Daniel, A., Gibson, M. (2009) ‘Boganvillea: Creative Industries in Outer Suburbia’. Presentation to ‘Regions, Regionality, Regionalism: Australian Perspectives’ Symposium, Institute for Regional Studies Association UK, Melbourne, December 2009, < http://www.slideshare.net/AnnaMDaniel/boganvillea>.
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Creative Industries in Outer Suburbia
1. BOGANVILLEA
Creative Industries in Outer Suburbia
Anna Daniel & Dr. Mark Gibson
National Centre for Australian Studies,
Monash University
Presentation to State of Australian Cities,
Nov09
2. ‘City’ and ‘Suburb’
• The role of media (a creative industry subsector)
• The role /(burden?) of history
• Consumerism, pursuit of material possessions in malls
• McMansions on quarter acre blocks, pram city
• Passive and uninspired (Ashbolt 1966)
• The Australian Ugliness (Robin Boyd 1960)
They said:
Behold the man -the Australian of today -on Sunday morning in
the suburbs when the high decibel drone of the motor-mower is
calling the faithful to worship. A block of land, a brick veneer, and
the motor-mower beside him in the wilderness -what more does
he want to sustain him? (Allan Ashbolt 1966)
Poverty of spirit and a barrenness of mind (Miranda Devine 2004)
- replace with Deveney ‘Dead Eyed Wage Slaves’ quote?
3. Changing Suburbs
• 3 key drivers of future economic growth are:
– Creative industries
– SMEs
– Suburban employment patterns.
• Inner urban prejudice in creative industries research
• 4 key changes: cheaper space; cultural diversity; the internet;
polycentric city structures.
• So what is the state of creative industries in the outer
suburbs?
They said:
…the issue with Sydney’s eastern suburbs, the set, is they will
very, very proudly say “oh I never go west of the city.” And
their cultural limitation is actually held out as a point of pride
(CBD based Consultant)
4. Creative Suburbia
• To listen to creative practitioners in the outer suburbs:
Frankston, Dandenong, Redcliffe and Springfield.
• Address factors that may affect the movement of jobs to the outer
suburbs
• Emerging themes: diversity, technology, financial resilience, space
use, entertainment precincts
• Frankston
They said:
they’re very open, they’re a bit slow, they have time, you know, they’re
not … as stressed. …And they bring all that to the public realm and
sometimes they, like we all do, they step outside of that. They step
outside of their own limitations for reasons which are quite unexpected.
…. Sometimes they even engage in conversation (Frankston Street
Artist)
5. Frankstonbogan
• Bogans
• ‘Franghanistan’
• History
• Gateway town
They said:
Frankston’s got a bad name … across the board generally. I mean
a radio station a while ago, about six months ago were running a
funny series of you know, the bogans in Frankston (Frankston
Artist)
you only really have to walk down to Frankston station to see why
it could be a good source of inspiration (Frankston Producer of
Horror films)
Well of course the St Kilda set would say well the reason why
you’re having success on the world scale, Frankston, is because the
world doesn’t know what a bogan place you are, we do. …. (CBD
based consultant)
6. Frankstonvillea
• Proximity to bay and bush
• Space - physical, symbolic and romanticism
• Complex sociodemographic area
• Cleanest Victorian beach, ‘Sustainable city’, ‘Liveable
community’
• Hubs
They said:
it’s still got a very sort of rural feel about it and the thing that I really like is
its proximity to the bay, to the water … which is one of the main reasons I
initially set up business here rather than closer to the city (Frankston
Graphic Designer).
I always thought that it would make the perfect artist’s colony ... young
people gravitate towards Frankston the way young people used to gravitate
towards St Kilda (Frankston Author)
I’m free in this area … I’ve got that freedom to do what I want to do
(Frankston Visual Artist)
7. Is this the case elsewhere?
They said:
this is a fascinating place to work … you’re really forced to pay
attention and think about something.… there’s a lot more that unites
people than divides them .. they’ve got so much culture at their
fingertips … but you mightn’t see it. But it’s there and it’s IN them, a
lot of these people are carrying it in them like a flame that they’re
keeping burning and all they need is a venue to express it in and off
they go. … Dandenong I think the energy comes because they’re all
thrown together, I think that’s what it is and it sort of percolates.
You’ll get people here like Italians saying “isn’t it” at the end of
sentences like Indians tend to do. Which is really interesting, there’s
a sort of a cross over thing happening (Dandenong Librarian).
Dandenong
Perception Our Interviews
‘Struggletown’, Dullsville Multicultural
Suburban crime hub Positive
People forced out for cheap
land
Strong communities
Tolerance
8. The New Suburbanism?
• Kotkin - Polycentricism
• Employment opportunities
• Placemaking
• Low cost change
• But not a policy panacea (Clifton & Cook 2007)
They said:
Culture drives regeneration in many ways, from inspiring
landmark buildings through to reviving the decaying centres of
market towns to bringing a community together around an arts
event (DCMS 2004).
9. Concluding points
• We have identified hundreds of creative industry practitioners in
the outer suburbs. The development of suburban creative
industries is important to future SME and economic growth.
• A reminder that the outer suburbs are not an amorphous
homogenous monoculture, they are dynamic, evolving unique
communities of individuals. More complex.
• In light of forecast population growth, the Australian Planning
and Policy community should consider responses towards
creativity in the suburbs:
– The growth of creative businesses in the suburbs
– Promote the potential for job creation in creative industries,
as well as place making
– We recognise the importance of broadcast media in
placemaking, but should greater prominence be given to
other creative industries?
• The ‘perception dissonance’ goes both ways
They said:
culture is a set of shifting energies, always creating new
formations (Jose 2009)Reg Mombasa
Pic - counterpoints the urban based Shane Crawford (Sam Newman had been pulled off air at the time) with Frankston interviewee.
Media takes an elitist view, according to academic Mark Peel (Peel, The Age, 16 September 2007). And we have been told The Age Good Food guide does not list any restaurants beyond Hawthorn (although there might be a regional one?)
Role of history - tends to outweigh notion that these places are dynamic and evolving
Consumerism - attack on Chadstone by Deveney recently
Pram city - Jackie Kelly
If you go further out into regional areas the mindset changes
So what of our test site - Frankston?
Sources:
Allan Ashbolt. &apos;&quot;Godzone 3: Myth and Reality,&quot; Meanjin Quarterly, 25.4 (December 1966): 353.
Boyd, Australian Ugliness, 1960.
Devine, The Sun-Herald, 24 October 2004.
Firstly our project rationale. As Australia’s manufacturing industries decline we increasingly need to look to creative industries to drive Australia’s economic growth (Australia’s review of the National Innovation System (Cutler, 2008) ; Glaeser 2003 ; Yusuf & Nabeshima, 2003; UK Digital Britain.). Service provision accounts for approximately 40 per cent of Australia’s economic output, an important and growing component of which is from the creative industries (Bennett 2009). Creative industries currently comprise 5.5% of total Australian employment (Higgs, Cunningham & Pagan, 2007), although David Throsby (2008) suspects that census data probably underestimates the artist population by over 50%.
Most CI’s are typically SME’s, employing 1-7 people, and these too are a key area for growth (NAB SME surveys). Finally, Alan Davies study showed a shift in employment growth to the suburbs over the last 20 years. It would be interesting to map growth in the regions.
Inner urban prejudice in creative industries research (Gibson & Brennan-Horley, 2006; De Propris et al, 2009; Florida 2002). Outer suburbs compete with inner suburbs for funding and miss out on regional funding. Assumption that “if you are good you will migrate to the city” (Florida 2000) so research has focussed on the creative industries in the cities.
Suburbs: Bernard Salt re Populations in the suburbs. Urban Planner Alan Davies study finds strong cultural employment in the suburbs.
4 key changes:
cheaper space; Property prices are driving out all but the most established or alternately funded creative businesses from the city centre. However we’ve seen it should not be crudely reduced to an issue of cost.
cultural diversity; In former decades the suburbs were viewed as a homogenous monculture, and the city was seen as cosmopolitan. However as cities increasingly become gentrified the multicultural hotspots are now outer suburbs, especially where recent migrants to Australia live. For example Blacktown, Lakemba, Dandenong, Darra, Rockingham
the internet; the internet now allows businesses that offer intangible products and/or services to target a global market. Location matters less, with some products/services the need to be based in the city is no longer as important. A good example of this is Akron in the United States. It was most famous for the Goodyear Tyre factory. The government invested heavily in broadband and found every dollar invested returned a 7-10 fold increase in GDP in 2-3 years.
polycentric city structures. Traditionally cities have been designed on a hub and spoke model, however as the Australian population grows Melbourne is moving to a polycentric model of 6 central activity districts, which will replicate services provided in the city.
Given these changes, what is the state of creative industries in the outer suburbs? There are very few studies (Gibson Brennan-Horley 2006) that have specifically targeted creative practitioners in the outer suburbs, to explore and seek to understand their experiences, opportunities, and challenges and barriers to development of their business.
Sources:
Alan Davies http://www.slideshare.net/C_C_I/creative-suburban-geographies-alan-davies
Cutler and Company. (2008). Venturous Australia. Melbourne: Cutler and Company.
De Propris, L., Chapain, C., Cooke, S., MacNeill, S. & Mateos-Garcia, J. (2009) The Geography of Creativity. Interim Report, August. National Endowment for Science, Technology and the Arts: London.
Gibson, C. & Brennan-Horley, C. (2006). An Irregular Geography: Reading Beyond Inner/Outer Zone Binaries in Creative City Research. After Sprawl: Post-Suburban Sydney. 2005. University of Western Sydney, Centre for Cultural Research Conference.
Glaeser, E. (2003). The new economics of urban and regional growth. In G. Clark, M. Feldman and M. Gertler, (Eds.), The Oxford handbook of economic geography (pp. 83- 98). Oxford: Oxford University Press.
Yusuf & Nabeshima http://www1.worldbank.org/devoutreach/nov03/article.asp?id=221
Waverley Council Lord Mayor Quote: http://www.thepunch.com.au/articles/poser-map-of-australia/ and more detail: http://www.dailytelegraph.com.au/news/bondi-beach-causes-east-west-divide/story-e6freuy9-1225772229146
Akron study: http://knightcenter.info/inc/uploads/412-Building%20a%20Successfull%20e-Community%20Strategy%20-%2003July2009.pdf
Creative Suburbia is a national project comprising researchers from Monash Uni and QUT that seeks to listen to creative practioners in the outer suburbs in order to explore and understand factors affecting their employment and productivity. Ultimately we are aiming to address factors that may affect the decentralisation of jobs to the suburbs.
We have defined creative practitioners as being persons who are occupied in, and seeking to make a living from, creative occupations as defined by the Australian Culture and Leisure Classifications definition of creative enterprises (Cunningham et al, 2003) which includes entertainment (film, music, theatre, television, etc), multimedia, software, graphic design, architecture and design, advertising, writing, publishing and print media, and visual arts.
We selected Frankston and Redcliffe initially because they are at the end of the train line, Dandenong for it’s multicultural community and Springfield as a master planned community.
We have contacted hundreds of creatives so far, and interviewed over 100. There are a number of key themes (technology, entertainment precincts, industrial space use, diversity, financial resilience) but today we will focus on the perception that the outer suburbs are a monoculture, and the difference between the perception and reality of a place: Frankston
Sources: Australian creative industries are defined as “a set of interlocking sectors of the economy focused on extending and exploiting symbolic cultural products to the public” (Higgs, Cunningham and Pagan, 2007, p. 5).
Where is Frankston - it is 40 kms south east of Melbourne on the bay, it is also the last stop on the suburban train line, and where the East Link toll road ends. It’s often referred to as the Gateway to the affluent peri-urban Peninsula, a town most people drive through on their way to the Peninsula. It’s very suburban, with Frankston itself having a population of 40 thousand but the greater Frankston area houses 100 thousand residents. 3/4 of residents live in houses, and there are currently very few multistorey dwellings.
The Perception of Frankston is that it is Bogan land. This is emphasised in the media by: Hoon Capital, and in a Leader newspapers survey of community ‘Happiness’ by suburbs in Melbourne it ranked average or below on most indicators, Fraghanistan - although according to the census it is havily caucasian
Franghanistan: It’s predominantly Caucasian, Anglo Saxon. 2006 census, 69% of Frankston residents are born in Australia, with the most common overseas places of birth being Europe or New Zealand and predominantly Christian religions.
Sharpies were members of suburban youth gangs in Australia mainly from the 1960s to 1980s, particularly in Melbourne, but also in Sydney and Perth to a lesser extent. Violent gangs. The time of the sharpies is part of Melbourne folklore. Where were you when Frankston erupted in violence after the AC/DC concert in 1977?
This is much the same way as Sunbury and Narrarra and Byron Bay festivals
A town you drive through, fast, on the way to the Peninsula
Apart from new housing developments, the Frankston suburbs are leafy and established
Family oriented
Space - physical, symbolic (Association of high density with constant distractions, whereas those in high density go on artist retreats) and romanticism
Proximity to bay and bush. They can’t be dismissed as tree changers, many young eco-warriors as we. Reflecting a broader change in society.
Complex demography: South Frankston - very wealthy established area, for example houses on Olivers Hill sell for over $2m, and Dame Elizabeth Murdoch lives in nearby Langwarrin ; counterpointed with North Frankston which has a high density of housing commission homes, and rooming houses. The median house price as at 2005 was $228K.
Won Australian Sustainable Cities Award (2008) ; Cleanest Victorian Beach 2007; and in 2004, Frankston won a bronze Award in the Livcom International Awards for Livable Communities in C Category cities.
With a nod to history in placemaking it is worth noting the movie, On The Beach, featuring Gregory Peck and Ava Gardner and written by local resident Nevil Shute, was filmed on Frankston beach in the late 50s
Redcliffe - closely tracks Frankston findings, albeit a smaller population with less of a bogan stereotype
Dandenong
Strong communities, but lacking trust towards institutions, hence a lot of creative activities are not promoted, underground, unreported
Reinforced by Luckman’s study of Darwin
Add in OS Regional findings?
Icons - Creativity in the inner city has become cliched (Mark will not want me to say that).
Reality vs Reinforce the myth
Horror Film Maker “I have a lot of inspiration in Frankston”
Garth Madsen -Frankston for Beginners
Versus
Marjorie Ward - author who wrote a piece of award winning piece of fiction around a painting of 2 lovers in a boat
Denial versus Pride
Volatiles versus Scratch’n’Sniff
Software maker versus Graphic designer
Unique icons. Identify, emphasise and broadcast the idiosyncracy of a place, either via
Reality versus Myth
Denial versus Pride
Buzz factor - places are dynamic, evolving
Buzz factor: Alannah MacTiernan, WA opposition Minister for Planning last week implied Perth entertainment precincts lacks a buzz factor, it’s an intangible sense of activity and placemaking. CI Practitioners are needed to generate that buzz. Which in turn may attract other workers and tourists and other business opportunities (caes etc.).
The degree to which they exhibit these characteristics are influenced by their industry. For example a software developer mentioned he could work anywhere, he was locationless. Whereas rock musicians often mentioned a preference to be CBD based (which is interesting because Frankston stereotypically lends itself to thrash music and there are some great thrash bands and a music collective coming out of there (Late Arvo Sons, Eddy Current Suppression, Scratch’n’Sniff etc).
Attract other workers - we haven’t proved this, it’s a notion, but at the very least they make people more amenable to moving there? Florida (2000) says in the knowledge economy jobs will follow talent, whereas in the industrial age workers followed jobs. But study by Alan Davies showed a strong shift to employment in the suburbs over the last 20 years, but it is in random and low density areas.
If lots of time say we could take this to a regional setting and you’d have: Russell Coight, Blue Heelers, Skippy the bush kangaroo, Albert Namatjjira, Home and Away, Country Practice, the film Australia, Sea Patrol, jonah, Boney, birds in the bush, 7 little australians, wake in fright, Priscilla
Sources: Department of Culture, Media and Sport (UK)
Clifton, N. & Cook, P. 2007 THE CREATIVE CLASS IN THE UK: AN INITIAL ANALYSIS Regional Industrial Research Report 46 Cardiff Uni Wales
It’s important - no longer focus puyrely on inner urban, creative industries are increasingly important driver of australian ec growth.
Decentralisation of creative businesses from the city - Monash Uni is a good example
URBAN PLANNERS MUST TRY TO FIND A MID POINT?
Site specific culture - does this lean too heavily on government funded arts?
The perception dissonance goes both ways - that is, people in the outer urban (and probably regional) areas fear the lack of space and privacy of city lifestyles.
I expect questions from the Regional advocates attending? My answer is that there are regional funding schemes?
Source: Jose, N. (2009). I had written him a letter. In J. Schultz (Ed.), Essentially creative. Griffith Review Autumn 2009 (pp. 81-88). Sydney: ABC Books. Page 86