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How	
  to	
  understand	
  the	
  value	
  of	
  challenging	
  
modern	
  art	
  
	
  
By	
  Simon	
  Brushfield	
  
	
  
	
  
This	
  creative	
  article	
  will	
  help	
  you	
  understand	
  the	
  origins	
  of	
  abstract	
  art.	
  	
  
	
  
It	
  will	
  give	
  you	
  greater	
  confidence	
  to	
  evaluate	
  and	
  feel	
  comfortable	
  with	
  
challenging	
  or	
  weird	
  modern	
  art.	
  	
  
	
  
Below,	
  I	
  broadly	
  outline	
  the	
  development	
  of	
  abstract	
  art	
  and	
  conclude	
  
with	
  reflections	
  and	
  examples	
  on	
  how	
  abstract	
  art	
  relates	
  specifically	
  to	
  
our	
  modern	
  era.	
  	
  	
  
	
  
Here’s	
  the	
  main	
  point	
  of	
  the	
  article….	
  
	
  
Point	
  1.	
  Abstract	
  art	
  helps	
  create	
  freedom	
  for	
  people	
  by	
  challenging	
  
conventional	
  thinking.	
  
	
  
	
  
	
  
‘Fountain’	
  sculpture	
  created	
  in	
  1917	
  by	
  Marcel	
  Duchamp.	
  	
  
The	
  work	
  presented	
  an	
  enormous	
  challenge	
  to	
  conventional	
  	
  
thinking	
  about	
  what	
  exactly	
  is	
  art?	
  
	
  
	
  
In	
  our	
  instantly	
  accessible	
  modern	
  era,	
  digital	
  photography	
  is	
  taken	
  for	
  
granted,	
  it’s	
  difficult	
  to	
  imagine	
  in	
  previous	
  generations	
  photography	
  once	
  
didn’t	
  exist.	
  	
  
 
Painting	
  and	
  drawing	
  was	
  once	
  the	
  only	
  way	
  to	
  capture	
  and	
  record	
  real	
  
life.	
  People	
  believed	
  the	
  best	
  art	
  must	
  look	
  real.	
  	
  
	
  
Point	
  1.	
  Therefore,	
  master	
  artists	
  like	
  Rembrandt	
  or	
  Rubens	
  were	
  
greatly	
  admired	
  in	
  high	
  Renaissance	
  society.	
  	
  
	
  
The	
  intricate	
  detail	
  of	
  horses	
  in	
  battle	
  and	
  aristocratic	
  portraits	
  of	
  noble	
  
kings	
  and	
  queens	
  were	
  only	
  accessible	
  by	
  the	
  wealthy	
  class.	
  The	
  gap	
  
between	
  the	
  rich	
  and	
  poor	
  was	
  enormous.	
  
	
  
In	
  contrast	
  to	
  the	
  instantly	
  accessible	
  digital	
  photography	
  of	
  today,	
  
creating	
  a	
  realistic	
  painting	
  during	
  the	
  Renaissance	
  was	
  extremely	
  time	
  
consuming	
  and	
  very	
  expensive.	
  
	
  
But	
  the	
  industrial	
  revolution	
  and	
  modernist	
  thinking	
  changed	
  everything.	
  	
  
	
  
Photography	
  developed.	
  And	
  the	
  printing	
  press	
  too.	
  Suddenly	
  factories	
  
were	
  able	
  to	
  print	
  and	
  distribute	
  images	
  and	
  information	
  on	
  a	
  wide	
  scale.	
  	
  
	
  
The	
  poor	
  became	
  more	
  educated.	
  	
  
	
  
A	
  middle	
  class	
  developed	
  and	
  commodities	
  were	
  produced	
  on	
  mass	
  scale.	
  
Goods	
  became	
  less	
  expensive.	
  
	
  
Point	
  2.	
  Modernism	
  encouraged	
  the	
  spread	
  of	
  new	
  ideas,	
  freedom	
  of	
  
thought	
  and	
  extensive	
  commercial	
  progress.	
  	
  
	
  
With	
  new	
  modern	
  ways	
  of	
  thinking,	
  abstract	
  art	
  began	
  to	
  flourish	
  too.	
  	
  
	
  
It	
  offered	
  greater	
  freedom	
  for	
  innovative	
  artists	
  like	
  Picasso.	
  Abstract	
  art	
  
is	
  common	
  today,	
  however	
  it	
  wasn’t	
  always	
  a	
  popular	
  way	
  of	
  thinking.	
  	
  
	
  
Early	
  abstract	
  artists	
  encountered	
  great	
  difficulty	
  breaking	
  through	
  the	
  
public	
  mindset.	
  People	
  had	
  grown	
  comfortable	
  with	
  paintings	
  that	
  looked	
  
real.	
  	
  
	
  
Point	
  3.	
  The	
  traditional	
  mindset	
  is	
  always	
  resistant	
  to	
  change.	
  
	
  
One	
  famous	
  modernist	
  piece	
  of	
  abstract	
  art	
  by	
  Marcel	
  Duchamp	
  was	
  
painted	
  in	
  1912	
  and	
  titled	
  ‘Nude	
  descending	
  the	
  staircase’	
  pictured	
  below.	
  	
  
	
  
It	
  caused	
  great	
  controversy.	
  
 
‘Nude	
  Descending	
  a	
  Staircase’	
  (1912)	
  	
  
by	
  Marcel	
  Duchamp.	
  Oil	
  on	
  Canvas	
  	
  
147	
  cm	
  ×	
  89.2	
  cm	
  Philidelphia	
  Museum	
  of	
  Art	
  
	
  
The	
  painting	
  and	
  the	
  artist	
  are	
  famous	
  for	
  encountering	
  massive	
  
opposition	
  and	
  public	
  outcry,	
  so	
  much	
  so,	
  that	
  Marcel	
  Duchamp	
  removed	
  
his	
  painting	
  from	
  the	
  wall	
  midway	
  through	
  the	
  exhibition.	
  	
  
	
  
He	
  later	
  focussed	
  upon	
  playing	
  chess	
  abandoning	
  the	
  art	
  world	
  all	
  
together.	
  
	
  
One	
  New	
  York	
  Times	
  critic	
  disdainfully	
  wrote	
  the	
  painting	
  looked	
  like	
  ‘an	
  
explosion	
  in	
  a	
  shingle	
  factory’	
  hence	
  the	
  reference	
  to	
  factories	
  –	
  a	
  concept	
  
dominant	
  in	
  the	
  minds	
  of	
  people	
  living	
  during	
  the	
  industrial	
  revolution.	
  	
  
	
  
However,	
  there	
  is	
  an	
  element	
  of	
  truth	
  to	
  the	
  critic’s	
  comment.	
  It’s	
  no	
  
coincidence	
  that	
  Duchamp’s	
  painting	
  contains	
  visual	
  elements	
  similar	
  to	
  
the	
  rhythmic	
  repetitive	
  nature	
  of	
  a	
  machine	
  in	
  operation.	
  	
  
	
  
Point	
  4.	
  The	
  mass	
  production	
  of	
  industrial	
  life	
  was	
  changing	
  the	
  way	
  
people	
  perceived	
  themselves.	
  
	
  
During	
  the	
  industrial,	
  or	
  shall	
  we	
  say	
  modernist	
  era,	
  three	
  towering	
  
figures	
  of	
  modern	
  art	
  arose.	
  	
  
 
Matisse	
  (1869-­‐1954)	
  Picasso	
  and	
  Duchamp	
  who	
  helped	
  define	
  a	
  new	
  
visual	
  direction	
  and	
  entirely	
  new	
  way	
  of	
  thinking,	
  in	
  turn	
  giving	
  validity	
  to	
  
the	
  liberating	
  ideas	
  underpinning	
  abstract	
  art.	
  	
  
	
  
The	
  history	
  of	
  art	
  provides	
  a	
  long	
  list	
  of	
  artists	
  who	
  changed	
  public	
  
thinking	
  altering	
  the	
  dominant	
  status	
  quo	
  in	
  society.	
  	
  
	
  
Point	
  5.	
  Artists	
  have	
  long	
  played	
  the	
  role	
  of	
  provoking	
  society,	
  being	
  
the	
  instigators	
  of	
  change	
  and	
  challenging	
  conventional	
  thinking.	
  	
  
	
  
Art	
  is	
  a	
  culturally	
  acceptable	
  vehicle	
  for	
  change.	
  
	
  
Duchamp,	
  Picasso	
  and	
  Matisse	
  were	
  often	
  ridiculed	
  for	
  challenging	
  
conventional	
  thinking.	
  Their	
  abstract	
  style	
  of	
  paintings,	
  were	
  
frighteningly	
  bold	
  for	
  the	
  time	
  and	
  excessively	
  unrealistic.	
  	
  
	
  
Their	
  innovative	
  artwork	
  was	
  difficult	
  for	
  the	
  public	
  to	
  accept	
  as	
  genuine	
  
art	
  during	
  the	
  1900’s.	
  Challenging	
  new	
  ideas	
  from	
  visionary	
  artists	
  
provoked	
  society’s	
  dominant	
  traditional	
  mindset.	
  
	
  
	
  
	
  
‘The	
  Joy	
  of	
  Life’	
  by	
  Henri	
  Matisse	
  (1905)	
  Oil	
  on	
  Canvas	
  175	
  x	
  241cm	
  
	
  
	
  
The	
  shape	
  and	
  form	
  of	
  Matisse’s	
  paintings	
  conveyed	
  powerful	
  emotional	
  
force.	
  Heavily	
  influenced	
  by	
  traditional	
  paintings,	
  Matisse	
  was	
  also	
  
inspired	
  by	
  his	
  contemporaries	
  Gaugin,	
  Cezanne	
  and	
  Van	
  Gogh	
  who	
  also	
  
used	
  colour	
  excessively.	
  	
  
	
  
	
  
	
  
Point	
  3.	
  Matisse’s	
  use	
  of	
  colour	
  astounded	
  people.	
  He	
  is	
  considered	
  
one	
  of	
  the	
  founding	
  fathers	
  of	
  modern	
  art.	
  	
  
	
  
Never	
  before	
  had	
  a	
  painter	
  been	
  so	
  pure	
  in	
  his	
  approach	
  to	
  colour.	
  He	
  
quickly	
  became	
  known	
  for	
  his	
  radical	
  position	
  and	
  always	
  displayed	
  signs	
  
of	
  quiet	
  rebelliousness	
  during	
  his	
  artistic	
  career.	
  	
  
	
  
Matisse	
  was	
  in	
  constant	
  search	
  for	
  freedom.	
  	
  
	
  
His	
  life	
  parallels	
  the	
  history	
  of	
  modern	
  art,	
  which	
  can	
  be	
  interpreted	
  as	
  a	
  
continual	
  struggle	
  to	
  break	
  free.	
  Eliminating	
  barriers	
  of	
  constraint.	
  A	
  
pattern	
  typified	
  by	
  the	
  history	
  of	
  modern	
  art.	
  Matisse	
  once	
  said,	
  
	
  
“An	
  artist	
  must	
  never	
  be	
  a	
  prisoner.	
  Prisoner?	
  An	
  artist	
  should	
  never	
  be	
  a	
  
prisoner	
  of	
  himself,	
  prisoner	
  of	
  style,	
  prisoner	
  of	
  reputation,	
  prisoner	
  of	
  
success…”	
  –	
  Henri	
  Matisse	
  
	
  
Breaking	
  from	
  traditions	
  of	
  the	
  past,	
  Matisse	
  led	
  an	
  art	
  movement	
  called	
  
the	
  ‘Fauves’	
  in	
  1905.	
  Meaning	
  ‘the	
  wild	
  beasts’.	
  This	
  title	
  referred	
  to	
  the	
  
group’s	
  use	
  of	
  extreme	
  emotionalism,	
  vivid	
  colours	
  and	
  distorted	
  shapes.	
  	
  
	
  
Predictably,	
  the	
  Fauves	
  first	
  exhibition	
  brought	
  a	
  hostile	
  public	
  response.	
  
One	
  critic	
  wrote,	
  ‘A	
  pot	
  of	
  paint	
  has	
  been	
  flung	
  in	
  the	
  face	
  of	
  the	
  public’	
  
	
  
	
  
Henri	
  Matisse,	
  Les	
  toits	
  de	
  Collioure,	
  1905,	
  oil	
  on	
  canvas,	
  	
  
The	
  Hermitage,	
  St.	
  Petersburg,	
  Russia	
  
	
  
	
  
Point	
  4.	
  When	
  artists	
  express	
  a	
  vision	
  people	
  have	
  never	
  seen	
  
before,	
  great	
  opposition	
  and	
  vehement	
  criticism	
  often	
  follows.	
  
	
  
Here’s	
  3	
  things	
  I	
  love	
  most	
  about	
  abstract	
  art.	
  	
  
	
  
Firstly,	
  in	
  every	
  sense,	
  abstract	
  art	
  is	
  liberating.	
  Unpredictable	
  and	
  
uncontrollable,	
  it	
  challenges	
  people	
  to	
  think	
  differently	
  on	
  a	
  variety	
  of	
  
levels.	
  Especially	
  questioning	
  the	
  concept	
  of	
  commercial	
  value.	
  	
  
	
  
Many	
  people	
  struggle	
  to	
  understand	
  someone	
  would	
  pay	
  thousands,	
  even	
  
millions	
  of	
  dollars,	
  for	
  what	
  looks	
  like	
  a	
  child’s	
  painting.	
  Matisse	
  
understood	
  how	
  people	
  thought	
  in	
  his	
  day,	
  but	
  he	
  didn’t	
  allow	
  it	
  to	
  stifle	
  
his	
  creative	
  progress.	
  	
  
	
  
Power	
  5.	
  Matisse	
  understood	
  the	
  infinite	
  power	
  and	
  longevity	
  of	
  
ideas	
  to	
  overcome	
  restrictions	
  created	
  by	
  narrow-­‐minded	
  thinking.	
  
	
  
I	
  love	
  creating	
  abstract	
  paintings.	
  And	
  can	
  never	
  predict	
  results.	
  There	
  is	
  
freedom	
  in	
  relaxing	
  and	
  ‘going	
  with	
  the	
  flow.’	
  Allowing	
  the	
  paint	
  control	
  
the	
  direction	
  of	
  the	
  artwork.	
  	
  
	
  
In	
  this	
  process,	
  the	
  subconscious	
  mind	
  is	
  free	
  to	
  express	
  what	
  needs	
  to	
  be	
  
expressed.	
  	
  
	
  
There	
  have	
  been	
  many	
  paintings	
  and	
  drawings	
  I	
  have	
  created	
  whereby	
  an	
  
image	
  has	
  emerged	
  I	
  had	
  no	
  conscious	
  control	
  in	
  bringing	
  it	
  to	
  life.	
  As	
  an	
  
artist,	
  this	
  is	
  fascinating	
  to	
  observe.	
  	
  
	
  
The	
  most	
  famous	
  psychoanalyst	
  Carl	
  Jung	
  once	
  taught,	
  the	
  subconscious	
  
mind	
  expresses	
  deeply	
  intuitive,	
  often	
  important	
  messages	
  to	
  people	
  
through	
  archetypes.	
  Likewise,	
  Matisse	
  emphasised	
  the	
  importance	
  of	
  
intuition	
  and	
  instinct	
  in	
  the	
  creative	
  process.	
  
	
  
Similar	
  to	
  abstract	
  art,	
  the	
  subconscious	
  mind	
  creates	
  abstracted	
  
fragmented	
  messages	
  unfamiliar	
  to	
  the	
  conscious	
  mind	
  and	
  difficult	
  to	
  
process	
  through	
  logical	
  conventional	
  thinking.	
  	
  
	
  
Abstract	
  art	
  accommodates	
  for	
  the	
  unpredictability	
  and	
  irrationality	
  of	
  
the	
  human	
  mind.	
  
	
  
Point	
  5.	
  Matisse	
  believed	
  he	
  was	
  not	
  in	
  control	
  but	
  that	
  colour	
  and	
  
form	
  dictated	
  the	
  painting	
  themselves.	
  
	
  
The	
  second	
  thing	
  I	
  love	
  about	
  abstract	
  art	
  is	
  the	
  variety	
  of	
  responses	
  it	
  
evokes	
  from	
  viewers.	
  Some	
  people	
  simply	
  love	
  the	
  shapes.	
  Other	
  people	
  
are	
  drawn	
  in	
  by	
  an	
  emotional	
  reaction	
  to	
  colour.	
  	
  
	
  
Still	
  others	
  have	
  very	
  personal	
  interpretations	
  of	
  the	
  subject	
  matter,	
  
discovering	
  specific	
  meaning	
  to	
  their	
  inner	
  lives.	
  	
  
 
Abstract	
  art	
  offers	
  unique	
  value	
  to	
  individuals.	
  It	
  respects	
  and	
  encourages	
  
diversity.	
  Honouring	
  people’s	
  different	
  perspectives.	
  	
  
	
  
	
  
‘The	
  Peninsula’	
  by	
  Simon	
  Brushfield	
  (2010)	
  oil	
  &	
  acrylic	
  on	
  canvas,	
  2m	
  x	
  1.8m	
  	
  
(Sold:	
  Private	
  Collection)	
  
	
  
In	
  the	
  painting	
  above	
  I	
  was	
  commissioned	
  by	
  an	
  Australian	
  art	
  collector,	
  
who	
  wanted	
  a	
  large	
  abstract	
  piece	
  for	
  his	
  lounge	
  room.	
  	
  
	
  
Like	
  Matisse,	
  the	
  painting	
  contains	
  a	
  mix	
  of	
  realistic	
  and	
  unrealistic	
  
emotive	
  colour	
  and	
  highly	
  personal	
  imaginative	
  subject	
  matter	
  symbolic	
  
of	
  the	
  owner’s	
  background	
  and	
  childhood	
  by	
  the	
  sea.	
  	
  
	
  
Point	
  6.	
  Unlike	
  mathematics,	
  in	
  abstract	
  art	
  there	
  are	
  no	
  right	
  or	
  
wrongs.	
  
	
  
Matisse	
  pursued	
  emotional	
  meaning	
  in	
  his	
  art	
  and	
  was	
  not	
  afraid	
  to	
  make	
  
mistakes.	
  	
  
	
  
He	
  used	
  colour	
  with	
  powerful	
  intent,	
  striving	
  for	
  artistic	
  freedom	
  desiring	
  
to	
  express	
  the	
  purity	
  of	
  colour	
  in	
  life.	
  He	
  acknowledged	
  difficulties	
  
encountered	
  and	
  saw	
  art	
  as	
  a	
  means	
  of	
  bringing	
  hope	
  and	
  happiness	
  into	
  
a	
  troubled	
  world.	
  He	
  once	
  said,	
  
	
  
“What	
  I	
  dream	
  of	
  is	
  an	
  art	
  of	
  balance,	
  purity,	
  and	
  serenity	
  devoid	
  of	
  
troubling	
  or	
  depressing	
  subject	
  matter….a	
  soothing,	
  calming	
  influence	
  on	
  
the	
  mind,	
  something	
  like	
  a	
  good	
  armchair	
  which	
  provides	
  relaxation	
  from	
  
physical	
  fatigue”	
  –	
  Henri	
  Matisse	
  
	
  
I	
  love	
  Matisse’s	
  paintings	
  because	
  he	
  boldly	
  declares	
  hope	
  -­‐	
  despite	
  what	
  
others	
  think.	
  	
  
	
  
His	
  life	
  and	
  art	
  display	
  courage,	
  a	
  fierce	
  determination	
  and	
  skilful	
  ability	
  
to	
  break	
  through	
  into	
  new	
  territory,	
  leaving	
  behind	
  a	
  legacy	
  of	
  artistic	
  and	
  
personal	
  freedom	
  for	
  others	
  to	
  enjoy.	
  
	
  
Point	
  7.	
  Modern	
  art	
  epitomises	
  the	
  human	
  spirit	
  and	
  its	
  desire	
  to	
  
breakthrough	
  traditional	
  barriers	
  into	
  greater	
  regions	
  of	
  freedom.	
  	
  
	
  
Matisse	
  was	
  keen	
  to	
  disable	
  constraining	
  influences	
  and	
  use	
  art	
  to	
  bring	
  
light	
  and	
  clarity	
  to	
  a	
  foggy	
  world	
  that	
  he	
  believed	
  was	
  sometimes	
  too	
  
depressing	
  and	
  colourless.	
  	
  
	
  
From	
  my	
  perspective,	
  the	
  Matisse	
  legacy	
  encourages	
  people	
  to	
  live	
  life	
  to	
  
the	
  fullest	
  in	
  bright	
  beautiful	
  colour	
  even	
  through	
  difficulties,	
  criticism	
  
and	
  vehement	
  opposition.	
  	
  
	
  
Matisse	
  is	
  considered	
  a	
  father	
  figure	
  of	
  modern	
  art.	
  	
  
	
  
He	
  was	
  an	
  intuitive	
  artist	
  who	
  accepted	
  gracefully	
  the	
  challenging	
  
consequences	
  of	
  living,	
  loving	
  and	
  thinking	
  in	
  new	
  ways.	
  Allowing	
  nothing	
  
to	
  halt	
  his	
  creative	
  progress.	
  
	
  
Matisse	
  once	
  said,	
  “He	
  who	
  loves,	
  flies,	
  runs	
  and	
  rejoices;	
  he	
  is	
  free	
  
and	
  nothing	
  holds	
  him	
  back.”	
  	
  
	
  
Matisse	
  lived	
  and	
  worked	
  during	
  a	
  time	
  of	
  great	
  change	
  in	
  the	
  way	
  people	
  
lived	
  and	
  thought,	
  termed	
  ‘Modernism.’	
  An	
  era	
  heavily	
  influenced	
  by	
  the	
  
industrial	
  revolution.	
  	
  
	
  
Today,	
  we	
  live	
  in	
  a	
  similar	
  time	
  of	
  significant	
  change,	
  characterised	
  by	
  the	
  
information	
  age.	
  Historians	
  have	
  broadly	
  labelled	
  our	
  time	
  
‘Postmodernism’.	
  	
  
	
  
The	
  abstract	
  painting	
  below	
  is	
  a	
  visual	
  interpretation	
  of	
  living	
  my	
  life	
  
during	
  the	
  postmodernist	
  era.	
  
	
  
 
‘Postmodernism’	
  by	
  Simon	
  Brushfield	
  (2011)	
  	
  
Oil	
  and	
  Acrylic	
  on	
  Canvas	
  80cm	
  x	
  60cm	
  (framed)	
  
	
  
	
  
	
  
	
  
	
  
	
  
	
  
	
  
	
  
	
  
	
  
	
  
	
  
	
  
	
  
	
  
	
  
	
  
For	
  more	
  interesting	
  articles	
  on	
  art	
  and	
  creativity	
  visit	
  the	
  website	
  
www.simonbrushfield.com	
  or	
  contact	
  Simon	
  on	
  the	
  details	
  below…	
  	
  
email:	
  simon@simonbrushfield.com	
  	
  
twitter:	
  @simonbrushfield	
  facebook:	
  simon.brushfield	
  	
  
google	
  plus:	
  simonbrushfield	
  pinterest:	
  simonbrushfield	
  
	
  

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Understanding the Value of Abstract Art

  • 1. How  to  understand  the  value  of  challenging   modern  art     By  Simon  Brushfield       This  creative  article  will  help  you  understand  the  origins  of  abstract  art.       It  will  give  you  greater  confidence  to  evaluate  and  feel  comfortable  with   challenging  or  weird  modern  art.       Below,  I  broadly  outline  the  development  of  abstract  art  and  conclude   with  reflections  and  examples  on  how  abstract  art  relates  specifically  to   our  modern  era.         Here’s  the  main  point  of  the  article….     Point  1.  Abstract  art  helps  create  freedom  for  people  by  challenging   conventional  thinking.         ‘Fountain’  sculpture  created  in  1917  by  Marcel  Duchamp.     The  work  presented  an  enormous  challenge  to  conventional     thinking  about  what  exactly  is  art?       In  our  instantly  accessible  modern  era,  digital  photography  is  taken  for   granted,  it’s  difficult  to  imagine  in  previous  generations  photography  once   didn’t  exist.    
  • 2.   Painting  and  drawing  was  once  the  only  way  to  capture  and  record  real   life.  People  believed  the  best  art  must  look  real.       Point  1.  Therefore,  master  artists  like  Rembrandt  or  Rubens  were   greatly  admired  in  high  Renaissance  society.       The  intricate  detail  of  horses  in  battle  and  aristocratic  portraits  of  noble   kings  and  queens  were  only  accessible  by  the  wealthy  class.  The  gap   between  the  rich  and  poor  was  enormous.     In  contrast  to  the  instantly  accessible  digital  photography  of  today,   creating  a  realistic  painting  during  the  Renaissance  was  extremely  time   consuming  and  very  expensive.     But  the  industrial  revolution  and  modernist  thinking  changed  everything.       Photography  developed.  And  the  printing  press  too.  Suddenly  factories   were  able  to  print  and  distribute  images  and  information  on  a  wide  scale.       The  poor  became  more  educated.       A  middle  class  developed  and  commodities  were  produced  on  mass  scale.   Goods  became  less  expensive.     Point  2.  Modernism  encouraged  the  spread  of  new  ideas,  freedom  of   thought  and  extensive  commercial  progress.       With  new  modern  ways  of  thinking,  abstract  art  began  to  flourish  too.       It  offered  greater  freedom  for  innovative  artists  like  Picasso.  Abstract  art   is  common  today,  however  it  wasn’t  always  a  popular  way  of  thinking.       Early  abstract  artists  encountered  great  difficulty  breaking  through  the   public  mindset.  People  had  grown  comfortable  with  paintings  that  looked   real.       Point  3.  The  traditional  mindset  is  always  resistant  to  change.     One  famous  modernist  piece  of  abstract  art  by  Marcel  Duchamp  was   painted  in  1912  and  titled  ‘Nude  descending  the  staircase’  pictured  below.       It  caused  great  controversy.  
  • 3.   ‘Nude  Descending  a  Staircase’  (1912)     by  Marcel  Duchamp.  Oil  on  Canvas     147  cm  ×  89.2  cm  Philidelphia  Museum  of  Art     The  painting  and  the  artist  are  famous  for  encountering  massive   opposition  and  public  outcry,  so  much  so,  that  Marcel  Duchamp  removed   his  painting  from  the  wall  midway  through  the  exhibition.       He  later  focussed  upon  playing  chess  abandoning  the  art  world  all   together.     One  New  York  Times  critic  disdainfully  wrote  the  painting  looked  like  ‘an   explosion  in  a  shingle  factory’  hence  the  reference  to  factories  –  a  concept   dominant  in  the  minds  of  people  living  during  the  industrial  revolution.       However,  there  is  an  element  of  truth  to  the  critic’s  comment.  It’s  no   coincidence  that  Duchamp’s  painting  contains  visual  elements  similar  to   the  rhythmic  repetitive  nature  of  a  machine  in  operation.       Point  4.  The  mass  production  of  industrial  life  was  changing  the  way   people  perceived  themselves.     During  the  industrial,  or  shall  we  say  modernist  era,  three  towering   figures  of  modern  art  arose.    
  • 4.   Matisse  (1869-­‐1954)  Picasso  and  Duchamp  who  helped  define  a  new   visual  direction  and  entirely  new  way  of  thinking,  in  turn  giving  validity  to   the  liberating  ideas  underpinning  abstract  art.       The  history  of  art  provides  a  long  list  of  artists  who  changed  public   thinking  altering  the  dominant  status  quo  in  society.       Point  5.  Artists  have  long  played  the  role  of  provoking  society,  being   the  instigators  of  change  and  challenging  conventional  thinking.       Art  is  a  culturally  acceptable  vehicle  for  change.     Duchamp,  Picasso  and  Matisse  were  often  ridiculed  for  challenging   conventional  thinking.  Their  abstract  style  of  paintings,  were   frighteningly  bold  for  the  time  and  excessively  unrealistic.       Their  innovative  artwork  was  difficult  for  the  public  to  accept  as  genuine   art  during  the  1900’s.  Challenging  new  ideas  from  visionary  artists   provoked  society’s  dominant  traditional  mindset.         ‘The  Joy  of  Life’  by  Henri  Matisse  (1905)  Oil  on  Canvas  175  x  241cm       The  shape  and  form  of  Matisse’s  paintings  conveyed  powerful  emotional   force.  Heavily  influenced  by  traditional  paintings,  Matisse  was  also   inspired  by  his  contemporaries  Gaugin,  Cezanne  and  Van  Gogh  who  also   used  colour  excessively.          
  • 5. Point  3.  Matisse’s  use  of  colour  astounded  people.  He  is  considered   one  of  the  founding  fathers  of  modern  art.       Never  before  had  a  painter  been  so  pure  in  his  approach  to  colour.  He   quickly  became  known  for  his  radical  position  and  always  displayed  signs   of  quiet  rebelliousness  during  his  artistic  career.       Matisse  was  in  constant  search  for  freedom.       His  life  parallels  the  history  of  modern  art,  which  can  be  interpreted  as  a   continual  struggle  to  break  free.  Eliminating  barriers  of  constraint.  A   pattern  typified  by  the  history  of  modern  art.  Matisse  once  said,     “An  artist  must  never  be  a  prisoner.  Prisoner?  An  artist  should  never  be  a   prisoner  of  himself,  prisoner  of  style,  prisoner  of  reputation,  prisoner  of   success…”  –  Henri  Matisse     Breaking  from  traditions  of  the  past,  Matisse  led  an  art  movement  called   the  ‘Fauves’  in  1905.  Meaning  ‘the  wild  beasts’.  This  title  referred  to  the   group’s  use  of  extreme  emotionalism,  vivid  colours  and  distorted  shapes.       Predictably,  the  Fauves  first  exhibition  brought  a  hostile  public  response.   One  critic  wrote,  ‘A  pot  of  paint  has  been  flung  in  the  face  of  the  public’       Henri  Matisse,  Les  toits  de  Collioure,  1905,  oil  on  canvas,     The  Hermitage,  St.  Petersburg,  Russia      
  • 6. Point  4.  When  artists  express  a  vision  people  have  never  seen   before,  great  opposition  and  vehement  criticism  often  follows.     Here’s  3  things  I  love  most  about  abstract  art.       Firstly,  in  every  sense,  abstract  art  is  liberating.  Unpredictable  and   uncontrollable,  it  challenges  people  to  think  differently  on  a  variety  of   levels.  Especially  questioning  the  concept  of  commercial  value.       Many  people  struggle  to  understand  someone  would  pay  thousands,  even   millions  of  dollars,  for  what  looks  like  a  child’s  painting.  Matisse   understood  how  people  thought  in  his  day,  but  he  didn’t  allow  it  to  stifle   his  creative  progress.       Power  5.  Matisse  understood  the  infinite  power  and  longevity  of   ideas  to  overcome  restrictions  created  by  narrow-­‐minded  thinking.     I  love  creating  abstract  paintings.  And  can  never  predict  results.  There  is   freedom  in  relaxing  and  ‘going  with  the  flow.’  Allowing  the  paint  control   the  direction  of  the  artwork.       In  this  process,  the  subconscious  mind  is  free  to  express  what  needs  to  be   expressed.       There  have  been  many  paintings  and  drawings  I  have  created  whereby  an   image  has  emerged  I  had  no  conscious  control  in  bringing  it  to  life.  As  an   artist,  this  is  fascinating  to  observe.       The  most  famous  psychoanalyst  Carl  Jung  once  taught,  the  subconscious   mind  expresses  deeply  intuitive,  often  important  messages  to  people   through  archetypes.  Likewise,  Matisse  emphasised  the  importance  of   intuition  and  instinct  in  the  creative  process.     Similar  to  abstract  art,  the  subconscious  mind  creates  abstracted   fragmented  messages  unfamiliar  to  the  conscious  mind  and  difficult  to   process  through  logical  conventional  thinking.       Abstract  art  accommodates  for  the  unpredictability  and  irrationality  of   the  human  mind.     Point  5.  Matisse  believed  he  was  not  in  control  but  that  colour  and   form  dictated  the  painting  themselves.     The  second  thing  I  love  about  abstract  art  is  the  variety  of  responses  it   evokes  from  viewers.  Some  people  simply  love  the  shapes.  Other  people   are  drawn  in  by  an  emotional  reaction  to  colour.       Still  others  have  very  personal  interpretations  of  the  subject  matter,   discovering  specific  meaning  to  their  inner  lives.    
  • 7.   Abstract  art  offers  unique  value  to  individuals.  It  respects  and  encourages   diversity.  Honouring  people’s  different  perspectives.         ‘The  Peninsula’  by  Simon  Brushfield  (2010)  oil  &  acrylic  on  canvas,  2m  x  1.8m     (Sold:  Private  Collection)     In  the  painting  above  I  was  commissioned  by  an  Australian  art  collector,   who  wanted  a  large  abstract  piece  for  his  lounge  room.       Like  Matisse,  the  painting  contains  a  mix  of  realistic  and  unrealistic   emotive  colour  and  highly  personal  imaginative  subject  matter  symbolic   of  the  owner’s  background  and  childhood  by  the  sea.       Point  6.  Unlike  mathematics,  in  abstract  art  there  are  no  right  or   wrongs.     Matisse  pursued  emotional  meaning  in  his  art  and  was  not  afraid  to  make   mistakes.       He  used  colour  with  powerful  intent,  striving  for  artistic  freedom  desiring   to  express  the  purity  of  colour  in  life.  He  acknowledged  difficulties   encountered  and  saw  art  as  a  means  of  bringing  hope  and  happiness  into   a  troubled  world.  He  once  said,     “What  I  dream  of  is  an  art  of  balance,  purity,  and  serenity  devoid  of   troubling  or  depressing  subject  matter….a  soothing,  calming  influence  on  
  • 8. the  mind,  something  like  a  good  armchair  which  provides  relaxation  from   physical  fatigue”  –  Henri  Matisse     I  love  Matisse’s  paintings  because  he  boldly  declares  hope  -­‐  despite  what   others  think.       His  life  and  art  display  courage,  a  fierce  determination  and  skilful  ability   to  break  through  into  new  territory,  leaving  behind  a  legacy  of  artistic  and   personal  freedom  for  others  to  enjoy.     Point  7.  Modern  art  epitomises  the  human  spirit  and  its  desire  to   breakthrough  traditional  barriers  into  greater  regions  of  freedom.       Matisse  was  keen  to  disable  constraining  influences  and  use  art  to  bring   light  and  clarity  to  a  foggy  world  that  he  believed  was  sometimes  too   depressing  and  colourless.       From  my  perspective,  the  Matisse  legacy  encourages  people  to  live  life  to   the  fullest  in  bright  beautiful  colour  even  through  difficulties,  criticism   and  vehement  opposition.       Matisse  is  considered  a  father  figure  of  modern  art.       He  was  an  intuitive  artist  who  accepted  gracefully  the  challenging   consequences  of  living,  loving  and  thinking  in  new  ways.  Allowing  nothing   to  halt  his  creative  progress.     Matisse  once  said,  “He  who  loves,  flies,  runs  and  rejoices;  he  is  free   and  nothing  holds  him  back.”       Matisse  lived  and  worked  during  a  time  of  great  change  in  the  way  people   lived  and  thought,  termed  ‘Modernism.’  An  era  heavily  influenced  by  the   industrial  revolution.       Today,  we  live  in  a  similar  time  of  significant  change,  characterised  by  the   information  age.  Historians  have  broadly  labelled  our  time   ‘Postmodernism’.       The  abstract  painting  below  is  a  visual  interpretation  of  living  my  life   during  the  postmodernist  era.    
  • 9.   ‘Postmodernism’  by  Simon  Brushfield  (2011)     Oil  and  Acrylic  on  Canvas  80cm  x  60cm  (framed)                                       For  more  interesting  articles  on  art  and  creativity  visit  the  website   www.simonbrushfield.com  or  contact  Simon  on  the  details  below…     email:  simon@simonbrushfield.com     twitter:  @simonbrushfield  facebook:  simon.brushfield     google  plus:  simonbrushfield  pinterest:  simonbrushfield