2013 Cultural Heritage Creative Tools and Archives Workshop" (CHCTA), National Museum of Denmark, Copenhagen, 26-27 June 2013, Final Session-Panel summary slides by Erik Champion for 5 minute talk..(url"http://chta.wordpress.com)
11. DH must
• Explain its values and usefulness
• Include as many as possible
• Bridge divide between process and product
• Transform IT programmers into humanists
• Improve collaboration tools
• Link all parts of the DH scholarly ecosystem
12. example: DIGHUMLAB must
• develop tools and corpora (CLARIN.dk)
• integrate research and repositories (Netlab.dk)
• develop new ways of integrating media and teaching
(Interaction Design)
• integrate the community needs with public and scholarly
resources
• to complete and continue the infrastructure cycle..to support
and advance humanities scholars’ manifestos not our own
13. DARIAH.eu
• Legal Structure: DARIAH-ERIC, Host country France
• Partner countries: 11 countries signed the MoU
• Financial model: 4 million euro per year; national cash and in-kind contributions; GDP-
based.
• DARIAH-ERIC Governance Structure supported by DARIAH-EU Coordination Office
• Scientific activities: European-wide network ofVirtual Competency Centres integrating
national activities
• Collaboration: Network of affiliated projects in the wider DARIAH landscape, e.g. EHRI,
CENDARI,ARIADNE
• Formal letter of commitment to become Founding Member of DARIAH-ERIC
• General meeting in Copenhagen 5-6 September 2013
14. DH infrastructure
• roads are not infrastructure
• roading is infrastructure
• roads used by people and modified for people
• so infrastructure is the ecosystem of resources
+ people + feedback system
15.
16.
17. CFP: cultural heritage creative
• deadline: 1 May
• date: 26-27 June 2013
• venue: National Museum of Denmark,
Copenhagen
• grant: European Association of the Digital
Humanities, with support from NeDiMAH,
DIGHUMLAB, Digital Curation Unit Athens,
National Museum of Denmark in Copenhagen,
iSchool (U.Toronto), and many others...
23. www.digitalheritage2013.org
Marseille Museum of Culture
Fall 2013 will witness the largest international scientific event on digital heritage in history, bringing together hundreds of
researchers, educators, scientists, industry professionals and policy makers to debate, discuss and present digital technology
applied to the protection, documentation, and understanding of humanity’s shared heritage. For the first time ever, under the
patronage of UNESCO, the leading scientific and industry events from across the digital and heritage spheres will join together
under one roof to explore the state-of-the-art and address future emerging research scenarios.
Change the academic ecosystem
24. 24
virtual heritage
• …the use of computer-based interactive
technologies to record, preserve, or recreate
artefacts, sites and actors of historic, artistic,
religious, of cultural significance and to
deliver the results openly to a global
audience in such a way as to provide
formative educational experiences through
electronic manipulations of time and space.
• Stone, Robert, and Takeo Ojika. 2000. Virtual heritage: what next? Multimedia, IEEE no.
7 (2):73-74.
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