SlideShare une entreprise Scribd logo
1  sur  11
Introduction to Film Studies

Lesson Objectives: To introduce key Film
Studies concepts.
Watch the film extract.
What aspects of the extract might you analyse?
Frameworks for analysis
• Representation Refers to the processes of constructing images of different people,
places and ideas in films.
• Messages and
to film audiences.

values

Refers to the way messages and values are communicated

• Genre Refers to the process of classifying films as being of one type or another by
audiences and
institutions, for example, 'horror' or 'action adventure'. Generic codes and conventions are
employed
in the construction of films, enabling the audience to label and categorise them.
• Narrative Refers to the development of a ’story’, the roles and relationships of the
characters within it, the situations and dilemmas they confront and the methods utilised
for problem-solving within narratives.
• Theme Refers to the overarching ideas conveyed in a film. Examples of common film
themes include moral dilemmas, conflict, racism, love, betrayal and redemption.
• Style Refers to the deployment of techniques in film production – for example the use
of chiaroscuro lighting in film noir.
• Authorship This refers to different conceptualisations of authorship – this can be
applied to directors, producers, cinematographers, sound designers and stars together
with the influence of different types of film companies and production studios.
Micro-technical elements
• Cinematography - the use of camera shots, angle, movement, composition,
and lighting.
• Editing - the organisation of sequences to construct meaning. This should
include transition of image and sound, continuity and non-continuity systems,
cutting (shot/reverse shot, eyeline match, graphic match, action match, jump cut,
crosscutting, parallel editing, cutaway, insert).
• Sound - diegetic and non-diegetic sound, synchronous/asynchronous sound,
sound effects, sound motifs, sound bridge, dialogue, voiceover, mode of
address/direct address, sound mixing, sound perspective, and soundtrack (score,
incidental music, themes and stings, ambient sound).
• Mise-en-Scène - production design, location, studio, set design, costume
and make-up, properties, colour design, casting.
Contemporary English Language Film
This is an exam topic. You answer one question from a choice of two,
analysing two films in relation to a key concept. You must refer to both
films in your answer, and be able to explain how technical elements
construct the specified concept using specific examples from the films.
Foundation Portfolio in Film
The first element of your coursework is to write an essay of between 15002000 words comparing two contemporary English language films.
You must choose two contemporary (no later than 2004) English language
films of similar genres.
The texts should not include more than one film produced in Hollywood.
Candidates must use different core texts from those studied in Unit F631:
Film Text and Context.
In your essay you will compare the two films in relation to one or more of
the key concepts, supported with reference to the technical elements.
Frameworks for analysis
• Representation

• Messages

and values

• Genre
• Narrative

Watch the extract again and focus on one
of the bullet points.

What points could you make about the
film sequence in relation to that concept?

• Theme
• Style
• (Authorship)

Remember to try
to support your points
with reference to specific
examples from the 4
technical areas.
Frameworks for analysis
• Representation

• Messages

and values

• Genre
• Narrative

Watch the second extract and focus on the
same bullet point.

What points could you make about the
film sequence in relation to that concept?

• Theme
• Style
• (Authorship)

Remember to try
to support your points
with reference to specific
examples from the 4
technical areas.
Frameworks for analysis
• Representation

• Messages

and values

What are the similarities and differences
between the films in relation to the key
concept you focused on?

• Genre
• Narrative
• Theme
• Style
• (Authorship)

Remember to try
to support your points
with reference to specific
examples from the 4
technical areas.
Contemporary English Language Film Exam Topic

‘Super 8’ (J.J. Abrams, USA, 2011)

‘Moonrise Kingdom’ (Wes Anderson, USA, 2012)

You will need to build up background information about the two films including reviews,
interviews, critical analysis, etc.
Homework - Genre

‘Super 8’ (J.J. Abrams, USA, 2011)

‘Moonrise Kingdom’ (Wes Anderson, USA, 2012)

Focus on one of the two and films and complete research into the film’s genre. Identify
examples of similar films from within that genre, and consider what the typical
characteristics of the genre are.

Contenu connexe

Tendances

Auteur Theory (TV Y1)
Auteur Theory (TV Y1)Auteur Theory (TV Y1)
Auteur Theory (TV Y1)
Simon Wright
 
Principles of Film Theory
Principles of Film TheoryPrinciples of Film Theory
Principles of Film Theory
jejohnston
 
Film editing techniques
Film editing techniquesFilm editing techniques
Film editing techniques
Robert Smith
 
Comedy Genre Conventions
Comedy Genre ConventionsComedy Genre Conventions
Comedy Genre Conventions
08farleyjor
 
Stages of film production
Stages of film productionStages of film production
Stages of film production
07weeksjor
 
Intro to Film: Sound and Music
Intro to Film: Sound and MusicIntro to Film: Sound and Music
Intro to Film: Sound and Music
Rob Nyland
 

Tendances (20)

Western Movies
Western  MoviesWestern  Movies
Western Movies
 
Codes and Conventions of Coming of Age Films
Codes and Conventions of Coming of Age FilmsCodes and Conventions of Coming of Age Films
Codes and Conventions of Coming of Age Films
 
Auteur Theory (TV Y1)
Auteur Theory (TV Y1)Auteur Theory (TV Y1)
Auteur Theory (TV Y1)
 
Principles of Film Theory
Principles of Film TheoryPrinciples of Film Theory
Principles of Film Theory
 
Intro to Film: The Director
Intro to Film: The DirectorIntro to Film: The Director
Intro to Film: The Director
 
What is a screenplay - A Beginner's Guide To Screenplay Writing
What is a screenplay - A Beginner's Guide To Screenplay WritingWhat is a screenplay - A Beginner's Guide To Screenplay Writing
What is a screenplay - A Beginner's Guide To Screenplay Writing
 
Soviet montage (1924 30)
Soviet montage (1924 30)Soviet montage (1924 30)
Soviet montage (1924 30)
 
Film Studies Overview
Film Studies OverviewFilm Studies Overview
Film Studies Overview
 
Auteur theory
Auteur theoryAuteur theory
Auteur theory
 
Film editing techniques
Film editing techniquesFilm editing techniques
Film editing techniques
 
Film Review and Film Criticism
Film Review and Film CriticismFilm Review and Film Criticism
Film Review and Film Criticism
 
Three Act Structure
Three Act StructureThree Act Structure
Three Act Structure
 
Comedy Genre Conventions
Comedy Genre ConventionsComedy Genre Conventions
Comedy Genre Conventions
 
Screenwriting - Lesson 1 - Introduction
Screenwriting - Lesson 1 - IntroductionScreenwriting - Lesson 1 - Introduction
Screenwriting - Lesson 1 - Introduction
 
Film Noir
Film NoirFilm Noir
Film Noir
 
Narrative Structure in film
Narrative Structure in filmNarrative Structure in film
Narrative Structure in film
 
Short films Presentation
Short films PresentationShort films Presentation
Short films Presentation
 
Screenplays
Screenplays Screenplays
Screenplays
 
Stages of film production
Stages of film productionStages of film production
Stages of film production
 
Intro to Film: Sound and Music
Intro to Film: Sound and MusicIntro to Film: Sound and Music
Intro to Film: Sound and Music
 

Similaire à Introduction to Film Studies

Contemporary English Language Film
Contemporary English Language FilmContemporary English Language Film
Contemporary English Language Film
jphibbert
 
Question 1 B Genre
Question 1 B   GenreQuestion 1 B   Genre
Question 1 B Genre
Naamah Hill
 
Revision Section A
Revision Section ARevision Section A
Revision Section A
Zoe Lorenz
 
Genre lesson slides 2012
Genre lesson slides 2012Genre lesson slides 2012
Genre lesson slides 2012
Liz Davies
 
Genre lesson slides_ 2 2012[1]
Genre lesson slides_ 2 2012[1]Genre lesson slides_ 2 2012[1]
Genre lesson slides_ 2 2012[1]
jonreigatemedia
 
Genre lesson slides 2012 updated
Genre lesson slides 2012 updatedGenre lesson slides 2012 updated
Genre lesson slides 2012 updated
Liz Davies
 
How to answer a media exam question... kind of
How to answer a media exam question... kind ofHow to answer a media exam question... kind of
How to answer a media exam question... kind of
Jack Wentworth-Weedon
 
How to answer a media exam question... kind of
How to answer a media exam question... kind ofHow to answer a media exam question... kind of
How to answer a media exam question... kind of
Jack Wentworth-Weedon
 
How to answer a media exam question... Kind of
How to answer a media exam question... Kind ofHow to answer a media exam question... Kind of
How to answer a media exam question... Kind of
Jack Wentworth-Weedon
 

Similaire à Introduction to Film Studies (20)

Contemporary English Language Film
Contemporary English Language FilmContemporary English Language Film
Contemporary English Language Film
 
Question 1 B Genre
Question 1 B   GenreQuestion 1 B   Genre
Question 1 B Genre
 
Revision Section A
Revision Section ARevision Section A
Revision Section A
 
Media 19 10-17
Media 19 10-17Media 19 10-17
Media 19 10-17
 
ENG 225 Education Specialist / snaptutorial.com
ENG 225 Education Specialist / snaptutorial.com  ENG 225 Education Specialist / snaptutorial.com
ENG 225 Education Specialist / snaptutorial.com
 
ENG 225 Exceptional Education - snaptutorial.com
ENG 225 Exceptional Education - snaptutorial.comENG 225 Exceptional Education - snaptutorial.com
ENG 225 Exceptional Education - snaptutorial.com
 
Eng 225 Believe Possibilities / snaptutorial.com
Eng 225   Believe Possibilities / snaptutorial.comEng 225   Believe Possibilities / snaptutorial.com
Eng 225 Believe Possibilities / snaptutorial.com
 
Studying Silent Cinema Keaton booklet_compressed_watermark-3.pdf
Studying Silent Cinema Keaton booklet_compressed_watermark-3.pdfStudying Silent Cinema Keaton booklet_compressed_watermark-3.pdf
Studying Silent Cinema Keaton booklet_compressed_watermark-3.pdf
 
ENG 225 Effective Communication - snaptutorial.com
ENG 225 Effective Communication - snaptutorial.comENG 225 Effective Communication - snaptutorial.com
ENG 225 Effective Communication - snaptutorial.com
 
Horror week 1
Horror week 1Horror week 1
Horror week 1
 
Genre lesson slides 2012
Genre lesson slides 2012Genre lesson slides 2012
Genre lesson slides 2012
 
Genre lesson slides_ 2 2012[1]
Genre lesson slides_ 2 2012[1]Genre lesson slides_ 2 2012[1]
Genre lesson slides_ 2 2012[1]
 
Genre lesson slides 2012 updated
Genre lesson slides 2012 updatedGenre lesson slides 2012 updated
Genre lesson slides 2012 updated
 
Genre
GenreGenre
Genre
 
1. genre
1. genre1. genre
1. genre
 
05 narrative and frozen
05 narrative and frozen05 narrative and frozen
05 narrative and frozen
 
How to answer a media exam question... kind of
How to answer a media exam question... kind ofHow to answer a media exam question... kind of
How to answer a media exam question... kind of
 
How to answer a media exam question... kind of
How to answer a media exam question... kind ofHow to answer a media exam question... kind of
How to answer a media exam question... kind of
 
How to answer a media exam question... Kind of
How to answer a media exam question... Kind ofHow to answer a media exam question... Kind of
How to answer a media exam question... Kind of
 
Movie analysis
Movie analysisMovie analysis
Movie analysis
 

Plus de jphibbert

Plus de jphibbert (20)

Regional identity
Regional identityRegional identity
Regional identity
 
AS Media Studies Revision Guide 2016
AS Media Studies Revision Guide 2016AS Media Studies Revision Guide 2016
AS Media Studies Revision Guide 2016
 
The rise of the blockbuster
The rise of the blockbusterThe rise of the blockbuster
The rise of the blockbuster
 
Photographic Techniques
Photographic TechniquesPhotographic Techniques
Photographic Techniques
 
Script and storyboard
Script and storyboardScript and storyboard
Script and storyboard
 
Foundation portfolio autumn term 1 2015
Foundation portfolio autumn term 1 2015Foundation portfolio autumn term 1 2015
Foundation portfolio autumn term 1 2015
 
A2 media studies summer 2015
A2 media studies summer 2015A2 media studies summer 2015
A2 media studies summer 2015
 
Unit 3 product market
Unit 3 product marketUnit 3 product market
Unit 3 product market
 
A2 media summer 2015 booklet revised
A2 media summer 2015 booklet revisedA2 media summer 2015 booklet revised
A2 media summer 2015 booklet revised
 
AS Media Studies Revision Guide 2015
AS Media Studies Revision Guide 2015AS Media Studies Revision Guide 2015
AS Media Studies Revision Guide 2015
 
Marketing essay
Marketing essayMarketing essay
Marketing essay
 
Television advertising
Television advertisingTelevision advertising
Television advertising
 
Comparing historical and contemporary representations essay
Comparing historical and contemporary representations essayComparing historical and contemporary representations essay
Comparing historical and contemporary representations essay
 
A2 media revision booklet1a
A2 media revision booklet1aA2 media revision booklet1a
A2 media revision booklet1a
 
A field in england case study
A field in england case studyA field in england case study
A field in england case study
 
Tv drama examiners report jan 2010
Tv drama examiners report jan 2010Tv drama examiners report jan 2010
Tv drama examiners report jan 2010
 
1a research and planning question
1a research and planning question1a research and planning question
1a research and planning question
 
1(a) Research and Planning Essay Plan Grid
1(a) Research and Planning Essay Plan Grid1(a) Research and Planning Essay Plan Grid
1(a) Research and Planning Essay Plan Grid
 
Question 1a Research and Planning Exemplar Essay
Question 1a Research and Planning Exemplar EssayQuestion 1a Research and Planning Exemplar Essay
Question 1a Research and Planning Exemplar Essay
 
1(a) research and planning essay planning
1(a) research and planning essay planning1(a) research and planning essay planning
1(a) research and planning essay planning
 

Dernier

Salient Features of India constitution especially power and functions
Salient Features of India constitution especially power and functionsSalient Features of India constitution especially power and functions
Salient Features of India constitution especially power and functions
KarakKing
 

Dernier (20)

Plant propagation: Sexual and Asexual propapagation.pptx
Plant propagation: Sexual and Asexual propapagation.pptxPlant propagation: Sexual and Asexual propapagation.pptx
Plant propagation: Sexual and Asexual propapagation.pptx
 
SOC 101 Demonstration of Learning Presentation
SOC 101 Demonstration of Learning PresentationSOC 101 Demonstration of Learning Presentation
SOC 101 Demonstration of Learning Presentation
 
Sensory_Experience_and_Emotional_Resonance_in_Gabriel_Okaras_The_Piano_and_Th...
Sensory_Experience_and_Emotional_Resonance_in_Gabriel_Okaras_The_Piano_and_Th...Sensory_Experience_and_Emotional_Resonance_in_Gabriel_Okaras_The_Piano_and_Th...
Sensory_Experience_and_Emotional_Resonance_in_Gabriel_Okaras_The_Piano_and_Th...
 
Kodo Millet PPT made by Ghanshyam bairwa college of Agriculture kumher bhara...
Kodo Millet  PPT made by Ghanshyam bairwa college of Agriculture kumher bhara...Kodo Millet  PPT made by Ghanshyam bairwa college of Agriculture kumher bhara...
Kodo Millet PPT made by Ghanshyam bairwa college of Agriculture kumher bhara...
 
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptxHMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
HMCS Max Bernays Pre-Deployment Brief (May 2024).pptx
 
Basic Civil Engineering first year Notes- Chapter 4 Building.pptx
Basic Civil Engineering first year Notes- Chapter 4 Building.pptxBasic Civil Engineering first year Notes- Chapter 4 Building.pptx
Basic Civil Engineering first year Notes- Chapter 4 Building.pptx
 
Interdisciplinary_Insights_Data_Collection_Methods.pptx
Interdisciplinary_Insights_Data_Collection_Methods.pptxInterdisciplinary_Insights_Data_Collection_Methods.pptx
Interdisciplinary_Insights_Data_Collection_Methods.pptx
 
How to Give a Domain for a Field in Odoo 17
How to Give a Domain for a Field in Odoo 17How to Give a Domain for a Field in Odoo 17
How to Give a Domain for a Field in Odoo 17
 
This PowerPoint helps students to consider the concept of infinity.
This PowerPoint helps students to consider the concept of infinity.This PowerPoint helps students to consider the concept of infinity.
This PowerPoint helps students to consider the concept of infinity.
 
Google Gemini An AI Revolution in Education.pptx
Google Gemini An AI Revolution in Education.pptxGoogle Gemini An AI Revolution in Education.pptx
Google Gemini An AI Revolution in Education.pptx
 
Graduate Outcomes Presentation Slides - English
Graduate Outcomes Presentation Slides - EnglishGraduate Outcomes Presentation Slides - English
Graduate Outcomes Presentation Slides - English
 
On_Translating_a_Tamil_Poem_by_A_K_Ramanujan.pptx
On_Translating_a_Tamil_Poem_by_A_K_Ramanujan.pptxOn_Translating_a_Tamil_Poem_by_A_K_Ramanujan.pptx
On_Translating_a_Tamil_Poem_by_A_K_Ramanujan.pptx
 
Towards a code of practice for AI in AT.pptx
Towards a code of practice for AI in AT.pptxTowards a code of practice for AI in AT.pptx
Towards a code of practice for AI in AT.pptx
 
80 ĐỀ THI THỬ TUYỂN SINH TIẾNG ANH VÀO 10 SỞ GD – ĐT THÀNH PHỐ HỒ CHÍ MINH NĂ...
80 ĐỀ THI THỬ TUYỂN SINH TIẾNG ANH VÀO 10 SỞ GD – ĐT THÀNH PHỐ HỒ CHÍ MINH NĂ...80 ĐỀ THI THỬ TUYỂN SINH TIẾNG ANH VÀO 10 SỞ GD – ĐT THÀNH PHỐ HỒ CHÍ MINH NĂ...
80 ĐỀ THI THỬ TUYỂN SINH TIẾNG ANH VÀO 10 SỞ GD – ĐT THÀNH PHỐ HỒ CHÍ MINH NĂ...
 
Wellbeing inclusion and digital dystopias.pptx
Wellbeing inclusion and digital dystopias.pptxWellbeing inclusion and digital dystopias.pptx
Wellbeing inclusion and digital dystopias.pptx
 
Single or Multiple melodic lines structure
Single or Multiple melodic lines structureSingle or Multiple melodic lines structure
Single or Multiple melodic lines structure
 
FSB Advising Checklist - Orientation 2024
FSB Advising Checklist - Orientation 2024FSB Advising Checklist - Orientation 2024
FSB Advising Checklist - Orientation 2024
 
Salient Features of India constitution especially power and functions
Salient Features of India constitution especially power and functionsSalient Features of India constitution especially power and functions
Salient Features of India constitution especially power and functions
 
REMIFENTANIL: An Ultra short acting opioid.pptx
REMIFENTANIL: An Ultra short acting opioid.pptxREMIFENTANIL: An Ultra short acting opioid.pptx
REMIFENTANIL: An Ultra short acting opioid.pptx
 
Holdier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdfHoldier Curriculum Vitae (April 2024).pdf
Holdier Curriculum Vitae (April 2024).pdf
 

Introduction to Film Studies

  • 1. Introduction to Film Studies Lesson Objectives: To introduce key Film Studies concepts.
  • 2. Watch the film extract. What aspects of the extract might you analyse?
  • 3. Frameworks for analysis • Representation Refers to the processes of constructing images of different people, places and ideas in films. • Messages and to film audiences. values Refers to the way messages and values are communicated • Genre Refers to the process of classifying films as being of one type or another by audiences and institutions, for example, 'horror' or 'action adventure'. Generic codes and conventions are employed in the construction of films, enabling the audience to label and categorise them. • Narrative Refers to the development of a ’story’, the roles and relationships of the characters within it, the situations and dilemmas they confront and the methods utilised for problem-solving within narratives. • Theme Refers to the overarching ideas conveyed in a film. Examples of common film themes include moral dilemmas, conflict, racism, love, betrayal and redemption. • Style Refers to the deployment of techniques in film production – for example the use of chiaroscuro lighting in film noir. • Authorship This refers to different conceptualisations of authorship – this can be applied to directors, producers, cinematographers, sound designers and stars together with the influence of different types of film companies and production studios.
  • 4. Micro-technical elements • Cinematography - the use of camera shots, angle, movement, composition, and lighting. • Editing - the organisation of sequences to construct meaning. This should include transition of image and sound, continuity and non-continuity systems, cutting (shot/reverse shot, eyeline match, graphic match, action match, jump cut, crosscutting, parallel editing, cutaway, insert). • Sound - diegetic and non-diegetic sound, synchronous/asynchronous sound, sound effects, sound motifs, sound bridge, dialogue, voiceover, mode of address/direct address, sound mixing, sound perspective, and soundtrack (score, incidental music, themes and stings, ambient sound). • Mise-en-Scène - production design, location, studio, set design, costume and make-up, properties, colour design, casting.
  • 5. Contemporary English Language Film This is an exam topic. You answer one question from a choice of two, analysing two films in relation to a key concept. You must refer to both films in your answer, and be able to explain how technical elements construct the specified concept using specific examples from the films.
  • 6. Foundation Portfolio in Film The first element of your coursework is to write an essay of between 15002000 words comparing two contemporary English language films. You must choose two contemporary (no later than 2004) English language films of similar genres. The texts should not include more than one film produced in Hollywood. Candidates must use different core texts from those studied in Unit F631: Film Text and Context. In your essay you will compare the two films in relation to one or more of the key concepts, supported with reference to the technical elements.
  • 7. Frameworks for analysis • Representation • Messages and values • Genre • Narrative Watch the extract again and focus on one of the bullet points. What points could you make about the film sequence in relation to that concept? • Theme • Style • (Authorship) Remember to try to support your points with reference to specific examples from the 4 technical areas.
  • 8. Frameworks for analysis • Representation • Messages and values • Genre • Narrative Watch the second extract and focus on the same bullet point. What points could you make about the film sequence in relation to that concept? • Theme • Style • (Authorship) Remember to try to support your points with reference to specific examples from the 4 technical areas.
  • 9. Frameworks for analysis • Representation • Messages and values What are the similarities and differences between the films in relation to the key concept you focused on? • Genre • Narrative • Theme • Style • (Authorship) Remember to try to support your points with reference to specific examples from the 4 technical areas.
  • 10. Contemporary English Language Film Exam Topic ‘Super 8’ (J.J. Abrams, USA, 2011) ‘Moonrise Kingdom’ (Wes Anderson, USA, 2012) You will need to build up background information about the two films including reviews, interviews, critical analysis, etc.
  • 11. Homework - Genre ‘Super 8’ (J.J. Abrams, USA, 2011) ‘Moonrise Kingdom’ (Wes Anderson, USA, 2012) Focus on one of the two and films and complete research into the film’s genre. Identify examples of similar films from within that genre, and consider what the typical characteristics of the genre are.