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the dynamics of collaboration… ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
the ubiquity of creativity and collaboration discourses ,[object Object],[object Object],[object Object],[object Object]
collaboration = conversation?
collaboration = conversation ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
communication = collaboration? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
making work together
making work in the arts Integrative work: technological, embodied, kinaesthetic, feeling, communicative Raymond Williams: culture as ‘structures of feeling’ Two dynamics: ever increasing and highly visible social inequalities AND Exhortation to collaborate, participate – but on whose terms?  The arts as a means of expression – identity – social and political Corporations need constant flow of creative content: brand/image sells products: spectacular capitalism. Conflation of corporate capitalism/individual expression – are there any autonomous spaces? Can markets provide all the solutions?
characteristics of creative industries ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Creative spaces and places? ,[object Object],[object Object],[object Object],[object Object],[object Object]
 
the ‘creative city’ ,[object Object]
innovation as economic driver, arts as regenerator, diversity as public good ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Then….
dealing with risk and uncertainty ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
artists’ organisations; media co-ops; cultural enterprises
artists as innovators ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
creative spaces and places ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
macro issues ,[object Object],[object Object],[object Object],[object Object],[object Object]
 
micro issues ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Some dilemmas ,[object Object],[object Object],[object Object],[object Object]
 
..follow up ,[object Object],[object Object],[object Object],[object Object]

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Collaboration

  • 1.  
  • 2.
  • 3.  
  • 4.
  • 6.
  • 7.
  • 9. making work in the arts Integrative work: technological, embodied, kinaesthetic, feeling, communicative Raymond Williams: culture as ‘structures of feeling’ Two dynamics: ever increasing and highly visible social inequalities AND Exhortation to collaborate, participate – but on whose terms? The arts as a means of expression – identity – social and political Corporations need constant flow of creative content: brand/image sells products: spectacular capitalism. Conflation of corporate capitalism/individual expression – are there any autonomous spaces? Can markets provide all the solutions?
  • 10.
  • 11.
  • 12.  
  • 13.
  • 14.
  • 16.
  • 17. artists’ organisations; media co-ops; cultural enterprises
  • 18.
  • 19.
  • 20.
  • 21.  
  • 22.
  • 23.
  • 24.  
  • 25.