René Lalique was a French artist active in the late 19th and early 20th centuries. He began his career as a renowned jeweler in the Art Nouveau style. In the early 1900s, he transitioned to glassmaking and became highly influential in the Art Deco movement. Lalique helped popularize glass arts by developing new techniques to mass produce decorative glass objects for the home. He is renowned for his ornate and organic designs depicting nature and the female form. The document provides examples of his renowned jewelry, glasswork, and influence on glass arts through both his unique creations and industrial production methods.
2. René Jules Lalique (1860 – 1945) was born
a rural 19th century man in a pre-
industrialized Europe. It was a time
before light bulbs, and telephones, before
automobiles and washing machines and
electricity. But by the time of his death in
1945 at the dawn of the atomic age, he
would have completed two careers
spanning two different centuries. In 1900
at the age of 40, he was the most
celebrated jeweler in the world and an
art nouveau artist and designer of
magnificent proportions. But by 1925 at
the height of the art deco era he was the
most celebrated glassmaker in the world.
3.
4.
5. In between Lalique would leave his contemporaries behind as he turned
from creating unique jewelry and objects d'art, to the mass production of
innovative and usable art glass. He brought glass into the home of
everyday people where it had never been before, and he worked out the
industrial techniques to mass produce his useful art glass objects on a scale
and cost to complement the spreading industrial revolution and resulting
worldwide appetite for his products.
6. 70 x 52 mm
Perle: 26 x 24 mm 77 g
93 x 187 mm 58 g
Calouste Gulbenkian Museum Lisbon
9. The amazing creations by René Lalique
often referred to as the "Sculptor of
Light", the exquisite designer of jewelry
and precious glassware, mainly depict
natural elements, animals and female
nudes, in the typical Art Nouveau and
Art Deco styles.
26. Metamorphose. This comb was the star of the Lalique / Japanese comb-comparison exhibit in Hakone, Japan
27.
28.
29.
30.
31.
32.
33.
34.
35.
36.
37.
38.
39.
40.
41.
42.
43.
44.
45.
46.
47.
48.
49.
50.
51.
52.
53.
54. "You would think that this flower would crumple with a puff of wind, because
each part seems mobile and alive", commented a contemporary when the work
was exhibited at the Salon de la Société des Artistes Français in 1897.
H. 7; W. 23.5; D. 10.5 cm Musée d’Orsay Paris
55.
56.
57.
58.
59.
60.
61.
62. The great Lalique Moineaux Chambranle
Crante Doors from Villa Millbrook, the
Jersey home of Lady Trent sold as Lot 131
on November 22nd at Sotheby’s in Paris at
their sale Arts Décoratifs du XXe siècle &
Design Contemporain.
Against a pre-sale estimate of €400,000 -
€600,00, the final hammer price was
€1,750,000 which totaled €2,024,750
including buyers premium, or
approximately $2,750,000 at today’s
exchange rates.
This great R Lalique result is a world
record price for a single Rene Lalique work
at auction!
Porte moineaux chambranle cranté (pair) pressed glass, nickel-plated steel
Size 270 x 180 x 13 cm.Year 1929 - en verre blanc moulé-pressé,
Sotheby's Paris: Tuesday, November 22, 2011
63. To celebrate the 150th anniversary of René
Lalique's birth, LALIQUE is paying him
tribute with the creation of a unique and
exceptional never-before-made necklace,
based on a design from 1898-1900. One
hundred and twenty years later, this item
of jewellery is astoundingly modern and
once again demonstrates the genius and
multi-faceted talent of its creator: jeweller,
glassmaker and architect in one - in
short, a designer before the term existed...
64. No fewer than 812 stones, diamonds and emeralds with
a total weight of 17.90 carats, make up the
ornamentation of this magnificent white gold necklace
created from an original design by René Lalique.
Slightly flexible, thanks to an articulated device hidden
inside the serpent, it hugs the neck in a perfect fit.
Particular attention has been paid to the choice of the
stones of which it is made: they are exceptional gems of
the highest quality, such as the D-IF pear diamond
adorning the snake’s head and the two emerald eyes.
This wonderful example of fine jewellery craftsmanship
required more than 700 hours of work.
65. À la mort de René Lalique
en 1945, la deuxième
génération incarnée par
son fils Marc qui lui
succède est celle du
cristal.
Un verre d’exception
d’une grande pureté, qui
tire son poids et son éclat
du plomb (24% minimum
pour avoir droit au nom
de cristal au sens de la
norme NF).
La plus prestigieuse –et
monumentale- création
de Marc Lalique est sans
conteste le lustre de 1951,
une œuvre exceptionnelle
d’1,7 tonne et de 3 mètres
de haut, qui illumine le
hall d’entrée du musée
Lalique.
Lalique's Limited Edition
for 1998, called Ondines
It is a so-called 'tiara
bottle', because of the
form of the stopper.
66. Text: Internet
Pictures: Internet & Daniela Iacob
Copyright: All the images belong to their authors
Arangement: Sanda Foişoreanu
Sound: Viotti - Concerto pour piano et orchestre en Sol mineur – Rondo
www.slideshare.net/michaelasanda
Notes de l'éditeur
René Jules Lalique (1860 – 1945) was a French glass designer known for his creations of perfume bottles, vases, jewellery, chandeliers, clocks and automobile hood ornaments. He started a glassware firm, named after himself, which still remains successful. He went on to be one of the most famous in his field, his name synonymous with creativity, beauty and quality. Lalique reinvented jewelry. A contemporary asked, "Prior to René Lalique, what was jewelry? The old jewel was based upon the idea of wealth; the new is built upon an artistic idea." Jewelry had relied on gems, particularly diamonds, and on precious metals. But between about 1892 and 1897 Lalique developed an approach that emphasized artistry over intrinsic value. He introduced horn and other new materials and made extensive use of glass, enamel, ivory, and semiprecious stones. Lalique especially loved the ever-changing iridescence of opals. It has been said that where the old jewelry sparkled, Lalique's glowed.
1912: he designed the glass-decorated façade of the Coty Building in New-York, now Henri Bendel on 5th Avenue 1925: The " Exposition des Arts Décoratifs ".As well as totally decorating his own stand, he also carried out a dining room decor for the Sèvres Porcelaine Factory stand. This comprised a table, chandeliers and a glass service from his workshops as well as a specially created coffered ceiling entirely in glass. A huge fountain, 15 meters high, entitled «Sources of France ", decorated with caryatids. The writer Colette believed a more appropriate name would have been «The Fountain of Wonders ". 1927: design of the doors for the lift of the Oviatt Building in Los Angeles. 1928: He was asked to provide the decor for the "Orient Express". 1929: decoration of the Peace Hotel in Shanghaï 1930: He designed and manufactured the decor for the choir of the chapel Notre Dame de Fidélité in Douvres la Délivrande, France. In 1987 this piece of work was classified as a listed building of historical interest. 1932: he carried out the decoration of the Church of St Matthew in St Helier, Jersey. He also designed the doors in the imperial palace of Prince Asaka, a Japanese collector of Art Deco pieces. The palace, which was constructed in the early 1930s, is today the Teien museum, Tokyo. 1936: The decorations of the First Class Dining Room of the famous ocean liner "Normandie", renowned for its stylishness, consisted principally of René Lalique glass lamps.
1912: he designed the glass-decorated façade of the Coty Building in New-York, now Henri Bendel on 5th Avenue 1925: The " Exposition des Arts Décoratifs ".As well as totally decorating his own stand, he also carried out a dining room decor for the Sèvres Porcelaine Factory stand. This comprised a table, chandeliers and a glass service from his workshops as well as a specially created coffered ceiling entirely in glass. A huge fountain, 15 meters high, entitled «Sources of France ", decorated with caryatids. The writer Colette believed a more appropriate name would have been «The Fountain of Wonders ".
1927: design of the doors for the lift of the Oviatt Building in Los Angeles. 1928: He was asked to provide the decor for the "Orient Express". 1929: decoration of the Peace Hotel in Shanghaï 1930: He designed and manufactured the decor for the choir of the chapel Notre Dame de Fidélité in Douvres la Délivrande, France. In 1987 this piece of work was classified as a listed building of historical interest. 1932: he carried out the decoration of the Church of St Matthew in St Helier, Jersey. He also designed the doors in the imperial palace of Prince Asaka, a Japanese collector of Art Deco pieces. The palace, which was constructed in the early 1930s, is today the Teien museum, Tokyo. 1936: The decorations of the First Class Dining Room of the famous ocean liner "Normandie", renowned for its stylishness, consisted principally of René Lalique glass lamps.
1912: he designed the glass-decorated façade of the Coty Building in New-York, now Henri Bendel on 5th Avenue 1925: The " Exposition des Arts Décoratifs ".As well as totally decorating his own stand, he also carried out a dining room decor for the Sèvres Porcelaine Factory stand. This comprised a table, chandeliers and a glass service from his workshops as well as a specially created coffered ceiling entirely in glass. A huge fountain, 15 meters high, entitled «Sources of France ", decorated with caryatids. The writer Colette believed a more appropriate name would have been «The Fountain of Wonders ". 1927: design of the doors for the lift of the Oviatt Building in Los Angeles. 1928: He was asked to provide the decor for the "Orient Express". 1929: decoration of the Peace Hotel in Shanghaï 1930: He designed and manufactured the decor for the choir of the chapel Notre Dame de Fidélité in Douvres la Délivrande, France. In 1987 this piece of work was classified as a listed building of historical interest. 1932: he carried out the decoration of the Church of St Matthew in St Helier, Jersey. He also designed the doors in the imperial palace of Prince Asaka, a Japanese collector of Art Deco pieces. The palace, which was constructed in the early 1930s, is today the Teien museum, Tokyo. 1936: The decorations of the First Class Dining Room of the famous ocean liner "Normandie", renowned for its stylishness, consisted principally of René Lalique glass lamps.
Barbaraanne's Hair Comb Blog Metamorphosis , a poetic strategy whereby plants and animals fused with the human form, was commonly used in art nouveau jewelry, perhaps most famously by Rene Lalique. Jewelers created mystical creatures, who emerged from nature erotically, as leaves and dragonfly wings were teased into looking like parts of the body. In comb making, parts of an animal or human body were elongated into being functional parts of the comb . This comb was the star of the Lalique / Japanese comb-comparison exhibit in Hakone, Japan. The museum wouldn’t send the catalog outside of Japan. I had to ask my friend Shigeru-san’s brother to get it for me and send it. But, oh my God. I never knew this comb existed. It is an honor for me to present what I believe to be the first Internet images of Lalique’s comb, “ Metamorphosis .” It is ivory, with gold trim, pearls on the gold. The trim is faceted to the ivory by nails on the side and gold loops ended by lapis hearts. In it, a woman is born out of leaves: Rodin on a comb, an astonishing marriage of art and functional design.
LALIQUE, Pendant de cou Israël, collection Shai Bandmann
Etude d'anémone Musée d’Orsay Paris René Lalique (1860-1945) Poppy 1897 Gold, silver, polished diamonds; cloisonné, openwork, matte translucent, and glossy opaque enamel H. 7; W. 23.5; D. 10.5 cm "You would think that this flower would crumple with a puff of wind, because each part seems mobile and alive", commented a contemporary when the work was exhibited at the Salon de la Société des Artistes Français in 1897. The delicate design is served by dazzling technique. On the end of the silver stem, the gold corolla is coloured with cloisonné and openwork translucent and matte enamel. "From this corolla emerges the head of the poppy, made of dusty blue enamel that a crest of diamonds keeps in the shadow. A large number of stamens end with a drop of black enamel which heightens this rare harmony". The object can be dismantled into seven parts: the stem, four petals, stamens and pistils. Acclaimed by Emile Gallé as the inventor of "modern jewellery", René Lalique revolutionised jewellery by taking his inspiration from wild flowers and mingling unusual materials such as horn, glass or enamel with the precious stones.
LALIQUE, Pendant de cou Israël, collection Shai Bandmann
BEAT MESSERER, joaillier et gemmologue à Zurich (www.messerer.ch) a créé le collier "Serpent" d'un travail minutieux et fidèle à l'original du dessin. « Le dessin de René Lalique exprime le grand talent de ce génie. Sa langue visuelle - toute en harmonie et légèreté - m'a permis de créer et finaliser cette pièce exceptionnelle et unique en toute authenticité pour le 150ème anniversaire de la naissance de René Lalique. ». BEAT MESSERER. BEAT MESSERER, jeweller and gemmologist in Zurich (www.messerer.ch) created the « Serpent » necklace in a painstaking approach faithful to the original design. « René Lalique’s design expresses the great talent of this genius. Its visual language - consummate harmony and lightness - allowed me to create and finalise this exceptional, unique piece in complete authenticity for the 150th anniversary of René Lalique’s birth. » BEAT MESSERER.
René Lalique (1860-1945) began his career in 1880 as a jewellery designer, working for the jewellers of Palais Royal, who noted the originality of his designs. A ten-year period of unremitting work and research then followed, which would give rise in 1895 to the first collection in his own name at the Salon of the Society of French Artists. Five years later, it was the crowning glory of the Universal Exhibition! His work won him the admiration of the celebrities of the age, including Sarah Bernhardt, for whom he created stage jewellery, and Calouste Gulbenkian, an incredibly rich businessman. The beauty and originality of René Lalique’s creations are not merely due to his designs and inspiration. He created exceptional pieces by developing techniques and drawing on hitherto neglected materials such as horn, ivory, enamel and of course, glass, combined with gold and precious stones. His revolutionary designs would make him the master of « Art Nouveau » jewellery, the inventor of modern jewels. Taking his inspiration from nature, he created landscape jewels and sculpture jewels expressing a whole plant and animal, aquatic and terrestrial world. René Lalique would also make the bold move at the time of using the female body as a decorative element. Collectors, European courts and museums the world over bought his works. René Lalique took part in all of the major international exhibitions in Europe and the United States of America. Today, René Lalique’s Art Nouveau jewellery is still among the most highly sought-after. It is put up for auction in special sales and always reaches record prices. The emergence of Art Deco in no way hindered his creativity, and his glass creations, combining pure lines and ornamentation, would find fertile ground and reach their apogee in this movement. To celebrate the 150th anniversary of René Lalique's birth, LALIQUE is paying him tribute with the creation of a unique and exceptional never-before-made necklace, based on a design from 1898- 1900. One hundred and twenty years later, this item of jewellery is astoundingly modern and once again demonstrates the genius and multi-faceted talent of its creator: jeweller, glassmaker and architect in one - in short, a designer before the term existed...