1. ___________________________________________________________________________________________
Height: 5’6” (167.64cm) Hair: Light Brown Eyes: Green
Summary:
Genuine, hardworking and versatile in both classical and contemporary work. Enjoys being part of the
creative process and highly values the unique lens that dance provides to explore life and express the
beauty and depth of our humanity.
Objective:
To continue deepening my understanding of movement and to enjoy the ability of dance to ignite my
body, mind and spirit.
Professional Experience:
Amy Seiwert’s Imagery Summers 2013 – 2016
• Amy Seiwert, Artistic Director
• Performance Highlights:
o SKETCH 5: Stirred. Choreographers: Amy Seiwert and KT Nelson
o SKETCH 4: Music Mirror. Choreographers: Amy Seiwert and Adam Hougland
o SKETCH 3: Expectations. Choreographers: Amy Seiwert, Val Caniparoli and Marc Brew
Silicon Valley Ballet (Formerly Ballet San Jose) September 2012 – March 2016
• Artistic Leadership: Jose Manuel Correño, Raymond Rodriguez and Karen Gabay
• Performance Highlights:
o Glow Stop, choreography by Jorma Elo
o Minus 16, choreography by Ohad Naharin
o Eighty One, choreography by Jessica Lang
Trey McIntyre Project July 2008 – June 2012
• Trey McIntyre, Artistic Director
• Performance Highlights:
o All the work of Trey McIntyre – Blue Until June, A Day In The Life, In Dreams,
Leatherwing Bat, Like A Samba, Ma Maison, Oh Inverted World, Pork Songs, Reassuring
Affects of Form and Poetry, Shape, The Sweeter End, and Wild Sweet Love
Sacramento Ballet September 2000 – May 2005/September 2006 – May 2008
• Artistic Directors: Ron Cunningham and Carinne Binda
• Performance Highlights:
o The Sleeping Beauty – Aurora
o Fluctuating Hemlines, choreography by Septime Webre
o Scotch Symphony – Principal, choreography by George Balanchine
o Secret Places, choreography by Parrish Maynard
o Serenade – Principal: Waltz and Elegy, choreography by George Balanchine
o Western Symphony – Lead in Adagio Movement, choreography by George Balanchine
o Romeo and Juliet – Juliet, choreography by Ron Cunningham
o Voluntaries, choreography by Glen Tetley
o The Nutcracker – Sugar Plum Fairy, Snow Queen, Rose, Arabian, Marzipan Lead, Spanish
and the Governess, choreography by Ron Cunningham
Annali Rose Clevenger
San Francisco Bay Area
annalirose@gmail.com

2. Training:
• Sacramento Ballet Apprentice, September 1998 – May 2000
• Ballet Yuma/Yuma Ballet Academy, 1993 – 1998
o Artistic Directors and primary teachers: Kathleen Sinclair and Jon Cristofori
o Member of Regional Dance America, Pacific Region
Recognition:
• “Exquisitely aligned” – Allan Ulrich, SF Gate, 2014
• “Annali’s virtuosity was ample reward” – The Independent {Insider}, 2010
• “Annali had a physique to die for, and was one of my favorites” – Roman Baca for Exit 12 Dance
Company’s blog: Ballet to Bullets and Back, 2010
• “As Juliet, she suddenly exploded into this dynamic artist who had something to say.”
-- Ron Cunningham for Sacramento Magazine, 2006
• Pointe Magazine’s VIPs—“Very Impressive Performers”—in 2005
Additional Skills:
Répétiteur
• Co-Staged Trey McIntyre’s Peter Pan on Pennsylvania Ballet in 2012
• Staged Trey McIntyre’s Wild Sweet Love on Sacramento Ballet in 2013
Certified STOTT PILATES Instructor
• Level one certification in Mat and Reformer acquired in 2004
• Fully trained—essential through advanced—on Mat, Reformer, Cadillac, Chair and Barrels
References:
Available upon request.