Pop Art reacted against high art and embraced popular culture and mass production. It developed in America and Britain in the 1950s-60s and used techniques like silkscreening to depict popular icons and commercial products. This changed the public view of what art could be by blurring the lines between high and low art. Other movements discussed include Op Art, Minimalism, performance art, and Fluxus, which incorporated new mediums and concepts that further expanded the meaning and experience of art. Key artists mentioned include Andy Warhol, Jasper Johns, Robert Rauschenberg, Roy Lichtenstein, Claes Oldenburg, and Joseph Beuys.

1. Chapter 30
What is Pop Art reacting to?
What does Pop Art do to change the public
view on art?
What is the purpose of Pop?
What does High art and Low art mean?
Where did Pop develop and where did it
become most famous?
What is a combine?
What is a silkscreen?
How do these new forms of art change the
meaning of art?
What is Op art? What is the concept in
Minimalism?
What is performance art?
Who is Fluxus

2. 30.1 Richard Hamilton,
Just what is it that makes
today's homes so different,
so appealing? , 1956

3. 30.2 Jasper Johns, Three Flags , 1958.

4. 30.3 Jasper Johns, Painted Bronze (Ale Cans) , 1960.

5. 30.4 Robert Rauschenberg,
Black Market , 1961.

6. 30.5 Robert Rauschenberg,
Retroactive I , 1963

7. 30.6 Andy Warhol,
Campbell 's Soup (Tomato) , 1968.

8. 30.7 Andy Warhol, Elvis I & II , 1964.

9. 30.8 Roy Lichtenstein , Torpedo…Los! , 1963

10. 30.9 Tom Wesselmann, Great American Nude No. 57 , 1964

11. 30.11 George Segal, Portrait of Sidney Janis with Mondrian Painting

14. 30.12 Claes Oldenburg ,
Clothespin ,
Central Square ,
Philadelphia , 1976

20. 30.13 Niki de Saint-Phalle, Black Venus, 1965–
67.

21. 30.14 Marisol Escobar, The Last Supper
(installed at the Sidney Janis Gallery ), 1982

22. 30.15 Bridget Riley, OP ART

24. 30.16 Donald Judd, Untitled , 1967.

26. 30.17 Dan Flavin, Untitled (in Honor of Harold Joachim), 3 , 1977

29. 30.18 Agnes Martin, Untitled #9 , 1990

30. 30.19 Eva Hesse, Metronomic Irregularity I , 1966.

31. 30.20 Joseph Kosuth, Art as Idea as Idea, 1966

32. 30.22 Sol LeWitt, Wall Drawing No. 681 C . A wall divided vertically into four equal
squares separated and bordered by black bands. Within each square, bands in one of
four directions, each with color ink washes superimposed , first installation, 1993

33. 30.23 Joseph Beuys, Coyote, I Like America and America Likes Me , 1974