen
during a movie
• Popcorn sales –
50%
• Coke sales – 18%
• Influence to consumer behavior: persuasive
stimuli the perceptual threshold > subliminal
stimuli sneaking into the subconscious mind
BUT(T)!
• They affect more subtle phenomena (i.e.,
judgment, attitudes & behaviors)
The Difference Threshold
• The smallest difference between two stimuli
that people can perceive 50% of the time (aka
just noticeable difference or jnd)
• Weber’s law – the difference threshold/jnd is
directly proportional to the magnitude of
stimulus with which the comparison is being
made
Weber Fractions for Various Sensory
Modalities
Sensory Modality Weber Fraction
Audition (tonal pitch) 1/333
Vision (brightness, white light) 1/60
Kinesthesis (lifted weights) 1/50
Pain (heat produced) 1/30
Audition (loudness) 1/20
Touch (pressure applied to skin) 1/7
Smell (India rubber) ¼
Taste (salt concentration) 1/3
Sensory Adaptation
• The diminishing sensitivity to an unchanging
stimulus (aka habituation)
• Reduces overall sensitivity
• Frees our senses from the constant and
mundane (important to our well-being &
survival)
THE SENSORY SYSTEMS
Transduction
• The process by whereby the characteristics of
a stimulus are converted into nerve impulses
(electrical by nature)
• Electromagnetic energy/light waves – normal
stimulus for vision
Vision
The Human Eye
Photoreceptors: The Rods & Cones
Facts about Photoreceptors
• Rods & cones  bipolar cells  1 million
ganglion cells (axons form the optic nerve)
• Light-sensitive ends point away from the
direction of the entering light
• The connection of rods & cones to bipolar
cells account for the importance of rods in
dim light & visual acuity caused by cones
Facts about Photoreceptors
• Many rods & cones  single/same bipolar
cells: additive effect of many signals
• Cones in the fovea have “private lines” to
single/same bipolar cell: visual acuity – ability
to see fine details
• Blind spot
Visual Transduction: From Light Waves
to Nerve Impulses
• Photopigment – protein molecules in the rods &
cones that help them translate light waves into
nerve impulse
• Absorption of light by the photopigment 
chemical reaction  Δ in the rate of
neurotransmitter release  signal passed on to
the bipolar cells  ganglion cells  optic nerve
(bundle of ganglion cells’ axons)  visual relay
station (thalamus)  visual cortex (cerebrum)
Brightness & Dark Adaptation
• Rods & cones sensitivity in low illumination
– Rods: sensitive throughout the spectrum except
for red
– Cones: sensitive in the greenish-yellow range
– Change of fire engines from red to greenish-yellow
– Rods are not always ready to fulfill its function
Brightness & Dark Adaptation
• Dark adaptation – the progressive
improvement in brightness sensitivity that
occurs over time under conditions of low
illumination
– Photopigments of rods vs photopigments of cones
– Used for enhancing the night vision of pilot during
the WW II
Color Vision
• Young-Helmholtz trichromatic theory –
assumes that there are three types of color
receptors in the retina
– Cones sensitive to blue, green and/or red (if all are
activated  white light)
– Criticisms: perception of yellow & color
afterimage
Retinal receptor
Brain
Kinds of color mixture
Color Vision
• Hering’s opponent-process theory – proposes
that each of the three cone types respond to
two different wavelengths
– Blue-yellow cones, red-green cones & black-white
cones
Opponent Process: Afterimage
Color Vision
• Dual-process theory – combines trichromatic
& opponent-process theories to account for
the color transduction process
– Trichromatic theory: cones contain one of the 3
different photopigments sensitive to blue, green &
red
– Ganglion cells, neurons in visual relay station &
the visual cortex are responsible for opponent-
process, not the cones
Opponent-process Mechanisms
Color-Deficient Vision
• Trichromats
• Dichromats – color
blind in only one of
the systems (blue-
yellow or red-
green)
• Monochromats –
sensitive only to the
black-white color
system (total color-
blindness)
Audition
• Sound wave – a form of mechanical energy &
the stimulus for the sense of hearing
• Sound – pressure waves in air, water or some
other conducting medium  vibration 
successive waves of compression & expansion
among air molecules
Characteristics of Sound Waves
• Frequency – the number of sound waves, or
cycles, per second; hertz (Hz) – the technical
measure of cycle per second; related to perceived
pitch
• Amplitude – the vertical size of the sound waves,
amount of compression & expansion of the
molecules in the conducting medium; decibels
(dB) – a measure of the physical pressures that
occur at the eardrum; related to perceived
loudness
Auditory Transduction: From Pressure
Waves to Nerve Impulse
The Cochlea
Coding of Pitch & Loudness
• Loudness is coded in terms of both the rate of
firing in the axon (auditory nerve) & the
specific hair cells that are sending messages
Coding of Pitch & Loudness
• Coding of wave frequency (pitch)
– Frequency theory of pitch perception – assumes
that nerve impulses sent to the brain match the
frequency of the sound wave
– Place theory of pitch perception – suggests that
the specific point in the cochlea where the fluid
wave peaks & most strongly bends the hair cells
serves as a frequency coding cue
Sound Localization
• Humans’ binaural (two-eared) ability to
localize sounds
Hearing Loss
• 2 major types of hearing loss (U.S.)
– Conduction deafness – involves problems w/ the
mechanical system that transmits sound waves to
the cochlea
– Nerve deafness – caused by damage receptors
within the inner ear or damage to the auditory
nerve itself
Taste & Smell: The Chemical Senses
• Gustation – the sense of taste
• Olfaction – the sense of smell
– Their receptors are sensitive to chemical
molecules rather than to some form of energy
Gustation: The Sense of Taste
Taste buds – chemical receptors
concentrated along the tip, edges & back
surface of the tongue
Olfaction: The Sense of Smell
Pheromones – chemical
signals found in natural
body scents
Menstrual synchrony –
the tendency of women
who live together or are
close friends to become
more similar in their
menstrual cycle
The Skin & Body Senses
The Tactile Senses
• Four tactile sensations: pressure (touch), pain,
warmth & cold
• Mechanoreceptors
– Merkel receptors – sensing fine details
– Meissner corpuscle – controlling handgrip
– Ruffini cylinder – perceiving stretching of the skin
– Pacinian corpuscle – sensing rapid vibration & fine
texture
The Body Senses
• Kinesthesis – provides us with feedback about
our muscles’ and joints’ positions &
movements
– Receptors: nerve endings in the muscles, tendons
& joints
• Vestibular sense – sense of body orientation
& equilibrium

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4. sensation & perception

  • 2. Sensation & Perception Defined • Sensation – stimulus detection process by which our sense organs respond to and translate environmental stimuli into nerve impulses that are sent to the brain • Perception – the active process of organizing this stimulus input and giving it meaning
  • 3. Stages of Sensory Processing 1. Sensation is received by sensory receptors. 2. Receptors translate stimulus properties into nerve impulses (transduction). 3. Feature detectors analyse stimulus features. 4. Stimulus features are reconstructed into neural representation. 5. Neural representation is compared with previously stored information in brain. 6. Matching process results in recognition and interpretation of stimulus.
  • 4.
  • 5. SENSORY PROCESSES Psychophysics – scientific study of physical characteristics of stimuli and sensory capabilities
  • 6. Stimulus Detection: The Absolute Threshold • The lowest intensity at which a stimulus can be detected 50% of the time • < Absolute threshold  > sensitivity
  • 7. Approximate Absolute Threshold for YOU Sensory Modality Absolute Threshold Vision Candle flame seen at 30 mi (48.2 km) on a clear, dark night Hearing Tick of a watch under quiet conditions at 20 ft (6 m) Taste 1 teaspoon of sugar in 2 gal (3.7 L) of water Smell 1 drop of perfume diffused into the entire volume of a large apartment Touch Wing of a fly or bee falling on a person’s cheek from a distance of 1 cm
  • 9. Signal Detection Theory • Before: “each person has a more or less fixed level of sensitivity for each sense” • Now: fixed AT is inaccurate • Why? • Range of uncertainty (decision criterion) – a standard of how certain people must be that a stimulus is present before they will say they detect it
  • 11. Conclusions in SDT 1. At low stimulus intensities, both the P’s and situation’s characteristics influence the decision criteria 2. Bold Ps (people who frequently say “yes”): hits = false alarms than conservative Ps 3. Rs can influence Ps to become bolder or more conservative by manipulating the rewards & costs for giving correct or incorrect responses 4. Perception is, in part, a decision.
  • 12. Subliminal Stimuli: Can They Affect Behavior? • Subliminal stimulus – stimulus that is so weak or brief that although it is received by the senses, it cannot be perceived consciously • YES, to a limited extent.
  • 13. The Coca-Cola-popcorn-subliminal- message controversy • James Vicary (late 50s) – arranged to have subliminal messages flashed on a theater screen during a movie • Popcorn sales – 50% • Coke sales – 18%
  • 14. • Influence to consumer behavior: persuasive stimuli the perceptual threshold > subliminal stimuli sneaking into the subconscious mind BUT(T)! • They affect more subtle phenomena (i.e., judgment, attitudes & behaviors)
  • 15. The Difference Threshold • The smallest difference between two stimuli that people can perceive 50% of the time (aka just noticeable difference or jnd) • Weber’s law – the difference threshold/jnd is directly proportional to the magnitude of stimulus with which the comparison is being made
  • 16. Weber Fractions for Various Sensory Modalities Sensory Modality Weber Fraction Audition (tonal pitch) 1/333 Vision (brightness, white light) 1/60 Kinesthesis (lifted weights) 1/50 Pain (heat produced) 1/30 Audition (loudness) 1/20 Touch (pressure applied to skin) 1/7 Smell (India rubber) ¼ Taste (salt concentration) 1/3
  • 17. Sensory Adaptation • The diminishing sensitivity to an unchanging stimulus (aka habituation) • Reduces overall sensitivity • Frees our senses from the constant and mundane (important to our well-being & survival)
  • 19. Transduction • The process by whereby the characteristics of a stimulus are converted into nerve impulses (electrical by nature) • Electromagnetic energy/light waves – normal stimulus for vision
  • 23. Facts about Photoreceptors • Rods & cones  bipolar cells  1 million ganglion cells (axons form the optic nerve) • Light-sensitive ends point away from the direction of the entering light • The connection of rods & cones to bipolar cells account for the importance of rods in dim light & visual acuity caused by cones
  • 24. Facts about Photoreceptors • Many rods & cones  single/same bipolar cells: additive effect of many signals • Cones in the fovea have “private lines” to single/same bipolar cell: visual acuity – ability to see fine details • Blind spot
  • 25. Visual Transduction: From Light Waves to Nerve Impulses • Photopigment – protein molecules in the rods & cones that help them translate light waves into nerve impulse • Absorption of light by the photopigment  chemical reaction  Δ in the rate of neurotransmitter release  signal passed on to the bipolar cells  ganglion cells  optic nerve (bundle of ganglion cells’ axons)  visual relay station (thalamus)  visual cortex (cerebrum)
  • 26. Brightness & Dark Adaptation • Rods & cones sensitivity in low illumination – Rods: sensitive throughout the spectrum except for red – Cones: sensitive in the greenish-yellow range – Change of fire engines from red to greenish-yellow – Rods are not always ready to fulfill its function
  • 27. Brightness & Dark Adaptation • Dark adaptation – the progressive improvement in brightness sensitivity that occurs over time under conditions of low illumination – Photopigments of rods vs photopigments of cones – Used for enhancing the night vision of pilot during the WW II
  • 28. Color Vision • Young-Helmholtz trichromatic theory – assumes that there are three types of color receptors in the retina – Cones sensitive to blue, green and/or red (if all are activated  white light) – Criticisms: perception of yellow & color afterimage Retinal receptor Brain
  • 29. Kinds of color mixture
  • 30. Color Vision • Hering’s opponent-process theory – proposes that each of the three cone types respond to two different wavelengths – Blue-yellow cones, red-green cones & black-white cones
  • 32. Color Vision • Dual-process theory – combines trichromatic & opponent-process theories to account for the color transduction process – Trichromatic theory: cones contain one of the 3 different photopigments sensitive to blue, green & red – Ganglion cells, neurons in visual relay station & the visual cortex are responsible for opponent- process, not the cones
  • 34. Color-Deficient Vision • Trichromats • Dichromats – color blind in only one of the systems (blue- yellow or red- green) • Monochromats – sensitive only to the black-white color system (total color- blindness)
  • 35. Audition • Sound wave – a form of mechanical energy & the stimulus for the sense of hearing • Sound – pressure waves in air, water or some other conducting medium  vibration  successive waves of compression & expansion among air molecules
  • 36. Characteristics of Sound Waves • Frequency – the number of sound waves, or cycles, per second; hertz (Hz) – the technical measure of cycle per second; related to perceived pitch • Amplitude – the vertical size of the sound waves, amount of compression & expansion of the molecules in the conducting medium; decibels (dB) – a measure of the physical pressures that occur at the eardrum; related to perceived loudness
  • 37. Auditory Transduction: From Pressure Waves to Nerve Impulse
  • 39. Coding of Pitch & Loudness • Loudness is coded in terms of both the rate of firing in the axon (auditory nerve) & the specific hair cells that are sending messages
  • 40. Coding of Pitch & Loudness • Coding of wave frequency (pitch) – Frequency theory of pitch perception – assumes that nerve impulses sent to the brain match the frequency of the sound wave – Place theory of pitch perception – suggests that the specific point in the cochlea where the fluid wave peaks & most strongly bends the hair cells serves as a frequency coding cue
  • 41. Sound Localization • Humans’ binaural (two-eared) ability to localize sounds
  • 42. Hearing Loss • 2 major types of hearing loss (U.S.) – Conduction deafness – involves problems w/ the mechanical system that transmits sound waves to the cochlea – Nerve deafness – caused by damage receptors within the inner ear or damage to the auditory nerve itself
  • 43. Taste & Smell: The Chemical Senses • Gustation – the sense of taste • Olfaction – the sense of smell – Their receptors are sensitive to chemical molecules rather than to some form of energy
  • 44. Gustation: The Sense of Taste Taste buds – chemical receptors concentrated along the tip, edges & back surface of the tongue
  • 45. Olfaction: The Sense of Smell Pheromones – chemical signals found in natural body scents Menstrual synchrony – the tendency of women who live together or are close friends to become more similar in their menstrual cycle
  • 46. The Skin & Body Senses
  • 47. The Tactile Senses • Four tactile sensations: pressure (touch), pain, warmth & cold • Mechanoreceptors – Merkel receptors – sensing fine details – Meissner corpuscle – controlling handgrip – Ruffini cylinder – perceiving stretching of the skin – Pacinian corpuscle – sensing rapid vibration & fine texture
  • 48. The Body Senses • Kinesthesis – provides us with feedback about our muscles’ and joints’ positions & movements – Receptors: nerve endings in the muscles, tendons & joints • Vestibular sense – sense of body orientation & equilibrium