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ANDRE, Carl 
Copper-Aluminum Plain 
1969 
Copper and aluminum, 3/8 x 72 x 72 in
ANDRE, Carl 
Pyre (Element Series) 
Conceived in 1960 and executed in 1971 
Each: 30.5 x 30.5 x 91.4 cm. Overall: 121.9 x 
91.4 x 91.4 cm
ANDRE, Carl 
Equivalent I-VIII 
1966 
Sand-lime bricks, 2 x 2 x 9 in 
Installation: Tibor di Naagy Gallery, NY
ANDRE, Carl 
Herm 
1976 
Western red cedar, 36 x 11 x 11 in
ANDRE, Carl 
Stile (Element Series), New York 1960 (proposed) / New 
York 1975 (made) 
Private collection, Installation Museum Kurhaus Kleve. 
Photo: Achim Kukulies, Düsseldorf
JUDD, Donald 
Untitled (box with trough) 
1963 
Light cadmium red oil on wood, 19 x 45 x 30 
in 
© Donald Judd
JUDD, Donald 
Untitled (box with trough), detail 
1963 Light cadmium red oil on wood 
© Donald Judd
JUDD, Donald 
Untitled (91-8 Ballantine) 
1991 
Cadmium red oil on plywood and aluminum, 49.5 x 114.3 x 76.2 cm
JUDD, Donald 
Untitled 
1964 
Madera y metal, 86,5 x 122 x 49,5 cm
JUDD, Donald 
Untitled 
1967 (refabricated 1973-75) 
Lacquer on galvanized iron, 65.1 x 194.6 x 37.2 cm 
MoMA Gift of Philip Johnson (by exchange)
JUDD, Donald 
Untitled 
1967 
Blue lacquer on galvanized iron, 14 1/2 x 76 1/2 x 25 1/2 in 
The Museum of Contemporary Art, Los Angeles, The Barry Lowen Collection
JUDD, Donald 
Untitled 
1966 
Galvanized iron; 7 units, 9 x 40 x 31 in 
Private collection
JUDD, Donald 
Untitled 
1969 
Copper, ten units with 9-inch intervals, 22.9 x 101.6 x 78.7 cm 
each; 457.2 x 101.6 x 78.7 cm 
Solomon R. Guggenheim Museum, New York, Panza Collection 
91.3713 Art © Judd Foundation. Licensed by VAGA, New York, NY
JUDD, Donald 
Untitled 
1966
MORRIS, Albert 
Untitled (L-beams) 
1965 (installation view, Art in Place: Fifteen Years of Acquisitions, Whitney Museum of American Art, 
1989)
FLAVIN, Dan 
Puerto Rican Light (to Jeanie Blake) 2, 1965 
Red, pink, and yellow fluorescent lights. 
Height 96 in. (243.8 cm)
FLAVIN, Dan 
Untitled (to a man, George McGovern) 
1972 
Warm-while fluorescent light
LeWitt, Sol 
Nine-part Modular Cube 
1977 
Baked enamel on aluminum,219.7 x 219.7 x 
219.7 cm 
Ada Turnbull Hertle Fund 
© 2008 The Estate of Sol LeWitt
LeWitt, Sol 
(Hartford, 1928 – New York, 2007) 
Costruzione cubica, 1971
LeWitt, Sol 
Corner Piece No. 2 (from Cube 
structures based on nine modules) 
1976 
Painted wood, 109.9 x 109.9 x 109.9 cm
LeWitt, Sol 
Two Open Modular Cubes/Half-Off 
1972 
Enamel on aluminium, 1600 x 3054 x 2330 mm 
Tate, Purchased 1974
LeWitt, Sol 
Incomplete Open Cube 
1974 
Painted aluminum, 42 x 42 x 42 in
JOHNS, Jasper 
Flag 
1954-55 (dated on reverse 1954) 
Encaustic, oil, and collage on fabric mounted on plywood, three panels, 107.3 x 153.8 cm 
Gift of Philip Johnson in honor of Alfred H. Barr, Jr.MoMA © 2014 Jasper Johns / Licensed by VAGA, 
New York, NY
WARHOL, Andy 
Marilyn Monroe 
1967
Frank Stella, installation at Leo 
Castelli Gallery, NY 
1960
STELLA, Frank 
Avicenna 
1960 
Aluminum paint on canvas, 6’ x 6’
STELLA, Frank 
Marquis de Portago 
1970 
Screenprint in light gray and lithograph in 
metallic silver with varnish on Special Arjomari 
paper
STELLA, Frank 
Ouray 
1960-61 
Cooper paint on canvas
STELLA, Frank 
Telluride (1960-61) , Creede I (1961), Creede II (1961)
STELLA, Frank 
Lake City 
1962
Frank Stella, 1964, photo by Ugo Mulas
STELLA, Frank 
Ophir 
1960-61 
Copper oil paint on canvas 250.2 x 210.2 
cm
STELLA, Frank 
Telluride 
1960-61 
Copper paint on canvas, 87 x 84 in
STELLA, Frank 
1ª versão "Luis Miguel Dominguín“ 
1960 
Aluminum paint on canvas
STELLA, Frank
STELLA, Frank 
Newstead Abbey 
1960 
Aluminium paint on canvas, 300 x 182 cm 
Stedelijk Museum, Amsterdam, Netherlands
STELLA, Frank 
Leo Castelli Gallery, 1964
STELLA, Frank 
Empress of India 
1965 
Metallic powder in polymer emulsion paint on canvas, 195.6 x 548.6 cm 
Gift of S. I. Newhouse, Jr.MoMA © 2014 Frank Stella / Artists Rights Society (ARS), New York
STELLA, Frank 
Empress of India 
1965 
Metallic powder in polymer emulsion paint on canvas, 195.6 x 548.6 cm 
Gift of S. I. Newhouse, Jr.MoMA © 2014 Frank Stella / Artists Rights Society (ARS), New York
STELLA, Frank 
De la nada vida a la nada muerte 
1965 
Emulsion with metallic paint on canvas, 205.7 x 744.2 cm 
Ada S. Garrett Prize Fund © 2014 Frank Stella / Artists Rights Society (ARS), New York
ANDRE, Carl 
First ladder 
1958
ANDRE, Carl 
Last Ladder 
1959 
Pine, 2140 x 156 x 156 mm 
Tate, Purchased 1972
ANDRE, Carl 
Pyramid 
1959 
Wood, 2" x 4" fir 
Destroyed 74-unit stack 
© Carl Andre/Licensed by VAGA, New York, NY. Courtesy Paula Cooper 
Gallery, New York
ANDRE, Carl 
Pyramid (Square Plan) 1959 (destroyed), 1970 
(remade) 
Wood (Fir), 1 m 74.96 cm x 78.74 cm x 78.74 cm 
Dallas Museum of Art, General Acquisitions Fund 
and matching funds from The 500, Inc. © Carl 
Andre / Licensed by VAGA, New York, NY
ANDRE, Carl 
Convex Pyramide 
1959-2000 
African Walnut 
each: 4.4 x 10.1 x 57.8 cm 
overall: 192 x 57.8 x 57.8 cm
ANDRE, Carl 
The way north, south and west (uncarved blocks) Western red 
cedar, 4 units: each 30.5 x 30.5 x 91.5 cm; 91.5 x 122.0 x 152.5 
cm installed 
John Kaldor Family Collection at the Art Gallery of New South 
Wales
MORRIS, Robert 
Untitled (Corner Piece) 
1964 
Painted plywood, 198.1 x 274.3 cm 
Solomon R. Guggenheim Museum, New York, Panza Collection © 2014 
Robert Morris / Artists Rights Society (ARS), New York. Photo: David 
Heald © SRGF
MORRIS, Robert 
Untitled 
1965, reconstructed 1971 Mirror Glass and 
wood, 914 x 914 x 914 mm 
Tate, Purchased 1972
MORRIS, Robert 
Untitled (Ring with Light) 
1965-66 
Plywood, acrylics, plexi, fluorescent light, 60 x 
35,6 x 246 cm
MORRIS, Robert 
Slab (cloud) 
1973 
Painted aluminium painted aluminium, 30.0 x 243.8 x 243.8 cm 
Purchased 1979 National Gallery of Australia 
© Robert Morris/ ARS. Licensed by Viscopy
Robert Morris Installation at the Green 
Gallery, 1963
MORRIS, Robert 
Untitled (L Beams), originally plywood, later versions made in fiberglass and stainless steel, 8 x 8 x 2 feet, 
1965
MORRIS, Robert 
Untitled 
1969 
Felt, 459.2 x 184.1 x 2.5 cm 
The Gilman Foundation FundMoMA © 2014 Robert Morris / Artists 
Rights Society (ARS), New York
JUDD, Donald 
Untitled 
1966
JUDD, Donald 
Untitled 
1968 
Brass, 55.9 x 122.6 x 91.4 cm 
Gift of Philip Johnson, MoMA
JUDD, Donald 
Untitled 
1968 
Brass, 55.9 x 122.6 x 91.4 cm 
Gift of Philip Johnson, MoMA
JUDD, Donald 
Untitled 
1978 
Douglas Fir plywood, 49.5 cm x 114.3 cm x 
77.5 cm 
Pace Gallery, NY, US
JUDD, Donald 
Untitled 
1978 
Stainless steel and green anodized aluminium 10 Units, 
Each: 23 x 101.6 x 78.7 cm 
Saatchi Gallery, UK
JUDD, Donald 
Untitled 
1966/68 
Stainless steel and Plexiglas in six parts, 86.36 × 86.36 × 86.36 cm 
Milwaukee Art Museum, Layton Art Collection, Michael Tropea © Judd Foundation/Licensed by VAGA, NY
JUDD, Donald 
Untitled 
1966 
Stainless steel and yellow Plexiglas. Six 34 inch cubes
JUDD, Donald 
Untitled 
1966/68 
Stainless steel and Plexiglas in six parts, 86.36 × 86.36 × 86.36 cm 
Milwaukee Art Museum, Layton Art Collection, Michael Tropea © Judd Foundation/Licensed by VAGA, NY
JUDD, Donald 
Untitled (Bernstein 81-83) (in 4 parts) 
1981 
Stainless steel and Plexiglas, 50 x 100 x 50 cm
JUDD, Donald 
Untitled 
1982 
Aluminum and violet Plexiglas, 100 x 100 x 37 cm
15 untitled works in concrete, 1980-1984 
The fifteen concrete works by Donald Judd that run along the border of Chinati's property (Chinati Foundation, Marfa, TX) were the first works to be installed at 
the museum and were cast and assembled on the site over a four-year period, from 1980 through 1984. The individual units that comprise each work have the 
same measurements of 2.5 x 2.5 x 5 meters, and are made from concrete slabs that are each 25 centimeters thick. Funding for the project was provided by the Dia 
Art Foundation
JUDD, Donald 
15 untitled works in concrete 
1980-1984, detail 
Chinati Foundation, Marfa, Texas
JUDD, Donald 
15 untitled works in concrete 
1980-1984, detail 
Chinati Foundation, Marfa, Texas
JUDD, Donald 
15 untitled works in concrete 
1980-1984, detail 
Chinati Foundation, Marfa, Texas
JUDD, Donald 
Untitled (Menziken 89-6) 
1989 
Anodized aluminum clear and blue with blue Plexiglas, 100 × 200 × 200 cm
JUDD, Donald 
Untitled 
1991 
Painted aluminum, 150 x 750 x 165 cm 
Bequest of Richard S. Zeisler and gift of Abby Aldrich Rockefeller (both by exchange) and gift of Kathy Fuld, Agnes Gund, 
Patricia Cisneros, Doris Fisher, Mimi Haas, Marie-Josée and Henry R. Kravis, and Emily Spiegel, MoMA
JUDD, Donald 
Untitled, 100 works in mill aluminum 
1982-1986, detail 
Chinati Foundation, Marfa, Texas
JUDD, Donald 
Untitled, 100 works in mill aluminum 
1982-1986, detail 
Chinati Foundation, Marfa, Texas
JUDD, Donald 
Untitled 
1976 
Plywood, 3 x 5 x 5 ft
FLAVIN, Dan 
Ursula one and two picture 1/3 
1964
FLAVIN, Dan 
Untitled (to Jan and Ron Greenberg) 
1972-73 
Yellow and green fluorescent light 244 cm high, in a 
corridor measuring 244 cm high and 244 cm wide; length 
variable, edition 1/3 
Solomon R. Guggenheim Museum, New York, Panza 
Collection © 2014 Stephen Flavin/Artists Rights Society 
(ARS). Installation view: drawings and diagrams from Dan 
Flavin 1963-1972; corners, barriers, and corridors in 
flourescent light from Dan Flavin, St. Louis Art Museum, 
Missouri, January 26–March 11, 1973
FLAVIN, Dan 
Untitled (to Jan and Ron Greenberg) 
1972-73 
Installation view: Arte Minimal: Coleccion 
Panza, Museo nacional centro de arte Reina 
Sofia, Madrid, March 24–December 31, 1988 
Photo: Raphael Lobato
FLAVIN, Dan 
Nine works 
197-1983 
Installation view at The Dan Flavin Art Institute
SMITH, Tony 
Throne 
1956-57 
Steel, painted black, 71 x 99 x 81 cm
SMITH, Tony 
Marriage 
1961 
Steel, painted black, 305 x 305 x 366 cm
SMITH, Tony 
Cigarette 
1961 (fabricated 1971) Painted steel, 459.2 x 777.2 x 
566.3 cm 
Mrs. Simon Guggenheim FundMoMA © 2014 Estate of 
Tony Smith / Artists Rights Society (ARS), New York
SMITH, Tony 
Spitball 
1961 
Painted steel, 350.5 x 426.7 x 426.7 cm 
Purchased as the gift of Ryda and Robert H. Levi, 
Baltimore Museum
SMITH, Tony 
Gracehoper (at the DIA) 
1961 
Welded steel and paint, 6.91 m × 7.3 m × 14 m
SMITH, Tony 
Duck 
1962-63 
Painted steel, 345.4 x 421.6 x 281.9 cm 
The Donald M. Kendall Sculpture Garden at 
PepsiCo (Purchase, New York),April 28, 2009
SMITH, Tony 
Amaryllis 
1965 
Painted steel, 342.9 x 325.1 x 228.6 cm 
The Metropolitan Museum of Art, NY 
Anonymous Gift, 1986 © 2011 Artists Rights 
Society (ARS), New York
KAPOOR, Anish 
Cloud Gate (2004, Stainless Steel) 
Photo credit: Natasha Mikitas
KAPOOR, Anish 
Cloud Gate 2004 
Stainless steel, 33 ft × 66 ft × 42 ft 
Millennium Park, Chicago. Courtesy of the City of Chicago and Gladstone Gallery, New York 
Photo: Peter J. Schulz, City of Chicago
KAPOOR, Anish 
Sky Mirror 
2006 
Stainless steel, 35 ft diameter 
presented by Tumi at Rockefeller Center 
Organized by Public Art Fund, hosted by Tishman Speyer, on view Sep 
19 – Oct 27, 2006 
Photo: Seong Kwon Photography 
Courtesy: Public Art Fund
KAPOOR, Anish
KAPOOR, Anish
NETO, Ernesto 
Célula Nave 
2004
NETO, Ernesto
NETO, Ernesto 
It Happens in the Horizon of Events, Garden 
2001-07 
Lycra tulle, polyamide, stockings, stones and gravel, 8 × 98 × 98‘ 
Tokyo Opera City Art Gallery, 2007 
Photo: Keizo Kioku. Courtesy of the artist
NETO, Ernesto 
Our Mist into the Mith 
2008 
Wood, nylon tulle, cotton, spices and sobakawa, 650 x 760 x 930 cm
Stonehenge, Condado de Wiltshire, Inglaterra, 2014-08-12
SMITHSON, Robert 
Spiral Jetty 
1970 
Mud, Precipitated salt crystals, Rocks, Water, 4.572 m × 457.2 m 
Rozel Point, Great Salt Lake, Utah, US
SMITHSON, Robert 
Spiral Jetty 
1970
SMITHSON, Robert 
Amarillo Ramp 
Tecovas Lake, Amarillo, Texas 
1973
SMITHSON, Robert 
Asphalt Rundown, Rome, October 1969
HEIZER, Michael 
Double Negative 
1969-70 
50 miles NE of Las Vegas, Five miles E of Overton, Nevada 
Coordinates:36.614391, -114.344513
HEIZER, Michael 
Double Negative 
1969-70
HEIZER, Michael 
Double Negative 
1969-70
HEIZER, Michael 
Rift # 1 of Nine Nevada Depressions (deteriorated) 
1968 
1.5 ton displacement on the bottom of a dry lake bed 
Width: (cm) 4500, Height (cm): 15800, 
Depth (cm): 300 
Massacre Dry Lake, Nevada 
Imageworks, Art, Architecture and Engineering Library, University of 
Michigan
De MARIA, Walter 
The Lightning Field, 1977 
Long-term installation in 
Western New Mexico 
Courtesy Dia Art Foundation, New York. Photo: John Cliett
De MARIA, Walter 
The Lightning Field, Nuevo México 
1977
De MARIA, Walter 
The Lightning Field Catron Country 
1977 
Western New Mexico 
Photo: Dia Art Foundation
De MARIA, Walter 
The Broken Kilometer 
1979 
Long-term installation at 
393 West Broadway, New York City. Photo: Jon 
Abbott Copyright Dia Art Foundation
Christo and Jeanne-Claude 
PROJECT 1: Wrapped Coast – One Million Square 
Feet, Little Bay, Sydney, Australia, 1968–69 
Photo: Harry Shunk
Christo and Jeanne-Claude, Running Fence, Sonoma and Marin Counties, California, 1972–76, © Christo, 
1976 Photo by Wolfgang Volz
LONG, Richard 
Silence Circle Big Bend Texas 
1990 
Photograph, black and white, on paper and typescript, 830 x 1121 mm 
Purchased with assistance from the American Fund for the Tate Gallery, courtesy of Edwin C. Cohen and 
General Atlantic Partners 1991
LONG, Richard 
Walking a Line in Peru, 1972
LONG, Richard 
A Circle in Ireland 
1975 
Photograph, colour on paper, 810 x 1115 mm 
ARTIST ROOMS Tate and National Galleries of Scotland. Lent by Anthony d'Offay 2010
LONG, Richard 
Circle in Africa 
1978 
Photograph, black and 
white, on paper, 820 x 1120 
mm 
Tate, UK 
Purchased 1994
LONG, Richard 
Circle Tuareg Sahara 
1988
LONG, Richard 
Sahara line 
1988
BURRI, Alberto 
Cretto di Gibellina, 1968
BURRI, Alberto 
Gibellina, il Cretto di Burri
BURRI, Alberto 
Cretto di Gibellina, 1968
BURRI, Alberto 
Bianco Cretto C1 
1973 
Tecnica mista su cellotex, 150 x 125 cm
HESSE, Eva 
Accession II 
1968 (1969) 
Galvanized steel and vinyl, 78.1 x 78.1 x 78.1 cm 
DIA-Detroit Institute of Arts - Detroit, MI
HESSE, Eva 
Repetition Nineteen I 
1967 
Paint and papier-mâché on aluminum screening, 19 units (one missing), 23.2 to 26.6 cm x 16.5 to 23.2 cm in diameter 
Gift of Mr. and Mrs. Murray CharashMoMA © 2014 Estate of Eva Hesse. Galerie Hauser & Wirth, Zurich
HESSE, Eva 
Repetition Nineteen III 
1968 
Fiberglass and polyester resin, nineteen units, 48 to 51 cm x 27.8 to 32.2 cm in diameter 
Gift of Charles and Anita BlattMoMA © 2014 Estate of Eva Hesse. Galerie Hauser & Wirth, 
Zurich
HESSE, Eva 
Area 
1968
HESSE, Eva 
Enclosed from the set: 7 Objects/69 
1969 
Tape, liquid rubber, powder, and balloons, 7 1/2 x 3 x 1 5/8 " 
ArtScience Museum
HESSE, Eva 
Connection 
1969 
Fiberglass, polyester resin on cloth-covered metal wire, 
20 units, each 40.6 to 166.4 X 2.5 to 7.6 cm
HESSE, Eva 
Expanded Expansion 
1969 
Fiberglass, polyester resin, latex, and cheesecloth, 309.9 x 762 cm 
Solomon R. Guggenheim Museum, New York, Gift, Family of Eva Hesse 75.2138 © Eva Hesse. Photo: David Heald (1986, New York)
HESSE, Eva 
Tori 
1969 
Polyester, resin, and fiberglass on wire mesh, 119.4 x 43.2 x 38.1 cm 
Philadelphia Museum of Art, US
HESSE, Eva 
Test Piece for “Contingent” 
1969 
Latex over cheesecloth, 365.8 x 111.8 cm 
National Gallery of Art, Washington DC 
Gift of the Collectors Committee
HESSE, Eva 
Contingent 
1969 
Cheesecloth, latex, fibreglass installation (variable), 350.0 x 
630.0 x 109.0 cm 
National Gallery of Australia Purchased 1973 Courtesy The 
Estate of Eva Hesse, Galerie Hauser & Wirth, Zurich
HESSE, Eva
SERRA, Richard 
Photo: Gianfranco Gorgoni 
1969 
Gelatin silver print, 27.7 x 35.2 cm
Installed Castelli Warehouse Richard Serra, Casting 
1969 
10 x 765 x 455 cm
SERRA, Richard 
To Lift 1967 
Vulcanized rubber. 36 x 80 x 60 in 
Courtesy David Zwirner Gallery 
Photo: Peter Moore 
© 2013 Richard Serra/Artists Rights Society 
(ARS), New York
SERRA, Richard (left to right) 
1. Shovel Plate Prop 1969 - Plate, 99.1cm x 2m x 2.5 cm, Photograph by Peter Moore 
2. Close Pin Prop 1969 - Pole, 2.5 m; 8.9 cm diam.; tube, 101.9 cm long 15.2 cm diam., Solomon R. Guggenheim 
Museum, NY, Panza Collection 
3. Wall Plate Prop 1969 - Two plates: 88.9 x 88.9 cm; 101.6 x101.6 cm, Collection the artist 
4. Right Angle Prop 1969 - Plate: 182.9 x 182.9 x 1.3 cm, angle: 91.4 x 61 x 86.4 cm, Solomon R. Guggenheim 
Museum, NY, funds by The Theidoron Foundation
SERRA, Richard 
Shovel Plate Prop 
1969 
Steel, 203 x 213.4 x 81.3 cm; plate: 101.2 x 199.5 x 2.4 cm; tube: 144.9 cm 
long xv24.2 cm in diameter 
Solomon R. Guggenheim Museum, New York, Panza Collection © 2014 
Richard Serra / Artists Rights Society (ARS), New York
SERRA, Richard 
Right Angle Prop 
1969 
Lead antimony, 182.9 x 182.9 x 86.4 cm 
Solomon R. Guggenheim Museum, New York, Purchased with 
funds contributed by The Theodoron Foundation © 2014 
Richard Serra/Artists Rights Society (ARS), New York 
Photo: David Heald
SERRA, Richard 
Corner prop 
1969
SERRA, Richard 
Prop 
1968 (refabricated 2007) 
Lead antimony, approximately 227.3 × 152.4 × 137.2 cm 
Whitney Museum of American Art, New York; purchase with 
funds from the Howard and Jean Lipman Foundation, Inc. © 2009 
Richard Serra / Artists Rights Society (ARS), New York
SERRA, Richard 
Cutting Device: Base Plate Measure 
1969 
Lead, wood, stone, and steel, 30.5 x 549 x 498 
Gift of Philip JohnsonMoMA © 2014 Richard Serra / Artists Rights Society (ARS), New York
SERRA, Richard 
Stacked Steels Slabs (Skullcracker Series) 
1969 
Hot rolled steel, approx. 20 x 8 x 10‘ 
Installed: Kaiser Steel, Fontana, CA
SERRA, Richard
SERRA, Richard 
2+2+1 for Dickie & Tina 1969 
Lead plates 4'x4', half inch thick
SERRA, Richard 
2-2-1: To Dickie and Tina 
1969, 1994 
Lead, 1320 x 3490 x 1320 mm 
Tate 
Purchased with assistance from the American Fund 
for the Tate Gallery 1997
SERRA, Richard 
Circuit II 
1972-86 
Hot-rolled steel, four plates, each 304.5 x 609 x 2.6 cm 
The Museum of Modern Art, New York. Enid A. Haupt and S. I. Newhouse, Jr. Funds, 1986
SERRA, Richard
SERRA, Richard 
Delineator 
1974-75 
Hot-rolled steel, two plates, each 595 x 300 x 2,5 cm 
Collection of the artist © 2011, ProLitteris, Zürich 
Photo: Serra Studio, New York / © 2011, Gordon Matta-Clark
SERRA, Richard 
Delineator 
1974-75 
Hot-rolled steel, Two plates, each: 2.5 cm x 3.1 m x 7.9 m 
Gift of Edward R. Broida and Gift of Mr. and Mrs. Morton 
J. Hornick (both by exchange)MoMA © 2014 Richard 
Serra / Artists Rights Society (ARS), New York
SERRA, Richard 
Sight Point, 1972
SERRA, Richard 
Sight Point, 2012
SERRA, Richard 
"7“ 
Almost 80-foot high, 7 steel plates - each 78 feet 
high and 8 feet wide - arranged in a heptagonal or 
seven-sided shape 
It was unveiled in 2011 and is the tallest artwork 
ever created by Serra 
It celebrates the spiritual and scientific 
significance of the number 7 in Islamic culture 
Museum of islamic Art, Doha, Qatar
SERRA, Richard 
Berlin Block (For Charlie Chaplin), 1978
SERRA, Richard 
Berlin Block (for Charlie Chaplin) 
1977 
Stahlblock, 190,5 x 190,5 x 190,5 cm 
Neue Nationalgalerie, Berlin
SERRA, Richard 
Tilted Arc 
1981 
Steel, New York City (destroyed)
SERRA, Richard 
Tilted Arc 
1981 
Federal Plaza, Manhattan
SERRA, Richard 
Tilted Arc 
1981 
Federal Plaza, Manhattan
SERRA, Richard 
Tilted Arc 
1981 
Steel, New York City (destroyed) 
Photo © 1985 David Aschkenas
SERRA, Richard 
Tilled Arc 
1981
SERRA, Richard 
Clara-Clara 
1983 
Acier, 370 x 332 x 5,1 cm et 370 x 328 x 5,1 cm 
Installation dans le jardin des Tuileries à Paris (coll. Ville de Paris. © Dirk Reinartz)
SERRA, Richard 
Clara-Clara 
1983 
Jardin des Tuileries, Paris
SERRA, Richard 
Clara-Clara 
1983 
Jardin des Tuileries, Paris
SERRA, Richard
SERRA, Richard 
Equal (Corner Prop Piece) 
1969-70 
Lead antinomy, Plate 122 x 122 x 2 cm, pole210 cm long x11 cm in diameter 
Gilman Foundation FundMoMA © 2014 Richard Serra / Artists Rights Society (ARS), 
New York
SERRA, Richard 
Two Forged Rounds for Buster Keaton, 1991 
Forged steel, 2 elements: 162.6 x 226.1 cm
SERRA, Richard 
Intersection II 
1992-93 
Weatherproof steel, four identical conical sections, 
two sections 400 x 1570 along the chord x 5.4 cm 
thick; two sections 400 cm x 1550 cm along the 
chord x 5.4 cm
SERRA, Richard 
Intersection II 
1992-93 
Weatherproof steel, four identical conical sections, 
two sections 400 x 1570 along the chord x 5.4 cm 
thick; two sections 400 cm x 1550 cm along the chord 
x 5.4 cm
SERRA, Richard 
Torqued Torus Inversion and Sequence, 2006 
Weatherproof steel, two torqued toruses, each overall: 3.9 x 11 x 17.9 m, plate: 5.1 cm thick 
Collection the artist
SERRA, Richard 
Betwixt the Torus and the Sphere (detail), 2001 
Weatherproof steel, three spherical sections, three torus sections, 360.7 x 1143 x 810.3cm 
Photo by Rob McKeever
SERRA, Richard 
Torqued Ellipse II, 1996, and Double Torqued Ellipse, 1997, DIA
SERRA, Richard 
Torqued Ellipse I, à esquerda; Torqued Ellipse II, à direita e Double Torqued Ellipse, ao fundo 
Foto: Dirk Reinartz
SERRA, Richard 
Torqued ellipses
SERRA, Richard 
Installation by the American artist Richard Serra at the Guggenheim. Photograph: Vincent West/Reuters
SERRA, Richard 
Double Torqued Ellipse 
Weatherproof steel, Outer ellipse, overall: 4×10.2×8.3 m, inner ellipse, overall: 4×8×2.5 m, plates: 5.1 
cm thick 
Dia Foundation, New York. Gift of Louise and Leonard Riggio. Photographed by Dirk Reinartz. Courtesy 
of the artist and Gagosian Gallery
SERRA, Richard 
Torqued Ellipse II
SERRA, Richard 
Torqued Ellipse IV 
1998 
Weatherproof steel, 373.4 x 807.7 x 990.6 cm 
The Museum of Modern Art, New York. Fractional 
and promised gift of Leon and Debra Black, 
1999. (c) 2007 Richard Serra / Artists Rights 
Society (ARS), New York 
Photo: Lorenz Kienzle
SERRA, Richard 
Torqued Spiral (Closed Open Closed Open 
Closed) (Espiral bihurritua (itxita zabalik itxita 
zabalik itxita)), 2003 
Weathering steel, 14 x 13.1 x 14.1 m; plate 
thickness: 5 cm Guggenheim Bilbao Museoa 
GBM2005.1 © 2012 Richard Serra/Artists 
Rights Society (ARS), New York
SERRA, Richard 
58 x 64 x 70, 1996 
Forged steel blocks, 6 blocks: 147.3 x 162.6 x 177.8 cm 
Installation at Gagosian Gallery, SoHo
SERRA, Richard 
No Mandatory Patriotism 
1989 
Paintstik on two sheets of paper, 236.5 x 510.9 cm 
Partial and promised gift of UBSMoMA © 2014 Richard Serra / Artists Rights Society (ARS), New York
SERRA, Richard 
Exhibition copy of "Pacific Judson Murphy" (1978) 
Paintstick on Belgian linen by Richard Serra two parts: 285 x 442 cm and 285 x 272 cm Private collection Photo: Ian 
Reeves, S. F. Museum Of Modern Art
SERRA, Richard 
No Mandatory Patriotism 
1989 
Paintstick on two sheets of paper, 237 x 534 cm 
Collection Museum of Modern Art, New York. Photo: Rob McKeever. © the artist
SERRA, Richard 
Double Rift #2, 2011 
Paintstick on handmade paper, 267 x 505.8 x 9.5 cm 
Gagosian Gallery, NY 
Photo by Rob McKeever
SERRA, Richard 
A new drawing
SERRA, Richard 
Two Corner Cut: High Low 
2012) 
The Menil Collection 
Photo © Hester + Hardaway Photographers. Fayetteville, Texas
SERRA, Richard 
Consequence 
2003 © Richard Serra /Artists Rights Society (ARS), New York 
Photo: Richard Barnes
SANDBACK, Fred 
Untitled (from Ten Vertical Constructions) 
1977 
Two-part vertical construction, red (variation) 
Dia Art Foundation 
Photo: Nic Tenwiggenhorn
SANDBACK, Fred 
Untitled (Sculptural Study Seven Part Triangular Construction), 1982/2010
SANDBACK, Fred 
Untitled (Sculptural Study, broken triangle, lannan foundation, santa fe) 
1990-2014 
Black and Orange Acrylic Yarn 
Galería Cayón
SANDBACK, Fred 
Untitled (Sculptural Study, two-part vertical 
construction) 
1976-2013 
Orange and Yellow Acrylic Yarn, 30.5 x 45.7 cm 
Galería Cayón
SANDBACK, Fred 
Untitled (Sculptural Study, Seven-part 
Right-angled Triangular Construction), 
1982/2010
SANDBACK, Fred 
Untitled (detail), 1976/1981
SANDBACK, Fred 
Madre e hija (dos construcciones 
triangulares) (detalle) 
2003 
Hilo acrílico negro y gris 
copyright: cincodearte.wordpress.com
SANDBACK, Fred 
Untitled (Sculptural Study, Five-part 
Construction), 1987/2009
SANDBACK, Fred 
Simultan 
1974 
Woolen string, 64 x 6 x 48 cm
WILMARTH, Christopher 
Tina Turner, 1970-71 
Etched glass, clear glass, and steel cable, 177.2 x 449.6 x 147.3 cm 
Gift of Edward R. BroidaMoMA Number:811.2005Copyright:© 2014 Estate of 
Christopher Wilmarth
WILMARTH, Christopher 
Trace 
1972 
Glass, steel, 60 × 60.125 × 35.25 inches 
Walter Art Center
WILMARTH, Christopher 
Susan Walked In 
1976 
Etched glass and steel, 152.4 x 152.4 x 76.2 
cm 
Hunter Museum of American Art
WILMARTH, Christopher 
Is, Was (Chancing) 
1975-76
Jerry L. Thompson Christopher Wilmarth, 
Brooklyn, 1985 
Dye transfer, 43.2 x 35 cm
NAUMAN, Bruce 
My Name as Though It Were Written on the Surface of the Moon 
1968
NAUMAN, Bruce 
Mean Clown Welcome 
1985 
Neon tubing mounted on metal monolith, 72 x 82 x 13 inch
NAUMAN, Bruce 
"e" 
1970 
Screenprint on paper, 518 x 662 mm 
Tate, Purchased 1994
NAUMAN, Bruce 
Sex and Death 
1985
NAUMAN, Bruce 
Green light corridor 
1970-71
NAUMAN, Bruce 
Dance or Exercise on the Perimeter of a Square (Square Dance) 
1965
NAUMAN, Bruce 
Model for Animal Pyramid II 
1989 
Cut-and-taped gelatin silver prints (irreg), 229.9 x 
152.8 cm 
Gift of Agnes Gund and Jo Carole and Ronald S. 
LauderMoMA © 2014 Bruce Nauman / Artists 
Rights Society (ARS), New York
NAUMAN, Bruce 
Untitled (Three Large Animals) 
1989 
Aluminium and wire, 1200 x 3000 x 3000 mm 
Tate 
Presented by the Froehlich Foundation, 
Stuttgart 2000

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Aula - Minimalismo

  • 1. ANDRE, Carl Copper-Aluminum Plain 1969 Copper and aluminum, 3/8 x 72 x 72 in
  • 2. ANDRE, Carl Pyre (Element Series) Conceived in 1960 and executed in 1971 Each: 30.5 x 30.5 x 91.4 cm. Overall: 121.9 x 91.4 x 91.4 cm
  • 3. ANDRE, Carl Equivalent I-VIII 1966 Sand-lime bricks, 2 x 2 x 9 in Installation: Tibor di Naagy Gallery, NY
  • 4. ANDRE, Carl Herm 1976 Western red cedar, 36 x 11 x 11 in
  • 5. ANDRE, Carl Stile (Element Series), New York 1960 (proposed) / New York 1975 (made) Private collection, Installation Museum Kurhaus Kleve. Photo: Achim Kukulies, Düsseldorf
  • 6. JUDD, Donald Untitled (box with trough) 1963 Light cadmium red oil on wood, 19 x 45 x 30 in © Donald Judd
  • 7. JUDD, Donald Untitled (box with trough), detail 1963 Light cadmium red oil on wood © Donald Judd
  • 8. JUDD, Donald Untitled (91-8 Ballantine) 1991 Cadmium red oil on plywood and aluminum, 49.5 x 114.3 x 76.2 cm
  • 9. JUDD, Donald Untitled 1964 Madera y metal, 86,5 x 122 x 49,5 cm
  • 10. JUDD, Donald Untitled 1967 (refabricated 1973-75) Lacquer on galvanized iron, 65.1 x 194.6 x 37.2 cm MoMA Gift of Philip Johnson (by exchange)
  • 11. JUDD, Donald Untitled 1967 Blue lacquer on galvanized iron, 14 1/2 x 76 1/2 x 25 1/2 in The Museum of Contemporary Art, Los Angeles, The Barry Lowen Collection
  • 12. JUDD, Donald Untitled 1966 Galvanized iron; 7 units, 9 x 40 x 31 in Private collection
  • 13. JUDD, Donald Untitled 1969 Copper, ten units with 9-inch intervals, 22.9 x 101.6 x 78.7 cm each; 457.2 x 101.6 x 78.7 cm Solomon R. Guggenheim Museum, New York, Panza Collection 91.3713 Art © Judd Foundation. Licensed by VAGA, New York, NY
  • 15. MORRIS, Albert Untitled (L-beams) 1965 (installation view, Art in Place: Fifteen Years of Acquisitions, Whitney Museum of American Art, 1989)
  • 16. FLAVIN, Dan Puerto Rican Light (to Jeanie Blake) 2, 1965 Red, pink, and yellow fluorescent lights. Height 96 in. (243.8 cm)
  • 17. FLAVIN, Dan Untitled (to a man, George McGovern) 1972 Warm-while fluorescent light
  • 18. LeWitt, Sol Nine-part Modular Cube 1977 Baked enamel on aluminum,219.7 x 219.7 x 219.7 cm Ada Turnbull Hertle Fund © 2008 The Estate of Sol LeWitt
  • 19. LeWitt, Sol (Hartford, 1928 – New York, 2007) Costruzione cubica, 1971
  • 20. LeWitt, Sol Corner Piece No. 2 (from Cube structures based on nine modules) 1976 Painted wood, 109.9 x 109.9 x 109.9 cm
  • 21. LeWitt, Sol Two Open Modular Cubes/Half-Off 1972 Enamel on aluminium, 1600 x 3054 x 2330 mm Tate, Purchased 1974
  • 22. LeWitt, Sol Incomplete Open Cube 1974 Painted aluminum, 42 x 42 x 42 in
  • 23. JOHNS, Jasper Flag 1954-55 (dated on reverse 1954) Encaustic, oil, and collage on fabric mounted on plywood, three panels, 107.3 x 153.8 cm Gift of Philip Johnson in honor of Alfred H. Barr, Jr.MoMA © 2014 Jasper Johns / Licensed by VAGA, New York, NY
  • 24. WARHOL, Andy Marilyn Monroe 1967
  • 25. Frank Stella, installation at Leo Castelli Gallery, NY 1960
  • 26. STELLA, Frank Avicenna 1960 Aluminum paint on canvas, 6’ x 6’
  • 27. STELLA, Frank Marquis de Portago 1970 Screenprint in light gray and lithograph in metallic silver with varnish on Special Arjomari paper
  • 28. STELLA, Frank Ouray 1960-61 Cooper paint on canvas
  • 29. STELLA, Frank Telluride (1960-61) , Creede I (1961), Creede II (1961)
  • 30. STELLA, Frank Lake City 1962
  • 31. Frank Stella, 1964, photo by Ugo Mulas
  • 32. STELLA, Frank Ophir 1960-61 Copper oil paint on canvas 250.2 x 210.2 cm
  • 33. STELLA, Frank Telluride 1960-61 Copper paint on canvas, 87 x 84 in
  • 34. STELLA, Frank 1ª versão "Luis Miguel Dominguín“ 1960 Aluminum paint on canvas
  • 36. STELLA, Frank Newstead Abbey 1960 Aluminium paint on canvas, 300 x 182 cm Stedelijk Museum, Amsterdam, Netherlands
  • 37. STELLA, Frank Leo Castelli Gallery, 1964
  • 38. STELLA, Frank Empress of India 1965 Metallic powder in polymer emulsion paint on canvas, 195.6 x 548.6 cm Gift of S. I. Newhouse, Jr.MoMA © 2014 Frank Stella / Artists Rights Society (ARS), New York
  • 39. STELLA, Frank Empress of India 1965 Metallic powder in polymer emulsion paint on canvas, 195.6 x 548.6 cm Gift of S. I. Newhouse, Jr.MoMA © 2014 Frank Stella / Artists Rights Society (ARS), New York
  • 40. STELLA, Frank De la nada vida a la nada muerte 1965 Emulsion with metallic paint on canvas, 205.7 x 744.2 cm Ada S. Garrett Prize Fund © 2014 Frank Stella / Artists Rights Society (ARS), New York
  • 41. ANDRE, Carl First ladder 1958
  • 42. ANDRE, Carl Last Ladder 1959 Pine, 2140 x 156 x 156 mm Tate, Purchased 1972
  • 43. ANDRE, Carl Pyramid 1959 Wood, 2" x 4" fir Destroyed 74-unit stack © Carl Andre/Licensed by VAGA, New York, NY. Courtesy Paula Cooper Gallery, New York
  • 44. ANDRE, Carl Pyramid (Square Plan) 1959 (destroyed), 1970 (remade) Wood (Fir), 1 m 74.96 cm x 78.74 cm x 78.74 cm Dallas Museum of Art, General Acquisitions Fund and matching funds from The 500, Inc. © Carl Andre / Licensed by VAGA, New York, NY
  • 45. ANDRE, Carl Convex Pyramide 1959-2000 African Walnut each: 4.4 x 10.1 x 57.8 cm overall: 192 x 57.8 x 57.8 cm
  • 46. ANDRE, Carl The way north, south and west (uncarved blocks) Western red cedar, 4 units: each 30.5 x 30.5 x 91.5 cm; 91.5 x 122.0 x 152.5 cm installed John Kaldor Family Collection at the Art Gallery of New South Wales
  • 47. MORRIS, Robert Untitled (Corner Piece) 1964 Painted plywood, 198.1 x 274.3 cm Solomon R. Guggenheim Museum, New York, Panza Collection © 2014 Robert Morris / Artists Rights Society (ARS), New York. Photo: David Heald © SRGF
  • 48. MORRIS, Robert Untitled 1965, reconstructed 1971 Mirror Glass and wood, 914 x 914 x 914 mm Tate, Purchased 1972
  • 49. MORRIS, Robert Untitled (Ring with Light) 1965-66 Plywood, acrylics, plexi, fluorescent light, 60 x 35,6 x 246 cm
  • 50. MORRIS, Robert Slab (cloud) 1973 Painted aluminium painted aluminium, 30.0 x 243.8 x 243.8 cm Purchased 1979 National Gallery of Australia © Robert Morris/ ARS. Licensed by Viscopy
  • 51. Robert Morris Installation at the Green Gallery, 1963
  • 52. MORRIS, Robert Untitled (L Beams), originally plywood, later versions made in fiberglass and stainless steel, 8 x 8 x 2 feet, 1965
  • 53. MORRIS, Robert Untitled 1969 Felt, 459.2 x 184.1 x 2.5 cm The Gilman Foundation FundMoMA © 2014 Robert Morris / Artists Rights Society (ARS), New York
  • 55. JUDD, Donald Untitled 1968 Brass, 55.9 x 122.6 x 91.4 cm Gift of Philip Johnson, MoMA
  • 56. JUDD, Donald Untitled 1968 Brass, 55.9 x 122.6 x 91.4 cm Gift of Philip Johnson, MoMA
  • 57. JUDD, Donald Untitled 1978 Douglas Fir plywood, 49.5 cm x 114.3 cm x 77.5 cm Pace Gallery, NY, US
  • 58. JUDD, Donald Untitled 1978 Stainless steel and green anodized aluminium 10 Units, Each: 23 x 101.6 x 78.7 cm Saatchi Gallery, UK
  • 59. JUDD, Donald Untitled 1966/68 Stainless steel and Plexiglas in six parts, 86.36 × 86.36 × 86.36 cm Milwaukee Art Museum, Layton Art Collection, Michael Tropea © Judd Foundation/Licensed by VAGA, NY
  • 60. JUDD, Donald Untitled 1966 Stainless steel and yellow Plexiglas. Six 34 inch cubes
  • 61. JUDD, Donald Untitled 1966/68 Stainless steel and Plexiglas in six parts, 86.36 × 86.36 × 86.36 cm Milwaukee Art Museum, Layton Art Collection, Michael Tropea © Judd Foundation/Licensed by VAGA, NY
  • 62. JUDD, Donald Untitled (Bernstein 81-83) (in 4 parts) 1981 Stainless steel and Plexiglas, 50 x 100 x 50 cm
  • 63. JUDD, Donald Untitled 1982 Aluminum and violet Plexiglas, 100 x 100 x 37 cm
  • 64. 15 untitled works in concrete, 1980-1984 The fifteen concrete works by Donald Judd that run along the border of Chinati's property (Chinati Foundation, Marfa, TX) were the first works to be installed at the museum and were cast and assembled on the site over a four-year period, from 1980 through 1984. The individual units that comprise each work have the same measurements of 2.5 x 2.5 x 5 meters, and are made from concrete slabs that are each 25 centimeters thick. Funding for the project was provided by the Dia Art Foundation
  • 65. JUDD, Donald 15 untitled works in concrete 1980-1984, detail Chinati Foundation, Marfa, Texas
  • 66. JUDD, Donald 15 untitled works in concrete 1980-1984, detail Chinati Foundation, Marfa, Texas
  • 67. JUDD, Donald 15 untitled works in concrete 1980-1984, detail Chinati Foundation, Marfa, Texas
  • 68. JUDD, Donald Untitled (Menziken 89-6) 1989 Anodized aluminum clear and blue with blue Plexiglas, 100 × 200 × 200 cm
  • 69. JUDD, Donald Untitled 1991 Painted aluminum, 150 x 750 x 165 cm Bequest of Richard S. Zeisler and gift of Abby Aldrich Rockefeller (both by exchange) and gift of Kathy Fuld, Agnes Gund, Patricia Cisneros, Doris Fisher, Mimi Haas, Marie-Josée and Henry R. Kravis, and Emily Spiegel, MoMA
  • 70. JUDD, Donald Untitled, 100 works in mill aluminum 1982-1986, detail Chinati Foundation, Marfa, Texas
  • 71. JUDD, Donald Untitled, 100 works in mill aluminum 1982-1986, detail Chinati Foundation, Marfa, Texas
  • 72. JUDD, Donald Untitled 1976 Plywood, 3 x 5 x 5 ft
  • 73. FLAVIN, Dan Ursula one and two picture 1/3 1964
  • 74. FLAVIN, Dan Untitled (to Jan and Ron Greenberg) 1972-73 Yellow and green fluorescent light 244 cm high, in a corridor measuring 244 cm high and 244 cm wide; length variable, edition 1/3 Solomon R. Guggenheim Museum, New York, Panza Collection © 2014 Stephen Flavin/Artists Rights Society (ARS). Installation view: drawings and diagrams from Dan Flavin 1963-1972; corners, barriers, and corridors in flourescent light from Dan Flavin, St. Louis Art Museum, Missouri, January 26–March 11, 1973
  • 75. FLAVIN, Dan Untitled (to Jan and Ron Greenberg) 1972-73 Installation view: Arte Minimal: Coleccion Panza, Museo nacional centro de arte Reina Sofia, Madrid, March 24–December 31, 1988 Photo: Raphael Lobato
  • 76. FLAVIN, Dan Nine works 197-1983 Installation view at The Dan Flavin Art Institute
  • 77. SMITH, Tony Throne 1956-57 Steel, painted black, 71 x 99 x 81 cm
  • 78. SMITH, Tony Marriage 1961 Steel, painted black, 305 x 305 x 366 cm
  • 79. SMITH, Tony Cigarette 1961 (fabricated 1971) Painted steel, 459.2 x 777.2 x 566.3 cm Mrs. Simon Guggenheim FundMoMA © 2014 Estate of Tony Smith / Artists Rights Society (ARS), New York
  • 80. SMITH, Tony Spitball 1961 Painted steel, 350.5 x 426.7 x 426.7 cm Purchased as the gift of Ryda and Robert H. Levi, Baltimore Museum
  • 81. SMITH, Tony Gracehoper (at the DIA) 1961 Welded steel and paint, 6.91 m × 7.3 m × 14 m
  • 82. SMITH, Tony Duck 1962-63 Painted steel, 345.4 x 421.6 x 281.9 cm The Donald M. Kendall Sculpture Garden at PepsiCo (Purchase, New York),April 28, 2009
  • 83. SMITH, Tony Amaryllis 1965 Painted steel, 342.9 x 325.1 x 228.6 cm The Metropolitan Museum of Art, NY Anonymous Gift, 1986 © 2011 Artists Rights Society (ARS), New York
  • 84. KAPOOR, Anish Cloud Gate (2004, Stainless Steel) Photo credit: Natasha Mikitas
  • 85. KAPOOR, Anish Cloud Gate 2004 Stainless steel, 33 ft × 66 ft × 42 ft Millennium Park, Chicago. Courtesy of the City of Chicago and Gladstone Gallery, New York Photo: Peter J. Schulz, City of Chicago
  • 86. KAPOOR, Anish Sky Mirror 2006 Stainless steel, 35 ft diameter presented by Tumi at Rockefeller Center Organized by Public Art Fund, hosted by Tishman Speyer, on view Sep 19 – Oct 27, 2006 Photo: Seong Kwon Photography Courtesy: Public Art Fund
  • 91. NETO, Ernesto It Happens in the Horizon of Events, Garden 2001-07 Lycra tulle, polyamide, stockings, stones and gravel, 8 × 98 × 98‘ Tokyo Opera City Art Gallery, 2007 Photo: Keizo Kioku. Courtesy of the artist
  • 92. NETO, Ernesto Our Mist into the Mith 2008 Wood, nylon tulle, cotton, spices and sobakawa, 650 x 760 x 930 cm
  • 93. Stonehenge, Condado de Wiltshire, Inglaterra, 2014-08-12
  • 94. SMITHSON, Robert Spiral Jetty 1970 Mud, Precipitated salt crystals, Rocks, Water, 4.572 m × 457.2 m Rozel Point, Great Salt Lake, Utah, US
  • 96. SMITHSON, Robert Amarillo Ramp Tecovas Lake, Amarillo, Texas 1973
  • 97. SMITHSON, Robert Asphalt Rundown, Rome, October 1969
  • 98. HEIZER, Michael Double Negative 1969-70 50 miles NE of Las Vegas, Five miles E of Overton, Nevada Coordinates:36.614391, -114.344513
  • 99. HEIZER, Michael Double Negative 1969-70
  • 100. HEIZER, Michael Double Negative 1969-70
  • 101. HEIZER, Michael Rift # 1 of Nine Nevada Depressions (deteriorated) 1968 1.5 ton displacement on the bottom of a dry lake bed Width: (cm) 4500, Height (cm): 15800, Depth (cm): 300 Massacre Dry Lake, Nevada Imageworks, Art, Architecture and Engineering Library, University of Michigan
  • 102. De MARIA, Walter The Lightning Field, 1977 Long-term installation in Western New Mexico Courtesy Dia Art Foundation, New York. Photo: John Cliett
  • 103. De MARIA, Walter The Lightning Field, Nuevo México 1977
  • 104. De MARIA, Walter The Lightning Field Catron Country 1977 Western New Mexico Photo: Dia Art Foundation
  • 105. De MARIA, Walter The Broken Kilometer 1979 Long-term installation at 393 West Broadway, New York City. Photo: Jon Abbott Copyright Dia Art Foundation
  • 106. Christo and Jeanne-Claude PROJECT 1: Wrapped Coast – One Million Square Feet, Little Bay, Sydney, Australia, 1968–69 Photo: Harry Shunk
  • 107. Christo and Jeanne-Claude, Running Fence, Sonoma and Marin Counties, California, 1972–76, © Christo, 1976 Photo by Wolfgang Volz
  • 108. LONG, Richard Silence Circle Big Bend Texas 1990 Photograph, black and white, on paper and typescript, 830 x 1121 mm Purchased with assistance from the American Fund for the Tate Gallery, courtesy of Edwin C. Cohen and General Atlantic Partners 1991
  • 109. LONG, Richard Walking a Line in Peru, 1972
  • 110. LONG, Richard A Circle in Ireland 1975 Photograph, colour on paper, 810 x 1115 mm ARTIST ROOMS Tate and National Galleries of Scotland. Lent by Anthony d'Offay 2010
  • 111. LONG, Richard Circle in Africa 1978 Photograph, black and white, on paper, 820 x 1120 mm Tate, UK Purchased 1994
  • 112. LONG, Richard Circle Tuareg Sahara 1988
  • 113. LONG, Richard Sahara line 1988
  • 114. BURRI, Alberto Cretto di Gibellina, 1968
  • 115. BURRI, Alberto Gibellina, il Cretto di Burri
  • 116. BURRI, Alberto Cretto di Gibellina, 1968
  • 117. BURRI, Alberto Bianco Cretto C1 1973 Tecnica mista su cellotex, 150 x 125 cm
  • 118. HESSE, Eva Accession II 1968 (1969) Galvanized steel and vinyl, 78.1 x 78.1 x 78.1 cm DIA-Detroit Institute of Arts - Detroit, MI
  • 119. HESSE, Eva Repetition Nineteen I 1967 Paint and papier-mâché on aluminum screening, 19 units (one missing), 23.2 to 26.6 cm x 16.5 to 23.2 cm in diameter Gift of Mr. and Mrs. Murray CharashMoMA © 2014 Estate of Eva Hesse. Galerie Hauser & Wirth, Zurich
  • 120. HESSE, Eva Repetition Nineteen III 1968 Fiberglass and polyester resin, nineteen units, 48 to 51 cm x 27.8 to 32.2 cm in diameter Gift of Charles and Anita BlattMoMA © 2014 Estate of Eva Hesse. Galerie Hauser & Wirth, Zurich
  • 122. HESSE, Eva Enclosed from the set: 7 Objects/69 1969 Tape, liquid rubber, powder, and balloons, 7 1/2 x 3 x 1 5/8 " ArtScience Museum
  • 123. HESSE, Eva Connection 1969 Fiberglass, polyester resin on cloth-covered metal wire, 20 units, each 40.6 to 166.4 X 2.5 to 7.6 cm
  • 124. HESSE, Eva Expanded Expansion 1969 Fiberglass, polyester resin, latex, and cheesecloth, 309.9 x 762 cm Solomon R. Guggenheim Museum, New York, Gift, Family of Eva Hesse 75.2138 © Eva Hesse. Photo: David Heald (1986, New York)
  • 125. HESSE, Eva Tori 1969 Polyester, resin, and fiberglass on wire mesh, 119.4 x 43.2 x 38.1 cm Philadelphia Museum of Art, US
  • 126. HESSE, Eva Test Piece for “Contingent” 1969 Latex over cheesecloth, 365.8 x 111.8 cm National Gallery of Art, Washington DC Gift of the Collectors Committee
  • 127. HESSE, Eva Contingent 1969 Cheesecloth, latex, fibreglass installation (variable), 350.0 x 630.0 x 109.0 cm National Gallery of Australia Purchased 1973 Courtesy The Estate of Eva Hesse, Galerie Hauser & Wirth, Zurich
  • 129. SERRA, Richard Photo: Gianfranco Gorgoni 1969 Gelatin silver print, 27.7 x 35.2 cm
  • 130. Installed Castelli Warehouse Richard Serra, Casting 1969 10 x 765 x 455 cm
  • 131. SERRA, Richard To Lift 1967 Vulcanized rubber. 36 x 80 x 60 in Courtesy David Zwirner Gallery Photo: Peter Moore © 2013 Richard Serra/Artists Rights Society (ARS), New York
  • 132. SERRA, Richard (left to right) 1. Shovel Plate Prop 1969 - Plate, 99.1cm x 2m x 2.5 cm, Photograph by Peter Moore 2. Close Pin Prop 1969 - Pole, 2.5 m; 8.9 cm diam.; tube, 101.9 cm long 15.2 cm diam., Solomon R. Guggenheim Museum, NY, Panza Collection 3. Wall Plate Prop 1969 - Two plates: 88.9 x 88.9 cm; 101.6 x101.6 cm, Collection the artist 4. Right Angle Prop 1969 - Plate: 182.9 x 182.9 x 1.3 cm, angle: 91.4 x 61 x 86.4 cm, Solomon R. Guggenheim Museum, NY, funds by The Theidoron Foundation
  • 133. SERRA, Richard Shovel Plate Prop 1969 Steel, 203 x 213.4 x 81.3 cm; plate: 101.2 x 199.5 x 2.4 cm; tube: 144.9 cm long xv24.2 cm in diameter Solomon R. Guggenheim Museum, New York, Panza Collection © 2014 Richard Serra / Artists Rights Society (ARS), New York
  • 134. SERRA, Richard Right Angle Prop 1969 Lead antimony, 182.9 x 182.9 x 86.4 cm Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by The Theodoron Foundation © 2014 Richard Serra/Artists Rights Society (ARS), New York Photo: David Heald
  • 135. SERRA, Richard Corner prop 1969
  • 136. SERRA, Richard Prop 1968 (refabricated 2007) Lead antimony, approximately 227.3 × 152.4 × 137.2 cm Whitney Museum of American Art, New York; purchase with funds from the Howard and Jean Lipman Foundation, Inc. © 2009 Richard Serra / Artists Rights Society (ARS), New York
  • 137. SERRA, Richard Cutting Device: Base Plate Measure 1969 Lead, wood, stone, and steel, 30.5 x 549 x 498 Gift of Philip JohnsonMoMA © 2014 Richard Serra / Artists Rights Society (ARS), New York
  • 138. SERRA, Richard Stacked Steels Slabs (Skullcracker Series) 1969 Hot rolled steel, approx. 20 x 8 x 10‘ Installed: Kaiser Steel, Fontana, CA
  • 140. SERRA, Richard 2+2+1 for Dickie & Tina 1969 Lead plates 4'x4', half inch thick
  • 141. SERRA, Richard 2-2-1: To Dickie and Tina 1969, 1994 Lead, 1320 x 3490 x 1320 mm Tate Purchased with assistance from the American Fund for the Tate Gallery 1997
  • 142. SERRA, Richard Circuit II 1972-86 Hot-rolled steel, four plates, each 304.5 x 609 x 2.6 cm The Museum of Modern Art, New York. Enid A. Haupt and S. I. Newhouse, Jr. Funds, 1986
  • 144. SERRA, Richard Delineator 1974-75 Hot-rolled steel, two plates, each 595 x 300 x 2,5 cm Collection of the artist © 2011, ProLitteris, Zürich Photo: Serra Studio, New York / © 2011, Gordon Matta-Clark
  • 145. SERRA, Richard Delineator 1974-75 Hot-rolled steel, Two plates, each: 2.5 cm x 3.1 m x 7.9 m Gift of Edward R. Broida and Gift of Mr. and Mrs. Morton J. Hornick (both by exchange)MoMA © 2014 Richard Serra / Artists Rights Society (ARS), New York
  • 146. SERRA, Richard Sight Point, 1972
  • 147. SERRA, Richard Sight Point, 2012
  • 148. SERRA, Richard "7“ Almost 80-foot high, 7 steel plates - each 78 feet high and 8 feet wide - arranged in a heptagonal or seven-sided shape It was unveiled in 2011 and is the tallest artwork ever created by Serra It celebrates the spiritual and scientific significance of the number 7 in Islamic culture Museum of islamic Art, Doha, Qatar
  • 149. SERRA, Richard Berlin Block (For Charlie Chaplin), 1978
  • 150. SERRA, Richard Berlin Block (for Charlie Chaplin) 1977 Stahlblock, 190,5 x 190,5 x 190,5 cm Neue Nationalgalerie, Berlin
  • 151. SERRA, Richard Tilted Arc 1981 Steel, New York City (destroyed)
  • 152. SERRA, Richard Tilted Arc 1981 Federal Plaza, Manhattan
  • 153. SERRA, Richard Tilted Arc 1981 Federal Plaza, Manhattan
  • 154. SERRA, Richard Tilted Arc 1981 Steel, New York City (destroyed) Photo © 1985 David Aschkenas
  • 156. SERRA, Richard Clara-Clara 1983 Acier, 370 x 332 x 5,1 cm et 370 x 328 x 5,1 cm Installation dans le jardin des Tuileries à Paris (coll. Ville de Paris. © Dirk Reinartz)
  • 157. SERRA, Richard Clara-Clara 1983 Jardin des Tuileries, Paris
  • 158. SERRA, Richard Clara-Clara 1983 Jardin des Tuileries, Paris
  • 160. SERRA, Richard Equal (Corner Prop Piece) 1969-70 Lead antinomy, Plate 122 x 122 x 2 cm, pole210 cm long x11 cm in diameter Gilman Foundation FundMoMA © 2014 Richard Serra / Artists Rights Society (ARS), New York
  • 161. SERRA, Richard Two Forged Rounds for Buster Keaton, 1991 Forged steel, 2 elements: 162.6 x 226.1 cm
  • 162. SERRA, Richard Intersection II 1992-93 Weatherproof steel, four identical conical sections, two sections 400 x 1570 along the chord x 5.4 cm thick; two sections 400 cm x 1550 cm along the chord x 5.4 cm
  • 163. SERRA, Richard Intersection II 1992-93 Weatherproof steel, four identical conical sections, two sections 400 x 1570 along the chord x 5.4 cm thick; two sections 400 cm x 1550 cm along the chord x 5.4 cm
  • 164. SERRA, Richard Torqued Torus Inversion and Sequence, 2006 Weatherproof steel, two torqued toruses, each overall: 3.9 x 11 x 17.9 m, plate: 5.1 cm thick Collection the artist
  • 165. SERRA, Richard Betwixt the Torus and the Sphere (detail), 2001 Weatherproof steel, three spherical sections, three torus sections, 360.7 x 1143 x 810.3cm Photo by Rob McKeever
  • 166. SERRA, Richard Torqued Ellipse II, 1996, and Double Torqued Ellipse, 1997, DIA
  • 167. SERRA, Richard Torqued Ellipse I, à esquerda; Torqued Ellipse II, à direita e Double Torqued Ellipse, ao fundo Foto: Dirk Reinartz
  • 169. SERRA, Richard Installation by the American artist Richard Serra at the Guggenheim. Photograph: Vincent West/Reuters
  • 170. SERRA, Richard Double Torqued Ellipse Weatherproof steel, Outer ellipse, overall: 4×10.2×8.3 m, inner ellipse, overall: 4×8×2.5 m, plates: 5.1 cm thick Dia Foundation, New York. Gift of Louise and Leonard Riggio. Photographed by Dirk Reinartz. Courtesy of the artist and Gagosian Gallery
  • 171. SERRA, Richard Torqued Ellipse II
  • 172. SERRA, Richard Torqued Ellipse IV 1998 Weatherproof steel, 373.4 x 807.7 x 990.6 cm The Museum of Modern Art, New York. Fractional and promised gift of Leon and Debra Black, 1999. (c) 2007 Richard Serra / Artists Rights Society (ARS), New York Photo: Lorenz Kienzle
  • 173. SERRA, Richard Torqued Spiral (Closed Open Closed Open Closed) (Espiral bihurritua (itxita zabalik itxita zabalik itxita)), 2003 Weathering steel, 14 x 13.1 x 14.1 m; plate thickness: 5 cm Guggenheim Bilbao Museoa GBM2005.1 © 2012 Richard Serra/Artists Rights Society (ARS), New York
  • 174. SERRA, Richard 58 x 64 x 70, 1996 Forged steel blocks, 6 blocks: 147.3 x 162.6 x 177.8 cm Installation at Gagosian Gallery, SoHo
  • 175. SERRA, Richard No Mandatory Patriotism 1989 Paintstik on two sheets of paper, 236.5 x 510.9 cm Partial and promised gift of UBSMoMA © 2014 Richard Serra / Artists Rights Society (ARS), New York
  • 176. SERRA, Richard Exhibition copy of "Pacific Judson Murphy" (1978) Paintstick on Belgian linen by Richard Serra two parts: 285 x 442 cm and 285 x 272 cm Private collection Photo: Ian Reeves, S. F. Museum Of Modern Art
  • 177. SERRA, Richard No Mandatory Patriotism 1989 Paintstick on two sheets of paper, 237 x 534 cm Collection Museum of Modern Art, New York. Photo: Rob McKeever. © the artist
  • 178. SERRA, Richard Double Rift #2, 2011 Paintstick on handmade paper, 267 x 505.8 x 9.5 cm Gagosian Gallery, NY Photo by Rob McKeever
  • 179. SERRA, Richard A new drawing
  • 180. SERRA, Richard Two Corner Cut: High Low 2012) The Menil Collection Photo © Hester + Hardaway Photographers. Fayetteville, Texas
  • 181. SERRA, Richard Consequence 2003 © Richard Serra /Artists Rights Society (ARS), New York Photo: Richard Barnes
  • 182. SANDBACK, Fred Untitled (from Ten Vertical Constructions) 1977 Two-part vertical construction, red (variation) Dia Art Foundation Photo: Nic Tenwiggenhorn
  • 183. SANDBACK, Fred Untitled (Sculptural Study Seven Part Triangular Construction), 1982/2010
  • 184. SANDBACK, Fred Untitled (Sculptural Study, broken triangle, lannan foundation, santa fe) 1990-2014 Black and Orange Acrylic Yarn Galería Cayón
  • 185. SANDBACK, Fred Untitled (Sculptural Study, two-part vertical construction) 1976-2013 Orange and Yellow Acrylic Yarn, 30.5 x 45.7 cm Galería Cayón
  • 186. SANDBACK, Fred Untitled (Sculptural Study, Seven-part Right-angled Triangular Construction), 1982/2010
  • 187. SANDBACK, Fred Untitled (detail), 1976/1981
  • 188. SANDBACK, Fred Madre e hija (dos construcciones triangulares) (detalle) 2003 Hilo acrílico negro y gris copyright: cincodearte.wordpress.com
  • 189. SANDBACK, Fred Untitled (Sculptural Study, Five-part Construction), 1987/2009
  • 190. SANDBACK, Fred Simultan 1974 Woolen string, 64 x 6 x 48 cm
  • 191. WILMARTH, Christopher Tina Turner, 1970-71 Etched glass, clear glass, and steel cable, 177.2 x 449.6 x 147.3 cm Gift of Edward R. BroidaMoMA Number:811.2005Copyright:© 2014 Estate of Christopher Wilmarth
  • 192. WILMARTH, Christopher Trace 1972 Glass, steel, 60 × 60.125 × 35.25 inches Walter Art Center
  • 193. WILMARTH, Christopher Susan Walked In 1976 Etched glass and steel, 152.4 x 152.4 x 76.2 cm Hunter Museum of American Art
  • 194. WILMARTH, Christopher Is, Was (Chancing) 1975-76
  • 195. Jerry L. Thompson Christopher Wilmarth, Brooklyn, 1985 Dye transfer, 43.2 x 35 cm
  • 196. NAUMAN, Bruce My Name as Though It Were Written on the Surface of the Moon 1968
  • 197. NAUMAN, Bruce Mean Clown Welcome 1985 Neon tubing mounted on metal monolith, 72 x 82 x 13 inch
  • 198. NAUMAN, Bruce "e" 1970 Screenprint on paper, 518 x 662 mm Tate, Purchased 1994
  • 199. NAUMAN, Bruce Sex and Death 1985
  • 200. NAUMAN, Bruce Green light corridor 1970-71
  • 201. NAUMAN, Bruce Dance or Exercise on the Perimeter of a Square (Square Dance) 1965
  • 202. NAUMAN, Bruce Model for Animal Pyramid II 1989 Cut-and-taped gelatin silver prints (irreg), 229.9 x 152.8 cm Gift of Agnes Gund and Jo Carole and Ronald S. LauderMoMA © 2014 Bruce Nauman / Artists Rights Society (ARS), New York
  • 203. NAUMAN, Bruce Untitled (Three Large Animals) 1989 Aluminium and wire, 1200 x 3000 x 3000 mm Tate Presented by the Froehlich Foundation, Stuttgart 2000