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Creative City Networks: 
their role supporting creative talent in Scotland 
Creative City 
Networks 
#CreativeCities14
Reaching 
markets 
Cross-sector 
collaborating 
Finding local 
opportunities 
+ studio space 
Reducing 
budgets 
R+D 
investment 
Professional 
development Demonstrating 
value 
Enterprise / 
leadership 
skills 
Showcasing 
work 
Challenges 
Having voice 
heard 
Linking to 
strategy + 
policy 
Open 
data 
Cultural 
offer 
Job 
creation 
Skills 
development 
Reducing 
budgets 
Economic/ 
innovation-led 
growth 
High street 
regeneration 
Citizen 
engagement 
Local, national 
+ international reach 
More ‘open’, 
more ‘digital’, 
more ‘connected’ 
City 
Retaining + 
attracting 
talent 
Urban planning, 
infrastructure 
Creative 
Tourism
Reaching 
markets 
Cross-sector 
collaborating 
Creative City 
Finding local 
opportunities 
+ studio space 
Reducing 
budgets 
R+D 
investment 
Professional 
development Demonstrating 
value 
Enterprise / 
leadership 
skills 
Showcasing 
work 
Networks 
Having voice 
heard 
Linking to 
strategy + 
policy 
Open 
data 
Cultural 
offer 
Job 
creation 
Reducing 
budgets 
Economic/ 
innovation-led 
growth 
High street 
regeneration 
Citizen 
engagement 
Tourism 
Local, national 
+ international reach 
More ‘open’, 
more ‘digital’, 
more ‘connected’ 
Retaining + 
attracting 
talent 
Skills 
development 
Urban planning, 
infrastructure
! 
No one acting as a city-wide platform 
to connect, support and amplify creative talent.
M L 
p: 147,000 p: 495,000 
S 
p: 41,000 
Est: 2012 Est: 2013 Est: 2011 
Network strength:! 
! 
PHYSICAL 
Network strength:! 
! 
DIGITAL 
Network strength:! 
! 
MOBILE
Gillian Easson, Director, www.creativedundee.com 
@gillianeasson + @creative_dundee 
Creating opportunities for creatives to base, grow and 
sustain their practice, in and around the city
Creative Dundee connects creative talent with 
opportunities and amplifies the city’s creative pulse by: 
! 
Encouraging collaboration and networking to develop the 
local creative and cultural sectors. 
! 
Increasing awareness of the creative and cultural scene, 
within and outwith the sectors and city. 
! 
Acting as a partner and broker to impact positively on 
communities, the city and the local economy.
2008 
Blog 
launch 
2011 
PKN 1 
xmas party 
2012 
PKN 2,3,4 
IncorpoRated 
xmas party 
2013 
Constituted 
PKN 5,6,7 
City of Culture 
We Dundee 
Mid Week Meet 
TMWK 
Partnerships 
2014 
PKN 8, 9 
Eurocities 
CityLogo 
Metro.co.uk 
EKOS report 
CS review 
Stop, Collab + Celeb. 
event 
Screen in 
Square
Online platform 
Key activity: curating, promoting and providing information on local creatives/ 
opps/events. Top audience locations - Dundee, London, Edinburgh, Glasgow. 
Active social media usage.
Pecha Kucha Night Dundee 
Quarterly events - showcase local scene, low barrier to entry. 200 - 300 people 
attend from all backgrounds. In 2 years: 2,250 attendees, over 100 speakers, 
videos presentations have reached an extra 10,000 people. Grab the mic slot.
Professional opportunities for 
local creatives 
Managed the call for the designer 
of V&A Dundee’s first public 
engagement campaign - Living 
Room for the City. 
History of securing paid 
opportunities for local creatives 
through partnership projects and 
events. 
A small but important way of 
spotting, commissioning and 
highlighting new, local talent.
Online platform which crowded together views and ideas 
for the city’s future, from over 3,800 people. The aim? 
To co-curate future cultural projects and share citizen pride. 
Strategic partnerships: 
City: Part of the cultural strategy group; Cultural Agencies Network; UK City of 
Culture bid group. Nationally: Orgs keen to work locally. 
Broker between public sector and creative sector.
Screen in the Square 
Open call for films, animations, music videos, short documentaries to be 
screened in City Square, during Commonwealth Games on eve of 24 July.
What next for Creative Dundee? 
- Digital shopfront for city’s creativity 
- Supporting and growing creative practice 
- Choreographed collisions - innov/collab 
- Missing link between strategy and action 
! 
! 
The challenge? 
Sustainability. Limited short 
term funding, uncertain 
business model during city’s 
transition.
Janine Matheson, Director 
www.creative-edinburgh.com 
@janinematheson @CreativeEdin #creativecities14 
We connect, inspire and promote the 
creative & cultural community of Edinburgh.
the catalyst 
CEC Economic Development: People, Place & Pound Strategy 
Stakeholder workshop and further consultation 2010 
Launched November 2011
community & membership 
Our culture: inclusive, supportive and collaborative 
Online & Annual subscriptions, currently 1,176 members [sector data and industry insights] 
Everything we do is driven by what our members tell us is important to them 
Students & 
graduates 
Freelancers 
& businesses 
Practitioners, 
employees & 
organisations 
visual art 
architecture 
Fashion & 
textiles 
storytelling 
music 
marketing 
games product design 
performance 
advertising 
dance 
film & tv 
heritage 
literature 
digital 
CGI, motion 
graphics 
illustration 
craft 
PR 
social media 
photography 
Software & tech 
education
what we do 
Developing your skills [through events, surgeries, reviews, mentoring & signposting] 
Growing your business [through networking, industry partnerships & matchmaking] 
Promoting your business [website, awards, pitch videos & members interviews] 
Making your voice heard [steering group, EBF, Cultural Partnership, CEC]
our digital voice 
CE website is a platform to signpost, highlight opportunities and other Edinburgh happenings 
Tailored content on each social platform to reflect differences in engagement 
Monthly newsletter highlighting jobs, opps, member interview
trade missions 
In March 2013 with CEC Economic Development, Napier and CE w/ 8 creative and digital companies. 
Creative Capital Gains strategy, Study visits, Interactive Ontario, Pinewood / Sheridan College 
Knowledge transfer, international connections and business opportunities.
partnerships & collaboration 
we can achieve more by working with others - public, private, academic.
key priorities 
• Visibility & communication 
• Model sustainability 
• Implementation of our [new dialogues] pilot 
• New web presence (September 2014) 
• International opportunities: China Trade 
Mission, Nov 2014 
• Creative Exchange collaboration (2014-15)
Creative City Network Review (Apr 2014)! 
! 
Creative Scotland commissioned EKOS to study the impact of 
Creative Dundee, Creative Edinburgh and Creative Stirling. Each 
is independent, but offers similar services.! 
! 
EKOS’s review involved:! 
• Online surveys with each network ! 
• Stakeholder interviews! 
• Focus group sessions! 
• Attendance at city events! 
• Review of our background info
Reasons for engaging with the networks: 
Meet Likeminded People 
Gain Industry Contacts 
Engage in Cross Discipline Networking 
Develop Collaborations 
Promote / Advertise Business or Practice 
Gain Industry Knowledge 
Access Peer Support 
Access/Signposted to Sources of Support 
Develop Skills Capacity 
Access Business Start Up Information 
Other 
5% 
4% 
3% 
22% 
19% 
23% 
25% 
23% 
23% 
38% 
34% 
32% 
47% 
46% 
44% 
45% 
50% 
47% 
43% 
42% 
65% 
65% 
60% 
59% 
61% 
58% 
85% 
84% 
81% 
22% 
16% 
47% 
91% 
0% 25% 50% 75% 100% 
Creative Stirling Creative Dundee Creative Edinburgh
Impacts - now and in the future: 
Improved local knowledge of creative activity 
Increased willingness to be located within the city 
Greater confidence to develop/ grow practice in city 
Increased number of industry contacts 
Greater understanding of support available to you 
Greater exposure to wider audiences 
Enhanced levels of innovation 
Developed collaboration activity 
Enhanced market knowledge 
Improved business brand or improved marketing 
Enhanced business skills 
Entered or grew in Scottish markets 
Brought new products to market 
Entered or grew in international markets 
23% 
29% 
36% 
36% 
36% 
36% 
33% 
31% 
30% 
24% 
26% 
26% 
36% 
14% 
29% 
23% 
19% 
21% 
13% 
16% 
16% 
16% 
18% 
19% 
19% 
13% 
19% 
19% 
43% 
41% 
13% 
16% 
32% 
57% 
55% 
55% 
53% 
52% 
48% 
32% 
39% 
32% 
29% 
76% 
16% 
29% 
29% 
9% 
9% 
16% 
13% 
6% 
6% 
10% 
7% 
3% 
14% 
28% 
26% 
15% 
25% 
17% 
25% 
21% 
30% 
21% 
34% 
38% 
43% 
45% 
48% 
21% 
63% 
26% 
31% 
43% 
29% 
36% 
43% 
24% 
38% 
24% 
14% 
0% 25% 50% 75% 100% 
Creative Stirling Now Creative Stirling Future 
Creative Dundee Now Creative Dundee Future 
Creative Edinburgh Now Creative Edinburgh Future
Creative Stirling 
! 
Business impacts: 
! 
33% reported experiencing a positive impact on their 
business, of these: 
43% reported increased profitability 
43% predicted future increased profitability 
50% predicted increased turnover. 
! 
Satisfaction with support was high with all aspects of support 
receiving a rating of 50% or greater i.e. very good/good. 
! 
Social impacts: 
! 
• Attendees believed Creative Stirling has helped to break down barriers 
within Stirling, allowing more people to access the creative industries. 
! 
• Personal benefits were also reported, such as increased skills and 
capacity, increased motivation, and gained self-confidence. 
Above: Results from 44 completed online surveys and focus group of 17 attendees
Creative Dundee 
! 
Collaboration and community: 
“Creative Dundee has had a positive impact on the creative sector in Dundee” 
94% Said ‘Yes’ 
! 
Ability as either ‘good’ or ‘very good’ in: 
82% Enabling creative industry connections between individuals. 
79% Enabling connections between orgs within/outwith creative industries. 
79% Encouraging interdisciplinary collaborations. 
! 
Creative Dundee is having a positive impact on the perception of Dundee as a 
creative city within and outwith Dundee: 
89% Within the city 63% Outwith Dundee 
! 
• Influential catalyst for the increase in the profile and perception of Dundee, the 
city as a whole. 
! 
• Played a role in the retention of talent within the city, more people choosing to 
remain, or move to Dundee to access opportunities. 
Above: Results from the 80 completed online surveys and stakeholder interviews
Creative Edinburgh 
! 
Network culture and connections: 
! 
81% Gain industry contacts 
65% Engage in cross-discipline networking 
65% Develop collaborations 
! 
• The mobile nature of the network allows flexibility - to use, highlight and 
connect in different spaces across the city. 
! 
• The culture of the network and the events were also reported positively - 
inclusive, honest and open. People are not afraid to voice their ideas or 
collaborate with others. Passion and dedication of the staff reported as a key 
strength, the staff go ‘above and beyond’ and are proactive in their approach.
The impacts of the three networks: ! 
! 
The three networks are providing valuable benefits and opportunities for cross-sector 
networking and facilitating collaboration across disciplines:! 
! 
• Networking is an essential means of facilitating collaboration! 
! 
• Innovation drives growth and development in the creative industries! 
! 
• The creative industries congregate at regional rather than national levels! 
! 
Clearly the networks are achieving impacts by creating the opportunities for knowledge 
sharing, peer learning, support and collaboration. They are undoubtedly raising the 
profile of the sectors within the cities, and with civic authorities. ! 
! 
This has the potential to create wider profile benefits for each city, as well as helping 
to boost regeneration efforts through more effective and enlightened use of 
culture and creativity in urban renewal.
Summary of conclusions:! 
! 
• all have successfully built a profile and positive reputation within their 
communities and have done so through an approach that is closely connected 
and inclusive;! 
! 
• they are delivering key benefits to participating businesses and practitioners by 
building the collaborative capacity of the sector in each city;! 
! 
• they are also supporting stronger relationships between the sector and the 
public sector, and are a valuable route into the sector for these partners;! 
! 
• all are under resourced, and there is a need to stabilise operations and ensure 
that staff resources are adequate;! 
! 
• there is potential for future growth, but this should be managed such that it 
retains the core value of the networks, and extends their reach into the areas 
identified above; and! 
! 
• clearer objectives and measures of success are now required to evidence the 
value of the projects and provide a robust case for ongoing support.
Important network characteristics:! 
! 
Networks should work closely with their local creative community to identify 
their priorities.! 
! 
Leadership from the sector is essential - networks should be led and owned by 
the sector itself and not developed by the public sector on behalf of the creative 
community – the bottom-up approach has proved its value.! 
! 
Networking should appear informal, yet confirm to high quality standards.! 
! 
Digital engagement is very effective and must be of a high quality.! 
! 
A broad and inclusive approach is valuable as it brings multiple perspectives 
to the network and encourages the kinds of less predictable collaborations from 
which innovation often arises.! 
! 
Strong partnership is essential – both with the civic authorities and with other 
support providers.
Future development of the networks:! 
! 
All 3 networks need to consolidate and stabilise their initial set-up time. 
Stretched in terms of resources, need to evolve financial models:! 
! 
• Important that the networks are fully embedded within their cities and 
with the civic authorities. The networks provide a voice for the creative 
sector in their respective cities, and create benefit for those cities. ! 
! 
• Creative Scotland has a role in helping to enable the embedding of 
the networks in each city by voicing the importance of the creative 
community at a city level. ! 
! 
• Needs careful balance between ‘hands off’ approach and more target 
driven path.
Cultural Scenes and Creative Clusters 
! 
“ Although cultural maps help to locate clusters of artists and cultural 
organizations, it is important to also consider what lies behind the map – 
the ongoing, day-to-day activities of artists and cultural participants: 
creation, expression, criticism, discussion, performance, appreciation and 
enjoyment. Places where these occur in sufficient density, depth, and 
intensity acquire special qualities. 
! 
They become scenes. Vibrant scenes bring tremendous social and 
economic benefits to Toronto. They need to be preserved and grown. ” 
! 
Daniel Silver, Department of Sociology, University of Toronto: 
Quote from Toronto’s Creative Capital Gains report: http://bit.ly/VThXTA
Contacts:! 
! 
Joe Hall, Creative Stirling! 
joe@creativestirling.org ! 
! 
Gillian Easson, Creative Dundee! 
gillian@creativedundee.com! 
! 
Janine Matheson, Creative Edinburgh! 
janine@creative-edinburgh.com!

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Creative City Networks Review Session

  • 1. Creative City Networks: their role supporting creative talent in Scotland Creative City Networks #CreativeCities14
  • 2. Reaching markets Cross-sector collaborating Finding local opportunities + studio space Reducing budgets R+D investment Professional development Demonstrating value Enterprise / leadership skills Showcasing work Challenges Having voice heard Linking to strategy + policy Open data Cultural offer Job creation Skills development Reducing budgets Economic/ innovation-led growth High street regeneration Citizen engagement Local, national + international reach More ‘open’, more ‘digital’, more ‘connected’ City Retaining + attracting talent Urban planning, infrastructure Creative Tourism
  • 3. Reaching markets Cross-sector collaborating Creative City Finding local opportunities + studio space Reducing budgets R+D investment Professional development Demonstrating value Enterprise / leadership skills Showcasing work Networks Having voice heard Linking to strategy + policy Open data Cultural offer Job creation Reducing budgets Economic/ innovation-led growth High street regeneration Citizen engagement Tourism Local, national + international reach More ‘open’, more ‘digital’, more ‘connected’ Retaining + attracting talent Skills development Urban planning, infrastructure
  • 4. ! No one acting as a city-wide platform to connect, support and amplify creative talent.
  • 5. M L p: 147,000 p: 495,000 S p: 41,000 Est: 2012 Est: 2013 Est: 2011 Network strength:! ! PHYSICAL Network strength:! ! DIGITAL Network strength:! ! MOBILE
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  • 15. Gillian Easson, Director, www.creativedundee.com @gillianeasson + @creative_dundee Creating opportunities for creatives to base, grow and sustain their practice, in and around the city
  • 16. Creative Dundee connects creative talent with opportunities and amplifies the city’s creative pulse by: ! Encouraging collaboration and networking to develop the local creative and cultural sectors. ! Increasing awareness of the creative and cultural scene, within and outwith the sectors and city. ! Acting as a partner and broker to impact positively on communities, the city and the local economy.
  • 17. 2008 Blog launch 2011 PKN 1 xmas party 2012 PKN 2,3,4 IncorpoRated xmas party 2013 Constituted PKN 5,6,7 City of Culture We Dundee Mid Week Meet TMWK Partnerships 2014 PKN 8, 9 Eurocities CityLogo Metro.co.uk EKOS report CS review Stop, Collab + Celeb. event Screen in Square
  • 18. Online platform Key activity: curating, promoting and providing information on local creatives/ opps/events. Top audience locations - Dundee, London, Edinburgh, Glasgow. Active social media usage.
  • 19. Pecha Kucha Night Dundee Quarterly events - showcase local scene, low barrier to entry. 200 - 300 people attend from all backgrounds. In 2 years: 2,250 attendees, over 100 speakers, videos presentations have reached an extra 10,000 people. Grab the mic slot.
  • 20. Professional opportunities for local creatives Managed the call for the designer of V&A Dundee’s first public engagement campaign - Living Room for the City. History of securing paid opportunities for local creatives through partnership projects and events. A small but important way of spotting, commissioning and highlighting new, local talent.
  • 21. Online platform which crowded together views and ideas for the city’s future, from over 3,800 people. The aim? To co-curate future cultural projects and share citizen pride. Strategic partnerships: City: Part of the cultural strategy group; Cultural Agencies Network; UK City of Culture bid group. Nationally: Orgs keen to work locally. Broker between public sector and creative sector.
  • 22. Screen in the Square Open call for films, animations, music videos, short documentaries to be screened in City Square, during Commonwealth Games on eve of 24 July.
  • 23. What next for Creative Dundee? - Digital shopfront for city’s creativity - Supporting and growing creative practice - Choreographed collisions - innov/collab - Missing link between strategy and action ! ! The challenge? Sustainability. Limited short term funding, uncertain business model during city’s transition.
  • 24. Janine Matheson, Director www.creative-edinburgh.com @janinematheson @CreativeEdin #creativecities14 We connect, inspire and promote the creative & cultural community of Edinburgh.
  • 25. the catalyst CEC Economic Development: People, Place & Pound Strategy Stakeholder workshop and further consultation 2010 Launched November 2011
  • 26. community & membership Our culture: inclusive, supportive and collaborative Online & Annual subscriptions, currently 1,176 members [sector data and industry insights] Everything we do is driven by what our members tell us is important to them Students & graduates Freelancers & businesses Practitioners, employees & organisations visual art architecture Fashion & textiles storytelling music marketing games product design performance advertising dance film & tv heritage literature digital CGI, motion graphics illustration craft PR social media photography Software & tech education
  • 27. what we do Developing your skills [through events, surgeries, reviews, mentoring & signposting] Growing your business [through networking, industry partnerships & matchmaking] Promoting your business [website, awards, pitch videos & members interviews] Making your voice heard [steering group, EBF, Cultural Partnership, CEC]
  • 28. our digital voice CE website is a platform to signpost, highlight opportunities and other Edinburgh happenings Tailored content on each social platform to reflect differences in engagement Monthly newsletter highlighting jobs, opps, member interview
  • 29. trade missions In March 2013 with CEC Economic Development, Napier and CE w/ 8 creative and digital companies. Creative Capital Gains strategy, Study visits, Interactive Ontario, Pinewood / Sheridan College Knowledge transfer, international connections and business opportunities.
  • 30. partnerships & collaboration we can achieve more by working with others - public, private, academic.
  • 31. key priorities • Visibility & communication • Model sustainability • Implementation of our [new dialogues] pilot • New web presence (September 2014) • International opportunities: China Trade Mission, Nov 2014 • Creative Exchange collaboration (2014-15)
  • 32. Creative City Network Review (Apr 2014)! ! Creative Scotland commissioned EKOS to study the impact of Creative Dundee, Creative Edinburgh and Creative Stirling. Each is independent, but offers similar services.! ! EKOS’s review involved:! • Online surveys with each network ! • Stakeholder interviews! • Focus group sessions! • Attendance at city events! • Review of our background info
  • 33. Reasons for engaging with the networks: Meet Likeminded People Gain Industry Contacts Engage in Cross Discipline Networking Develop Collaborations Promote / Advertise Business or Practice Gain Industry Knowledge Access Peer Support Access/Signposted to Sources of Support Develop Skills Capacity Access Business Start Up Information Other 5% 4% 3% 22% 19% 23% 25% 23% 23% 38% 34% 32% 47% 46% 44% 45% 50% 47% 43% 42% 65% 65% 60% 59% 61% 58% 85% 84% 81% 22% 16% 47% 91% 0% 25% 50% 75% 100% Creative Stirling Creative Dundee Creative Edinburgh
  • 34. Impacts - now and in the future: Improved local knowledge of creative activity Increased willingness to be located within the city Greater confidence to develop/ grow practice in city Increased number of industry contacts Greater understanding of support available to you Greater exposure to wider audiences Enhanced levels of innovation Developed collaboration activity Enhanced market knowledge Improved business brand or improved marketing Enhanced business skills Entered or grew in Scottish markets Brought new products to market Entered or grew in international markets 23% 29% 36% 36% 36% 36% 33% 31% 30% 24% 26% 26% 36% 14% 29% 23% 19% 21% 13% 16% 16% 16% 18% 19% 19% 13% 19% 19% 43% 41% 13% 16% 32% 57% 55% 55% 53% 52% 48% 32% 39% 32% 29% 76% 16% 29% 29% 9% 9% 16% 13% 6% 6% 10% 7% 3% 14% 28% 26% 15% 25% 17% 25% 21% 30% 21% 34% 38% 43% 45% 48% 21% 63% 26% 31% 43% 29% 36% 43% 24% 38% 24% 14% 0% 25% 50% 75% 100% Creative Stirling Now Creative Stirling Future Creative Dundee Now Creative Dundee Future Creative Edinburgh Now Creative Edinburgh Future
  • 35. Creative Stirling ! Business impacts: ! 33% reported experiencing a positive impact on their business, of these: 43% reported increased profitability 43% predicted future increased profitability 50% predicted increased turnover. ! Satisfaction with support was high with all aspects of support receiving a rating of 50% or greater i.e. very good/good. ! Social impacts: ! • Attendees believed Creative Stirling has helped to break down barriers within Stirling, allowing more people to access the creative industries. ! • Personal benefits were also reported, such as increased skills and capacity, increased motivation, and gained self-confidence. Above: Results from 44 completed online surveys and focus group of 17 attendees
  • 36. Creative Dundee ! Collaboration and community: “Creative Dundee has had a positive impact on the creative sector in Dundee” 94% Said ‘Yes’ ! Ability as either ‘good’ or ‘very good’ in: 82% Enabling creative industry connections between individuals. 79% Enabling connections between orgs within/outwith creative industries. 79% Encouraging interdisciplinary collaborations. ! Creative Dundee is having a positive impact on the perception of Dundee as a creative city within and outwith Dundee: 89% Within the city 63% Outwith Dundee ! • Influential catalyst for the increase in the profile and perception of Dundee, the city as a whole. ! • Played a role in the retention of talent within the city, more people choosing to remain, or move to Dundee to access opportunities. Above: Results from the 80 completed online surveys and stakeholder interviews
  • 37. Creative Edinburgh ! Network culture and connections: ! 81% Gain industry contacts 65% Engage in cross-discipline networking 65% Develop collaborations ! • The mobile nature of the network allows flexibility - to use, highlight and connect in different spaces across the city. ! • The culture of the network and the events were also reported positively - inclusive, honest and open. People are not afraid to voice their ideas or collaborate with others. Passion and dedication of the staff reported as a key strength, the staff go ‘above and beyond’ and are proactive in their approach.
  • 38. The impacts of the three networks: ! ! The three networks are providing valuable benefits and opportunities for cross-sector networking and facilitating collaboration across disciplines:! ! • Networking is an essential means of facilitating collaboration! ! • Innovation drives growth and development in the creative industries! ! • The creative industries congregate at regional rather than national levels! ! Clearly the networks are achieving impacts by creating the opportunities for knowledge sharing, peer learning, support and collaboration. They are undoubtedly raising the profile of the sectors within the cities, and with civic authorities. ! ! This has the potential to create wider profile benefits for each city, as well as helping to boost regeneration efforts through more effective and enlightened use of culture and creativity in urban renewal.
  • 39. Summary of conclusions:! ! • all have successfully built a profile and positive reputation within their communities and have done so through an approach that is closely connected and inclusive;! ! • they are delivering key benefits to participating businesses and practitioners by building the collaborative capacity of the sector in each city;! ! • they are also supporting stronger relationships between the sector and the public sector, and are a valuable route into the sector for these partners;! ! • all are under resourced, and there is a need to stabilise operations and ensure that staff resources are adequate;! ! • there is potential for future growth, but this should be managed such that it retains the core value of the networks, and extends their reach into the areas identified above; and! ! • clearer objectives and measures of success are now required to evidence the value of the projects and provide a robust case for ongoing support.
  • 40. Important network characteristics:! ! Networks should work closely with their local creative community to identify their priorities.! ! Leadership from the sector is essential - networks should be led and owned by the sector itself and not developed by the public sector on behalf of the creative community – the bottom-up approach has proved its value.! ! Networking should appear informal, yet confirm to high quality standards.! ! Digital engagement is very effective and must be of a high quality.! ! A broad and inclusive approach is valuable as it brings multiple perspectives to the network and encourages the kinds of less predictable collaborations from which innovation often arises.! ! Strong partnership is essential – both with the civic authorities and with other support providers.
  • 41. Future development of the networks:! ! All 3 networks need to consolidate and stabilise their initial set-up time. Stretched in terms of resources, need to evolve financial models:! ! • Important that the networks are fully embedded within their cities and with the civic authorities. The networks provide a voice for the creative sector in their respective cities, and create benefit for those cities. ! ! • Creative Scotland has a role in helping to enable the embedding of the networks in each city by voicing the importance of the creative community at a city level. ! ! • Needs careful balance between ‘hands off’ approach and more target driven path.
  • 42. Cultural Scenes and Creative Clusters ! “ Although cultural maps help to locate clusters of artists and cultural organizations, it is important to also consider what lies behind the map – the ongoing, day-to-day activities of artists and cultural participants: creation, expression, criticism, discussion, performance, appreciation and enjoyment. Places where these occur in sufficient density, depth, and intensity acquire special qualities. ! They become scenes. Vibrant scenes bring tremendous social and economic benefits to Toronto. They need to be preserved and grown. ” ! Daniel Silver, Department of Sociology, University of Toronto: Quote from Toronto’s Creative Capital Gains report: http://bit.ly/VThXTA
  • 43. Contacts:! ! Joe Hall, Creative Stirling! joe@creativestirling.org ! ! Gillian Easson, Creative Dundee! gillian@creativedundee.com! ! Janine Matheson, Creative Edinburgh! janine@creative-edinburgh.com!