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MAPEH 5
MUSIC ( Module )
1st Quarter
By: Eric Dane D. Piamonte
LESSON 1
Content Standards
The student will be able to…
Recognize the musical symbols and
demonstrate understanding of concepts
pertaining to rhythm
Learning Competency
1. Respond to metric pulses of music heard with
appropriate conducting gestures.
2. Identify accented and unaccented pulses in 2/4,
3/4 and 4/4 ( Simple Time Signatures )
3. Perform songs in 2/4, 3/4 and 4/4 ( Simple Time
Signatures )
4. Determine the meter of the music by listening (
aural identification )
5. Explain and Demonstrate the meaning of the
time signatures 2/4, 3/4 and 4/4 Time Signatures.
Activity 1.1
Please answer the following activities as best
as you can.
Activity Hours Minutes Seconds
1. How long does it take for you
to take a shower or a bath in the
morning before going to school?
2. How long does it take for you
to eat your breakfast before you
go to school?
3. How long does it take for you
to arrive in school from your
house?
• It is always good to know how to measure
your time in doing your routine and be aware
of the IMPORTANCE of respecting TIME. We
must be ON TIME. We must be PUNCTUAL.
You should always be on time in the things
that you are doing. Because if we are LATE.
We will be left behind, or we end up MESSING
up the events and everybody.
• EVEN in MUSIC. You always have to move in
time because music is made up of patterns of
sounds moving in time.
Let’s Reflect
What is the IMPORTANCE of being able to
identify the meter or the song or the music
that you perform or listen to?
METER – measures how many beats there are
in a set. It is the pattern of accented and
unaccented beats.
It can be in twos, threes, and fours depending
on the patterns of beats.
Bar Line – encloses the beats into measures.
Time Signature – they are symbols found in
the beginning of a musical piece, tells us the
number of beats in each measure and the
note that receives one beat.
The upper number tells us that there are two beats in
each measure.
2
4
The lower no. tells us that the quarter note gets one beat.
• Refer to page 5 ( Enjoying Life Through MAPEH
) textbook for reference.
samples of different meters
samples of conducting patterns for 2/4, 3/4
and 4/4 Time Signatures. ( Students will have
to USE their RIGHT HAND / ARM for the
conducting patterns )
Activity 1.2
Responding to metric pulses of music heard with
appropriate conducting gestures.
A. Students will listen to a set of songs and will have
to identify its meter.
B. Students will demonstrate by using appropriate
conducting gestures to a set of songs played or
sung.
C. Students will be able to be in time with the
Metronome for the appropriate speed in cadence
to the time signature.
SONG Samples for the activity.
1. Leron, Leron Sinta ( 2/4)
2. Take a Chance on Me ( 4/4 )
3. Piano Man ( 3/4 )
Activity 1.3
Look for songs in 2/4, 3/4 & 4/4. Write at least
three titles of songs under the correct
heading.
2 / 4 3 / 4 4 / 4
LET’S PERFORM
PERFORMANCE OUTPUT 1 ( Ind. / groups of 3 )
Choose one song that you have written in
Activity 1.3 and sing it while demonstrating
the appropriate conducting pattern.
RUBRIC
Criteria Advanced
5
Proficient
4
Approaching
Proficiency
3
Developing
2
Beginning
1
Conducting
Pattern /
beat
Can show the
correct
conducting
pattern and
can move on
the beat all
the time
Can show the
correct
conducting
pattern and
can move on
the beat
most of the
time
Can show the
correct
conducting
pattern and
can move on
the beat
sometimes
Can show the
correct
conducting
pattern but
can rarely
move on the
beat
Cannot show
the correct
conducting
pattern and
cannot move
on the beat
but
attempted to
perform.
Poise /
Confidence
Can conduct
with an
excellent
posture and
poise with
much
confidence
Can conduct
with a very
good posture
and poise
with
confidence
Can conduct
with a good
posture and
poise but
with few
hesitations
Can conduct
with fair
posture and
poise and
lacks
confidence
Can conduct
with very
poor posture
and poise
and no
confidence.
Checklist
Write this on your NOTEBOOK
Competencies NO YES
1. I can respond to metric pulses of music heard with appropriate
conducting patterns.
2. I can identify accented and unaccented pulses in 2/4, ¾ and 4/4
3. I can perform songs in 2/4, ¾, and 4/4
4. I can determine the meter of the music heard.
5. I can explain the meaning of the time signatures 2/4. ¾ and 4/4
LESSON 2
Content Standard
The student will be able to…
To read and write rhythms, notes, and rests
and perform a rhythmic composition in their
chosen meter.
Learning Competency
1. Identify visually and aurally different kinds of notes
and rests in a song.
2. Recognize rhythmic patterns, using different notes
and rests in simple time signatures 2/4, 3/4 & 4/4.
3. Identify accurately the duration of notes and rests in
2/4. 3/4 and 4/4 time signatures.
4. Perform rhythmic patterns in 2/4, 3/4 & 4/4.
5. Create different rhythmic patterns using notes and
rests in time signatures as 2/4, 3/4 & 4/4.
6. Use bar line to indicate groupings of beats in 2/4, ¾ &
4/4.
Does the ARTWORK show repetition?
Does the ARTWORK show pattern?
What do patterns contribute to the artwork?
Activity 1.4
Give 5 - 10 minutes for the students to go
around and list down 5 things that they see
that shows patterns, including nature. They
have to list it down using this template.
Name of Object / Thing Kind of Pattern Natural / Man-
made
1. Metal Bars at the gate. ( example ) Straight line Man-made
2.
3.
4.
5.
In art, repeated elements like lines, shapes,
and colors that form patterns is called
RHYTHM. It provides organization and unity.
MUSIC too has RHYTHM. Rhythm in music
consists of patterns of sounds, and silences or
different durations that move through time.
• What are NOTES?
• What are RESTS?
• What are their USES in MUSIC? Why are they
IMPORTANT in MUSIC?
Sounds and Silences are represented by
NOTES and RESTS. These notes and rests have
different duration or value. These are some of
the commonly used notes and rests and their
duration in 2/4, 3/4 & 4/4 time.
( refer to page 11 – 12 of Enjoying Through MAPEH textbook )
For the application of the notes and rests use the sample: “Mang Kiko” pp.
12 ( complete number )
“ Happy Birthday “ pp. 12 ( incomplete number )
These notes and rests are arranged to form
RHYTHMIC Patterns. These are organized into
sets with twos, three or four beats.
Example “ MANG KIKO”
Some rhythmic patterns have incomplete
number of beats on the first and the last
measures. But when you add up the values of the
notes and rests it will get the correct number of
beats. THIS means that the pattern does not start
on an accented beat but it starts with an
unaccented beat. Example “ HAPPY BIRTHDAY. “
Activity 1.5
Identifying accurately the duration of notes and rests 2/4, 3/4 & 4/4 in
time signatures.
Write the duration of the following notes and rests on the line.
1. Eight note = ¼ beats of sound
2. Dotted Half note = 3 beats of sound
3. Quarter note = 1 beat of sound
4. Half note = 2 beats of sound
5. Whole note = 4 beats of sound
6. Quarter rest = 1 beat of silence
7. Half rest = 2 beats of silence
8. Dotted quarter note = one and a half beat of sound
9. Whole rest = 4 beats of silence
10. Eight rest = ¼ beats of silence
Activity 1.6
Have the students create FLASH CARDS of the
different notes and rests and their respective
values. ( cardboard ) 2”x3” inches. 12 pieces.
Call the students and have them IDENTIFY
- Beat
- name
- Note or Rest ( Duration of Sound / Duration of
Rest )
Activity 1.7
Identifying aurally and visually different kinds
of notes and rests in a song
( refer to pp. 13 textbook Enjoying Through MAPEH )
1. Bahay Kubo
2. Magtanim ay di Biro
3. While by My Sleep ( check youtube for sample )
Activity 1.8
Using a Bar line to indicate groupings of beats
in 2/4, 3/4 & 4/4.
refer to pp. 15 of Enjoying Through MAPEH. ( photocopy the part and have
the students paste it in their NOTEBOOK. And have them answer it.
Sounds and Silences are represented notes
and rests that may be grouped into simple
meters such as duple, triple and quadruple. (
two’s, three’s and fours. )
Notes and rests can be arranged into rhythmic
patterns.
These are rhythmic patterns with broken
measures that are found at the beginning of
the pattern and at the last measure. (
incomplete patterns )
LET’S PERFORM
PERFORMANCE OUTPUT 2
Have students group themselves, they will
create a rhythmic composition with varied
notes and rest values. Have them write their
composition on a piece of sheet music. They
may perform their composition in a creative
way, they may use percussion, body
percussion or any sound source and with
proper timing.
RUBRIC
Criteroa Advanced Proficient Approachin
g
Proficiency
Developing Beginning
Compostion Can compose a
rhythmic
composition
that has correct
number of
beats and is
very interesting
Can compose a
rhythmic
composition
that has correct
number of
beats and is
interesting
Can compose a
rhythmic
composition but
some
inaccuracy with
the number of
beats and is less
interesting
Can compose a
rhythmic
composition but
with many
inaccuracies
with the
number of
beats.
Can compose a
rhythmic
composition
with incorrect
number of
beats.
Timing / beat Can perform
with proper
timing all the
time
Can perform
with proper
timing most of
the time
Can perform
with proper
timing
sometimes
Can rarely
perform with
proper timing
Can perform
but without
proper timing.
Creativity Can perform in
a very creative
way
Can perform in
a creative
manner
Can perform in
a somewhat
creative manner
Can perform in
a less creative
manner
Can perform
with no
creativity
Check list
Write this on your NOTEBOOK
Competencies NO YES
1. I can identify visually and aurally different kinds of notes
and rests in a song.
2. I can recognize rhythmic patterns using different notes and
rests in 2/4. ¾ & 4/4.
3. I can identify accurately the duration of notes and rests in
2/4. ¾ & 4/4.
4. I can use bar lines to indicate groupings of notes and rests.
5. I can perform rhythmic patterns in 2/4, ¾ & 4/4 .
6. I can create different rhythmic patterns using notes and
rests in time signatures as 2/4, ¾ & 4/4.
LESSON 3
Content Standard
The students will be able to…
identify and Understand what a tempo and
dynamics do to a musical piece and its
concepts and perform a rhythmic composition
with the proper and appropriate expression.
Learning Competency
1. Identify the different dynamic levels used in a song.
Use appropriate musical terminology to indicate
variation in dynamics, specifically piano. Mezzo piano,
forte, mezzo forte, crescendo and decrescendo.
2. Identify the various tempo used in a song.
3. Use appropriate musical terminology to indicate
variations in tempo.
4. Perform songs following the tempo and dynamic
markings appropriately.
5. Create and Perform a rhythmic composition with
appropriate tempo and dynamics.
Sample Video Clip
- Never Enough ( Greatest Showman )
- A Million Dreams ( Greatest Showman )
- Poco Loco ( COCO )
In the video samples or clips, various ways are
being expressed on the different emotions of
the characters through the way they sang the
song, their facial expressions. All of this would
easily tell us about how the person feels.
IN MUSIC, there are ways to convey the mood
and its meaning through the expressive
elements such TEMPO and DYNAMICS.
Activity 1.9
Learn the song. ( refer to pp. 20 ) Enjoying Life
Through MAPEH
“ GING GANG GOOLI”
How Should the Song Be Sung?
• Tempo refers to the speed of the beat of the
music. It can range from very slow to very fast.
Musicians use Italian words to mark the
tempo of a musical piece. These are called
“tempo marks”.
( refer to page 21 ) Enjoying Life Through MAPEH.
• Dynamics refers to the loudness and softness
of sound in music. It can range from very soft
to very loud.
( refer to pp. 21 )

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Module music 5 1 q

  • 1. MAPEH 5 MUSIC ( Module ) 1st Quarter By: Eric Dane D. Piamonte
  • 3. Content Standards The student will be able to… Recognize the musical symbols and demonstrate understanding of concepts pertaining to rhythm
  • 4. Learning Competency 1. Respond to metric pulses of music heard with appropriate conducting gestures. 2. Identify accented and unaccented pulses in 2/4, 3/4 and 4/4 ( Simple Time Signatures ) 3. Perform songs in 2/4, 3/4 and 4/4 ( Simple Time Signatures ) 4. Determine the meter of the music by listening ( aural identification ) 5. Explain and Demonstrate the meaning of the time signatures 2/4, 3/4 and 4/4 Time Signatures.
  • 5. Activity 1.1 Please answer the following activities as best as you can. Activity Hours Minutes Seconds 1. How long does it take for you to take a shower or a bath in the morning before going to school? 2. How long does it take for you to eat your breakfast before you go to school? 3. How long does it take for you to arrive in school from your house?
  • 6. • It is always good to know how to measure your time in doing your routine and be aware of the IMPORTANCE of respecting TIME. We must be ON TIME. We must be PUNCTUAL. You should always be on time in the things that you are doing. Because if we are LATE. We will be left behind, or we end up MESSING up the events and everybody. • EVEN in MUSIC. You always have to move in time because music is made up of patterns of sounds moving in time.
  • 7. Let’s Reflect What is the IMPORTANCE of being able to identify the meter or the song or the music that you perform or listen to?
  • 8. METER – measures how many beats there are in a set. It is the pattern of accented and unaccented beats. It can be in twos, threes, and fours depending on the patterns of beats.
  • 9. Bar Line – encloses the beats into measures. Time Signature – they are symbols found in the beginning of a musical piece, tells us the number of beats in each measure and the note that receives one beat.
  • 10. The upper number tells us that there are two beats in each measure. 2 4 The lower no. tells us that the quarter note gets one beat.
  • 11. • Refer to page 5 ( Enjoying Life Through MAPEH ) textbook for reference. samples of different meters samples of conducting patterns for 2/4, 3/4 and 4/4 Time Signatures. ( Students will have to USE their RIGHT HAND / ARM for the conducting patterns )
  • 12. Activity 1.2 Responding to metric pulses of music heard with appropriate conducting gestures. A. Students will listen to a set of songs and will have to identify its meter. B. Students will demonstrate by using appropriate conducting gestures to a set of songs played or sung. C. Students will be able to be in time with the Metronome for the appropriate speed in cadence to the time signature.
  • 13. SONG Samples for the activity. 1. Leron, Leron Sinta ( 2/4) 2. Take a Chance on Me ( 4/4 ) 3. Piano Man ( 3/4 )
  • 14. Activity 1.3 Look for songs in 2/4, 3/4 & 4/4. Write at least three titles of songs under the correct heading. 2 / 4 3 / 4 4 / 4
  • 15. LET’S PERFORM PERFORMANCE OUTPUT 1 ( Ind. / groups of 3 ) Choose one song that you have written in Activity 1.3 and sing it while demonstrating the appropriate conducting pattern.
  • 16. RUBRIC Criteria Advanced 5 Proficient 4 Approaching Proficiency 3 Developing 2 Beginning 1 Conducting Pattern / beat Can show the correct conducting pattern and can move on the beat all the time Can show the correct conducting pattern and can move on the beat most of the time Can show the correct conducting pattern and can move on the beat sometimes Can show the correct conducting pattern but can rarely move on the beat Cannot show the correct conducting pattern and cannot move on the beat but attempted to perform. Poise / Confidence Can conduct with an excellent posture and poise with much confidence Can conduct with a very good posture and poise with confidence Can conduct with a good posture and poise but with few hesitations Can conduct with fair posture and poise and lacks confidence Can conduct with very poor posture and poise and no confidence.
  • 17. Checklist Write this on your NOTEBOOK Competencies NO YES 1. I can respond to metric pulses of music heard with appropriate conducting patterns. 2. I can identify accented and unaccented pulses in 2/4, ¾ and 4/4 3. I can perform songs in 2/4, ¾, and 4/4 4. I can determine the meter of the music heard. 5. I can explain the meaning of the time signatures 2/4. ¾ and 4/4
  • 19. Content Standard The student will be able to… To read and write rhythms, notes, and rests and perform a rhythmic composition in their chosen meter.
  • 20. Learning Competency 1. Identify visually and aurally different kinds of notes and rests in a song. 2. Recognize rhythmic patterns, using different notes and rests in simple time signatures 2/4, 3/4 & 4/4. 3. Identify accurately the duration of notes and rests in 2/4. 3/4 and 4/4 time signatures. 4. Perform rhythmic patterns in 2/4, 3/4 & 4/4. 5. Create different rhythmic patterns using notes and rests in time signatures as 2/4, 3/4 & 4/4. 6. Use bar line to indicate groupings of beats in 2/4, ¾ & 4/4.
  • 21. Does the ARTWORK show repetition? Does the ARTWORK show pattern? What do patterns contribute to the artwork?
  • 22. Activity 1.4 Give 5 - 10 minutes for the students to go around and list down 5 things that they see that shows patterns, including nature. They have to list it down using this template. Name of Object / Thing Kind of Pattern Natural / Man- made 1. Metal Bars at the gate. ( example ) Straight line Man-made 2. 3. 4. 5.
  • 23. In art, repeated elements like lines, shapes, and colors that form patterns is called RHYTHM. It provides organization and unity. MUSIC too has RHYTHM. Rhythm in music consists of patterns of sounds, and silences or different durations that move through time.
  • 24. • What are NOTES? • What are RESTS? • What are their USES in MUSIC? Why are they IMPORTANT in MUSIC?
  • 25.
  • 26.
  • 27.
  • 28. Sounds and Silences are represented by NOTES and RESTS. These notes and rests have different duration or value. These are some of the commonly used notes and rests and their duration in 2/4, 3/4 & 4/4 time. ( refer to page 11 – 12 of Enjoying Through MAPEH textbook ) For the application of the notes and rests use the sample: “Mang Kiko” pp. 12 ( complete number ) “ Happy Birthday “ pp. 12 ( incomplete number )
  • 29.
  • 30. These notes and rests are arranged to form RHYTHMIC Patterns. These are organized into sets with twos, three or four beats. Example “ MANG KIKO” Some rhythmic patterns have incomplete number of beats on the first and the last measures. But when you add up the values of the notes and rests it will get the correct number of beats. THIS means that the pattern does not start on an accented beat but it starts with an unaccented beat. Example “ HAPPY BIRTHDAY. “
  • 31. Activity 1.5 Identifying accurately the duration of notes and rests 2/4, 3/4 & 4/4 in time signatures. Write the duration of the following notes and rests on the line. 1. Eight note = ¼ beats of sound 2. Dotted Half note = 3 beats of sound 3. Quarter note = 1 beat of sound 4. Half note = 2 beats of sound 5. Whole note = 4 beats of sound 6. Quarter rest = 1 beat of silence 7. Half rest = 2 beats of silence 8. Dotted quarter note = one and a half beat of sound 9. Whole rest = 4 beats of silence 10. Eight rest = ¼ beats of silence
  • 32. Activity 1.6 Have the students create FLASH CARDS of the different notes and rests and their respective values. ( cardboard ) 2”x3” inches. 12 pieces. Call the students and have them IDENTIFY - Beat - name - Note or Rest ( Duration of Sound / Duration of Rest )
  • 33. Activity 1.7 Identifying aurally and visually different kinds of notes and rests in a song ( refer to pp. 13 textbook Enjoying Through MAPEH ) 1. Bahay Kubo 2. Magtanim ay di Biro 3. While by My Sleep ( check youtube for sample )
  • 34. Activity 1.8 Using a Bar line to indicate groupings of beats in 2/4, 3/4 & 4/4. refer to pp. 15 of Enjoying Through MAPEH. ( photocopy the part and have the students paste it in their NOTEBOOK. And have them answer it.
  • 35. Sounds and Silences are represented notes and rests that may be grouped into simple meters such as duple, triple and quadruple. ( two’s, three’s and fours. ) Notes and rests can be arranged into rhythmic patterns. These are rhythmic patterns with broken measures that are found at the beginning of the pattern and at the last measure. ( incomplete patterns )
  • 36. LET’S PERFORM PERFORMANCE OUTPUT 2 Have students group themselves, they will create a rhythmic composition with varied notes and rest values. Have them write their composition on a piece of sheet music. They may perform their composition in a creative way, they may use percussion, body percussion or any sound source and with proper timing.
  • 37. RUBRIC Criteroa Advanced Proficient Approachin g Proficiency Developing Beginning Compostion Can compose a rhythmic composition that has correct number of beats and is very interesting Can compose a rhythmic composition that has correct number of beats and is interesting Can compose a rhythmic composition but some inaccuracy with the number of beats and is less interesting Can compose a rhythmic composition but with many inaccuracies with the number of beats. Can compose a rhythmic composition with incorrect number of beats. Timing / beat Can perform with proper timing all the time Can perform with proper timing most of the time Can perform with proper timing sometimes Can rarely perform with proper timing Can perform but without proper timing. Creativity Can perform in a very creative way Can perform in a creative manner Can perform in a somewhat creative manner Can perform in a less creative manner Can perform with no creativity
  • 38. Check list Write this on your NOTEBOOK Competencies NO YES 1. I can identify visually and aurally different kinds of notes and rests in a song. 2. I can recognize rhythmic patterns using different notes and rests in 2/4. ¾ & 4/4. 3. I can identify accurately the duration of notes and rests in 2/4. ¾ & 4/4. 4. I can use bar lines to indicate groupings of notes and rests. 5. I can perform rhythmic patterns in 2/4, ¾ & 4/4 . 6. I can create different rhythmic patterns using notes and rests in time signatures as 2/4, ¾ & 4/4.
  • 40. Content Standard The students will be able to… identify and Understand what a tempo and dynamics do to a musical piece and its concepts and perform a rhythmic composition with the proper and appropriate expression.
  • 41. Learning Competency 1. Identify the different dynamic levels used in a song. Use appropriate musical terminology to indicate variation in dynamics, specifically piano. Mezzo piano, forte, mezzo forte, crescendo and decrescendo. 2. Identify the various tempo used in a song. 3. Use appropriate musical terminology to indicate variations in tempo. 4. Perform songs following the tempo and dynamic markings appropriately. 5. Create and Perform a rhythmic composition with appropriate tempo and dynamics.
  • 42. Sample Video Clip - Never Enough ( Greatest Showman ) - A Million Dreams ( Greatest Showman ) - Poco Loco ( COCO )
  • 43. In the video samples or clips, various ways are being expressed on the different emotions of the characters through the way they sang the song, their facial expressions. All of this would easily tell us about how the person feels. IN MUSIC, there are ways to convey the mood and its meaning through the expressive elements such TEMPO and DYNAMICS.
  • 44. Activity 1.9 Learn the song. ( refer to pp. 20 ) Enjoying Life Through MAPEH “ GING GANG GOOLI” How Should the Song Be Sung?
  • 45. • Tempo refers to the speed of the beat of the music. It can range from very slow to very fast. Musicians use Italian words to mark the tempo of a musical piece. These are called “tempo marks”. ( refer to page 21 ) Enjoying Life Through MAPEH.
  • 46. • Dynamics refers to the loudness and softness of sound in music. It can range from very soft to very loud. ( refer to pp. 21 )

Notes de l'éditeur

  1. 2 meetings
  2. Have the students copy the activity on their notebook as Activity 1.1, they need to convert from Hours – Minutes – Seconds. / Integration with Mathematics = Conversion. ( Multiplication & Division ) ( 24 Hours = 1 Day ) ( 60 minutes = 1 hour ) ( 1 minute = 60 seconds )
  3. To be Submitted by next meeting
  4. 3 meetings
  5. Prepare 2 – 3 Painting that contain PATTERNS and a series of REPETITIONS in order to build up lesson proper.
  6. Integration with Science – Identify ( natural and artificial or man-made objects )
  7. Integrate Mathematics FRACTIONS on the equivalence of the notes. Whole = 4, Half = 2, Quarter = 1, Eight note = ½, Sixteenth note = ¼, Dotted half note = 3 , Dotted quarter = 1 ½.
  8. To be copied on their NOTEBOOK
  9. Drill the Class with the FLASH CARDS. Materials Cardboard ( Yellow or White Cartolina ) 1 pc. Pentel Pen ( Black ) Pencil Ruler Eraser Scissors