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Ashley Sanders
Digital Scholarship Librarian
Claremont Colleges Library
1
2
3
4
5
Spectrum of Digitally-Infused to Digital-Centric Courses:
Sipping on DH: Incorporating digital
media, tools, and digital literacy into an
existing course.
Swimming in DH: Building a course
around deep engagement with digital
technologies, their underlying theories,
and how they advance disciplinary
knowledge creation and dispersion.
Digitally-Infused
• McClurken, “Incorporating
Digital Literacy into History
Methods Courses.”
http://mcclurken.blogspot.com/2
012/09/incorporating-digital-
literacy-into.html
• Tona Hangen, “US History II.”
http://www.flipsnack.com/A9C8
DBBA9F7/112fall14.html
• Davidson College’s Physics
Department --
http://webphysics.davidson.edu
/Applets/Applets.html
Digital-Centric
• Cordell, “Texts, Maps,
Networks: Digital Literary
Studies.”
http://f14tmn.ryancordell.org/
• Miriam Posner, “Digital Labor,
Urban Space, and Materiality.”
http://digitalmateriallabor.org/
• Cameron Blevins, “The Digital
Historian’s Toolkit.”
http://www.cameronblevins.org/
teaching/dhtk2012/
• Begin with a course you currently teach.
• How might you incorporate digital literacy into your class?
• Not sure? Ask a librarian!
• Consider digital projects for assessment
CC-Public Domain
Technology should
be value-added, not
an “add-on”
Learning
Objectives
Digital Technology
Students’ prior
experience, knowledge
and skills
CC-Public
Domain
Critical engagement with a few
digital technologies and theories
• provides an opportunity for students
to apply disciplinary epistemologies
to novel situations
• extends understanding of content
• builds transferrable skills
Go deep, just as you
do with your subject
matter.
CC-Public
“Digital natives”:
• still need to learn how to engage
with technology as scholars.
• like “digital immigrants,” have to
stretch to imagine what a
technology might do in relation to
their field of study
• also need to develop their digital
skills, especially for more advanced
projects that will require, for
example, learning a programming or
markup language
CC-Public
Domain
Your course and the
digital skills/concepts
students learn into
the fabric of your
department, college,
and the consortium.
CC-Public
Domain
1. Start with what you know.
2. Let your teaching drive your technology.
3. Teach a few things well.
4. Scaffold everything.
5. Integrate.
1
2
3
4
5
• Image URLS:
• Flickr User Caspian Blue, “Fat Tabby Cat Drinking Water from a Pond,”
http://commons.wikimedia.org/wiki/File:Fat_tabby_cat_drinking_water_from_a_pond-Hisashi-01.jpg.
Used under CC-BY-SA-2.0 license.
• Luc Viatour, “A Mandarin Duck,” www.Lucnix.be.
http://commons.wikimedia.org/wiki/File:Aix_galericulata_Luc_Viatour.jpg#mediaviewer/File:Aix_galeric
ulata_Luc_Viatour.jpg. Used under CC BY-SA 3.0 license.
• Ryan Cordell, “How Not to Teach Digital Humanities” (February 1, 2015)
http://ryancordell.org/teaching/how-not-to-teach-digital-humanities/
• Brett D. Hirsch (Ed.), Digital Humanities Pedagogy: Practices, Principles
and Politics (2012) http://www.openbookpublishers.com/reader/161
• Adeline Koh, “Introducing Digital Humanities Work to Undergraduates:
An Overview” (August 14, 2014)
http://www.hybridpedagogy.com/journal/introducing-digital-humanities-
work-undergraduates-overview/
• Leeann Hunter, et. al., “Digital Humanities Made me a Better
Pedagogue: A Crowdsourced Article,” Hybrid Pedagogy (July 10, 2012)
http://www.hybridpedagogy.com/journal/digital-humanities-made-me-a-
better-pedagogue-a-crowdsourced-article/

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Designing digitally infused courses

  • 1. Ashley Sanders Digital Scholarship Librarian Claremont Colleges Library
  • 3. Spectrum of Digitally-Infused to Digital-Centric Courses: Sipping on DH: Incorporating digital media, tools, and digital literacy into an existing course. Swimming in DH: Building a course around deep engagement with digital technologies, their underlying theories, and how they advance disciplinary knowledge creation and dispersion.
  • 4. Digitally-Infused • McClurken, “Incorporating Digital Literacy into History Methods Courses.” http://mcclurken.blogspot.com/2 012/09/incorporating-digital- literacy-into.html • Tona Hangen, “US History II.” http://www.flipsnack.com/A9C8 DBBA9F7/112fall14.html • Davidson College’s Physics Department -- http://webphysics.davidson.edu /Applets/Applets.html Digital-Centric • Cordell, “Texts, Maps, Networks: Digital Literary Studies.” http://f14tmn.ryancordell.org/ • Miriam Posner, “Digital Labor, Urban Space, and Materiality.” http://digitalmateriallabor.org/ • Cameron Blevins, “The Digital Historian’s Toolkit.” http://www.cameronblevins.org/ teaching/dhtk2012/
  • 5. • Begin with a course you currently teach. • How might you incorporate digital literacy into your class? • Not sure? Ask a librarian! • Consider digital projects for assessment CC-Public Domain
  • 6. Technology should be value-added, not an “add-on” Learning Objectives Digital Technology Students’ prior experience, knowledge and skills CC-Public Domain
  • 7. Critical engagement with a few digital technologies and theories • provides an opportunity for students to apply disciplinary epistemologies to novel situations • extends understanding of content • builds transferrable skills Go deep, just as you do with your subject matter. CC-Public
  • 8. “Digital natives”: • still need to learn how to engage with technology as scholars. • like “digital immigrants,” have to stretch to imagine what a technology might do in relation to their field of study • also need to develop their digital skills, especially for more advanced projects that will require, for example, learning a programming or markup language CC-Public Domain
  • 9. Your course and the digital skills/concepts students learn into the fabric of your department, college, and the consortium. CC-Public Domain
  • 10. 1. Start with what you know. 2. Let your teaching drive your technology. 3. Teach a few things well. 4. Scaffold everything. 5. Integrate. 1 2 3 4 5
  • 11. • Image URLS: • Flickr User Caspian Blue, “Fat Tabby Cat Drinking Water from a Pond,” http://commons.wikimedia.org/wiki/File:Fat_tabby_cat_drinking_water_from_a_pond-Hisashi-01.jpg. Used under CC-BY-SA-2.0 license. • Luc Viatour, “A Mandarin Duck,” www.Lucnix.be. http://commons.wikimedia.org/wiki/File:Aix_galericulata_Luc_Viatour.jpg#mediaviewer/File:Aix_galeric ulata_Luc_Viatour.jpg. Used under CC BY-SA 3.0 license. • Ryan Cordell, “How Not to Teach Digital Humanities” (February 1, 2015) http://ryancordell.org/teaching/how-not-to-teach-digital-humanities/ • Brett D. Hirsch (Ed.), Digital Humanities Pedagogy: Practices, Principles and Politics (2012) http://www.openbookpublishers.com/reader/161 • Adeline Koh, “Introducing Digital Humanities Work to Undergraduates: An Overview” (August 14, 2014) http://www.hybridpedagogy.com/journal/introducing-digital-humanities- work-undergraduates-overview/ • Leeann Hunter, et. al., “Digital Humanities Made me a Better Pedagogue: A Crowdsourced Article,” Hybrid Pedagogy (July 10, 2012) http://www.hybridpedagogy.com/journal/digital-humanities-made-me-a- better-pedagogue-a-crowdsourced-article/

Notes de l'éditeur

  1. Maintain your disciplinary focus. Incorporate technologies with low barriers to entry – twitter, tumblr, instagram, Google’s nGram viewer…
  2. Rather than try to engage with many DH technologies and theories, focus on just a few and help students think critically, as humanists, about why and how they are using the technology.
  3. Myth of the digital native Students may know how to use digital media, etc. for social reasons and in their daily lives, but they may not know how to use (instagram, tumblr, twitter, etc.) for scholarship. We need to teach students how to engage with digital media, tools, and technology critically.
  4. Tailor DH skills and expectations to students' experience in their programs, previous coursework, etc., just as you do for the content Integrate your course into the fabric of your department, college, and the consortium: share what you're doing with colleagues to see if there is some cross-pollination that could occur with what they're doing in their own programs and courses. Partner with the library, art museums and showcases, and area museums and cultural heritage institutions