SlideShare une entreprise Scribd logo
1  sur  30
Télécharger pour lire hors ligne
Alberto N. García
Conference “Crime Days, Crime Pays”
Aalborg (Denmark), 1-2, October 2015
“World Needs Bad Men”? TV-Noir and
the Limits of Empathy
True Detective (HBO, 2014)
1. Genre: Noir, Neo-Noir and TV-Noir
• An open concept: genre, style, movement,
hybrids
• Essential features
• Criminal plot
• Moral ambiguity
• Urban realism/sense of place
• Socio-political critique
• Antiheroism/alienation
• Expressionism
• Weight of the past
• Existentialism/Tragedy
1. Genre: Noir, Neo-Noir and TV-Noir
• An open concept: genre, style, movement,
hybrids
• Essential features
• Neo-Noir: “self-consciousness” and “crime does
pay”
• TV-Noir and the lack of closure
2. Emotion: character engagement
• Identification, empathy, sympathy…
Hannibal (NBC, 2013-15)
2. Emotion: character engagement
• Identification, empathy, sympathy…
• Levels of engagement (Smith):
• Alignment
• Allegiance
3. Engagement in TV Narrative
• Textual duration
• Broadcasting rythm
• A more complex, changing and challenging
allegiance
4. TV, Noir antihero and Empathy
1. Moral comparatism
The Shield (FX, 2002-08)
4. TV, Noir characters and Empathy
1. Moral comparatism
2. Family
The Americans (FX, 2013)The Fall (BBC, 2013-)
Boardwalk Empire (HBO, 2010-15)True Detective (HBO, 2015)
4. TV, Noir characters and Empathy
1. Moral comparatism
2. Family
3. Acts of contrition
Breaking Bad (AMC, 2008-13)
4. TV, Noir characters and Empathy
1. Moral comparatism
2. Family
3. Acts of contrition
4. Victimization
The Sopranos (HBO, 1999-2007)Dexter (Showtime, 2006-13)
Southcliffe (Channel 4, 2013)True Detective II (HBO, 2015)
5. The Limits of Empathy
• Cyclical re-allegiance
Andy Sipowicz (NYPD Blue)
Thomas Shelby (Peaky Blinders)Mike Ehrmantraut (Better Call Saul)
John Luther (Luther)
5. The Limits of Empathy
• Cyclical re-allegiance
• Switching allegiance
Lester Nygaard (Fargo)
Bodie Broadus (The Wire)Shane Vendrell (The Shield)
Ben Sherman (Southland)
6. The Sense of an Ending
• The emergency of “ars moriendi”
• Moral clarity
• New trend in TV-Noir: redemption, optimism,
happy-ending.
7. The rise of “Bright Noir”
“You keep your chin up Gus Grimly. We're
winning this thing! Don't you forget”
(Molly Solverson)
Fargo (FX, 2014-)
“The dinner you wanted to treat me to. How
about now?”.
(Saga Norén)
7. The rise of “Bright Noir”
“Be kind to one another, tenderhearted, forgive
one another as God in Christ forgave you”.
(Rev. Paul Coates)
7. The rise of “Bright Noir”
“You don't have to go. I just take a left up here, hop on
the freeway down to Mexico. In a couple of hours,
we're sitting on the beach in Baja having margaritas”.
(Hank Dolworth)
7. The rise of “Bright Noir”
“I said you’d be fine”.
(Raylan Givens)
7. The rise of “Bright Noir”
“Once, there was only dark. If you ask
me, light is winning”.
(Rust Cohle)
7. The rise of “Bright Noir”
True Detective (HBO, 2014)
Alberto N. García Martínez
School of Communication
University of Navarra (Spain)
albgarcia@unav.es
Web - unav.academia.edu/AlbertoGarcía
Blog - gentedigital.es/comunidad/series/
Twitter - @AlbertoNahum

Contenu connexe

En vedette (9)

2017 台北市天文科學教育館
2017 台北市天文科學教育館2017 台北市天文科學教育館
2017 台北市天文科學教育館
 
Sympathy for the Devil. Adorable Antiheroes in Contemporary TV Fiction
Sympathy for the Devil. Adorable Antiheroes in Contemporary TV FictionSympathy for the Devil. Adorable Antiheroes in Contemporary TV Fiction
Sympathy for the Devil. Adorable Antiheroes in Contemporary TV Fiction
 
professional CV
professional CVprofessional CV
professional CV
 
Honors E Portfolio Project
Honors E Portfolio ProjectHonors E Portfolio Project
Honors E Portfolio Project
 
Wildlife Leasing Considerations
Wildlife Leasing ConsiderationsWildlife Leasing Considerations
Wildlife Leasing Considerations
 
Pierre Penda Resume 2015
Pierre Penda Resume 2015 Pierre Penda Resume 2015
Pierre Penda Resume 2015
 
Hws Design Presentation01
Hws Design Presentation01Hws Design Presentation01
Hws Design Presentation01
 
Arkansas Tree Farm Program
Arkansas Tree Farm ProgramArkansas Tree Farm Program
Arkansas Tree Farm Program
 
Tele conferencing
Tele conferencingTele conferencing
Tele conferencing
 

Similaire à “World Needs Bad Men”? TV-Noir and the Limits of Empathy (2015)

I have suggested that we should engage and be engaged by those perso
I have suggested that we should engage and be engaged by those persoI have suggested that we should engage and be engaged by those perso
I have suggested that we should engage and be engaged by those perso
doylymaura
 
English literature for 11 form4
English literature for 11 form4English literature for 11 form4
English literature for 11 form4
Julia Birhova
 
Exam outline and contents
Exam outline and contentsExam outline and contents
Exam outline and contents
deannabauld
 

Similaire à “World Needs Bad Men”? TV-Noir and the Limits of Empathy (2015) (14)

The Rise of 'Bright Noir'. Redemption and Moral Optimism in American Contempo...
The Rise of 'Bright Noir'. Redemption and Moral Optimism in American Contempo...The Rise of 'Bright Noir'. Redemption and Moral Optimism in American Contempo...
The Rise of 'Bright Noir'. Redemption and Moral Optimism in American Contempo...
 
Lesson four
Lesson fourLesson four
Lesson four
 
Memento Presentation
Memento PresentationMemento Presentation
Memento Presentation
 
Assignment 14
Assignment 14Assignment 14
Assignment 14
 
Journalism and the power of story
Journalism and the power of storyJournalism and the power of story
Journalism and the power of story
 
I have suggested that we should engage and be engaged by those perso
I have suggested that we should engage and be engaged by those persoI have suggested that we should engage and be engaged by those perso
I have suggested that we should engage and be engaged by those perso
 
MS4 Case Study: Stranger Things: Genre, Narrative and Representation
MS4 Case Study: Stranger Things: Genre, Narrative and RepresentationMS4 Case Study: Stranger Things: Genre, Narrative and Representation
MS4 Case Study: Stranger Things: Genre, Narrative and Representation
 
Narrative theory
Narrative theoryNarrative theory
Narrative theory
 
Anthropology Of The Infected In The Walking Dead
Anthropology Of The Infected In The Walking DeadAnthropology Of The Infected In The Walking Dead
Anthropology Of The Infected In The Walking Dead
 
EDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION A LIFE ON MARS AND THE BRIDGE
EDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION A LIFE ON MARS AND THE BRIDGEEDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION A LIFE ON MARS AND THE BRIDGE
EDUQAS MEDIA STUDIES A LEVEL COMPONENT TWO SECTION A LIFE ON MARS AND THE BRIDGE
 
English literature for 11 form4
English literature for 11 form4English literature for 11 form4
English literature for 11 form4
 
Exam outline and contents
Exam outline and contentsExam outline and contents
Exam outline and contents
 
Lesson 9 - narrative
Lesson 9 - narrativeLesson 9 - narrative
Lesson 9 - narrative
 
Media Language Lesson 9 - narrative
Media Language Lesson 9 - narrativeMedia Language Lesson 9 - narrative
Media Language Lesson 9 - narrative
 

Plus de Alberto Nahum García Martínez

Crime and Punishment: Greed, Pride, and Guilt in 'Breaking Bad' [DRAFT]
Crime and Punishment: Greed, Pride, and Guilt in 'Breaking Bad' [DRAFT]Crime and Punishment: Greed, Pride, and Guilt in 'Breaking Bad' [DRAFT]
Crime and Punishment: Greed, Pride, and Guilt in 'Breaking Bad' [DRAFT]
Alberto Nahum García Martínez
 
Una máquina de contar historias. Complejidad y revolución del relato televisivo
Una máquina de contar historias. Complejidad y revolución del relato televisivoUna máquina de contar historias. Complejidad y revolución del relato televisivo
Una máquina de contar historias. Complejidad y revolución del relato televisivo
Alberto Nahum García Martínez
 

Plus de Alberto Nahum García Martínez (20)

¿Está Netflix cambiando la forma de contar historias?
¿Está Netflix cambiando la forma de contar historias? ¿Está Netflix cambiando la forma de contar historias?
¿Está Netflix cambiando la forma de contar historias?
 
La utopía y la distopía en el cine
La utopía y la distopía en el cineLa utopía y la distopía en el cine
La utopía y la distopía en el cine
 
Television's Temporality: Seriality and Temporal Prolongation
Television's Temporality: Seriality and Temporal ProlongationTelevision's Temporality: Seriality and Temporal Prolongation
Television's Temporality: Seriality and Temporal Prolongation
 
Cognitive Film Theory II: Emotion, Cognition, Narration (2018)
Cognitive Film Theory II: Emotion, Cognition, Narration (2018)Cognitive Film Theory II: Emotion, Cognition, Narration (2018)
Cognitive Film Theory II: Emotion, Cognition, Narration (2018)
 
“¿Qué es la felicidad? Un momento antes de que desees más felicidad”
“¿Qué es la felicidad? Un momento antes de que desees más felicidad”“¿Qué es la felicidad? Un momento antes de que desees más felicidad”
“¿Qué es la felicidad? Un momento antes de que desees más felicidad”
 
When the Style is the Message. 'The Aesthetics of Mood in Rectify and Les Rev...
When the Style is the Message. 'The Aesthetics of Mood in Rectify and Les Rev...When the Style is the Message. 'The Aesthetics of Mood in Rectify and Les Rev...
When the Style is the Message. 'The Aesthetics of Mood in Rectify and Les Rev...
 
Escribir crítica cultural
Escribir crítica culturalEscribir crítica cultural
Escribir crítica cultural
 
El efecto Lucifer. Mal y redención en el relato televisivo
El efecto Lucifer. Mal y redención en el relato televisivoEl efecto Lucifer. Mal y redención en el relato televisivo
El efecto Lucifer. Mal y redención en el relato televisivo
 
Prozac para zombies.la sentimentalización contemporánea del muerto viviente (...
Prozac para zombies.la sentimentalización contemporánea del muerto viviente (...Prozac para zombies.la sentimentalización contemporánea del muerto viviente (...
Prozac para zombies.la sentimentalización contemporánea del muerto viviente (...
 
Estructura narrativa y recursos dramáticos en 'Breaking Bad'
Estructura narrativa y recursos dramáticos en 'Breaking Bad'Estructura narrativa y recursos dramáticos en 'Breaking Bad'
Estructura narrativa y recursos dramáticos en 'Breaking Bad'
 
'¿Por qué querrían ver nuestras vidas?' La metaficción en las series de TV co...
'¿Por qué querrían ver nuestras vidas?' La metaficción en las series de TV co...'¿Por qué querrían ver nuestras vidas?' La metaficción en las series de TV co...
'¿Por qué querrían ver nuestras vidas?' La metaficción en las series de TV co...
 
Nuevos retos de la televisión ante la convergencia digital
Nuevos retos de la televisión ante la convergencia digitalNuevos retos de la televisión ante la convergencia digital
Nuevos retos de la televisión ante la convergencia digital
 
Texas Forever (Friday Night Lights)
Texas Forever (Friday Night Lights)Texas Forever (Friday Night Lights)
Texas Forever (Friday Night Lights)
 
El precio de la verdad: la imagen de los periodistas en las series de televis...
El precio de la verdad: la imagen de los periodistas en las series de televis...El precio de la verdad: la imagen de los periodistas en las series de televis...
El precio de la verdad: la imagen de los periodistas en las series de televis...
 
Crime and Punishment: Greed, Pride, and Guilt in 'Breaking Bad' [DRAFT]
Crime and Punishment: Greed, Pride, and Guilt in 'Breaking Bad' [DRAFT]Crime and Punishment: Greed, Pride, and Guilt in 'Breaking Bad' [DRAFT]
Crime and Punishment: Greed, Pride, and Guilt in 'Breaking Bad' [DRAFT]
 
Amar a Walter White, odiar a Walter White (Breaking Bad)
Amar a Walter White, odiar a Walter White (Breaking Bad)Amar a Walter White, odiar a Walter White (Breaking Bad)
Amar a Walter White, odiar a Walter White (Breaking Bad)
 
Una máquina de contar historias. Complejidad y revolución del relato televisivo
Una máquina de contar historias. Complejidad y revolución del relato televisivoUna máquina de contar historias. Complejidad y revolución del relato televisivo
Una máquina de contar historias. Complejidad y revolución del relato televisivo
 
"The Shield": un tipo de policía diferente
"The Shield": un tipo de policía diferente"The Shield": un tipo de policía diferente
"The Shield": un tipo de policía diferente
 
La revolución del relato televisivo (Máster en Guión Audiovisual)
La revolución del relato televisivo (Máster en Guión Audiovisual)La revolución del relato televisivo (Máster en Guión Audiovisual)
La revolución del relato televisivo (Máster en Guión Audiovisual)
 
Un panorama de la ficción anglosajona
Un panorama de la ficción anglosajonaUn panorama de la ficción anglosajona
Un panorama de la ficción anglosajona
 

Dernier

Uncommon Grace The Autobiography of Isaac Folorunso
Uncommon Grace The Autobiography of Isaac FolorunsoUncommon Grace The Autobiography of Isaac Folorunso
Uncommon Grace The Autobiography of Isaac Folorunso
Kayode Fayemi
 
Chiulli_Aurora_Oman_Raffaele_Beowulf.pptx
Chiulli_Aurora_Oman_Raffaele_Beowulf.pptxChiulli_Aurora_Oman_Raffaele_Beowulf.pptx
Chiulli_Aurora_Oman_Raffaele_Beowulf.pptx
raffaeleoman
 
Bring back lost lover in USA, Canada ,Uk ,Australia ,London Lost Love Spell C...
Bring back lost lover in USA, Canada ,Uk ,Australia ,London Lost Love Spell C...Bring back lost lover in USA, Canada ,Uk ,Australia ,London Lost Love Spell C...
Bring back lost lover in USA, Canada ,Uk ,Australia ,London Lost Love Spell C...
amilabibi1
 
If this Giant Must Walk: A Manifesto for a New Nigeria
If this Giant Must Walk: A Manifesto for a New NigeriaIf this Giant Must Walk: A Manifesto for a New Nigeria
If this Giant Must Walk: A Manifesto for a New Nigeria
Kayode Fayemi
 

Dernier (18)

Busty Desi⚡Call Girls in Sector 51 Noida Escorts >༒8448380779 Escort Service-...
Busty Desi⚡Call Girls in Sector 51 Noida Escorts >༒8448380779 Escort Service-...Busty Desi⚡Call Girls in Sector 51 Noida Escorts >༒8448380779 Escort Service-...
Busty Desi⚡Call Girls in Sector 51 Noida Escorts >༒8448380779 Escort Service-...
 
Dreaming Music Video Treatment _ Project & Portfolio III
Dreaming Music Video Treatment _ Project & Portfolio IIIDreaming Music Video Treatment _ Project & Portfolio III
Dreaming Music Video Treatment _ Project & Portfolio III
 
lONG QUESTION ANSWER PAKISTAN STUDIES10.
lONG QUESTION ANSWER PAKISTAN STUDIES10.lONG QUESTION ANSWER PAKISTAN STUDIES10.
lONG QUESTION ANSWER PAKISTAN STUDIES10.
 
Dreaming Marissa Sánchez Music Video Treatment
Dreaming Marissa Sánchez Music Video TreatmentDreaming Marissa Sánchez Music Video Treatment
Dreaming Marissa Sánchez Music Video Treatment
 
Digital collaboration with Microsoft 365 as extension of Drupal
Digital collaboration with Microsoft 365 as extension of DrupalDigital collaboration with Microsoft 365 as extension of Drupal
Digital collaboration with Microsoft 365 as extension of Drupal
 
My Presentation "In Your Hands" by Halle Bailey
My Presentation "In Your Hands" by Halle BaileyMy Presentation "In Your Hands" by Halle Bailey
My Presentation "In Your Hands" by Halle Bailey
 
The workplace ecosystem of the future 24.4.2024 Fabritius_share ii.pdf
The workplace ecosystem of the future 24.4.2024 Fabritius_share ii.pdfThe workplace ecosystem of the future 24.4.2024 Fabritius_share ii.pdf
The workplace ecosystem of the future 24.4.2024 Fabritius_share ii.pdf
 
Uncommon Grace The Autobiography of Isaac Folorunso
Uncommon Grace The Autobiography of Isaac FolorunsoUncommon Grace The Autobiography of Isaac Folorunso
Uncommon Grace The Autobiography of Isaac Folorunso
 
Chiulli_Aurora_Oman_Raffaele_Beowulf.pptx
Chiulli_Aurora_Oman_Raffaele_Beowulf.pptxChiulli_Aurora_Oman_Raffaele_Beowulf.pptx
Chiulli_Aurora_Oman_Raffaele_Beowulf.pptx
 
Bring back lost lover in USA, Canada ,Uk ,Australia ,London Lost Love Spell C...
Bring back lost lover in USA, Canada ,Uk ,Australia ,London Lost Love Spell C...Bring back lost lover in USA, Canada ,Uk ,Australia ,London Lost Love Spell C...
Bring back lost lover in USA, Canada ,Uk ,Australia ,London Lost Love Spell C...
 
If this Giant Must Walk: A Manifesto for a New Nigeria
If this Giant Must Walk: A Manifesto for a New NigeriaIf this Giant Must Walk: A Manifesto for a New Nigeria
If this Giant Must Walk: A Manifesto for a New Nigeria
 
AWS Data Engineer Associate (DEA-C01) Exam Dumps 2024.pdf
AWS Data Engineer Associate (DEA-C01) Exam Dumps 2024.pdfAWS Data Engineer Associate (DEA-C01) Exam Dumps 2024.pdf
AWS Data Engineer Associate (DEA-C01) Exam Dumps 2024.pdf
 
Thirunelveli call girls Tamil escorts 7877702510
Thirunelveli call girls Tamil escorts 7877702510Thirunelveli call girls Tamil escorts 7877702510
Thirunelveli call girls Tamil escorts 7877702510
 
Aesthetic Colaba Mumbai Cst Call girls 📞 7738631006 Grant road Call Girls ❤️-...
Aesthetic Colaba Mumbai Cst Call girls 📞 7738631006 Grant road Call Girls ❤️-...Aesthetic Colaba Mumbai Cst Call girls 📞 7738631006 Grant road Call Girls ❤️-...
Aesthetic Colaba Mumbai Cst Call girls 📞 7738631006 Grant road Call Girls ❤️-...
 
Causes of poverty in France presentation.pptx
Causes of poverty in France presentation.pptxCauses of poverty in France presentation.pptx
Causes of poverty in France presentation.pptx
 
Sector 62, Noida Call girls :8448380779 Noida Escorts | 100% verified
Sector 62, Noida Call girls :8448380779 Noida Escorts | 100% verifiedSector 62, Noida Call girls :8448380779 Noida Escorts | 100% verified
Sector 62, Noida Call girls :8448380779 Noida Escorts | 100% verified
 
Report Writing Webinar Training
Report Writing Webinar TrainingReport Writing Webinar Training
Report Writing Webinar Training
 
ICT role in 21st century education and it's challenges.pdf
ICT role in 21st century education and it's challenges.pdfICT role in 21st century education and it's challenges.pdf
ICT role in 21st century education and it's challenges.pdf
 

“World Needs Bad Men”? TV-Noir and the Limits of Empathy (2015)

  • 1. Alberto N. García Conference “Crime Days, Crime Pays” Aalborg (Denmark), 1-2, October 2015 “World Needs Bad Men”? TV-Noir and the Limits of Empathy
  • 3. 1. Genre: Noir, Neo-Noir and TV-Noir • An open concept: genre, style, movement, hybrids • Essential features • Criminal plot • Moral ambiguity • Urban realism/sense of place • Socio-political critique • Antiheroism/alienation • Expressionism • Weight of the past • Existentialism/Tragedy
  • 4. 1. Genre: Noir, Neo-Noir and TV-Noir • An open concept: genre, style, movement, hybrids • Essential features • Neo-Noir: “self-consciousness” and “crime does pay” • TV-Noir and the lack of closure
  • 5. 2. Emotion: character engagement • Identification, empathy, sympathy…
  • 7. 2. Emotion: character engagement • Identification, empathy, sympathy… • Levels of engagement (Smith): • Alignment • Allegiance
  • 8. 3. Engagement in TV Narrative • Textual duration • Broadcasting rythm • A more complex, changing and challenging allegiance
  • 9. 4. TV, Noir antihero and Empathy 1. Moral comparatism
  • 10. The Shield (FX, 2002-08)
  • 11. 4. TV, Noir characters and Empathy 1. Moral comparatism 2. Family
  • 12. The Americans (FX, 2013)The Fall (BBC, 2013-) Boardwalk Empire (HBO, 2010-15)True Detective (HBO, 2015)
  • 13. 4. TV, Noir characters and Empathy 1. Moral comparatism 2. Family 3. Acts of contrition
  • 14. Breaking Bad (AMC, 2008-13)
  • 15. 4. TV, Noir characters and Empathy 1. Moral comparatism 2. Family 3. Acts of contrition 4. Victimization
  • 16. The Sopranos (HBO, 1999-2007)Dexter (Showtime, 2006-13) Southcliffe (Channel 4, 2013)True Detective II (HBO, 2015)
  • 17. 5. The Limits of Empathy • Cyclical re-allegiance
  • 18. Andy Sipowicz (NYPD Blue) Thomas Shelby (Peaky Blinders)Mike Ehrmantraut (Better Call Saul) John Luther (Luther)
  • 19. 5. The Limits of Empathy • Cyclical re-allegiance • Switching allegiance
  • 20. Lester Nygaard (Fargo) Bodie Broadus (The Wire)Shane Vendrell (The Shield) Ben Sherman (Southland)
  • 21. 6. The Sense of an Ending • The emergency of “ars moriendi” • Moral clarity • New trend in TV-Noir: redemption, optimism, happy-ending.
  • 22. 7. The rise of “Bright Noir” “You keep your chin up Gus Grimly. We're winning this thing! Don't you forget” (Molly Solverson)
  • 24. “The dinner you wanted to treat me to. How about now?”. (Saga Norén) 7. The rise of “Bright Noir”
  • 25. “Be kind to one another, tenderhearted, forgive one another as God in Christ forgave you”. (Rev. Paul Coates) 7. The rise of “Bright Noir”
  • 26. “You don't have to go. I just take a left up here, hop on the freeway down to Mexico. In a couple of hours, we're sitting on the beach in Baja having margaritas”. (Hank Dolworth) 7. The rise of “Bright Noir”
  • 27. “I said you’d be fine”. (Raylan Givens) 7. The rise of “Bright Noir”
  • 28. “Once, there was only dark. If you ask me, light is winning”. (Rust Cohle) 7. The rise of “Bright Noir”
  • 30. Alberto N. García Martínez School of Communication University of Navarra (Spain) albgarcia@unav.es Web - unav.academia.edu/AlbertoGarcía Blog - gentedigital.es/comunidad/series/ Twitter - @AlbertoNahum