Humanities 100, Coastline, Borcoman

1. Aerial view Florence, Italy: Cathedral (Duomo), Giotto's bell tower (campanile),
and the Baptistry, with the Palazzo Vecchio in the distance.
[Fig. 7.1]

2. Map: Major Italian City-States during the Renaissance.
[Fig. Map 7.1]

3. Filippo Brunelleschi. Sacrifice of Isaac, competition relief commissioned
for the doors of the Baptistery.
1401-2. Parcel-gilt bronze. 21" x 17-1/2".
Museo Nazionale del Bargello, Florence. [Fig. 7.2]

4. Lorenzo Ghiberti. Sacrifice of Isaac, competition relief
commissioned for the doors of the Baptistery.
1401-2. Parcel-gilt bronze. 21" x 17-1/2".
Museo Nazionale del Bargello, Florence. [Fig. 7.3]

5. Lorenzo Ghiberti. The Gates of Paradise, east doors of the Baptistery, Florence.
ca. 1445-48. Gilt bronze. Height: 15'.
[Fig. 7.4]

6. Lorenzo Ghiberti. The Gates of Paradise, east doors of the Baptistery, Florence:
Self-portrait.
ca. 1445-48. Gilt bronze.
[Fig. 7.5]

7. Lorenzo Ghiberti. The Gates of Paradise, east doors of the Baptistery, Florence:
The Story of Adam and Eve.
ca. 1425-37. Gilt bronze. 31-1/4" x 31-1/4".
[Fig. 7.6]

8. Lorenzo Ghiberti. The Gates of Paradise, east doors of the Baptistery, Florence:
Meeting of Solomon and Sheba.
ca. 1425-37. Gilt bronze. 31-1/4" x 31-1/4".
[Fig. 7.7]

9. Filippo Brunelleschi. Brunelleschi's Dome: Structural ribs and horizontal bands inside the
dome fabric (color drawing).
[Fig. 7.8]

10. Musical Notation: Cantus firmus melody from Dufay's Nuper rosarum flores.
[Fig. 7-MN.1]

11. Leon Battista Alberti. Alberti's perspective diagram (black and white drawing).
[Fig. 7.9]

12. Masaccio. The Tribute Money, Brancacci Chapel, Santa Maria del Carmine, Florence.
1420s. Fresco. 8' 1" x 19' 7.
Studio Mario Quattrone. [Fig. 7.10]

13. Donatello. David.
1440s. Bronze. Height: 62-1/4".
Museo Nazionale del Bargello, Florence. [Fig. 7.11]

14. Michelozzo di Bartolommeo. Palazzo Medici-Ricccardi, Florence.
Begun 1444.
[Fig. 7.12]

15. Leon Battista Alberti. Palazzo Rucellai, Florence.
1446-51.
[Fig. 7.13]

16. Sandro Botticelli. Primavera.
Early 1480s. Tempera on wood panel. 6' 8" x 10' 4".
Galleria degli Uffizi, Florence. [Fig. 7.14]

17. Luca della Robbia. Cantoria (choir or organ loft) for Florence Cathedral:
Detail, Drummers.
1433-40. Marble. 42-1/8" x 41".
Museo dell'Opera del Duomo, Florence. [Fig. 7.15]

18. Musical Notation: Typical frottola rhythm.
[Fig. 7-MN.2]

19. Leonardo da Vinci. Embryo in the Womb.
ca. 1510. Drawing, pen and brown ink. 11-3/4" x 8-1/2".
The Royal Collection, Windsor Castle, Royal Library. HIP/Art Resource, NY. [Fig. 7.16]

20. Leonardo da Vinci. Last Supper, End wall of Refectory, Santa Maria delle Grazie, Milan.
ca. 1495-98. Fresco, oil and tempera on plaster. 15' 1-1/8" x 28' 10-1/2".
[Fig. 7.17]

21. Leonardo da Vinci. Mona Lisa.
1503-15. Oil on wood panel. 30-1/4" x 21".
Musée du Louvre, Paris, France.
[Fig. 7.18]

22. Leonardo da Vinci. Vitruvian Man.
ca. 1485-90. Drawing, pen and ink. 13-1/2" x 9-5/8".
Galleria dell'Accademia, Venice. [Fig. 7.19]

23. Donato Bramante. Tempietto, San Pietro in Montorio, Rome.
1502
[Fig. 7.20]

24. Plans for Saint Peter's, Rome by (a) Donato Bramante and (b)Michelangelo.
[Fig. 7.21]

25. Michelangelo. David.
1501-4. Marble. Height: 17’ 3".
Accademia, Florence. [Fig. 7.22]

26. Michelangelo. Sistine Chapel, Vatican, Rome: Ceiling, complete view.
1508-12. Fresco. 45' x 128'.
[Fig. 7.23]

27. Michelangelo. Sistine Chapel, Vatican, Rome: Narrative program of ceiling (diagram).
[Fig. 7.24]

28. Michelangelo. Sistine Chapel, Vatican, Rome: Creation of Adam.
1510. Fresco.
[Fig. 7.25]

29. Michelangelo. Studies for the Libyan Sibyl, for Sistine Chapel ceiling.
ca. 1510. Drawing, red chalk. 11-3/8" x 8-7/16".
[Fig. 7.26]

30. Michelangelo. Sistine Chapel, Vatican, Rome: Libyan Sibyl.
1512. Fresco.
[Fig. 7.27]

31. View into the Stanza della Segnatura, Vatican, Rome.
1510-11.
[Fig. 7-CL.1]

32. Raphael. School of Athens, in the Stanza della Segnatura, Vatican, Rome.
1510-11. Fresco.
[Fig. 7-CL.2]

33. Raphael. Pope Leo X with Cardinals Giulio de’ Medici and Luigi de’ Rossi.
1517. 60-1/2" x 47".
Galleria degli Uffizi, Florence. [Fig. 7.28]

34. Josquin des Prez. Musical score, opening bars of Josquin des Prez’s Pange lingua Mass.
After 1513.
[Fig. 7.29]

35. Vittore Carpaccio. The Lion of St. Mark.
1516. Oil on canvas. 4' 6-3/4" x 12' 1".
Doge’s Apartments, Doge’s Palace, Venice. [Fig. 7.30]

36. Map: Venice and the Venetian Terraferma, the Venetian-controlled mainland,
at the end of the fifteenth century.
[Fig. Map 7.2]

37. View of the Doge's Palace, Venice, with St. Mark's Cathedral at left.
Begun 1340.
[Fig. 7.31]

38. Giovanni and Bartolomeo Bon. The Ca’ d’Oro (“House of Gold”), Contarini Palace, Venice.
1421-37.
[Fig. 7.32]

39. Giorgione. Tempest.
ca. 1509. Oil on canvas. 31-1/4" x 28-3/4".
Galleria dell’Accademia, Venice. [Fig. 7.33]

40. Titian. Sacred and Profane Love.
ca. 1514. Oil on canvas. 46-1/2" x 109-7/8".
Galleria Borghese, Rome. [Fig. 7.34]

41. Titian. Reclining Nude (Venus of Urbino).
ca. 1538. Oil on canvas. 47" x 65".
Galleria degli Uffizi, Florence. [Fig. 7.35]

42. Andrea Palladio. Villa La Rotonda, near Vicenza, Italy.
Begun 1560s.
[Fig. 7.36]

43. Thomas Jefferson. Monticello, Charlottesville, VA.
1770–1784, 1796–1806.
[Fig. 7.37]