7. FORM
A 3-dimensional object;
or something in a 2-dimensional artwork
that appears to be 3-dimensional.
For example, a triangle, which is 2-dimensional, is a
shape, but a pyramid, which is 3-dimensional, is a form.
Jean Arp Lucien Freud
8. TEXTURE
The surface quality or "feel" of an object, its
smoothness, roughness, softness, etc. Textures
may be actual or implied.
11. COLOR
Consists of Hue (another
word for color), Intensity
(brightness) and Value
(lightness or darkness).
Henri Matisse Alexander Calder
12. Primary Colors
Red, Yellow & Blue
Secondary Colors
Red + Yellow = Orange
Yellow + Blue = Green
Blue + Red = Violet
Complementary Colors
Red & Green
Yellow & Violet
Blue & Orange
Tint is the mixture of a
color with white, which
increases lightness.
Shade is the mixture of a
color with black, which
reduces lightness.
Tone is produced either
by the mixture of a color
with gray, or by both
tinting and shading.
13.
14. Robert Mapplethorpe
Claude
Monet
S P A C E
The distance or area between, around, above, below,
or within things.
Positive space (filled with
something) and Negative
space (empty areas).
Foreground, Middle-ground and
Background (creates DEPTH)
15. The Principles of Art
What we use to organize the
Elements of Art,
or the tools to make art.
16. BALANCE
The way the elements are arranged to
create a feeling of stability in a work.
Alexander Calder
18. Asymmetrical Balance
When one side
of a composition
does not reflect
the design of the
other, but still
balanced with
the help of other
devices.
James Whistler
19. Radial Balance
Radial balance is any type of balance based on a circle with its
design extending. from center. A star, the iris around each pupil
of your eyes, a wheel with spokes, and a daisy (among many
flowers and other plant forms) are examples of radial balance.
20. EMPHASIS
The focal point of an image, or when
one area or thing stand out the most.
Jim Dine Gustav Klimt
21. CONTRAST
A large difference between two things to create
interest and tension. Contrast can be between
the tones, or between the textures, etc
Ansel Adams Salvador Dali
22. RHYTHM
(and
MOVEMENT)
A use of elements in a way
that cause the viewer’s eye
to sweep over the artwork
in a certain direction
producing the look and
feel of movement.
Marcel
Duchamp