1. DOCUMENTARY STYLES
By Jessica Perry, Paige Coles, Abbie Gumbley and Ameenah Javed

2. DIRECT CINEMA
• Style of documentary produced in 1960s.
• Came about as result of widespread availability of cheap, portable lightweight audio-visual
equipment
• Aimed at objectivity: no narrator, simply fly-on-the-wall filming of events and people, leaving
it up to the audience to draw conclusions.
• Approach is in direct contrast to the tradition of the ‘Authored Documentary’, which is
clearly the opinion of an individual.
Codes and Conventions of Direct Cinema:
• Documentaries were not to include interviews
• There were to be no rehearsals prior to filming
• No staged events or commentary
Example:
• No film lights
Gimme Shelter
(1970)
• No dissolve edits to be used

3. CINEMA VERITE
• Style of European film-making in the early 1960s using
documentary techniques such as hand-held camera to
convey life in as realistic a way as possible.
• Similar to direct cinema but CV believed that the film
makers opinions should be expressed – art as propaganda.
CV also used interviews whereas DC didn’t.
• Linked to ‘Social Realist’ tradition in fiction film.

4. INSTITUTIONAL DOCUMENTARIES
• Use direct cinema techniques to give a fly-on-thewall insight to the day-to-day workings of
hospitals, airports.
• Popular genre which is often informative, humorous
and sometimes critical in the way in which these
places of work are represented. Have given way to
the popular docusoap genre in recent years.

5. DOCUSOAPS
Take ordinary, common experience and look at it through the
eyes of the public. Are called docu-soaps because they are
similar to soap operas in terms of:
• Fast editing
• Multi-strand narratives
• Part of a series and often end on a cliffhanger ‘next week on…..’
• Emphasis on entertainment rather than instruction
• Based around personalities who often ‘play up’ to the camera,
• and talk directly to camera. They often become celebrities
themselves.
• Prominent, guiding voice-over often by an established actor
• Focus on everyday lives and problems rather than underlying social
issues
• Selective editing: some scenes are known to have been ‘set-up’
Example:
Jeremy
Spake in
Airport

6. PUBLIC AFFAIRS DOCUMENTARY
• Probably the most traditional of documentary formats –
‘Panorama’, ‘Dispatches’
• Usually shown by Public Service Broadcasting channels, eg
BBC, Channel 4, and normally investigate/explore current affairs issues.
• Can often be polemical – drawing attention to a perceived wrong and can have significant impact, for example ‘World In Action’
investigation leading to release of The Birmingham Six.
Example:
BBC’s Panarama

7. VIDEO DIARIES
• Again, descended from Direct Cinema – seen by audiences as
reliable and truthful as the subject is filming themselves.
• An off-shoot of this are the documentaries which use surveillance
technology as entertainment (infotainment), with audiences enjoying
their voyeuristic nature eg ‘Police, Camera, Action’, ‘Cops With
Cameras’
Example:
Police, Camera, A
ction

8. DRAMA DOCUMENTARIES
• These are documentaries exploring a social issue or drawing attention to a
miscarriage of justice but they are scripted and acted dramas. EG
‘Hillsborough’, ‘Roots’ (1977). Filmed equivalents would be a biog-pic such
as ‘Ghandi’
Example:
Roots

9. THEATRICAL DOCUMENTARIES
• Film documentaries released in the cinema.
• Is a tradition of cinematic documentaries about
pop stars, sport, etc (eg ‘When We Were kings’, ‘In
Bed With Madonna’)
• New trend for provocative film documentaries,
fronted by a charismatic narrator who appears on
screen eg Michael Moore ‘Farenheit 9/11’,
‘Bowling for Columbine’ or Morgan Spurlock
‘Super Size Me’.
• These are a return to the concept of the
‘Authored Documentary’, where the piece is
clearly scripted and presented as the viewpoint of
a particular individual.
Example:
Supersize Me

10. MOCKUMENTARIES
Use the documentary format for comic effect, either:
• Parodying the genre
• Parodying an area of life
• Parodying both
Example:
Borat