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@agatestudio
Basic Digital Matte
Painting
Henky
Wizard
Agate Studio
@agatestudio@agatestudio@agatestudio@agatestudio
APA ITU DIGITAL MATTE PAINTING?
A matte painting is a painted representation of a landscape, set, or
distant location that allows filmmakers to create the illusion of an
environment that is nonexistent in real life or would otherwise be too
expensive or impossible to build or visit. (Wikipedia)
Digital Matte Painting Dahulu..
The Glass Shot
Digital Matte Painting Dahulu..
The Original-Negative Matte
Digital Matte Painting Dahulu..
The Rear-Projection Matte
In the past..
Terbatas oleh perkembangan
teknologi
Gambar dibuat dengan beberapa
element saja (plate dan painting)
The government warehouse in Raiders of
the Lost Ark (1981) was painted on glass
by Michael Pangrazio at Industrial Light &
Magic, and combined with live-action
footage of a government worker, pushing
his cargo up the center aisle.
@agatestudio@agatestudio@agatestudio@agatestudio
AND NOW..
Kebanyakan dikerjakan menggunakan photoshop
Digital matte painting bisa dibuat berbagai macam element berbeda.
2D artwork (bisa berupa photo reference juga) dapat di gabungkan
dengan 3D geometry untuk mencipatkan mattes yang dapat bergerak
dan perspektifnya berubah.
@agatestudio
@agatestudio@agatestudio@agatestudio@agatestudio
RULES OF COMPOSITION
Avoid symmetry.
Don’t paint objects flat-on to the viewer.
Follow the principle of balance.
Understand the golden mean.
Obey the rule of thirds.
Avoid Symmetry
• Apabila menggunakan simetris
secara blak-blakan, maka
komposisinya akan terlihat
membosankan.
• Komposisi simetris bisa menjadi
sangat powerful apabila
digunakan oleh seorang master
(seperti shot yang digunakan oleh
Film Director Stanley Kubric).
Don’t paint objects flat-on to the viewer.
Object yang datar membuat komposisi menjadi tidak menarik.
Untuk membuat object tidak terlihat datar kita bisa mengatur sudut
pengambilan gambar untuk menampilkan siluet dan view dari object
tersebut.
The Principle of Balance
Fulcrum-lever rule atau cara tercepat untuk menyeimbangkan banyak obyek
dalam komposisi.
Kompisisi yang ada di gambarkan sebagai seorang yang berat bersama
seorang bayi di atas jungkitan.
Apabila orang yang berat itu terlalu jauh dari titik tengah maka si bayi tidak
akan bisa menyeimbangkannya.
The Principle of Balance
Untuk menyeimbangkannya, orang yang berat itu harus
mendekat ke titik tumpu jungkitan tersebut.
Prinsip yang sama bekerja dengan obyek-obyek yang
akan di komposisikan. Obyek yang lebih besar terletak di
dekat pusat komposisi dapat diimbangin dengan obyek
yang lebih kecil di bagian sisinya.
The Golden Mean
• Digunakan para artists pada zamanRenaissance.
• Point of interset diletakkan di titik persimpangan dua garis
horisontal yang memiliki perbandingan 1:1,6 atau 38/62
Dengan menggunakan The Golden Mean, point of
interest dari suatu konsep tidak selalu berada di
tengah.
Source : mattingly, david - the digital matte painting handbook
@agatestudio@agatestudio@agatestudio@agatestudio
THE RULE OF THIRDS
Penyederhanaan The Golden Mean
Gambar yang dibuat dibagi menjadi sembilan potong bagian yang sama.
Komposisi elemen penting harus di tempatkan di perpotongan garis tiap
bagian.
Tujuan (wiki) :
Discourage placement of the subject at the center.
Prevent a horizon from appearing to divide the picture in half
Membuat gambar terkesan luas.
Source : mattingly, david - the digital matte painting handbook
Millennium Stadium – Rough Layout
Millennium Stadium – Final Layout
Millennium Stadium
Rule of Third
REFERENCE
• Mattingly, david - the digital matte painting
handbook
• Wikipedia
• Google.com
• Sederet.com
GGTYHFGLBRO!

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DIGITAL MATTE PAINTING TEKNIK KOMPOSISI

  • 2. @agatestudio@agatestudio@agatestudio@agatestudio APA ITU DIGITAL MATTE PAINTING? A matte painting is a painted representation of a landscape, set, or distant location that allows filmmakers to create the illusion of an environment that is nonexistent in real life or would otherwise be too expensive or impossible to build or visit. (Wikipedia)
  • 3. Digital Matte Painting Dahulu.. The Glass Shot
  • 4. Digital Matte Painting Dahulu.. The Original-Negative Matte
  • 5. Digital Matte Painting Dahulu.. The Rear-Projection Matte
  • 6. In the past.. Terbatas oleh perkembangan teknologi Gambar dibuat dengan beberapa element saja (plate dan painting) The government warehouse in Raiders of the Lost Ark (1981) was painted on glass by Michael Pangrazio at Industrial Light & Magic, and combined with live-action footage of a government worker, pushing his cargo up the center aisle.
  • 7. @agatestudio@agatestudio@agatestudio@agatestudio AND NOW.. Kebanyakan dikerjakan menggunakan photoshop Digital matte painting bisa dibuat berbagai macam element berbeda. 2D artwork (bisa berupa photo reference juga) dapat di gabungkan dengan 3D geometry untuk mencipatkan mattes yang dapat bergerak dan perspektifnya berubah.
  • 9. @agatestudio@agatestudio@agatestudio@agatestudio RULES OF COMPOSITION Avoid symmetry. Don’t paint objects flat-on to the viewer. Follow the principle of balance. Understand the golden mean. Obey the rule of thirds.
  • 10. Avoid Symmetry • Apabila menggunakan simetris secara blak-blakan, maka komposisinya akan terlihat membosankan. • Komposisi simetris bisa menjadi sangat powerful apabila digunakan oleh seorang master (seperti shot yang digunakan oleh Film Director Stanley Kubric).
  • 11.
  • 12. Don’t paint objects flat-on to the viewer. Object yang datar membuat komposisi menjadi tidak menarik. Untuk membuat object tidak terlihat datar kita bisa mengatur sudut pengambilan gambar untuk menampilkan siluet dan view dari object tersebut.
  • 13. The Principle of Balance Fulcrum-lever rule atau cara tercepat untuk menyeimbangkan banyak obyek dalam komposisi. Kompisisi yang ada di gambarkan sebagai seorang yang berat bersama seorang bayi di atas jungkitan. Apabila orang yang berat itu terlalu jauh dari titik tengah maka si bayi tidak akan bisa menyeimbangkannya.
  • 14. The Principle of Balance Untuk menyeimbangkannya, orang yang berat itu harus mendekat ke titik tumpu jungkitan tersebut. Prinsip yang sama bekerja dengan obyek-obyek yang akan di komposisikan. Obyek yang lebih besar terletak di dekat pusat komposisi dapat diimbangin dengan obyek yang lebih kecil di bagian sisinya.
  • 15. The Golden Mean • Digunakan para artists pada zamanRenaissance. • Point of interset diletakkan di titik persimpangan dua garis horisontal yang memiliki perbandingan 1:1,6 atau 38/62
  • 16. Dengan menggunakan The Golden Mean, point of interest dari suatu konsep tidak selalu berada di tengah. Source : mattingly, david - the digital matte painting handbook
  • 17. @agatestudio@agatestudio@agatestudio@agatestudio THE RULE OF THIRDS Penyederhanaan The Golden Mean Gambar yang dibuat dibagi menjadi sembilan potong bagian yang sama. Komposisi elemen penting harus di tempatkan di perpotongan garis tiap bagian. Tujuan (wiki) : Discourage placement of the subject at the center. Prevent a horizon from appearing to divide the picture in half Membuat gambar terkesan luas.
  • 18.
  • 19. Source : mattingly, david - the digital matte painting handbook
  • 20.
  • 21. Millennium Stadium – Rough Layout
  • 22. Millennium Stadium – Final Layout
  • 25. REFERENCE • Mattingly, david - the digital matte painting handbook • Wikipedia • Google.com • Sederet.com