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 Contrary

to what you
may think, the term
Romanticism is not
just about romantic
love (although love is
sometimes the
subject of romantic
art).
Romanticism

is
characterized by the 5 “I”s
 Imagination

was emphasized over

“reason.”
 This was a backlash against the
rationalism characterized by the
Neoclassical period or “Age of Reason.”
 Imagination was considered necessary for
creating all art.
As the poet Wordsworth
would suggest, humans not
only perceive and
experience the world
around them; they also, in
part, create it. The
imagination unites reason
and feeling, enabling
humans to reconcile
differences and opposites—
this reconciliation is a
central ideal for Romantics.
Finally, the imagination
enables humans to “read “
nature as a system of
symbols.


 Romantics

placed value on
“intuition,” or feeling and
instincts, over reason.
 Emotions were important in
Romantic art.
 British Romantic William
Wordsworth described
poetry as “the spontaneous
overflow of powerful
feelings.”
 Idealism

is the concept that
we can make the world a
better place.

 Immanuel

Kant, a German
philosopher, held that the
mind forces the world we
perceive to take the shape of
space-and-time.
 The

Romantic artist,
musician, or writer, is an
“inspired creator” rather
than a “technical master.”
 What this means is “going
with the moment” or being
spontaneous, rather than
“getting it precise.”
 Romantics

celebrated the

individual.
 During this time period,
Women’s Rights and
Abolitionism were taking
root as major movements.
 Walt Whitman, a later
Romantic writer, would
write a poem entitled
“Song of Myself”: it begins,
“I celebrate myself…”






Embracing the uncivilized, the
wild, the pre-civilized.
Rousseau: “Man is born free
and everywhere he is in
chains.” In other words,
civilization is in part the cause
of our corruption.
The “noble savage,” and James
Fennimore Cooper’s
Leatherstocking novels, I.e. The
Last of the Mohicans.
The

first viewed
nature as
peaceful, calm,
nurturing, a
source for
spiritual renewal.
•The

beautiful
and
•The sublime
 Nature

often presented as a work of art
from the divine imagination
 Nature as a healing power
 Nature as a refuge from civilization
 Nature viewed as “organic,” (alive) rather
than “mechanical” or “rationalist”
 Nature viewed as a source
of refreshment and
meditation
 Valued

as the human means
for imitating nature in art
 Could simultaneously
suggest many things in a
creative way
 Based on a desire to
“express the inexpressible”
through the resources of
language


As the Romantic writers
show us, our heroes were
not always cowboys:





1. The hero as artist
2. The hero striving beyond
the moral restrictions of
society
3. The hero who reappears
from the ancient classics
 Romantic

writers embraced
everyday realism (poetry of
Wordsworth)
 Also sought the folk legends
of the past
 Promoted exotic ideas
suggested by technology and
the imagination (a beautiful
soul in an ugly body, as in
Mary Shelley’s Frankenstein
or Victor Hugo’s The
Hunchback of Notre Dame).


The Romantics were
often ambivalent toward
the “outside” world. On
the one hand, they were
socially and politically
passionate—involved in
worthy causes and social
issues. On the other
hand, they isolated
themselves from the
public.
 Today

a number of literary theorist have called
into two major romantic perceptions:
1. That the literary text is a separate,
individuated, living organism.
2. That the artist is fiercely independent genius
who creates original works of art
Romanticism

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Romanticism

  • 1.
  • 2.
  • 3.  Contrary to what you may think, the term Romanticism is not just about romantic love (although love is sometimes the subject of romantic art).
  • 5.  Imagination was emphasized over “reason.”  This was a backlash against the rationalism characterized by the Neoclassical period or “Age of Reason.”  Imagination was considered necessary for creating all art.
  • 6. As the poet Wordsworth would suggest, humans not only perceive and experience the world around them; they also, in part, create it. The imagination unites reason and feeling, enabling humans to reconcile differences and opposites— this reconciliation is a central ideal for Romantics. Finally, the imagination enables humans to “read “ nature as a system of symbols. 
  • 7.  Romantics placed value on “intuition,” or feeling and instincts, over reason.  Emotions were important in Romantic art.  British Romantic William Wordsworth described poetry as “the spontaneous overflow of powerful feelings.”
  • 8.  Idealism is the concept that we can make the world a better place.  Immanuel Kant, a German philosopher, held that the mind forces the world we perceive to take the shape of space-and-time.
  • 9.  The Romantic artist, musician, or writer, is an “inspired creator” rather than a “technical master.”  What this means is “going with the moment” or being spontaneous, rather than “getting it precise.”
  • 10.  Romantics celebrated the individual.  During this time period, Women’s Rights and Abolitionism were taking root as major movements.  Walt Whitman, a later Romantic writer, would write a poem entitled “Song of Myself”: it begins, “I celebrate myself…”
  • 11.    Embracing the uncivilized, the wild, the pre-civilized. Rousseau: “Man is born free and everywhere he is in chains.” In other words, civilization is in part the cause of our corruption. The “noble savage,” and James Fennimore Cooper’s Leatherstocking novels, I.e. The Last of the Mohicans.
  • 12. The first viewed nature as peaceful, calm, nurturing, a source for spiritual renewal.
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  • 18.  Nature often presented as a work of art from the divine imagination  Nature as a healing power  Nature as a refuge from civilization  Nature viewed as “organic,” (alive) rather than “mechanical” or “rationalist”  Nature viewed as a source of refreshment and meditation
  • 19.  Valued as the human means for imitating nature in art  Could simultaneously suggest many things in a creative way  Based on a desire to “express the inexpressible” through the resources of language
  • 20.  As the Romantic writers show us, our heroes were not always cowboys:    1. The hero as artist 2. The hero striving beyond the moral restrictions of society 3. The hero who reappears from the ancient classics
  • 21.  Romantic writers embraced everyday realism (poetry of Wordsworth)  Also sought the folk legends of the past  Promoted exotic ideas suggested by technology and the imagination (a beautiful soul in an ugly body, as in Mary Shelley’s Frankenstein or Victor Hugo’s The Hunchback of Notre Dame).
  • 22.  The Romantics were often ambivalent toward the “outside” world. On the one hand, they were socially and politically passionate—involved in worthy causes and social issues. On the other hand, they isolated themselves from the public.
  • 23.  Today a number of literary theorist have called into two major romantic perceptions: 1. That the literary text is a separate, individuated, living organism. 2. That the artist is fiercely independent genius who creates original works of art