Findings And Recommendations

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fordseducation

Ways to use technology to engage and educate at Ford's.

Technologie Voyages

Findings and Recommendations Learning in Museums Seminar: Technology, Interpretation and Learning in Museums Minneapolis and St. Paul, MN June 2008

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[object Object],[object Object],[object Object],[object Object],Overview of Technological Entry Points continued Dolphin Oracle at the Walker Arts Center—artificial intelligence as art!

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[object Object],The public was invited to submit photos for an exhibition on “Brooklyn’s Changing Face.” Once the deadline passed, the public was then invited to visit the museum’s website to “judge” the submissions. The photos were installed in the gallery with the size of each photo corresponding to its “score.”

Virtual Reality ,[object Object],Land of Lincoln in Second Life USHMM-sponsored talk on Darfur to take place in Second Life

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Video Reflection Booth at MN 150 Exhibit MN Historical Society Visitors can record their response to “What would you add to MN 150?” and watch their video (as well as others’) on the back of the booth.

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A (Surprisingly) Good Model: The Shakespeare Theatre Company’s Digital Shakespeare ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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Contenu connexe

En vedette

Módulo 2.3 proceso de enseñanza aprendizaje

Formación, Orientación e Innovación Educativa

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Programación Cursos Formación para el Empleo

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En la sociedad del conocimiento en que vivimos, el factor de producción del conocimiento es el aprendizaje. No hay habilidad más importante que aprender. Aprender para adaptarse al cambio, para innovar, en definitiva, para sobrevivir.Y los principales responsables, no ya de enseñar, sino de instalar en sus alumnas y alumnos el amor y la pasión por aprender, son los profesores y las profesoras. Los y las profesoras ya no son los depositarios del conocimiento, sino que van a tener que especializarse en aquello en que sean mejores que los ordenadores. La tecnología NO es el ordenador, es lo que HACES con el ordenador. La motivación es la energía del aprendizaje. En las aulas actuales, tal vez haya poco diálogo y demasiado monólogo. Cuanto más habla un o una docente, menos aprenden sus alumnas y alumnos. Cada departamento del centro dispondrá de una programación única por módulo profesional, que será desarrollada colegiadamente por los profesores y por las profesoras pertenecientes a la especialidad del profesorado a la que se asigna la impartición del mismo. Dicha programación será de aplicación en todos los grupos y por todos los profesores y profesoras a quienes les sea encargada su impartición. Corresponderá a cada profesor o profesora del equipo docente del ciclo formativo la adecuación y contextualización de la programación común a las circunstancias y características del grupo en el que tenga que ser desarrollada la misma.

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Esquema de la programación didáctica a llevar a cabo para la impartición del certificado de profesionalidad (Formación profesional para el empleo) de "Docencia de la Formación profesional para el empleo". NOTA 19/01/2021: Después de casi seis años de este recurso, a día de hoy haría las cosas de manera diferente a partir de la experiencia que he ido ganando como formador en estos seis años. Introduciría más casos prácticos, más análisis de ejemplos reales en el aula, reflexiones y debates, análisis de recursos didácticos, etc., de forma que estuviera más ajustado para desarrollar las capacidades del alumnado según lo establecido en el Boletín Oficial del Estado. Dejo este recurso a modo de curiosidad, pero yo algunas de las actividades podría venir bien para alguna tutoría presencial. Me acordé de él porque una persona me lo mencionó y decidí consultarlo. Si alguien desea más información sobre diferentes ideas para actividades a hacer en el aula, que se ponga en contacto conmigo.

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En vedette (13)

Módulo 2.3 proceso de enseñanza aprendizaje

Programación Cursos Formación para Empleo

Modulo 2 3 docente universitario

Tema 13 Aprendizaje Colaborativo.

Programación Cursos Formación para el Empleo

Proceso y metodo para la programacion y elaboracion de UU.DD de un modulo pro...

Taller de curriculo

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Presentación Certificado de profesionalidad "Docencia de la formación profesi...

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Similaire à Findings And Recommendations

After the heroism, collaboration: Organizational learning & the mobile space

Stephanie Pau

Design for Mobile Workshop

Nancy Proctor

The eyes want to have it: Multimedia Handhelds in the Museum (an evolving story)

Peter Samis

Closing keynote given at the Museum Educators of Southern California Summer Workshop on June 25, 2010. It starts with a nod to John Seely Brown and his wisdom about solution confusion in rapidly changing technological times, then explores the boundaries between traditionally siloed museum departments that are merging/under threat in this new environment. From there a brief history of the role for new media interpretation in museums (art and otherwise), a summary of the Visual Velcro idea, and the role of mobile multimedia in supplying hooks to the hookless. Finally a summary of "Making Sense of Modern Art Mobile," and the implications of taking on publication and distribution of a mobile tour in-house. Ends with future plans and questions about the integration of social media in such publications.

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A presentation from Museums and the Web 2010. Acknowledging that the only constant in technology is change, this paper proposes ways of ‘thinking outside the audio tour box’ in developing mobile interpretation programs in museums: instead of making mobile interpretation a question of which device, platform, or app the museum should invest in, it puts the focus on cross-platform content and experience design.Putting audiences at the center of museums’ mobile content and experience designs make it possible to engage them through the media consumption practices and platforms that they already use outside of the museum. Based on research conducted at the Smithsonian American Art Museum, the Indianapolis Museum of Art, and with the principals of SmartHistory.org, this paper offers a ‘question-based’ methodology for developing an interpretive strategy that starts with mapping visitors’ queries in the galleries. From this conceptual map we can derive a matrix of platforms, media, and narrative voices that work cross-platform. The traditional audio tour, with its analog ‘linear’ content and random access ‘stops’, offers important paradigms for ‘mobile 2.0’ content design: on the one hand, conceptual overviews and immersive ‘soundtracks’ provide a ‘score’ for the museum experience, and on the other hand, ‘soundbites’ in a range of media (audio, multimedia, or text) can be searched, saved, shared and favorited in multiple contexts. From social media, we can also learn how to integrate links, apps and user-generated content into the mobile mix. Finally, the paper considers how content style impacts shelf-life. What is the enduring legacy of creating ‘quick & dirty’ interpretive ‘snacks’ versus investing in more nutritional fare? How can museums best allocate their mobile content budgets in this light? Session: Mobiles: A Panel [mobile] see http://www.archimuse.com/mw2010/abstracts/prg_335002342.html

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Digital Outdoors - The Arts Catalyst ISAN 13 Nov 2014

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Digital + Community: what works and how do I build a strategy around this? Working with community and digital experiences requires a lot of thinking through. You need to consider what the actual experience it is that you are trying to deliver and how your community can participate with you and your content. Using the latest technology is not enough, there needs to be a strategy behind why you are doing the initiative in the first place. This talk will discuss many digital experiences the Powerhouse Museum has conceived of and delivered utilising a strategy and different technologies and plaftorms behind each experience. Successes and some failures will be shared.

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Presented in London at Tate Modern's symposium, "Museums & Mobiles in the Age of Social Media," on Sept. 7, 2010. Talks about the explosion of the old single provider audio tour model in the face of apps, museums assuming a greater role in their own mobile content creation, and some visitors (though by no means all) wanting to use their own personal devices. How will museums bring their mobile multimedia interpretation to a broader public than the ones who own iPhones? Suggests opportunity spaces born of the disruption in this field.

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The value of a flexible API Management solution for Open Banking Steve Melan, Manager for IT Innovation and Architecture - State's and Saving's Bank of Luxembourg Apidays New York 2024: The API Economy in the AI Era (April 30 & May 1, 2024) ------ Check out our conferences at https://www.apidays.global/ Do you want to sponsor or talk at one of our conferences? https://apidays.typeform.com/to/ILJeAaV8 Learn more on APIscene, the global media made by the community for the community: https://www.apiscene.io Explore the API ecosystem with the API Landscape: https://apilandscape.apiscene.io/

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The microservices honeymoon is over. When starting a new project or revamping a legacy monolith, teams started looking for alternatives to microservices. The Modular Monolith, or 'Modulith', is an architecture that reaps the benefits of (vertical) functional decoupling without the high costs associated with separate deployments. This talk will delve into the advantages and challenges of this progressive architecture, beginning with exploring the concept of a 'module', its internal structure, public API, and inter-module communication patterns. Supported by spring-modulith, the talk provides practical guidance on addressing the main challenges of a Modultith Architecture: finding and guarding module boundaries, data decoupling, and integration module-testing. You should not miss this talk if you are a software architect or tech lead seeking practical, scalable solutions. About the author With two decades of experience, Victor is a Java Champion working as a trainer for top companies in Europe. Five thousands developers in 120 companies attended his workshops, so he gets to debate every week the challenges that various projects struggle with. In return, Victor summarizes key points from these workshops in conference talks and online meetups for the European Software Crafters, the world’s largest developer community around architecture, refactoring, and testing. Discover how Victor can help you on victorrentea.ro : company training catalog, consultancy and YouTube playlists.

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Tracing the root cause of a performance issue requires a lot of patience, experience, and focus. It’s so hard that we sometimes attempt to guess by trying out tentative fixes, but that usually results in frustration, messy code, and a considerable waste of time and money. This talk explains how to correctly zoom in on a performance bottleneck using three levels of profiling: distributed tracing, metrics, and method profiling. After we learn to read the JVM profiler output as a flame graph, we explore a series of bottlenecks typical for backend systems, like connection/thread pool starvation, invisible aspects, blocking code, hot CPU methods, lock contention, and Virtual Thread pinning, and we learn to trace them even if they occur in library code you are not familiar with. Attend this talk and prepare for the performance issues that will eventually hit any successful system. About authorWith two decades of experience, Victor is a Java Champion working as a trainer for top companies in Europe. Five thousands developers in 120 companies attended his workshops, so he gets to debate every week the challenges that various projects struggle with. In return, Victor summarizes key points from these workshops in conference talks and online meetups for the European Software Crafters, the world’s largest developer community around architecture, refactoring, and testing. Discover how Victor can help you on victorrentea.ro : company training catalog, consultancy and YouTube playlists.

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