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the dynamics of collaboration… ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
the ubiquity of creativity and collaboration discourses ,[object Object],[object Object],[object Object],[object Object]
collaboration = conversation?
collaboration = conversation ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
communication = collaboration? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
making work together
making work in the arts Integrative work: technological, embodied, kinaesthetic, feeling, communicative Raymond Williams: culture as ‘structures of feeling’ Two dynamics: ever increasing and highly visible social inequalities AND Exhortation to collaborate, participate – but on whose terms?  The arts as a means of expression – identity – social and political Corporations need constant flow of creative content: brand/image sells products: spectacular capitalism. Conflation of corporate capitalism/individual expression – are there any autonomous spaces? Can markets provide all the solutions?
characteristics of creative industries ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Creative spaces and places? ,[object Object],[object Object],[object Object],[object Object],[object Object]
 
the ‘creative city’ ,[object Object]
innovation as economic driver, arts as regenerator, diversity as public good ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Then….
dealing with risk and uncertainty ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
artists’ organisations; media co-ops; cultural enterprises
artists as innovators ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
creative spaces and places ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
macro issues ,[object Object],[object Object],[object Object],[object Object],[object Object]
 
micro issues ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Some dilemmas ,[object Object],[object Object],[object Object],[object Object]
 
..follow up ,[object Object],[object Object],[object Object],[object Object]

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  • 9. making work in the arts Integrative work: technological, embodied, kinaesthetic, feeling, communicative Raymond Williams: culture as ‘structures of feeling’ Two dynamics: ever increasing and highly visible social inequalities AND Exhortation to collaborate, participate – but on whose terms? The arts as a means of expression – identity – social and political Corporations need constant flow of creative content: brand/image sells products: spectacular capitalism. Conflation of corporate capitalism/individual expression – are there any autonomous spaces? Can markets provide all the solutions?
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  • 17. artists’ organisations; media co-ops; cultural enterprises
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