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Ethical photography
           Jour 203 Fall 2012
The NPPA code of ethics
Not immediately
obvious
   Someone noticed
    a difference
    between this
… and this
Not immediately
obvious
   Someone noticed
    a difference
    between this:
Jezebel did a good animation to
show the differences between the
two pictures:
   “NPPA rule #1. “Be accurate and
    comprehensive in the representation of
    subjects.”

   Making Faith Hill slimmer is neither
    accurate nor comprehensive.



Is that unethical?
   The Faith Hill photos were shot in a
    studio. Studio shoots are staged and don’t
    fall under NPPA rule #2:

    “Resist being manipulated by staged
    photo opportunities.”




Studio vs. Street
Watch this example of a staged photo op.




You’ll note that many of the photographers
 did NOT resist being manipulated and
 snapped away.



Resist staged photo ops
   3. Be complete and provide context when
    photographing or recording subjects.
    Avoid stereotyping individuals and groups.
    Recognize and work to avoid presenting
    one's own biases in the work.




NPPA rule #3
From a post by DivyaManian on Tiffinbox.org
   “Photographers are guilty of taking photos out of
    context to create impact… We rarely see good
    examples of photos with any real context. The
    context has been handed over entirely to the
    writer.

   Extreme close-up photos have extreme impact
    but, out of context, may lack any story-telling
    ability. Relating the subject to its surroundings
    can help tell the story of the subject, but impact
    is still needed.”



   (From Stanley Leary's blog)
Context in photos
4. Treat all subjects with respect and
 dignity. Give special consideration to
 vulnerable subjects and compassion to
 victims of crime or tragedy. Intrude on
 private moments of grief only when the
 public has an overriding and justifiable
 need to see.




NPPA Rule #4
At a glance, would you say this
girl was treated with respect?
This is what the photo should have
looked like.
Someone turned the girl around to
face the photographers and put
the stolen frame under her arm.
   5. While photographing subjects do not
    intentionally contribute to, alter, or seek
    to alter or influence events.

   6. Editing should maintain the integrity of
    the photographic images' content and
    context. Do not manipulate images or add
    or alter sound in any way that can
    mislead viewers or misrepresent subjects.



NPPA rules #5 and 6
A long-time photographer for the
 Sacramento Bee took this picture…
… and this picture…
… and made this picture.
   He no longer works for the Sacramento
    Bee.

   More egregious examples of photo
    manipulation: the technique was popular
    among the Soviets.

   Time Magazine manipulated this shot of
    O.J. Simpson.


Don’t manipulate images. Ever.
   7. Do not pay sources or subjects or
    reward them materially for information or
    participation.

   8. Do not accept gifts, favors, or
    compensation from those who might seek
    to influence coverage.

   9. Do not intentionally sabotage the
    efforts of other journalists.


Last three rules
   More info:

   Manipulated picture

   More manipulated pictures

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Jour203-Ethics

  • 1. Ethical photography Jour 203 Fall 2012
  • 2. The NPPA code of ethics
  • 3. Not immediately obvious  Someone noticed a difference between this
  • 4. … and this Not immediately obvious  Someone noticed a difference between this:
  • 5. Jezebel did a good animation to show the differences between the two pictures:
  • 6. “NPPA rule #1. “Be accurate and comprehensive in the representation of subjects.”  Making Faith Hill slimmer is neither accurate nor comprehensive. Is that unethical?
  • 7. The Faith Hill photos were shot in a studio. Studio shoots are staged and don’t fall under NPPA rule #2: “Resist being manipulated by staged photo opportunities.” Studio vs. Street
  • 8. Watch this example of a staged photo op. You’ll note that many of the photographers did NOT resist being manipulated and snapped away. Resist staged photo ops
  • 9. 3. Be complete and provide context when photographing or recording subjects. Avoid stereotyping individuals and groups. Recognize and work to avoid presenting one's own biases in the work. NPPA rule #3
  • 10. From a post by DivyaManian on Tiffinbox.org
  • 11. “Photographers are guilty of taking photos out of context to create impact… We rarely see good examples of photos with any real context. The context has been handed over entirely to the writer.  Extreme close-up photos have extreme impact but, out of context, may lack any story-telling ability. Relating the subject to its surroundings can help tell the story of the subject, but impact is still needed.”  (From Stanley Leary's blog) Context in photos
  • 12. 4. Treat all subjects with respect and dignity. Give special consideration to vulnerable subjects and compassion to victims of crime or tragedy. Intrude on private moments of grief only when the public has an overriding and justifiable need to see. NPPA Rule #4
  • 13. At a glance, would you say this girl was treated with respect?
  • 14. This is what the photo should have looked like.
  • 15. Someone turned the girl around to face the photographers and put the stolen frame under her arm.
  • 16. 5. While photographing subjects do not intentionally contribute to, alter, or seek to alter or influence events.  6. Editing should maintain the integrity of the photographic images' content and context. Do not manipulate images or add or alter sound in any way that can mislead viewers or misrepresent subjects. NPPA rules #5 and 6
  • 17. A long-time photographer for the Sacramento Bee took this picture…
  • 18. … and this picture…
  • 19. … and made this picture.
  • 20. He no longer works for the Sacramento Bee.  More egregious examples of photo manipulation: the technique was popular among the Soviets.  Time Magazine manipulated this shot of O.J. Simpson. Don’t manipulate images. Ever.
  • 21. 7. Do not pay sources or subjects or reward them materially for information or participation.  8. Do not accept gifts, favors, or compensation from those who might seek to influence coverage.  9. Do not intentionally sabotage the efforts of other journalists. Last three rules
  • 22. More info:  Manipulated picture  More manipulated pictures