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- 8. Lawrence: Migration of the Negro, 1940-1941
- 9. Lawrence: "They were very poor“ 1940-41
Notes de l'éditeur
- Source: Mark Hardin Artchive Lawrence, Jacob The Migration Series, Panel No. 57: "The female worker was also one of the last groups to leave the South" 1940-41 Tempera on masonite 18 x 12 in. (45.7 x 30.5 cm) The Phillips Collection, Washington
- Source: ArtsEdNet http://www.getty.edu/artsednet/resources/jacoblawrence/index.htm Jacob Lawrence United States, 1917-2000 The Studio 1977 Gouache on paper 22 x 30 in. Partial gift of Gull Industries; John H. and Ann Hauberg; Links, Seattle; and gift by exchange from the estate of Mark Tobey; Seattle Art Museum Photo credit: Paul Macapia
- Source: ArtsEdNet http://www.getty.edu/artsednet/resources/jacoblawrence/index.htm Jacob Lawrence United States, 1917-2000 Harriet Tubman series, no. 7 Harriet Tubman worked as water girl to field hands. She also worked at plowing, carting, and hauling logs. 1939-1940 Casein tempera on gessoed hardboard 12 x 17 7/8 in. Gift of the Harmon Foundation, Hampton University Museum Hampton, Virginia
- Source: ArtsEdNet http://www.getty.edu/artsednet/resources/jacoblawrence/index.htm Jacob Lawrence United States, 1917-2000 The Migration of the Negro, Panel no. 1 During the World War there was a great migration North by Southern Negroes. 1940-1941 Casein tempera on hardboard panel 18 x 12 in. The Phillips Collection, Washington, DC, Acquired 1942
- Source: Mark Hardin Artchive Lawrence, Jacob The Migration Series, Panel No. 10: "They were very poor" 1940-41 Tempera on gesso on composition board 12 x 18 in. (30.5 x 45.7 cm) The Museum of Modern Art, New York
- Robert Colescott, "A Stroll Through the Neighborhood" 1976 Source: http://www.caam.ca.gov/edu/glass.html#colescott
- John Biggers The Upper Room John Biggers African American (b. 1924) The Upper Room , 1984 Lithograph, 4' x 2' 11" Collection of the California Afro-American Museum Foundation © California Afro-American Museum Foundation
- http://www.getty.edu/artsednet/resources/Maps/hope.html Hope Street: Church Mothers, 1984 Marie Johnson-Calloway African American (b. 1920) Hope Street: Church Mothers , 1984, Mixed media, 4' x 7' 6" x 5" Collection of the California Afro-American Museum Foundation © California Afro-American Museum Foundation
- http://www.caam.ca.gov/edu/perm/saar.html Source: California Africa American Museum Many African American artists make references to ancestors from distant history. In this piece, Saar has chosen to include a photograph of a group of Nuba boys. They are covered with ash, and performing an initiation rite. Even though these youngsters are not actual ancestors of the artist, Saar plays with the idea of Africans as ancestors of all African Americans. In addition to the photograph, the artist adds objects and symbols with evocative power, such as the all-seeing eye, the hand, the lion with the human skull, the Gelede mask, the phases of the moon, the feathers, the skeletons and the hair-like fibers. With all these objects, the artist pays homage to different belief systems and, therefore, ways of seeing the world.
- http://www.caam.ca.gov/edu/perm/saar.html Source: Liberation of Aunt Jemima" 1972 Betye Saar b. 1926 African-American